Categories
Writing for YA

How to Keep Readers Engaged: Interview with Ya Author M.J. Padgett

M. J. Padgett is a YA author and co-owner of Pirate Cat Publishing and I asked her advice about how to keep readers turning pages.

DJS: So much of our time as writers is spent trying to hook a reader, but that’s only part of the task. What do you feel are the most important elements a story needs to keep YA readers engaged?

M.J.: Keeping young adults engaged is a difficult task for anyone, especially a writer. Times change quickly, but the core elements of life pretty much stay the same.

Everyone wants a sense of community, of fitting in, finding people with whom they can create strong, lasting bonds (and maybe some romance.) While slang words and phrases, societal concerns, and social climate might change, those are human needs that rarely disappear.

When writing, I try to remember those things and touch on important topics like family—both good and bad aspects, especially including examples of healthy familial relationships—friendships, and young love. Engaging their thoughts and emotions by putting characters in similar situations they might be experiencing is key, especially in true-to-life books.

In fantasy, a sense of escapism that might help readers see their problems in another light, hopefully one that is positive and aids in growth.

What keeps readers engaged is honest discussion about topics we all face. It’s important to bring a Christian perspective to common concerns, showing teenagers that their feelings are not only understandable but also something we have all faced at some point, then offering them realistic and healthy ways to manage those feelings and situations.

DJS: What are some common pitfalls you’ve seen that can cause a reader of teen fiction to lose interest?

M.J.: Recently, many of my YA readers have voiced the same concerns–YA content has become too adult for their liking. Extensive scenes where teens are sexualized and often exploited, characters that are abusive in one way or another are portrayed as desirable, and too political content turns them off. They want to feel, but they want to do it in a healthy way.

DJS: Some stories for teens and YA readers seem to be long-lived favorites. What are your favorites among older literature, and what do you think makes them so timeless? 

M.J.: The Anne of Green Gables series, Little House on the Prairie, Little Women, and so on are all classics I see resurface among YA readers from time to time. I think, even though they might contain some worrisome topics here and there, they represent a time when literature was more wholesome and realistic. They told tales people related to and in a way that people can still relate to today. I think they survived because their authors knew how to write good stories that would stand the test of time and change.

Writing is M. J. Padgett’s true passion (after raising her daughter, of course), and she writes as often as possible. When it comes to reading, she loves a book that can make her forget where she is no matter the genre. If she can get lost and feel like the characters are her real friends, she’s a happy reader.

M.J.’s latest release is the YA Fantasy, Dark and Devious.

Something dark and devious lurks in the moors around Roisin Dubh’s home, and it’s her duty to stamp it out before it gets its claws into the humans she’s vowed to protect.… even though those humans would kill her on sight if they knew she was Fae.

Roisin is bound by a vow to protect the humans of Gwenlyre from dark Fae at all costs, but now something sinister has entered Gwenlyre, and it will strain Roisin’s vows – and her heart – to their limits.

M. J.’s Website: https://www.mjpadgettbooks.com/

Instagram: @M.J. Padgett

Pirate Cat Publishing is a platform offering clean YA in consumable form along with loads of bonuses.  https://www.piratecatpublishing.com/join

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Is Your Historical Novel YA or Adult Coming of Age

How do you know if you’ve written a young adult novel or an adult coming of age? What about books that have dual timelines with both a teen point of view and an adult point of view? Finding your genre can be a difficult task. Here’s a few things to look at that might help an author determine what genre their work lands in.

Age of the Protagonist

The age of the protagonist does not determine whether or not a book is young adult, but the age of the protagonist can eliminate some books from the young adult market. If the main storyline is not about how a teen character is dealing with their story world, than it’s not young adult.

The protagonist in a book written for adults can be of any age.

Topics Explored

All young adult fiction is coming of age, but not all coming of age is young adult fiction.

Coming of age written for the adult market tends to be grittier. In these books, the protagonist may be young, but is dealing with adult issues.

In young adult fiction, the teenage protagonist could be dealing with unusual circumstances, but the material is typically less graphic than fiction written for adults.

Word Count

A young adult generally sticks to a prescribed word count, whereas a coming-of-age written for the adult market with a teenage protagonist can have a wide range of word count and can be literary, upmarket, or commercial. 

Point of View

Young Adult fiction can be in one point of view or more, in either first person or third person, as can an adult coming of age. The current trend is to write YA in first person, but it’s not a defining rule.

Voice and Tone

Deep point of view is common in YA, as is an angsty bent. Teenagers are going through a myriad of changes and are focused on their feelings, more inward looking, and young adult is inclined to be written that way.

In adult fiction featuring a younger protagonist, the person is often operating as an adult, dealing with adult issues.

Vocabulary and Style

Novels written for the young adult market may use different vocabulary and language style than novels written for the adult market. Even if it’s historical young adult, the language would be slightly different to make it accessible to the targeted reader. 

Romance

In most YA Historicals I’ve read, romance is often a secondary storyline. Love triangles seem to abound, and I think readers accept that more in YA because young people are experiencing a lot of those first love emotions for the first time. Young people are often still discovering the contrasts between between a crush, an infatuation, or a possible real love, which may lead to developing feelings in two different directions.

Setting for Historical YA

The historical era is a backdrop for the issues that the mc is working through. Description and historical details will be a natural part of how the character interacts with it.

Historical for adults allows for a few short historical tidbits to be inserted into the narrative to give understanding.

In YA, this tends to only matter if it directly affects the main character in some way. Even though there will be history inserted, it only goes as far as to how the main character has to use this information to forward her own story. 

Hopefully, examining these different elements of a story will help authors decide what genre their historical fiction with a teen protagonist belongs in.  

Can you think of any other differences between historical YA and historical coming of age for adults?

Leave a comment below.

Stephanie Daniels writes Christian historical fiction for young adults and the young at heart. Her debut novel, The Uncertainty of Fire, first appeared on Amazon’s Kindle Vella platform where it was a top faved Christian story. It is now available in paperback and kindle format online at Amazon and Barnes&Noble.

The Uncertainty of Fire

Sixteen-year-old Whimsy Greathart would rather fight against Chicago’s child labor practices than attend her privileged family’s high society events. On the night of the Great Chicago Fire, her world turned to ash, she must rely on the mercy of poor relations to rebuild her future and is forced into the very labor system she wished to fight against.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

How to Write the Opening Scene: Infusing Emotional Connection From Page One

I had a conversation recently with one of my writing friends. She wanted to talk about how to infuse an opening scene with emotional connection.

“Here’s the most important truism about storytelling: readers don’t care what’s happening unless we care who it’s happening to.”

Tiffany Yates Martin, Intuitive Editing: A Creative and Practical Guide to Revising Your Writing

I never want a reader to think, “So what?“ I want them to feel connected to my main character and to be invested in the story’s outcome.

How to do that? First things first. Make the main character relatable, sympathetic, and/or interesting. This is easier said than done!

An author may have to try several different approaches before hitting on the one that works for a particular story. Sometimes I’ve kept the first draft version. Other novels or stories require more rewrites and edits of first pages.

Go Deep

Dive deep into your protagonist’s head, using strong, authentic voice. This can be a tricky concept to understand and master. The reader needs to know what the character is going through, thinking, and feeling, in an immersive way. Readers read to experience the story.

Creating an immersive experience and writing in deep point of view requires a whole set of skills, many of which you probably already have. Don’t try so hard that the prose becomes awkward and unwieldy. Give yourself the freedom to express the characters’ inner and outer life, but try to avoid writing in a way that distances the reader from those experiences.

How to write in deep point of view could take pages of discussion. Gather information from multiple, respected sources when researching how to improve in this area and remember to use what serves your story best.

Set it Up

Provide enough background and scene setting, so that the reader will care, but not so much they become frustrated or bogged down.

One of my story openings did well in contests, but beta reader feedback on the novel as a whole made it obvious I needed more background information early on. My readers couldn’t stay involved in the story and became frustrated with information gaps. The character entered the stage during a dramatic moment and while this was initially intriguing, by chapter four or five the story wasn’t working as well as it could.

I’d started the story in the wrong place.

A snappy opening is useless unless it serves the story.

The same is true for too much backstory, which can stop a story in its tracks and cause readers to lose interest.

Strive for Clarity

Make sure what’s in your head makes it onto the page. Part of my issue turned out to be over editing. Important information got left out of the revised version. (Or sometimes I never included it!)

Another pitfall could be that key information is present, but conveyed in a vague way.

Voice

Ahh, the elusive voice. Writing in deep point of view can help develop a character’s voice, but voice is a combination of things.

Try freewriting, character interviews, or listen to snatches of conversation to capture an authentic voice. I’ve found that the most authentic voice happens when I least expect it, so I keep notebooks handy and scribble down lines of my characters’ internal dialogue whenever they strike me. You can try out first person, third person, past or present tense. Find what works best for your character.

Create a Mood

Use the setting to create a mood that resonates with the reader. You don’t have to be a poet to create a mood with beautiful writing. Try for specific, vivid word choices.

Make a Statement

Start with a strong statement about a universal truth. These are statements that resonate deeply with readers because we recognize them as a fact. Or at least, we recognize that as far as the character is concerned it is a fact in their story world.

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”

Jane Austen, Pride and Prejudice

I Need a Hero

Readers still not connecting with the protagonist? Have your character do something heroic. This doesn’t have to be an earth shattering, out of the ordinary event. If your character shows a small kindness, it will make them more likable. Consider the book Save the Cat. Until that book came out, I didn’t realize how many characters I’d read about in novels had saved a cat or a dog. It works! Revealing the complexity of a character can help readers connect more.

Readers come to your novel intending to enjoy the book. They want to be entertained and to escape into another world. Make them care about your character. Keep them oriented and grounded. Immerse the reader in the story world. Provide enough detail so that the reader is experiencing the story, give them a character that is interesting, make them care, and provide enough clarity so they are never lost and left confused. Make sure what’s in your head is on the page.

If you do these things, readers will stick around to see what happens next.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Why Writers Should Keep a Travel Journal

Travel diaries can enrich your writing. New experiences can be a treasure trove of ideas. When something unique happens, I often think, “I can use that in a story.” I always imagine that I’ll remember such encounters. Inevitably, time passes and the nuances of the scene elude me.

That’s where journals come in.

Keeping a travel diary is a good way to keep track of observations, tidbits of interesting information you come across, impressions, and thoughts. Entries can spark ideas to enhance your fiction. It’s also a great way to record memories. Whatever the end goal, it’s a worthwhile habit to take up. And it’s an excuse to buy pretty journals. I love beautiful blank books and am a collector of pens. I have a habit of saving my journals, but going on a trip is the perfect time to give myself permission to use one!

Taking notes on a phone or other device works fine for travel journaling as well. If you’re more comfortable using your laptop, that’s another option. It doesn’t matter what tools you use, as long as you get words down.

The best time to write is anytime.

Some find early mornings ideal to record hopes for the trip and plans for the day. Bedtime can work well to reflect and write about the different experiences you might’ve had. Throughout the day, you can make notes about the people you’ve encountered, foods you enjoyed, places you visited. Writing your thoughts down while they’re still fresh in your mind is one of the best way to capture details. Different times of day have different benefits.b

Squeeze in writing while waiting in restaurants, on an airplane, or just while taking time to relax. It’s surprising how many opportunities arise. Hone your observation skills. Capture the everyday moments, interesting things you encounter, or impressions. It’s really up to you about what you want to include in your journal.

Once, I attended a festival in Seattle and observed the typical attractions, but an impromptu encounter between a girl of about four-years-old and a street musician is engraved on my mind. With her mother nearby, this little curly-headed blonde girl whirled around, her summer skirt flaring out as she danced, oblivious to the crowd. The man was middle-aged, a bit older than the other performers, and not on the main thoroughfare but still in a busy area. They radiated joy to the crowd. It was such a poignant scene. Such a simple thing, to play a little song or to dance in the street. All these years later, I can picture it and the emotions flood back, but the specific details are a bit fuzzy. Luckily, I kept a daily diary.

Grab those memories while you can. You’ll never regret having a written account of happy times, whether they’re from your dream vacation or a visit to see cousins.

Some Ideas to Kickstart a Travel Journal

Descriptions of Scenery, Foods, Events, People

Local Dialect, Sayings, Turns of Phrase

Emotions Experienced

Hopes and Dreams

Thoughtful Reflections

Memories 

Notes and Plans for the Next Journey

Do you have any tips for keeping a travel journal? Leave a comment!

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

What I Learned by Writing for Anthologies

I’ve had two types of experience with anthologies.

My first experience with contributing to an anthology was simple. I submitted a story, was accepted, and received a flat fee and free copies. I wasn’t required to do anything else, although I was asked to do readings and appearances.

The other type of anthology I worked on was a collaborative effort, organized by the leadership of my local writing group. One of the main purposes of this project was to learn all about writing and publishing a book by doing, which was quite a different experience.

At first, I didn’t intend to participate in the anthology but changed my mind after one meeting. After all, the only thing I had to do was crank out 7,000 words. Easy, right? I failed to realize there would be a lot more involved than simply writing a short story and editing it. 

Time Commitment

For the anthology, we had numerous meetings and got to visit a local Bed & Breakfast, the setting for our stories. This part of the project was very exciting and enjoyable. I love history, and even though I planned to write a contemporary piece, touring this historic B & B and speaking with the owner was a treat. I drew inspiration for one bit of my story from his personal wedding tale.

I didn’t anticipate the amount of discussion and business type meetings needed. They weren’t quite as much fun as visiting historic sites or having lunch with the gang. In addition, the project required plenty of emails regarding details. 

Each author did multiple revisions of their story, with everyone in the group critiquing along the way. This was a great support, but took longer than I expected.

Surprises

A few surprises cropped up along the way. Some contributors dropped out. In hindsight, this probably happens with every project. Not being on the overseeing committee, I’m not sure how much that affected the overall end product. For some projects, losing experienced authors could throw a wrench into the works.

Costs

Costs grew slightly as we went on, mostly for editing. Our organizer had a good grasp on the finances needed, so no huge bombshells there. Budgeting could be troublesome for someone less cost aware and experienced.

Cover Design

No one in our group was a graphic designer, and members had different opinions, myself included, on what the cover should look like. From this and talking with other anthology authors from various projects, it seems it might be better to decide on a graphic artist or completed cover design ahead of time.

Content

In the end, the anthology became a collection of different romance subgenres, which I think we were all pleased with. Whether or not an anthology project is genre specific might be something to weigh before you commit. Having everything in one genre could make the book easier to market. For us, it was primarily a learning experience, and having a variety of stories worked well.

Contest, Book Signing, and Promotion

We held a contest for local library patrons. The winner had a character in the book named after them. As it turns out, I was the author who got to use the lady’s name! That was fun.

I loved having a book signing and hanging out with the other authors. It’s always fun to meet with my writing group. I even ran into an old friend from high school!

Group marketing didn’t seem to go well. There had been plans to do group sales and in person events, but due to unavoidable circumstances, that fizzled. Some contributors bought copies wholesale to resell on their own. I did a few blog posts and giveaways to promote internet sales, but those were not terribly effective.

All in all, it was a great learning experience, and I’d do it again.

A few questions to ask before you agree to work on an anthology.

Do your writing goals line up with the other contributors? If it’s primarily a learning experience, you’ll have a different mindset than if you are focused on sales.

Are all of the stories in the same genre? If you plan on marketing the book, will any of the stories make it difficult for you to sell to your particular audience?

What is the time commitment? Will you be required to edit other people’s work? Will you be expected to contribute in other ways?

How will sales be conducted? 

What will be required from each contributor as far as participating in meetings, promotions, critique and editing, and other specifics such as book cover design?

Make sure to find out all the details such as theme, costs, and deadlines.

Have you contributed to an anthology? Do you have any tips to add?

Other Posts in This Series

WHAT I LEARNED BY ENTERING WRITING CONTESTS

WHAT I LEARNED BY BEING ON A PUB BOARD

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

What I Learned by Being on a Pub Board

I was flattered to be asked to serve as a pub board member for a small publisher. I’m no expert. I just love to read. My stint was a short one, but my time spent reading submissions was eye opening, and I’m grateful I had the opportunity to serve in this way.

From the beginning, I was curious to see what types of manuscripts would make it that far and eager to absorb as much information about publishing as possible. I thought it would be easy enough to read and give my opinion. It was, in some ways. But I was surprised by how difficult it could be to judge another author’s work.

It’s hard to say no.

The most difficult part of the job was saying no. 

I didn’t want to say no. I am painfully aware of the amount of effort that goes into writing a book. Still, if a manuscript wasn’t ready or wasn’t appealing, I had to be honest with feedback for the acquisitions editor.

For most authors, rejection is a constant. Publishers often say no, because they have to, for various reasons. That doesn’t mean anyone enjoys being part of giving a pass.

Maybe I’m just a marshmallow, but being a reader for a pub board helped me to understand how hard it could be to reject a novelist’s book baby. I developed a measure of sympathy for agents and publishers, which made my personal collection of rejection letters easier to deal with.

Contest winners don’t always translate into acceptable manuscripts.

Winning contests can give you a leg up. They are a great experience, and there can be tremendous value in entering contests. 

But winning or placing is no guarantee of publication. 

The completed novel needs to follow through on the promise of the opening. If you’ve won a contest, that’s huge, and a wonderful starting place, but don’t neglect the rest of your manuscript. Finish polishing, or developing, the entire book. Contests tend to focus on the first three chapters. Reading contest winners that didn’t quite deliver what I expected taught me to examine every chapter in my own novels.

Landing your dream agent does not guarantee publication.

Having a well-known agent can get attention, but if the person reading your chapters isn’t captivated, or if the execution of the story needs a significant amount of revision, they’ll be forced to use caution. There’s only so many books a publisher can take on. Acquiring an agent is only one step along the way.

Don’t take feedback or rejection personally.

When getting a rejection or comments, don’t take it personally. Rejection is hard, but becoming angry or upset will not change the publisher’s mind. It’s fine to disagree, but try to view feedback objectively, with a goal of understanding why the reader had those opinions in the first place. There could be many reasons why a book isn’t marketable at the moment.

Be authentic.

If an author cannot relate to the main character, they shouldn’t try to write them. If an author uses a set of traits and characteristics to define a character but has no true understanding of the character’s viewpoint or experience, it simply will not work. The story will be off kilter. Lack of authenticity will sink the story. 

Research subject matter, time period, and so on.

The more integral research is to make the story function properly, the more important it is to be accurate. When writing about a segment of society you are not intimately privy to, use multiple sensitivity readers and resources.

The most surprising thing I learned was that some authors at this level may still forgo using sensitivity readers and/or doing basic research. 

I’ve noticed plenty of this in the early beta stage, but didn’t expect to see it in a submission to a publisher. Don’t forget to do all the needed research, fact checking, and use sensitivity readers. I feel it’s one of the easier parts of writing a novel!

Use the best editor at your disposal.

It would be heartbreaking if work was passed over because the publisher felt it had promise but the editing phase had been rushed. 

Be encouraged.

Pub boards are hungry for good books. Remember, publishers are in the business of producing novels and are always looking. Your story might be the next great book!

Also In This Series

What I Learned by Entering Writing Contests

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

What I Learned BY Entering Writing Contests

Aspiring authors can benefit in many ways by entering writing contests. In this post, I will talk about contests for unpublished manuscripts.

Participating in writing competitions encourages authors to learn how to format correctly, follow rules, and meet deadlines. Score sheets from the judges often provide valuable information. Anonymous feedback is likely to be honest, and when given by a qualified peer it is priceless.

Contest wins are great to add to your author bio, whether on a website, in a query, or on a book cover. Having a literary award for the bio section of a query shows an agent or publisher that you are serious about your craft and plugged into the writing community. (Just keep in mind that winning a contest gives you something to put in your query letter, but doesn’t necessarily mean you’re ready to query. Getting a yes takes more than brilliant first chapters and a snazzy synopsis.)

Besides all this, it’s nice to get recognition and validation for your hard work.

Not all contests are created equal.

Sometimes smaller contests offer bigger monetary prizes. Sometimes lesser-known contests have more detailed feedback, or more experienced and qualified judges. Check out a contest before you plunk down your money for all the details such as costs, judging pool, prizes, and so on.  

Entering contests can get expensive, or not.

Fees vary widely. I tend to enter contests run by organizations that I would like to support, anyway. Some of the better-known contests may charge higher fees, but they carry more prestige if you place. 

The dollar amount of cash prizes, number of prizes, number of entries allowed, and ratio of judges per submissions affect how well each entry places. If an author is trying to break even, those are things to consider. (I’ve never gotten close to breaking even.)

Be cautious about writing competitions that charge large fees or otherwise seem off. Do your homework before jumping in.

Feedback can be confusing.

I learned to expect varied feedback. On more than one occasion, judges directly contradicted each other! This is a common experience, because art is subjective. Contests with detailed score sheets and directions may have more consistent results, but don’t count on it. Just like readers out in the real world, judges have their preferred types of stories and writing. 

One time, I entered a contest for feedback only. Because it was a contest geared toward romance and my submission wasn’t quite what they were looking for, I knew my manuscript wouldn’t place. However, the comments about the other elements of my story helped me, and that was my goal. The organizers provided a detailed scoresheet example and were happy to answer all of my questions beforehand. That’s a win for me! 

I’ve found that the best feedback came from judges who were widely read. I value the opinions of librarians, editors, and industry professionals. That’s not to say a general reader can’t give excellent feedback, but I like score sheets that let me know the experience level of the judge who is evaluating my submission. This helps me interpret any comments or confusing scores.

Disappointments happen.

It’s easy to get caught up in the excitement of contests. It happens to me all the time!

But with a realistic idea about the different way writers benefit from the experience, the inevitable disappointment will lose some of its sting.

Find the right contest to help you achieve your goals, whether that is financial reward, prestige, or honing your craft. 

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Writing a Sequel

Guest Post by YA Author Melody Personette

I’ve never been very good at writing sequels. They’ve always given me the hardest times.

The first sequel I ever wrote in full was for my YA superhero novel Weapon Icean. I ended up having to rewrite it from scratch and do major edits even after the rewrites. For Cursed, the sequel to my Fae fantasy book Wayward, thankfully, did not have to go through a huge rewrite but it was one of the hardest books I’ve written and edited.

Sequels have a lot of expectations on their shoulders. They have to live up to the first book, and if your first book sold big time or did even marginally well, that can be a lot of pressure.

I always worry my sequels will never live to readers’ expectations or to how well the first book did. But now, having written three published sequels and three unpublished sequels, I feel like I have a bit of a better grasp of them. I thought I’d share a few things I’ve learned over the years of writing several sequels.

Same, but Different

The very first thing, and possibly the most important, is to make sure your sequel is the same… but different. Readers are coming back for more because they loved something about the first book, whether it be the characters or the world or the theme. They’re going into the second book expecting to get the same thing… but slightly different. In a way, it’s keeping the same tone as book one, but adding new elements.

One of the best examples I can think of when it comes to this is Catching Fire from The Hunger Games series. In Catching Fire, you’re getting all the things you loved from book one: the danger, the characters, the world, the themes, and the action. It’s book one, but slightly to the left. 

Up the Stakes

To go off of that, Suzanne Collins also upped the stakes. Suddenly it wasn’t just about Katniss surviving the Hunger Games. She now has to survive real life, too. Her problems and life and death situations slowly bleed into real life. It’s not just her life on the line anymore. It’s her friend’s and family’s lives in danger as well.

The sequel should up the stakes, even just a little bit. The threat needs to get bigger; the villain needs to get more involved and become more dangerous, the protagonist needs to be challenged more than they were in book one.  

Add a Twist

In that vein, it can also add suspicion, stakes, and something new to the story by having a big surprise or a reveal in book two. This can be as simple as adding a surprising new character or as huge introducing a new villain to the scene.

Legendary by Stephanie Garber not only introduces new characters but also has a few big reveals about each of the characters. She left some secrets unturned in book one for readers to discover in book two. In Emerald Phantom, the sequel to my book Golden Touch, there’s a big reveal at the end that sets the stage for higher stakes throughout the rest of the series. Catching Fire also waits until the end of the book to have a big reveal and for Katniss to discover a bigger plan she’s been a part of the entire book.

Deepen World Building

Another aspect of a sequel, especially if this is going to be a trilogy or a longer series, the world building needs to be deepened in some way. You need to expand upon what you already have in book one. Readers fell in love with the world in book one and now they’re hungry to see more of it.

In Legendary, the sequel to Caraval by Stephanie Garber, we get to see the city of Veranda and are introduced to the Fates and a new magic we didn’t get to see in book one. In Catching Fire, we get to meet the winners of previous Hunger Games, see more of the different Districts and the Capital. 

These are just a few ways to keep a sequel interesting and keep readers coming back for more. Each writer is different and so it makes sense that we’ll each approach writing sequels in different ways. None of these have to be hard rules to how to write a good sequel, but if you’re stuck or are like me and really struggle with writing sequels, these are a few tips that might help you out.

Melody Personette, a YA author, book dragon and follower of Jesus. She’s been writing since she can remember and now tells stories about the magic of hope, light in the darkness and love conquering all and is passionate about inspiring teens and young adults with her novels.

Golden Touch: Book One in the Adventurous Archive Series.

Amaya Wilson already thought her family was struggling to make ends meet when she comes home one night to find her father has lost his job. Hopelessness starts to settle in until her younger brother, Tyler, remembers a map and a story their grandfather used to tell them: a story of their ancestor who found and hid a Golden Gift up in the mountains of Tennessee.

Find out more about Melody at melodypersonette.com or on her Instagram.

Categories
Writing for YA

Five Must Have Editing Resources for Writers

Congratulations! You finished your book or fiction piece. You’ve made sure to develop your characters and nailed your GMC. Now comes editing.

There are different levels of editing. During the first round of edits, it’s best to focus on the major things first and then gradually continue editing until you reach the proofreading stage.

A book goes through editing many times before it is ready to be published or submitted.


Luckily, there are resources out there to help authors along the writing journey. You could hire a full service editor from the get go, or tackle some or all of the editing tasks on your own.

Join a Critique Group

One of the best ways to develop writing skills is to join a critique group. Consistently working with other writers helps to develop their craft. I recommend groups that meet weekly over monthly groups, simply because you get to know each other better and are able to spur each other on. These should not be random writers, but people with goals similar to yours. Ideally, they should be at or above your skill level.

I prefer to find critique partners through the better known, large writing groups or by referral from other authors. Many writing organizations offer small critique groups.

Not every group will be a perfect fit. If that happens, don’t give up. It can take time to find the right match. If all else fails, you can form your own.

Enlist Beta Readers

Another option is to find a few beta readers, which I have written about before. That article is here.

Editing Books

One of my regular critique partners recommended a book titled Intuitive Editing: A Creative and Practical Guide to Revising Your Writing by Tiffany Yates Martin. I’ve studied many books on craft and a few on editing, but this book changed the way I approached writing. It is chock-full of solid advice, all neatly organized and presented in an easy to understand manner. I didn’t just read this book, I took notes in a separate notebook, color coding as I went along. On my first read, I discovered plenty of helpful tips for my specific projects. Good stuff!

Editing Software

The second resource I always recommend is ProWritingAid. This program can be used online or installed on your computer. Anyone can try it out for free. It analyzes writing and makes suggestions for corrections.

ProWritingAid is for the final stages of editing. There’s no need to wait until you’re completely finished with your work, though. This program will help you learn how to craft effective sentences and possibly reduce the amount of editing needed in the first place. It’s a powerful tool that goes way beyond grammar or spellcheck. There are similar programs available, but PWA is the one I am most familiar with.

AuthorTube has numerous videos and writers offering advice.

The young adult author and popular YouTuber Alexa Donne has two excellent videos for novelists about how to correct overwriting and underwriting. Many unpolished novels have a little of both, even when the total word count of the manuscript doesn’t seem problematic at first glance. The videos are well worth the time it takes to watch them.

Using these suggestions may smooth out a manuscript, but it’s still recommended to hire an editor if you plan to self-publish. But that’s a post for another day.

Do you have any resources you’d like to share? Know of a great editing book, software, or program? Drop a comment below.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Tips for a Successful Zoom Experience

I have a love/hate relationship with Zoom.

I love the convenience, and interacting with writers from around the globe (One of my fellow YA writers lives in the Czech Republic!). But there are a few things I don’t like.

Not too long ago, I rearranged my schedule in order to attend a workshop via Zoom with an author I greatly admire. Three minutes into the webinar, I had to leave. The feedback from the audio was so extreme I felt like an ice pick was stabbing my head.

It made me sad, and it made my teeth hurt. I was so disappointed.

The Dreaded Feedback and Other Distractions

Zoom has an audio buffer, but it isn’t a magic wand. There are a few things that can help.

Use a headset/mic if you have one. If you’re using your smartphone, earbuds can help you hear. Keep background noise in your environment to a minimum whenever possible. Mute your mic when you’re not speaking.

Visual background clutter bothers some. I don’t mind, but a clean or plain background is less distracting. 

If you aren’t the speaker, turn off your video during a presentation. People contorting in their chairs, making faces, eating, and/or talking to someone off screen might be entertaining, but seeing all that in the background can be bothersome. Besides, it might embarrass the person who forgot to turn off their video! 

Be as courteous on Zoom as you are in person. I’ve been in writing groups where people consistently interrupted the speaker. That’s not good manners in any setting. 

Tips for Hosts

If it isn’t standard procedure for all of your members to connect via a computer, remember that screen sharing isn’t particularly useful for those calling in from a phone. In one writing group I attended, screen sharing was the only method of reading for critique. That didn’t work well. As the owner of the manuscript scrolled, it was hard for everyone to follow along silently at the same speed and the small print was difficult to read.

Personally, I like seeing the group members’ faces. But hosts should try to should respect the participants’ wishes about whether or not they want to provide a video, a photo, or nothing at all. If video is a requirement, make sure you let everyone know that before the meeting.

The reactions and chat feature are bonuses, but it can be distracting and confusing if the leader constantly asks participants to screen share, react, and put things in the check box, all while they are trying to take notes at a seminar. Consider the type of meeting and time allowed.

Screen sharing is great when you’re giving a talk. Make sure the participants are allowed adequate time to take notes, or provide notes afterwards. Slides that are easy to read and understand are a huge help.

If you are running a meeting, please do not unmute participants’ mics for no reason.  

When scheduling a meeting, make sure you indicate what time zone.

Open the meeting on time. For whatever reason, perhaps because of the convenience, I’ve noticed a tendency for moderators to open Zoom meetings late. In real life, the same organizations would never expect people to tolerate this type of thing. Stay professional. 

Tips for Participants

To get the most good out of the Zoom experience, try not to schedule more than two meetings a day. It’s easy to get Zoom overload. Video calls take a lot of energy. Listen to your body and make adjustments accordingly.

Write out any personal contact details you might want to share ahead of time so you can paste them into the chat box. 

Don’t be shy. Follow up with other group members. Treat the meetings the same way you would any other networking opportunity.

And have fun!

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Three Gifts to Give Yourself Right Now

The gift-giving season is almost upon us! In all the planning for others, don’t forget yourself. I strongly encourage that writers regularly give themselves rewards, whether material or intangible. Like those gel pens and cute journals, I can think of a few necessary gifts all writers should give themselves.

Patience

I can’t tell you how many times I’ve said to myself, “When I get through with this edit, my book will be finished.”

And then there’s more work to be done.

Shortly thereafter, I get frustrated and run out of patience with myself. Being patient is easier said than done. The goal posts keep moving as I develop as a writer, which is both discouraging and encouraging.

Discouraging, because I feel like I will never get done, and encouraging, because it shows me I am evolving as a writer. Practicing patience and kindness is something we strive to practice when dealing with other people, but there are times when we need to give the same grace to ourselves.

Give yourself patience to navigate the process. You deserve it!

Besides, if you rush into things too quickly, you might wish you had waited a little while. Although don’t wait too long!

I’ve heard it said that almost everyone queries too soon, but that’s okay. Sometimes an author wishes they hadn’t published quite so soon, or hadn’t taken that first deal. It’s a learning process. If you think you’ve made a mistake by rushing things, then have patience with yourself about jumping the gun.

Writing is hard work. Be as kind to yourself as you are to others.

Wisdom and Knowledge

One of the best gifts you can give yourselves as a writer is knowledge. This can come in the form of how-to books, workshops, classes, or writing mentors.

Because writing is an art, some may feel that it doesn’t require much study and skill building, but this is not the case. Whether writing for enjoyment or as an income-generating career, the task requires a certain level of knowledge.

If it seems difficult to justify spending money on learning to write when you’re not gaining an income from creative efforts, consider looking at it as a gift for yourself to learn about something you truly love and enjoy doing.

Reality Checks

I almost didn’t include this as a gift. Honestly, who wants a reality check? Those can be hard to deal with.  

Reality checks can sometimes be unpleasant, but without accurate assessments, I can remain in a stagnant state and that’s not good.

Tempered with kindness, truth will point to the right direction. It might sting a little, but in the end, it’s better to know. Assessing where you are, what can be reasonably obtained, and which goals are realistic can help you find the pathway to success. And isn’t that a wonderful gift?

What gifts would you add to this list?

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Using Kindle Vella: Interview with Historical YA Author Stephanie Daniels

Amazon launched Vella this past month! Kindle Vella story episodes can be read in the Kindle for iOS app and on Amazon.com.

This seemed like an interesting and exciting new way of publishing, but I had questions.

I talked a bit with YA historical author Stephanie Daniels about her experience with Vella.

Thanks for sharing your knowledge with us, Stephanie. Can you give us a short overview of what Vella is?

First, thank you so much for inviting me to share my publishing journey. Kindle Vella is Amazon’s new platform for episodic/serial reading. The first three chapters of every story are available for free so readers can try it out. Then they can buy tokens to unlock additional episodes. Some stories are already complete, while others release episodes on a daily or weekly basis.

What drew you to consider using the Vella platform?

I think it’s the way people will read in the future, especially the younger generation. Since I write for the young adult market, it’s a great place to explore finding an audience.

Did you run into any snags or anything unexpected?

With any new thing, there will be road bumps. Amazon chose to do a “soft” roll out, which made the initial release difficult since few people know how to use the site. But I think they’re gearing up to market it more in the coming months.

From your experience so far, what type of authors do you think would benefit from using Vella to publish their work?

I’ve been surprised by the wide variety of stories on it so far. I think it will have a really big young adult readership. There seem to be an abundance of fantasy/supernatural stories, and a lot of romance. They’re getting the most readers right now.

Any words of advice?

It’s easy to get impatient. Trust God with the writing journey. Trust Him before publication and after publication. We tend to strive and get anxious, but when we use this gift for Him, then the results also belong to Him. Try to enjoy every step.

Check out Stephanie’s historical inspy YA, The Uncertainty of Fire, a Kindle Vella story. I’ve had a peek at the first chapters and can’t wait to keep reading!

Click here The Uncertainty of Fire

Privileged teen, Whimsy Greathart, loses everything during the Great Chicago Fire of 1871, and must choose a home for her heart between the two young men who help her face hardship–a charming newsboy and a shy preacher’s son.

Stephanie Daniels

Stephanie Daniels is a Christian wife and homeschool mom of three young men. She writes Christian historical fiction for young adult readers and the young at heart. Her stories carry strong faith themes and often romance.

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Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Interview with Olivia Smit: Reading Advice for YA Authors

Young Adult author Olivia Smit just released her newest contemporary, Hearing Lies. She’s also is in my crit group, and she’s fellow book lover! I had to ask her a few bookish questions and get her advice for YA writers about reading.

I’ve heard some authors say they avoid reading books too similar to their own out of fear they may inadvertently copy style. I can see how that could be a problem for some, but I don’t seem to have that issue. For me, the greatest pitfall of reading a good book is that it distracts me and keeps me from working on my own novels!

What are some of the things you watch out for when reading that could adversely affect your writing?

This is an excellent question! I think for me, it’s most important not to play the comparison game. I’m not worried about copying other authors. Like you, it just hasn’t been a problem for me. But it is easy to get discouraged when I read something brilliant.

Sometimes I think, “I will never write like this,” or “My book will never sell this well.” But that mindset is damaging and unproductive. It doesn’t help anyone. I try to turn the comparison game into something that will inspire me instead. When I read something excellent, I like to ask myself why it inspires me the way it does.

That is great advice!

Do you think authors should read outside their genre? Or stick with only reading the genre they write?

I think outside of the necessary demands of a book-related career, authors should feel free to read what they enjoy in their spare time. For me at least, putting too many “should-read” books on my TBR is the fastest way to make me NOT want to read … which in turn affects my writing ability.

But is there value in reading outside your genre? Absolutely. When you step outside of the genre you’re used to, your brain starts absorbing new information, new plotlines, and new tropes.

There’s always the chance that your favourite genre might not be the one you write in! I actually enjoy reading contemporary and fantasy in equal measure, but I haven’t written anything fantasy-related since I was in elementary school. Maybe someday, but for now, I gobble fantasy novels up in my spare time.

Do you have a favorite classic novel? Do you think reading classics is still relevant for authors today?

If The Chronicles of Narnia count as classics, they’re an easy win! If not, I really like Anne of Green Gables, Watership Down, The Blue Castle, North and South, and The Three Musketeers.

I think stories are stories. There are brilliant classic novels and it would be a true tragedy to refuse to read them simply because they weren’t published in the last 50 years. Similarly, there are gorgeous works of art being written today, and it would be a shame to turn up your nose at them simply because they are too modern. I’m a little passionate about this! For me—and for many people—reading is a hobby and a joy. I think people should be free to read what they want while being encouraged, occasionally, to try something new.

In your books, your main character, Skylar, gets a job at the library. Why did you choose the library as part of your setting? Do you have any favorite memories of the library?

I used to visit the library weekly, if not more often, when I was a child, and I frequently checked out 10-15 books at once. I sometimes had to use my chin to carry them to the counter! I’d start reading while I waited for my family to finish, read in the car on the way home, and not look up again except to eat dinner until bedtime. I still have a habit of checking out 5+ books at once, even though I have less reading time than I used to.

Part of the reason I set so much of Seeing Voices and Hearing Lies inside a library is because of how much I love libraries! But I also do have experience working there. I shelved books at my childhood library while I was in high school, and I thought it would make a fun summer job for Skylar, too.

Thank you, Olivia!

Olivia smit

Olivia Smit loves baking, visiting small towns, and writing stories that face hard truth with hope and encouragement. Olivia has an Honours Specialization in Creative Writing, English Language, and Literature. She lives in Canada with her husband and their dog, Cassiopeia. You can also find her on Instagram and Twitter. Her website is oliviasmit.ca.

Columnist Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Writing a First Novel: Ten Mistakes Not to Make

There’s no one right way to write a novel, but there are plenty of wrong ways! Here’s a few common mistakes to steer clear of to make the path a little smoother.

Structure your novel.

It doesn’t matter if you’re a pantser or a plotter, your main character needs to have a compelling goal.

With my first try at a character driven book, my MC had plenty of internal motivation but no external motivation. Nailing down GMC, goal, motivation, conflict helped. Identify the GMC of a story before starting the first or second draft. Getting the GMC nailed down helps me keep my story on track and saves a lot of grief and time wasted rewriting.

Develop the characters.

Sometimes the story idea is fantastic and all is in place, but the characters fall flat. Characters should be relatable and realistic. One of my characters was meant to be crabby due to grief, but just came off as crabby and nothing else. Rewriting her wasn’t horribly hard, and the character is much more likable and relatable now.

Find the right point of view.

Try out different points of view. Choose the one that suits the story best, or choose the POV that works best for you as a writer. Originally, I almost always wrote my fiction in first person, but it was short fiction and not a novel.

I got advice from a writing mentor and was told to write in third person past.

Unfortunately, third person past didn’t work for me. The stories were okay, but even after writing complete novels in third person, something wasn’t right. I rewrote all my books into first person past and it was like breathing clean air. It would have been much easier to write a few chapters in different POVs and pick the best one from the start.

A different book may require a different POV from your usual, so don’t be afraid to test out the first chapter in various POVs before settling on one.

Don’t head hop.

Stay in one character’s point of view during a single scene. Omniscient POV and head hopping are two different things. Study up and learn the difference before using this as an excuse.

Don’t write about a topic you hate to research.

You would think this would be obvious, however it was not. I wanted to write an emotional story about grief. In order to do that, I needed to research medical conditions. I love to research all sorts of things, but death is not one of them. However, my heart wanted to write a book to comfort, so if I considered my goal, the research was tolerable.

Keep yourself organized.

Use a running list and/or pictures of people, settings, and items important to your story to help write consistent descriptions. Those blue eyes turning brown halfway through a manuscript is a common problem. If you have a series, you can keep a story Bible. This is a document to keep all the details straight.

Make a timeline.

If the story takes place over an extended period of time, evade headaches and make a timeline. This way strange weather anomalies such as snowfall in May and other time bending occurrences can be avoided.

Ask for feedback from the right sources.

Find some people who can provide useful feedback and encouragement.

Don’t share your work with the wrong people. Do not take to heart advice from people who do not read in your genre.

Shun Negative Nellies who have nothing good to say about anything. Constructive criticism is the only useful criticism.

The ideal writing buddies give useful feedback and do it in a respectful way.

Don’t query too soon.

When is too soon? That’s hard to say. Usually, it’s not wise to query your first novel, but there are always exceptions. This is rare.

I queried too soon, but once I realized my mistake, I’d lost those opportunities.

If you’re not sure, enter a few contests that provide critique-type feedback or use a critiquing service outside of the people who love you. Anonymous services sometimes provide a bit more honesty than your writing friends.

Trust your heart.

Don’t try to write a story you don’t love. It will show. Writing to the market may seem like a good idea, but if the author doesn’t feel connected to the characters, the reader won’t either. Writing a novel length work is a long-term commitment. Love the story and characters enough to stick with it.

Do you have any tips or experiences to share? Leave a comment.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Avoiding Preachy Prose

Much young adult fiction today deals with contemporary issues and is a reflection of the times. Authors have important things to say. But if the writing is preachy, readers may disengage.

What is preachy prose?

Writing can come off as preachy when the author is too heavy handed in their delivery of a message or a story’s theme. Sermonizing isn’t exclusive to religious themes. Social issues, politics, cultural views, anything the writer has an opinion on can be presented in a preachy way.

Not all readers will agree on whether or not a particular book is preachy. One reader may embrace the story while others criticize it. The trick is to be true to your theme without becoming strident.

But I want my book to have a message.

It’s perfectly fine and desirable to have a message in your book, but if it’s fiction, use characters to illustrate the point and trust your reader. The message should feel natural, unforced, and be interwoven into the story. 

How can a writer avoid preachy prose?

Produce well-rounded characters with plenty of realistic opposition and conflict.

Use external conflict. Give characters opposing viewpoints. Through their interaction, allow the story to develop and reveal the theme. 

Use internal conflict. Instead of presenting a single viewpoint as cut and dried, let your character come to conclusions about their beliefs. Let them struggle, grow, and learn.

Use realistic character action and reactions to illustrate the theme. Just like in real life, a guy passing out Bible verses doesn’t have quite the same impact as a character walking through hard places while clinging to his beliefs.

Think about how you react when a person in real life delivers a personalized sermon on your shortcomings. Do you feel grateful?

If you have a preachy character, have the other characters react to them in a realistic way. As a bonus, this could make for some good conflict! If that doesn’t work for your story, rewrite the preachy character to reflect your vision.

There’s no need to avoid prayer or religious language—if it’s true to your characters. Preachiness has less to do with what a character believes, and more to do with how the character’s beliefs are presented.

Use story events interspersed with dialogue to make the point. Don’t restrict the message to a large chunk of dialogue in one scene. The entire story should reflect the theme. Sprinkle it around!

Setting, imagery, and symbolism can all reinforce the theme. It isn’t necessary to use every technique in the book and subtlety is the key. 

Do you have any tips on avoiding preachy prose?

Leave a comment below.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Writing a First Novel: Creating Characters

In past blog posts, I’ve written about choosing a genre, story premise, and GMC.

A key element of any story is character development. Character development is the process of creating fictional characters, but can also refer to a character’s arc. In this article, I’ll talk about the process of creating characters and leave the arc for another day.

Key Characters

Every story has a hero, or main character, also called the protagonist.

Some have a villain, the antagonist. In some stories, the main character (MC) fills both roles of antagonist and protagonist.

Most have secondary characters. These assist the MC, oppose the MC, or otherwise help the reader understand the MC’s journey.

Fully developing the protagonist and antagonist is essential to a good story.

In order to be three dimensional, characters should have occupations, hobbies, friends, favorite foods, talents, etc. but they also require fleshing out in other ways. Some writers spend a lot of time describing the physical attributes of their story people. While this is important, the emotional make up—dreams, ambitions, struggles, and so on—of your character is what resonates with readers.

Flat and Round

Have you been told your characters are flat, or that they need more rounding? What does this mean?

Flat characters are one-dimensional. Some minor characters can be flat and serve the story just fine. However, main characters need to have depth and personality.

Ever met someone who appeared to be perfect? Did it feel like you were waiting for the authentic person to reveal themselves?

Don’t make your characters too good to be true.

But it’s fiction!

Even so, your reader wants to feel as if the story is real. To capture the reader, a main character should have both attributes and flaws. 

But I want my hero to be good!

No one is all good or all bad. Perfect characters are hard, if not impossible, to relate to. They can come off as unrealistic, preachy, or just plain boring. If readers don’t feel an affinity with the protagonist, they won’t be invested enough to keep turning pages.

A superhero who is afraid of spiders. The psychiatrist who has a dysfunctional family. The miracle worker who cannot heal his own child. These are more interesting than a flat hero.

What about the “bad guy” in a story?

While reading a novel, do you ever find it hard to believe a “bad” character is all bad? A villain becomes a cartoon image, and the book gets tossed aside. Both heroes and villains need to have core values. I’ve heard it said that all villains believe they are the good guy.

Often, a character’s greatest strength will have negative aspects, just like in real life. A character who is responsible may take responsibility too seriously, or take on responsibility that isn’t theirs. This could cause all sorts of story problems!

A character who is consistent, a good trait, can be inflexible, which is bad in certain situations.

The character who values family above all else, can cross lines and cause tension because they put such high regard on family relationships.

Round characters come with built in opportunities for conflict.

A good tool to figure out the natural balance of your characters’ dominant traits is by determining their personality type using something like 16Personalities.com.

Creating Compelling Characters

To further develop rounded and interesting characters, go beyond a list of the basics. Try character interviews, asking deeper questions. A google search should turn up plenty of fiction writing character interviews, or you can make up one.

Or try this. Put your character in different situations, awkward, stressful, relaxed, and write their interior dialogue. Do this exercise in first person, even if your novel is in third.

Does a writer have to do all of this before they start writing? Not necessarily. Often, my characters flesh themselves out during the process of writing. But not knowing enough to have a solid GMC is usually a guarantee my story will stall.

Having a well-developed character in mind will help the story unfold easier. As long as the writer doesn’t get bogged down in endless character questionnaires and interviews, such exercises are a useful addition to the writer’s toolbox.

Recommended Reading

Write Great Fiction Series: Characters, Emotion & Viewpoint by Nancy Kress

Related Blog Posts

WRITING A FIRST NOVEL: CHOOSING A GENRE

WRITING A FIRST (OR SECOND) NOVEL: STORY PREMISE & GMC

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Writing a First (or Second) Novel: Story Premise & GMC

I love new, fresh story ideas.

When I first started writing stories, I would attempt to capture a thought or feeling the minute it sprang to mind. I didn’t plan my stories. Needless to say, many of these vignettes meandered or ended up unfinished.

What was I missing? Story premise.

This isn’t an article about plotting versus pantsing. This is about generating a viable story idea from a seed or impression.

How do you know if a concept is story worthy?

With my first novel, I accidentally managed to produce good structure. My main character had a concrete story goal early on. She also had a strong emotional desire stated in the opening sentence. From the initial moment of external conflict, the stakes continually increased, following a logical progression. It unfolded this way until the conclusion.

Easy peasy, right? Surely I had mastered the art of story structure and could replicate the process.

Not exactly.

I began a second book and focused on the emotional state of my character, neglecting to give her an external goal. Even though I was attempting a character-driven work and wanted to explore emotional growth, my protagonist still needed to have an external goal. 

The book had to be restructured to include both internal and external GMC – goal, motivation, conflict.

Broken down, it looks like this:

Goal: What does your protagonist want?

Motivation: Why do they want it?

Conflict: What’s in their way?

{Protagonist} wants {goal} because {motivation} but can’t succeed, because {conflict}.

All of the important characters in a successful story have both external and internal GMC. The differing goals produce conflict. They initiate the action and keep it going. Without a clear and concrete external goal for the protagonist to pursue and obstacles (conflict) to overcome, the story stagnates.

In plot driven stories, the external GMC is what keeps the story moving along. I find these easier to figure out. With character driven work, the character’s want directly opposes the (true) need. This produces conflict and forces growth in the character. Every character has internal and external goals and motivations. The two GMCs, external and internal, go hand in glove.

There will be many smaller goals and conflicts along the journey, but the overarching, or main, GMC of your story is the foundation of your premise.

The story premise is a few sentences distilling the key elements of your story, and incorporates the main GMC.

The premise contains:

The protagonist, set-up, protagonist’s goal, the source of resistance or antagonist, the core story conflict, and the protagonist’s motivation. A story premise can also include the other essential character(s).

Does the GMC or premise have to be perfectly expressed before you begin writing a novel? Not at all, but I’ve found the process goes much smoother if I understand what my character wants, needs, why they want what they do, and why they can’t have it. The better I solidify these things early on, the more likely I am to end up with a coherent story.

Nailing down GMC can take a few tries and a bit of time, but is well worth the effort.

Resource for Further Study

GMC: Goal, Motivation, and Conflict Book by Debra Dixon

Related Post 

WRITING A FIRST NOVEL: CHOOSING A GENRE

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Story retellings: Interview with A. K. Pittman

Allison Pittman, writing as A. K. Pitman, has a brand new book out, and it’s a YA P & P retelling, Pudge and Prejudice, set in 1984 North Texas.

February is Body Image Awareness Month, and the timing felt perfect to ask Allison a few questions about her book, which deals with body image.

I love the idea of mingling one of my favorite Austen novels with a more recent historical setting.

I love the idea, too! It really showcases the timelessness of Austen’s story. Human emotions and motivations and desires are so transcendent, even if our surrounding society changes.

What was the strangest thing you had to research or the most surprising thing you learned when you were researching for this project?

Well, I learned that high schools outside of Texas don’t do homecoming mums. They are huge in Texas (literally and figuratively).

As a fellow Texan, I can attest to the hugeness of mums.

What are some of the unique challenges you faced when writing Pudge and Prejudice?

I was always surprised when I learned that something—some TV show or song—that I clearly remember from that year (1984) actually hadn’t happened yet.

Time passes, I guess, and everything gets mixed up. Over and over I was “redirected” by my lovely editor who hadn’t even been born yet! Quite a humbling experience.

Your novel is set in the 80s. How do you feel the landscape of the current high school culture has changed since then? What are the main things that have stayed the same?

It’s much easier to mention what has stayed the same: Kids still group themselves and establish crushing hierarchies within their ranks. What has changed? There’s such a lack of naiveté and innocence. They are exposed to so much, and with cellphones, they are never more than a click away from hurtful messages.

If you had fifteen minutes to talk to a young person who was struggling with body image, what is one main thing you would want them to understand?

I would want them to understand that, right at this moment, they are exactly what God intendeds them to be.

That’s hard to understand and accept, especially if they are unhappy, but that unhappiness can be channeled into something positive.

And then, I would emphasize that they need to compare themselves with themselves, not other people. You have to accept yourself, but you don’t have to accept your habits. Find out what is best for you, and don’t allow anything less.

Do you have any resources you’d like to share for young people struggling with body image issues?

As a blanket answer, I would say to step away from social media and develop good, in-the-flesh friendships where you interact outside of a tiny screen. That said, I would caution against any resource that promises anything other than restoring health in mind, body, and spirit. In fact, stay away from outside promises, period.

A healthy body image comes from within. You’ve made the decision to eat healthier? Study up on healthy cooking. You want to exercise more? Test your body to see what it can do and go from there.

Finally, there is no greater resource than God’s word—for anything, but most of all for inspiration about just how beloved and valuable you are.

Psalms 139:14 says, “I will praise you, for I am fearfully and wonderfully made; marvelous are your works, and that my soul knows very well. Part of that “wonderfulness” is how our outer appearance reflects our inner care. We need food, water, sleep, rest, and purpose—all in balance.

Find the best of those things, and you will find the best of yourself.

Allison K. Pittman is an award-winning author of thirteen novels. An enthusiast for all things writing, she leads two writing groups where she gets to blend her two passions: writing and teaching. (She gets to teach every day, too. Middle School.)

You can follow her around on Instagram (@allisonkpittman) or Twitter (@allisonkpittman) and keep up with the latest writing news on her Allison Pittman Author Facebook page—all of which will keep you up-to-date on not only her books, but also life with her husband, Mikey, and Snax, the world’s worst dog.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Writing a First Novel: Choosing A Genre

Want to write a novel, but aren’t sure what genre to pick?

Write What You Love

That’s a good place to start. 

If you devour books of certain genre (or subgenre), then you’ll be well acquainted with how the stories unfold in similar patterns. That familiarity might make writing one a natural process. However, it could be problematic if you choose to write a first book in a genre that has a complicated structure. Sometimes simpler is better.

And what if you are like me and love to read everything?

Narrow the Choices

Each genre has its familiar tropes and construction. For most of us, it would be too time consuming to try and learn how to write every genre out there. 

Pick a genre that you seem to gravitate toward. Out of those, if your goal is to learn how to write a book, it might be wise to look for the one with the simplest structure. If that prospect isn’t exciting to you, give that one a pass. The project needs to inspire the author for the long days and nights of pounding a keyboard.

If you have experience writing shorter works in one genre, why not try a longer work, even if you love a different genre?

Or maybe you have a great idea for a children’s book, and that’s where your heart is. Go for it!

Write what you are passionate about. 

What’s the Easiest Genre to Write?

I’ve heard different teachers suggest an adventure novel is easiest. Others say romance. Then again, some have sworn writing a who-done-it is the way to go to learn story structure. I love to read mysteries, but the idea of plotting one makes my brain freeze up. 

The stories I like to write, character driven contemporary, are considered by some to be the hardest of all to write! For NANOWRIMO, I tried to plot a simple romance. I ended up with a contemporary young adult novel about issues with a strong element of romance. 

There’s not a one size fits all.

Try Writing Shorter Works First, or Not

Writing a book is a huge commitment. If you’re not absolutely in love with the story idea and characters, the book may not get finished. If you’ve never written a novel length work, you could try your hand at a novella first. It depends on the writer. Do what feels the least overwhelming or frustrating. Even short stories can help writers learn basic story building.

Do I Have to Pick a Genre?

Is it required that an author label the genre of a novel? Not until it is ready to be pitched or published. It helps to know the genre, but isn’t always necessary.

My first attempt at a novel length work ended up as a historical, which was not my intention. I was just trying to get from point A to point B to point C. For me, the genre was beside the point. All I wanted was to learn how to write a novel.  

Don’t Feel Locked Into a Genre

Direction is good, but don’t feel you have to decide right away, and don’t feel you are locked into a genre if it turns out another seems to be a better pick. 

The best genre to write a first novel is the genre that gets the author putting words on the page!

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Talking About Writing and Contests with 2020 First Impressions YA Finalist Annette Griffin

The First Impressions Contest is held every year by ACFW. This year, Annette Griffin made it to finalists’ list for the young adult category.

Congratulations, Annette!

What advice would you give writers considering entering writing contests?

Entering contests has been one way I challenge myself to become a better writer. Here are a few things I’ve learned–the hard way– about submitting successful contest entries:

1) Be sure to pay close attention to the contest submission guidelines, follow them precisely, then check again for compliance before you hit the send button.

2) Write with passion, but when you’re done go back and highlight all the passive language and replace it.

3) Before you hit the send button be sure to pray. Ask God to align your heart with His plans for your writing and pray for favor and open doors according to His will. 

Why did you decide to write young adult fiction?

My characters tend to choose the genres I write. My YA characters are some of my favorites–each are inspired by my work with young adults through years of youth ministry. 

What is your biggest writing dream or goal?

I have a different take on this question than most of my author heroes and mentors. Yes, goals are very important. Without them I would wind up spinning my wheels most days. I do have practical short term and long term goals that include word counts, craft development, marketing aspirations, networking etc. but when it comes to my biggest writing “dream” I really just want to accomplish WELL what God has already pre-planned for me to do (Eph 2:10). I can dream big, but I learned a long time ago that MY idea of big may not look at all like God’s does. His ways are better, higher, and perfect. His plans for me are good and will be used for His glory. I want to do Him proud as I work to fulfil His dreams for me.

Great advice. When I get caught up in the work, it’s all too easy to lose sight of the main purpose, the reason for starting in the first place. It’s always good to remember the big picture vision behind the effort.

Who has been your biggest inspiration?

If you’re talking about my biggest inspiration in life, Joni Earekson Tada has inspired me since I was a young girl. She is an example of a woman who despite physical devastation, heartache, trial, and constant pain has chosen to live her love for Jesus publically–with so much joy–to help others find their strength in Him. 

I’ve always admired Joni. She’s one of my heroes, too.

I love your answers!

Thank you for talking with us, Annette.

Annette is an award winning author who writes inspiration and fiction for women & children. Her debut children’s book What Is A Family? released this July. She and her husband live in NC with their two teens and beagle named Bella who keeps them all on a leash. 

Website: annettemariegriffin.com

FB: @annettemariegriffin

IG: @annettemariegriffin

book link: https://www.workman.com/products/what-is-a-family

For more encouragement from Annette, check out her Embrace the Wait column.

Readers, have you had success with a writing contest or reached a writing goal this year? Share your good news in the comments.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

All About Writing Mentors: Q & A with Lisa Samson

Guys, I have been a huge Lisa Samson fan since forever. In fact, I distinctly remember reading the Christy Award winning novel, Songbird, and thinking, “This is how I want to write.”

When I found out about her service called Writerly Conversations, I thought I’d ask her a few questions about finding mentors.

At what point in a person’s writing journey do you feel it’s a good idea to seek out a writing mentor, and where can authors find writing mentors? 

It’s good to seek out a mentor when your serious about getting published and have done some of the hard work of figuring out how to write up front. Perhaps you’re already submitting to agents and houses and getting rejection letters. That’s a great time to get help. An experienced writer/mentor has been through enough critique with their editors, they inherently know what a writer needs to do to not only catch the eye of an editor but what the editor needs to know: Is this writer really ready? I see those things intuitively now and look to various aspects of a writer’s manuscript with an agent’s and an acquisitions editor’s eye. If it looks like too much work needs to be done up front, they are going to take a pass.

It’s always exciting to have someone interested in your work. How can an author tell if their writing mentor is a good fit for them?

I truly believe that’s a matter of personality and expectation. When I mentor it’s with people who want to enjoy the process, be truly encouraged as a creator, and who like truth with a spoonful of sugar and a nice chat. There are people I would drive crazy because I view my clients as real people with which a good, strong creative connection can grow. That takes emotional finesse as well. I believe feeling safe and heard is the most important flow. Who do you get a good connection with? Who makes you actually want to write? Who gets you excited about your work? There it is.

Do you think there’s ever a time when having a writing mentor is a bad idea?

Absolutely. When a writer just wants affirmation not guidance, when any time a helpful suggestion is made the writer feels umbrage, they are not the ones for mentors. They’re not ready to set their ego aside. In many ways, a writer has to admit the need for it, and the experience can be helpful.

Oftentimes, it’s difficult to find a writing mentor. What are some alternatives?

There’s really nothing that beats personal communication. Mentoring means one on one guidance in a relationship setting. However, there are good alternatives to receive personal feedback. Critique groups, a writing buddy with whom you can let the chapters fly between you, and critique services. I do something called a Writerly Conversation, which is almost like a drive-through mini-mentor moment. I ready twenty pages and we have a 60-minute conversation. It’s amazing the connection writers and I get to have, even in that short amount of time.

Thank you, Lisa!

You can find Lisa around the web at the links below.

Lisa Samson’s Patreon Page 

Lisa Samson’s Website

Writerly Conversations on Facebook

Lisa has coauthored a new book with Len Sweet. This Christmas tale is arriving just in time for the season. ST. IS will be available on Amazon starting 11/11.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Do’s and Don’ts When Forming Your Launch Team

Congratulations, your book baby is now ready for release! What comes next? It’s time to celebrate your book release with friends who are ready to shout out your book news on social media.

As a blogger, writer, and voracious reader, so far, I have been on nearly twenty launch teams. I’ve gathered some wonderful ideas and went through some “growing pains” with friends as they crafted their release teams.

Take a deep breath, and exhale. We’re here to make sure your launch team is everything you hoped it would be… and so much more.

What Not to Do

Any timeline suggested is a guideline, not written in stone dates to adhere to. If you are early, start working on what you can. If you’ve passed a “deadline” you can probably catch up (although some scrambling might take place).

Don’t #1 Where’s my tribe? Two or three months before your launch, place an all-call on your social media, website, author blog, and newsletter asking for launch team members. Give them details of what they will need to do if they become part of your team. Not everyone will be able to do what you require.

Don’t #2 No spending limit! You’ll want to have a budget that fits your financial needs for contest prizes both within your launch team and on social media at large: books, branded author items, possible postage, etc. We all love those cute paperclips or notepads, or any office supplies in general, so please remember to keep an eye on your wallet and get creative about your prizes.

Don’t #3 Accept everyone (more accurately, choose wisely). Are the interested persons tech savvy? Do they have all the large social media outlets in regular rotation on their computers and/or phones? Have they written reviews before, created memes, recommended books to friends? The more your team is promotions oriented, the better the reach will be to interested persons. AKA, your readers.

Don’t #4 No GPS? We’re ready for a party. But where is it located? This is a huge event in your writing life, celebrate with your new and longtime friends on Facebook by creating a group. Helpful hint-have several trusted and knowledgeable author/writer friends serve as administrators or moderators on the page along with you. You’ll have “more eyes” on the page when questions or comments arise from launch team members.

Don’t #5 No Guidance. For some of your group members this might be their first time on a launch team. It’s okay to have newbies, sometimes they are the most enthusiastic! But you’ll want to set parameters for the launch team such as participation expectations, how to post reviews to booksellers websites, where they can post, and when to name a few.

The Fun Stuff

Okay, you know what not to do, now what about the things you Do need to take care of?

DO #1 Create a fun atmosphere for your group. Your team is part of a community. Create a fun, vibrant, place for them to visit and chat. Let them get to know you and each other better through this group.

DO #2 Prizes. Everyone loves prizes! Have meme or video creation contests centered around your book, photo scavenger hunts for objects, colors, something that appears in your novel, and even your website. Remember, the prizes don’t have to be pricey. Get creative.

DO #3 Show your appreciation for them being part of your group. Tucking some bookmarks in the ARC (Advanced Reader Copy) you send to them and writing a “thank you” note are simple things you can do to build the team relationship further. Other things that can be done are sending some chocolates, a few “while you’re reading” tea bags, or an author branded item. Even is they are reading your ARC digitally, you can still send some of these goodies to them.

Do #4 Keep the sizzle in social media. Your 10-day countdown Ask your top ten performers to create a meme to post on their assigned day so all the launch team members can share it on their social media. You can tweak the posting timeline to suit your needs. It is an exciting way to celebrate your upcoming release, whether it is a 10-day countdown, or 3 or 4-day countdown. It is totally up to you.

Do #5 Have a release day party on Facebook with your team members. Let them know how much their participation means to you. All of you deserve to celebrate on this special day, and it’s a great way to thank them for the work they’ve done to promote your book.

When book launch time arises for you, have fun, remember to breathe, and celebrate because you did it! Congratulations! All the best to you and your future book launching teams as you bring your book babies out into the world, one confident step at a time.

Stacy T. Simmons helps writers of Christian fiction in her role as president of ACFW-DFW and at her blog, Fueled by Faith and Caffeine.

Stacy writes uplifting fiction that delights the reader’s romantic sensibilities. Thirty-three years of marital bliss is a great contributor. By day, she is an office manager for an insurance agent. By night, she is happily working on her manuscript, or her blog, Fueled by Faith and Caffeine. Her home is filled with family and a menagerie of pets she likes to call “Noah’s Ark.” Connect with Stacy on Facebook, Twitter, Instagram, and Pinterest. She loves to interact with her readers.

Categories
Writing for YA

Writers Gotta Read: Where to Find Book Recs and A Short List of Suggested Reading for YA Authors

I cannot remember the books I’ve read any more than the meals I have eaten; even so, they have made me.

Ralph Waldo Emerson

Next month is National Book Month!

Attend any writing class or conference and someone is bound to tell you if you want to learn how to write well, read a lot of books. This is timeless advice. 

To write well, there are required three necessaries: to read the best authors, observe the best speakers, and much exercise of his own style.

Ben Jonson (1640)

Read your genre, but also read other genres. While craft books are a must, don’t limit yourself to only how-to books, but immerse yourself in novels.

Where to Find Book Recommendations

I asked a bunch of readers where they get most of their recommendations. Goodreads is a popular choice. Facebook book groups, the Bookstagram Community on Instagram, and Booktube also top the list, but let’s not forget the old-fashioned bookstore, friends, and librarian recommendations. 

If you’re looking for a specific genre or type of book, Goodreads is a good place to start. Readers can sort their books by shelves, tagging and categorizing books. Goodreads is great for organizing to-be-read lists, books you’ve read, and posting opinions and reviews.

My all-time favorite place to find bookish friends and book recommendations is in the Bookstagram community on Instagram. It’s fun to connect with readers of all sorts. It’s an easy way to find a genre or type of book.

I write YA Contemporary, but struggle to stay within a single genre for the posts I upload because I love books so much. I tend to roam widely in the Bookstagram community and check out what other bookish folks are reading. What’s a writer without a massive, impossible to finish TBR list?

Genre Specific Recommendations

Some of my YA author friends suggested a few books to specifically help YA writers hone their craft. I am listing both novels and instructional books.

Sara Baysinger writes YA fantasy, and is the author of The Vanishing Spark of Dust, Ashen City, Black Tiger, and White Dawn.

Her recommendations:

Plot and Structure by James Scott Bell is Sara’s go to craft book. I agree with this one wholeheartedly! My copy is dog-eared and highlighted. (This book is part of the Write Great Fiction by Writer’s Digest. The entire series is excellent.) 

For fantasy writers, Sara recommends The Cruel Prince by Holly Black and the Shatter Me series by Tahereh Mafi. 


Diana Sharples is a multi-published author of Contemporary YA (Running Lean and Running Strong) and Contemporary YA Mysteries (Finding Hero, and The Because…series.) Diana has turned her pen to mostly mystery these days, so I asked her for books to help YA writers interested in that genre.

Her recommendations:

She chose A Good Girl’s Guide to Murder by Holly Jackson (added this one to my list!) and

Writing and Selling your Mystery Novel by Hallie Ephron.

Diana also recommended Felicia Bridges novels for those interested in YA Historical fiction.


Tara Ross is the author of the YA Contemporary Fade to White and the host of The Hope Prose podcast for writers.

Her recommendations:

Tara picked Nadine Brandes’ Fawkes for Historical Fantasy and Shawn Smucker’s The Day the Angels Fell for Contemporary Magical Realism. 

She loves The Emotional Craft of Fiction for an inspiring and educational craft book. For practical use, Tara recommends anything by Angela Ackerman and Becca Puglisi, but The Emotional Thesaurus is a fav of hers. I second The Emotional Thesaurus. It’s a great, easy to use, tool to help a writer get unstuck when describing emotions.


My Picks:

In addition to popular fiction, I read classics, curious as to what gives them their staying power. One classic YA writers may want to peruse is The Outsiders

I write contemporary young adult and enjoy authors such as Laurie Halse Anderson, Jason Reynolds (The Boy in the Black Suit), Laura Namey (The Library of Lost Things), Alison Gervias (The Silence Between Us), Kasi West and Jenni Han (for romance), and more! 

For craft, books by Writer’s Digest Publishing always seem to provide solid advice.

What about you? Where do you get your book recommendations? Do you have any must reads for young adult writers?

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Building a Compelling Fantasy World: Q & A with YA Author Amy C. Blake

It’s not always easy creating a whole world from scratch. Amy C. Blake agreed to give a few words of writing advice about building story worlds.

What is a common pitfall fantasy writers fall into when building their story world?

It’s easy for fantasy writers to forget they have to follow the “rules” they created for their story world. If they choose to break a rule, they have to explain why. Otherwise, readers get frustrated. For instance, in the first book of my Levi Prince YA fantasy series, I established that people can only enter Terracaelum (an invisible land suspended above Lake Superior) from Castle Island when the prince or princess lowers the drawbridge and admits them. In subsequent books, I couldn’t simply ignore my rule when I needed to allow access without the prince or princess being present. I had to not only create an alternate way in, but also to provide a logical reason why the exception was made.

What essential ingredients do readers expect from a story world?

Besides clear rules, readers expect to be given the proper amount of details to let them experience the story world. Too many specifics can bog down the flow of the story, but too few can make readers feel unmoored. Sprinkling sensory details throughout the dialogue and narrative tends to work best. Of course, in fantasy stories, readers expect something outside of their ordinary worlds—superhuman abilities, time jumping, mythical creatures, etc.—and they can best enjoy those elements when given the right particulars at the right moments.

How can writers make sure they balance their novel in regards to world building, character development, and the other elements needed?

Again, it’s a matter of dispensing information at the optimal time. Authors shouldn’t do an information dump about their character’s backstory any more than they should pile on too much minutiae about the story world. They don’t want to overuse dialogue, internal monologue, or narrative in any one spot; instead, they want to use the appropriate amounts of each at the appropriate times. It’s all a matter of finding the proper pacing to allow the story to unfold to maximize the reader’s delight.

Where do you find inspiration for creating a story world?

I’m an avid reader, and my family enjoys exploring museums and historical sites. I’m also an avid daydreamer, so I tend to find inspiration during quiet moments—sometimes while on a long car ride or when I can’t sleep. During those quiet moments, ideas blend with the information I’ve gleaned, and my story world expands. I just have to remember to jot down my daydreams so I can flesh them out later.

Great advice!

Thank you so much for stopping by, Amy.

Award-winning author Amy C. Blake is a pastor’s wife and homeschooling mother of four. She has an M.A. in English from Mississippi College and has written articles, devotionals, and short stories for a number of publications. She’s also writing two series for the Christian market, her On the Brink Christian suspense trilogy and her Levi Prince YA fantasy series.

WhitewashedColorblind, and Tie-Dyed, featuring three homeschooled girls who head off to college and find themselves on the brink of danger, are available in paperback and Kindle. The Trojan Horse TraitorThe Fall of Thor’s Hammer, and The Fay’s Apprentice, about homeschooled pastor’s kid Levi Prince and his adventures in Terracaelum, are also available in paperback and Kindle.

Visit Amy’s website at amycblake.com.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Feeling Blocked? Five Tips to Help

I’ve never liked the term writer’s block and prefer to call it writer’s exhaustion, but it means the same thing. Hours or days of staring at a blank screen unable to type a word.

Recently, I’ve found myself at the crossroads between emotional exhaustion and distraction.

It’s common for creativity to dry up when a person is overwhelmed. Distraction also plays into the inability to buckle down and produce. Writing requires a lot of thinking and emotional input. 

At times I have plenty to say, but emotion stands firmly between my heart and my pen. Then I feel guilty and frustrated, which only adds to the stress.

In this situation, the first thing to do is to recognize the various demands and stressors affecting attitudes, feelings, and productivity.

Here are five tips that help when you’re feeling blocked

Focus on a different task for a short time.

Finding a new creative outlet can re energize, give a tired brain something else to concentrate on. We require times of refreshment, even when situations demand urgent action. It’s okay to take a moment or two, or three for mental health. 

Adapt. 

I received an email from a dear friend yesterday. An in-person writing group has been one of her anchors for years. A support system suddenly becoming unavailable is painful. Virtual meeting aren’t the same, but at least alternative methods exist. 

Many of my friends are taking advantage of writing conferences they wouldn’t ordinarily be able to attend. New seminars and opportunities are offered daily as organizations attempt to fill writers’ current needs.

While writing fiction is hard for me at the moment, taking notes isn’t a problem. For me, this dry spell is an opportunity to concentrate on learning craft. For others, the opposite may be true and periods of writer’s block are the perfect time to journal or explore a different type of writing.

There will be times when the well seems empty. Try to find things to focus on that are attainable. 

Celebrate accomplishments. 

I have a tendency to expect a great deal from myself, and it helps to stop and change my view point,  think about successes in light of my circumstances. I constantly need to remind myself I have a limited energy budget. We aren’t designed to do it all. There is no guilt in that admission. Recognize the goal posts along the way, instead of focusing on the never-ending to do list gives a realistic picture of progress and spurs me forward.

Find joy in the art of writing.

I am one for structure and schedules, which can sap the joy right out of what I love and turn it into a grind. I used to have a mindset that if it’s too much fun, maybe I’m not working hard enough. That’s not true. It’s still work even if I love my calling. It’s right and good to take joy in the gifts and abilities God has given.

Rest.

For me, the biggest obstacle is giving myself permission to allow time for self-care. Self-care is not selfish. It’s necessary for healthy functioning. It’s okay to take a break from whatever is stressful. 

It’s okay to be kind to yourself.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.