I understand the struggle that aspiring authors often face on their attempt toward publication. Honestly, this is one of the reasons why I’ve chosen to work in the publishing field—not just because I love books, but because I want to help other writers’ dreams come true.
However, as the publishing industry becomes more and more saturated, aspiring authors are finding it harder to receive recognition. The recent changes in the industry have caused editors to become more selective in their acquisition decisions. Us literary agents, as a result, are dealt with the same dilemma. We only get paid when a sell is made; because of that, we have no choice but to sign with clients whose book(s) we think could sell.
As I mentioned in my previous post, possessing an “it factor” can help aspiring authors to increase their chances of landing a traditional publishing deal in today’s age. And it all begins with the submissions to literary agents (or publishing houses).
First, in order to understand how you can catch an agent/editor’s eye, you must know what it is that we’re looking for from an author.
Below is a list of questions that I personally ask myself when reviewing a proposal…
1. Does this project fit my criteria of what I’m looking for?
2. Is the hook of this book strong enough for me to pitch to editors?
3. If the book is non-fiction, how does it fit into the current marketplace in a way that brings a fresh perspective? If the book is fiction, does the story tap into trends in a way that refrains from coming across as cliché or overdone?
4. Does the author understand who the target audience is of the book?
5. Does the author have potential to reach his/her target audience through platform?
6. Does the marketing plan prove that the author understands marketing and will partake in publicity efforts?
7. If the book is non-fiction, is this author the right person to write this book (based on his/her credentials)?
8. Does the author have connections in the industry with people who can act as an influencer or give a possible endorsement of the book?
9. Has the author been published in the past? If so, what are his/her sales history?
10. Last—but certainly not least—is the writing strong enough to carry this project?
As you can see, there is a plethora of factors that can play into whether an agent/editor accepts or rejects your proposal. It is not solely based on writing potential.
Why is this?
When an editor is interested in a submission at a publishing house, he/she will then meet with the rest of their team to discuss the project. Several departments will review the proposal from various angles. Believe me when I say that the answers to some—if not all—of the above questions will be considered at this meeting!
Fortunately, since you are an author who takes your writing seriously, you won’t see this challenge as a threat to your publication dreams; instead, you can use this as an opportunity to craft a stronger submission. A proposal that will allow you to stand out in the slush pile.
And achieve the “it factor” in the process.
What are other questions ways you attempt to stand out from the crowd in your submissions? How do you strive to achieve the publishing it factor in publishing? Let me know in the comments!
Tessa Emily Hall writes inspirational yet authentic YA fiction to show teens they’re not alone. Her passion for shedding light on clean entertainment and media for teens led her to a career as an Associate Agent at Hartline Literary Agency, YA Acquisitions Editor for Illuminate YA (LPC Imprint), and Founder/Editor of PursueMagazine.net. Tessa’s first teen devotional, COFFEE SHOP DEVOS, will release with Bethany House in 2018. She’s guilty of making way too many lattes and never finishing her to-read list. When her fingers aren’t flying 116 WPM across the keyboard, she can be found speaking to teens, decorating her insulin pump, and acting in Christian films. Her favorite way to procrastinate is by connecting with readers on her blog, mailing list, social media (@tessaemilyhall), and website: tessaemilyhall.com.
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