Categories
Writing with a Disability (Different Ability)

T.M.I.

How does a writer figure out what to say?

My first writing step is to brainstorm as many ideas as possible about whatever I’m writing. From there I can choose which points I want to use to communicate my message.

I can conjure up a full page front and back of ideas. Each appropriately connected to my desired topic. They are useful pieces to complete my communicative puzzle. This also helps me to remember the references I want to mention.

Last month I had so many ideas, I filled up a full page and half of usable information. Not even my outlining step helped to condense my article. Being a disabled person with a brain injury, I call this information overload. This can be debilitating for anyone.

Just like too much information can slow down our thinking process, too much information slows down the writing and reading processes respectively.

Information overload is bad for numerous reasons.

  • Too much to comprehend at one time.
  • It loses focus and power.
  • It’s time-consuming to read.
  • It’s time-consuming to write.
  • It can be overwhelming and even scary at times.

Think about a couple who’ve recently started dating and one of them “falls” in love faster than the other. As one spills their thoughts to the other, the speed and depth of the feelings aren’t the same and the other individual is overwhelmed or possibly scared off.

T.M.I?

These days there’s a popular acronym that fits this situation, T.M.I. (too much information.) It’s not that people don’t want to know things, but we only need to know so much and more importantly to me—our brains can only handle so much.

For myself, my short-term memory is affected by my brain injury. If I hear a long list of directions or items, I will likely forget the first part of the information while trying to process all of it, which is why I’m a serious note-taker and often record ideas on my cell phone before I forget.

Another common side effect of brain injuries is, as my mentor puts it, the lack of a filter between the brain and the mouth. It’s a serious case of foot in mouth syndrome. Sometimes, not realizing what we’ve said until noticing the reactions of others around us.

The cliché that some things are better left unsaid has never been clearer to me. For writers, this is imperative to quality writing. Perhaps you’ve heard the term, “Lean writing,” this type of writing cuts to the chase to get the message out faster.

There is no need for showy adjectives, clunky adverbs or weak verbs. Lean writing has many benefits for writers.

  1. Easier to read (both visually and intellectually).
  2. Shorter paragraphs keep our audience’s attention.
  3. It’s more beneficial because our brains can process what we’re reading faster.
  4. Readers can connect the dots (selling points) quicker.
  5. Readers are less likely to be intimidated by the subject matter presented.

T. M. I. can be just as frustrating for the writer as well. How many times have you spent time and energy trying to craft a piece that efficiently represents the research you put into it, only to find lots of mistakes, typos or that the ideas just don’t fit together well?

Chunky writing leaves more room for error. Living with a brain injury has taught me that more isn’t necessarily better. Sometimes I get so busy talking without actually listening to what I’m saying. This can be extremely hurtful, especially in this hypersensitive society we live in. I consciously try to think before every word I say.

      Still, occasionally things come out the wrong way.  Fortunately, those who know me know it was just a slip of the tongue. They know that I meant no harm.

No Harm Done?   

Going back to our fictional couple, we often mean well when we try to give details to help make our message clear to our audience. Unfortunately, the extra information often does more harm than good.

When people find out I have a brain injury, sometimes they try to be “nice” and help me by giving more details that in the end only frustrate me. Below are a few things I keep in mind as I navigate life with a disability.

  • Keeping it simple is more respectful of everyone’s time.
  • Clear communication is easier for everyone to process.
  • Writing too much, like talking too much, increases the risk for misunderstandings.
  • Everyone processes information differently.

Having a disability has made me more aware of everyone’s uniqueness and helps me to be more sympathetic towards others. All the while, I can be more confident in what I’m saying without giving Too Much Information.

Martin Johnson survived a severe car accident with a (T.B.I.) Traumatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at Spiritual Perspectives of Da Single Guy and on Twitter at mtjohnson51.

Categories
Writing for YA

Interview with Watty Award Winner Brian McBride: Using Wattpad to Build Your Audience

Today I’m talking with Young Adult author Brian McBride. I wanted to know more about Wattpad.

DJS: Your book Love and the Sea and Everything In Between is a 2016 Watty Award winner. How long did it take you to gain a significant following on Wattpad and how often did you post? 

BMcB: Honestly, I had put the first 10-15 chapters of Love and the Sea up on Wattpad back in 2015. I only had a couple thousand reads and a few dozen followers and held steady at that for months. When the time to submit for the 2016 Wattys came around, I decided to just upload the full manuscript rather than try to post weekly. After I won the Wattys, my reads multiplied exponentially almost overnight. I’ve left the first few chapters of the 2nd draft up since then and am on my way to half a million reads now. Winning the Wattys definitely gained me some visibility!

DJS: How did Wattpad affect your growth and progress as a writer? How do you think Wattpad can help new writers starting out? 

BMcB: Wattpad really helped because I received reader feedback in real-time! With the ability to comment, I was able to gauge a reader’s in-the-moment reactions to certain aspects of the story much better than if they just left one long review at the very end. Wattpad was great for building a platform, learning from my audience, and motivating me to write.

DJS: Can you tell us about a Wattpad user experience or difficulty that could have derailed you? How did you overcome that experience? 

BMcB: Oof. This is a great question. Because I think that a lot of what turned me off about Wattpad when I was just starting out – and it still kinda turns me off today – is that good, quality stories are often lost in the murk of trashy fan fiction and smut. I’ve read incredible, life changing stories on Wattpad that rarely surpassed a few thousand reads; meanwhile those trashy/smutty stories amass a whopping million. Like, how does that make sense? What has storytelling become? 

DJS: You were sixteen when you published your first book. What are the three most important things you have learned about publishing so far? 

BMcB: Determination to pursue success in your craft. Patience when you hit those bumps in the road. Endurance to see yourself through to the finish line. 

But also, more specifically: be competitive. Price your books competitively. Examine what others in your genre are doing with their covers, synopses, and marketing. Learn what the big publishers and authors are doing and apply it on a smaller scale to your own books. Market, market, market. And, when someone asks for a copy of your book in exchange for a review, say YES!

Thanks so much for taking the time to answer my questions, Brian! I look forward to seeing what the future holds for you as you continue to write novels.

Read more about my talk with Brian and about his newest release, Every Bright and Broken Thing, on my blog here.

A winner of the 2016 Wattys Award, Brian published the award-winning Young Adult Contemporary debut, Love and the Sea and Everything in Between, in 2018.

Brian has been writing since he was thirteen-years-old. A fourth generation pastor, he is deeply passionate about the Church and is also pursuing his Minister’s License. It was this passion that compelled him to launch the Pioneer Mvmt, a social-media-based faith movement. Among other things, he is also passionate about iced tea, animals, adoption, and the arts.

Brian writes realistic, contemporary YA Christian fiction. You can purchase Brian’s books on Amazon.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Novelists Unwind

Novelists Unwind Interviews Guests Caleb Breakey & Cynthia Roemer

Caleb Breakey and his wife Brittney are so dedicated to pursuing careers as novelists that they spent their wedding money on fifty-two books on writing fiction. Their dedication and perseverance have paid off with the release of Caleb’s debut novel, The String, the first book in the Deadly Game Series.

Caleb also shares how he got into the mind of a psychopath and the importance of writing “stories that don’t shy away from where people really are and where they can go” and to create characters who are bright shining lights.

Cynthia Roemer “sows seeds of hope into the hearts of readers” with her delightful 19th-century romances. She shares the story of how her first novel was researched and written as a college project then put away for about twenty years.

Find out why Cynthia has a character named Jimmy in her first novel and a character named Stew in her third. And also what Cynthia did when she was without internet for two long weeks.

The next Novelists Unwind Giveaway will be announced on Saturday, October 5, 2019 at http://www.novelistsunwind.com. Be sure to enter for your chance to win a print edition of an amazing inspirational novel.

Meet Johnnie

Johnnie Alexander creates characters you want to meet and imagines stories you won’t forget. Her award-winning debut novel, Where Treasure Hides, made the CBA bestseller list. She writes contemporaries, historicals, and cozy mysteries, serves on the Serious Writer, Inc. executive board, co-hosts an online show called Writers Chat, and interviews inspirational authors for Novelists Unwind. She also teaches at writers conferences and for Serious Writer Academy. Connect with her at www.johnnie-alexander.com and other social media sites via https://linktr.ee/johnniealexndr.

Categories
Blogging Basics

How To Keep Your Blog Alive

Give yourself permission to not blog. Yes, I said it. Going through different seasons in life does correlate to your blogging life. In winter, plants lay cold and dormant waiting for a spring sun to wake them up. But, they do wake up.

Are you feeling guilty because circumstances beyond your control have kept you in a winter holding pattern? Does that still small voice keep telling you, “Your blog is due. Get with it.” And at the end of the day, or a month, there are no words on the page to be published for the world to see. You are not alone.

Spring Time is Coming

As a full-time special-needs mom, blogger, and author, the minutes of my day are consumed with fulfilling my roles. However, in this season, my special needs mom hat has taken on new meaning. My sweet son has iron deficiency anemia and a bad bout of eczema. One of these diagnoses alone is enough to deal with, but both?

Therefore, everything else takes a back seat. My focus is on helping our little guy get well. That voice still calls me to type on the page, and I answer, “Not, now.” What is currently on your plate taking priority over your blogging life? How are you handing your wintertime as the life of a blogger?

Helpful Ways To Keep Your Blog Alive

Finding creative ways to blog or not to blog is possible. Here are few ideas:

  1. Write A Short Blog–Crafting a post of 300 words or more could be the answer to keeping your audience informed and engaged without losing them. My blogs are between 400–600 words. Give yourself permission to write less to keep your blog alive during your winter. Add a few pictures for visual appeal and click publish.
  2. Short Title – A sample title could be: 3 Reasons To _____ or 3 Ways To _____. This type of title helps to keep the post short and yet still deliver valuable content. Check the coschedule.com headline analyzer to keep your title score above 70%.
  3. Offer opportunities to Guest Blog–Send out a call on your social media sites for guest blog submissions. Craft your own submission guidelines to hone in and allow writers to know what blogs you will accept. Don’t know how to craft your own submission guidelines? Read the guidelines of your favorite blogger to get a baseline for your blog. Or click here: Also, offer a deadline to receive the submission. (To become a guest blogger, check out this resource: )
  4. Winter Time Post–Let your readers know of your hiatus and, if you feel comfortable sharing, why. Your readers will appreciate the update and be happy to see your posts again when you start back up. A great title could be: 3 Reasons I Quit Blogging (Temporarily).
  5. Hire Help–Another way to keep your blog alive is to hire help. Many books are created by utilizing a ghostwriter to share your story. Did you know you can also hire a blog writer? You may say, “But I have no money to hire help.” And for the most part, I agree. After looking at the website, www.fivrr.com, you might be pleasantly surprised. For this blog post, I searched for “write blog post.” I found a Canadian writer who has 1154 reviews with an average score of 4.9 out of 5 stars. For $10, they will write a 1000-word blog in a 2-day time-frame. With such high quality reviews and a low cost, this might be just what you need to keep content flowing on your blog.

What do you do when life interferes with your blogging journey? Share your tips below. It could help keep a blog alive.

Evelyn Mann is a mother of a miracle and her story has been featured on WFLA Channel 8, Fox35 Orlando, Inspirational Radio and the Catholic News Agency. A special interview with her son on the Facebook Page, Special Books by Special Kids, has received 1.4M views. Along with giving Samuel lots of hugs and kisses, Evelyn enjoys hot tea, sushi and writing. Visit her at miraclemann.com.

Categories
Romancing Your Story

“Setting” the Romance

What do you think about when you think of romance? Oh sure, there are the typical things like boy meets girl, a dinner date or dinner and a movie. You may fantasize about what the hero or the lady look like, their personalities, their similarities and differences. As a writer, you’ll be thinking about how they’ll meet and what kind(s) of conflict will affect their relationship, as well as how they will overcome these conflicts to come together in a forever love.

But have you ever considered how your setting can enhance the romance? Consider this—when you think about what kind of romance you’d like, don’t you envision where the romance will take place? And you probably envision more than one setting for more than one date.

Building a description of the setting can help create romance.

Imagine: dinner at a top-notch seafood restaurant on the pier at a table by a window with a view of the moonlight shining upon the ocean. That view is enticing, so much so that after dinner, the lady and her date wander down to the beach, remove their shoes, and walk barefoot and hand-in-hand on the beach near the water’s edge. They feel a strong chemistry between them and little sparks shoot through their hands and up their arms at the physical contact of holding hands. They continue to take turns talking about themselves—getting to know one another.

Eventually, they know they have to go back the way they came. He has to drive her home. The night won’t last forever, but neither of them wants it to end. They look up at the bright, full moon and comment on the beauty of it as it shines upon the water. They breathe in the cool, salty air, then the hero turns to the lady, comments on her beauty and brushes some loose strands of hair from her face, places his hand on her cheek, then lowers his lips to hers for their first kiss.

You can take it from there, but do you see how the beach, the ocean, the moon and moonlight all add to the romance of the scene? You can take any scene you want, envision it in your mind and bring it to life in a way that enhances the romance or even causes the romance between your hero and lady to begin. Your settings can play an important role in your story. Don’t neglect them.

Some stories include a setting so well developed it almost becomes a character in the story. Be sure to use your settings to enhance the attraction, the feelings, the romance of your romantic stories.

Kelly F. Barr lives in Lancaster County, Pennsylvania. She is married and has three sons. She writes historical romance. She has also been a blogger for ten years, and every Friday, you can find her Flash Fiction stories posted for your reading pleasure. She loves her family, including the family dog, books, walks, and chai lattes.

You can find her online at:

Website: https://kellyfbarr.com/

Twitter: https://twitter.com/kellyb_26

Facebook: Kelly F. Barr, Writer

Categories
The Picky Pen

Punctuation Series: How to Edit Parentheses

Here we are, nearly at the end of our year-long punctuation/grammar series. I hope you’ve learned a lot and gained much insight from these quick posts so that your manuscripts gleam professionalism on the inside. Believe it or not, this careful attention to all the little grammar nuances in a story is what catches the eye of agents and editors—and readers, oh yes!—because it shows you care deeply for the presentation as well as writing a great story.

Why Paying Attention to the Parentheses Is Important (Just in Case You’re Wondering)

  • Presentation is everything, presentation is everything, presentation . . . yeah.
  • The parentheses is stronger than the comma because it sets what you have to say apart from the rest of the sentence.
  • Using the parenthesis sets off the part of text that doesn’t necessarily have any grammatical relationship to the rest of the text. (I’ll explain. . .)

In this blog post, let’s look at the parentheses. The plain and simple parentheses that actually plays an important role in your manuscript, whether fiction or nonfiction. I’ll be referring to The Chicago Manual of Style, chapter six.

Mostly, parentheses are used in nonfiction pieces, but can be used in fiction also. For reference, here are a few examples of parentheses used wisely in a sentence:

  • The authors who speak to our souls (Jane Austen, C.S. Lewis, Eugene Petersen, Charles Dickens) have paved the way for excellent literature and classical voice.
  • The Write-to-Publish conference (which brings in agents and publishers) is held in June in Chicago every year.
  • Hudson’s explanation of Scripture versus scripture (it’s found in Christian Writer’s Manual of Style) is important when referring to works of theology or religion.

If you have an educational or technical manuscript, use parentheses for glosses or translations. (Chicago Manual of Style 6.96).

  • Use parentheses to explain or translate what might be unfamiliar to readers.
  • If a term is given in English, you might want to give the original term in whatever language you’re talking about. For example, German has two levels of beauty—general (schöne) and radiant (sehr schöne).
  • But in material that’s quoted, it’s best to put that extra material in brackets (according to CMoS 6.99 and 7.53 and 11.9).

Ready for some real examples? Here we go!

  1. The box of books for the competition (they are from a wide variety of writing styles) will arrive next week.
  2. Have you read any of the recent authors (most of them are debut authors)?
  3. When using scientific terms, please define them simply for a lay audience, such as the number 1,000,000,000 is mil millones (billion).

Parentheses within parentheses! (Chicago Manual of Style 6.97).

  1. This one’s short, but I think the explanation is necessary, especially if you’re writing a bibliography for your book.
  2. For fiction and nonfiction writers, Chicago actually prefers brackets within parentheses instead. It’s British style that uses parentheses within parentheses.
    • For US writers, use brackets within parentheses. (CMoS 6.101.)
    • For example, (If you want to study how to ask better questions, Dean Nelson’s Talk to Me [2019] is a clear, concise, and easy book to read.)

Parentheses with other punctuation (Chicago Manual of Style 6.98).

  • If you’re using parentheses, the closing punctuation is a comma.
    • For example, When we go to the store (that’s every Friday), we’ll get milk and cookies and a book.
  • Do not use a colon, semicolon, or comma before a parentheses.
    • For example, When we go to the store (that’s every Friday) we’ll get milk and cookies and a book.
  • A period comes after the closing parentheses in a sentence that is entirely a parenthetical statement. If not, the period comes before.
    • For example, an entirely parenthetical statement (I’m excited about seeing Downton Abbey this fall.)
    • A partial parenthetical statement, Let’s go see Downton Abbey (that’s coming out this fall).
  • And sometimes you’ll see two parentheses back to back.
    • For example, The structure for using American Sign Language is different than speaking (store I will go) (I will go to the store).

How’s that for a very brief introductory to using the parentheses that’s sometimes used but so often tricky to use?

Using the well-placed parentheses (as well as the surrounding punctuation) is important because your overall presentation makes a world of difference to your editor, agent, publisher, and readers. That may seem counterintuitive because the writing is equally important, but it’s the presentation that enhances your credibility as a writer. (Especially if you self-publish and are doing your own first-draft editing.)

Pro Tip :: I’m creating a few cheat sheets on some of the topics I’ve covered so far, and if you’d like to be in the loop for when they’ll be ready, just go to my website and email me, letting me know you’d like to be added to my Grammar List!! I look forward to seeing you!

Please take a minute and join in the discussion! I’d love to hear from you!

Conversation Time!!

Do you find yourself using parentheses in your writing? I’d love to see an example! What kind of writing do you think would warrant the use of the fabulous parentheses? Let me know in the comments!

Tisha Martin writes historical fiction and nonfiction but also edits and proofreads for beginning and best-selling writers, professional editing agencies, and publishing houses. She has a BA in Professional Writing, an MS in English Education, and an editing certificate from the PEN Institute, affordable continuing education for editors. Active in American Christian Fiction Writers and The PEN, she appreciates the writing and editing communities. As Assistant Director of PENCON, a conference for editors, she enjoys travel marketing and updating PENCON’s Facebook Page. Connect with Tisha on her website www.tishamartin.com and engage in the conversation.

Categories
Kids Lit

Three Tips for Successful Platform Building

If you’ve been to any writers conference lately, you’ve no doubt heard lots of talk about building a platform. And, you’ve probably learned that one of the best ways to grow your platform is to increase your social media following.

But, just how can we grow our online following? Well, it would take more than one blog post to fully answer that question, but here are three tips to help you improve your online numbers and your engagement.

1. Be Authentic: 

People can spot “a fake” almost immediately, so be genuine when you post updates. For example, if you aren’t a savvy cook and yet you’re coming out with a cookbook, don’t promote yourself like you’re the expert. Instead, be self-deprecating and play up your inabilities to cook. Have fun with it! People are tired of folks showcasing their “perfect social media lives”—be real. Your connections will love you for it, and they’ll be more apt to listen to you when you share about your latest books, future speaking gigs, etc.

One of the most liked and shared posts I ever made happened this past winter when I posted a picture of my feet wearing two different boots. I just happened to glance down at my mismatched feet while sitting under the dryer at my hairdresser’s, and I couldn’t help but laugh. I snapped a picture, posted it on Instagram & Facebook, and said something like, “You know you’re on way too many deadlines when you look down at your feet and discover that you’re wearing two very different boots. At least they are both black, so there’s that…”

My followers loved it! Many commented that they’d worn different shoes to work before, so not to feel too badly. Others said they were having that same kind of week. Still, some just messaged, “Thanks for the laugh.”

2. Be Overgenerous:

Always give more than you take. It’s totally fine to share the cover of your latest book and promote it on all social media platforms, but make sure you’re also giving back and not always in advertising mode.

For example, you could offer a coloring sheet related to your children’s book or some other kind of free downloadable (Perhaps, some of your backmatter or a sidebar you didn’t end up using could serve as a nice freebie.)

Entrepreneur and Author Gary Vaynerchuk has been giving away content from his books before they were ever released for years, and yet his books are always bestsellers!

So, why should we be overgenerous with our information? It builds  authority, credibility, trust, and likability, and it increases our online presence because people will share you and your valuable content.

3. Be Consistent & Caring:

You can’t post once every two months and expect to gain much of a following online. Post often, even if it’s just a repost of a funny meme you found, or one that you created in Canva. (Hint: You can use a scheduler to post across several social media platforms all at once.)

Can’t think of a clever status update? Why not ask your followers a question, and see how many responses you receive?  It can be something as simple as, “So, how’s your Monday going?” or something as specific as, “Anybody else watch the Thanksgiving Day parade? What was your favorite float?”

Don’t be afraid to engage with your followers. Get to know them and let them get to know you—the real you.

Lastly, when interacting with your followers, whether it’s on your personal Facebook page or within a LinkedIn group, always try to add value when sharing information. Be that “go-to guy” or “go-to girl.” When you answer questions, without asking for anything in return, you become more likable, and people will be more likely to share you and your books with their friends and family.

Ok, there you have it—three tips to get you started on that all-important platform building. Now, go forth and post!

Michelle Medlock Adams is an award-winning journalist and best-selling author of over 90 books with close to 4 million sold. Her many journalism and book awards include top honors from the Associated Press, AWSA’s Golden Scroll for Best Children’s Book, and the Selah Award for Best Children’s Book. Michelle currently serves as President of Platinum Literary Services, a premier full-service literary firm; Chairman of the Board of Advisors for Serious Writer, Inc.; and a much sought-after speaker at writers conferences and women’s retreats all over the United States.  

When not writing or teaching writing, Michelle enjoys bass fishing and cheering on the Indiana University Basketball team, the Chicago Cubbies, and the LA Kings.

 Michelle is celebrating the recent release of her books, Get Your Spirit On!, Fabulous & Focused, Dinosaur Devotions, and C Is for Christmas, and she’s anticipating the upcoming release of What Is America? (Worthy Kids) and They Call Me Mom (Kregel), a devotional book she co-authored with Bethany Jett.

Categories
History in the Making

The Epistolary Novel Form

The popularity of this literary device dropped off prior to the turn of the nineteenth century, but its recent resurgence is something authors of Historical Fiction should take note of. Stories set in the past are perfect for telling through diaries or letters. It can give your reader a deeper connection to your characters than even first person POV.

Have you ever taken a sneak peek into someone else’s journal? That naughty element of voyeurism took you deep into their inner thoughts. It exposed things about that person you would not otherwise know. But in the Epistolary genre, even though diaries and letters are personal, reading them is allowed! You are encouraged to discover the writer’s deepest, darkest secrets, or read the private correspondence between two people.

What is Epistolary Style?

Epistle is the ancient name for letter. Epistolary is when a novel is composed entirely of letters or diary entries. Although, the contemporary epistolary genre may use emails, texts, and blog entries. It makes you feel as though you are receiving a running commentary of the ongoing events in the character’s lives.

Epistolary Novels Can Be:

· Monologic: The focus on one character.

·Dialogic: Two characters corresponding.

·Polylogic: Multiple people are represented.

Epistolary Novels of the Past and Present:

Arguably, the best known Epistolary novels are Dracula by Bram Stoker and Frankenstein by Mary Shelley. Both frame their text in letters and convey how powerful the use of intimate correspondence for narrative viewpoint can be. Both are still responsible for blood curdling nightmares centuries after they were written.

The Screwtape Letters by C.S. Lewis is a Christian apologetic novel written in the epistolary style. A senior demon, Screwtape, mentors his incompetent nephew, Wormwood, through a series of letters on how to secure the soul of a man.

The Color Purple by Alice Walker is a heartbreakingly poignant novel. Celie, a fourteen-year-old girl, unfolds her traumatic life before us through letters she has written to God. Make sure you have a box of tissues nearby.

The Many Lives & Secret Sorrows of Josephine B. is the first novel in a well-crafted trilogy by Sandra Gulland. All three are written as though from the personal journals of Josephine Bonaparte, wife of Napoleon. Sandra Gulland reveals the sequence of events before, during, and after the French Revolution through the intimate sentiments of an island girl named Rose, who grew up to be Josephine, Empress of France.

One Voice or a Network of Voices.

Get your creative juices flowing and think of the many different forms this literary device could take in your next novel. You can use: post cards, newspaper clippings, memos, notes, or stick with the power of the personal letter. You can use one voice in a journal, like Sandra Gulland, or a network of voices, like Bram Stoker used with journals, letters, and newspaper clipping. In World War Z, Max Brook used interviews with survivors of the Zombie apocalypse for a United Nations report.

The Power of a Letter.

The Epistles comprise the majority of the books written in the New Testament. These Holy Spirit inspired letters, written to specific churches or people two thousand years ago, still speak into our lives today. They give us personal and significant insight, and even fresh revelation that we can use in our Christian walk.

Sometimes it takes my breath away to think on it.

The Epistles are a perfect example of how powerful using a letter to communicate can be. So, consider using this literary device in your next novel. And perhaps harness a little of that power as a Christian novelist.

K. D. Holmberg is an author, blogger, and freelance writer. She is a member of ACFW, Word Weavers International, and a founding member of the Jerry Jenkins Writers Guild. She is represented by Hartline Literary Agency. A retired flight attendant, she has traveled and lived all over the globe. She and her husband, Keith, love to golf and live in South Carolina. You can find more about her: Facebook @authorkdholmberg, twitter @kdeniseholmberg, and website authorkdholmberg.com

Categories
Devotional/Christian Living

How to Write Christmas Devotionals All Year Long

I don’t normally get into the Christmas spirit until after Thanksgiving, but as a Christian Living or Devotional author, if you want to publish a book or article with a Christmas theme, you need to write about it long before December 25.

When Victoria Duerstock began writing her Christmas devotional book, Heart & Home for Christmas: Celebrating Joy in Your Living Space, it was the fall so she brought out the Christmas music, peppermint, and hot chocolate a little early that year. Writing through Christmas time was inspiring, but it was harder to stay in the Christmas spirit during the post-Christmas-time editing and rewriting.

Author and blogger Jean Wise from Healthy Spirituality got the ideas for her Christmas devotional, Let Every Heart Prepare Him Room, during the Advent season. Then when Advent was finished, the writing work began.

“I know having first collected my thoughts during the season did help,” said Jean Wise. After Christmas, she continued to listen to Christmas music and lit an evergreen scented candle to help her stay in the Advent mindset. 

Kristin Dobrowolski, author and illustrator of Jesus’ Unexpected Family Tree: Anticipating Jesus’ Birthday, had a different take on writing about Christmas. After looking for a simpler version of the Jesse Tree countdown to Christmas, she couldn’t find what she was looking for so she decided to create something herself. A year later she tested her ideas on her own family. Then she and her co-author tweaked and rewrote and designed a test version which she sent to 100 people so they could test it and try it. From that feedback, they redesigned and edited and then released the official book on Amazon last Christmas.

When I asked her how she stayed in a Christmas mood constantly for many years, she said something surprising:

“When you spend years thinking about something, it changes your perspective. It wasn’t about Christmas after a while, it was about the timeline of God’s story and all the people pointing to the arrival of His Son. Those stories of Jesus’ family are something we hear all throughout the year, so thinking about Him was natural. And Christmas is really just the birthday party.”

Blogger Jennifer Love capitalizes on the focus of Jesus’ birthday party by working on her Christmas themed posts between October and December each year. Having these fresh articles ready on her blog, Intentional Traditions, brings a lot of readers at the exact right time they are preparing for Christmas for their own homes.

Keeping Christmas themed devotional writing fresh can be a challenge. When I was preparing to write a short Christmas devotional, I wanted to look at a part of the Bible that is not talked about often. I wanted to challenge Christians to Read the Hard Parts of Scripture since that is the focus of my writing and speaking ministry. Through prayer and Bible study, I discovered that the Bible book of Malachi has a lot of themes that applied to Christmas time. At the end of November, I set aside a large chunk of time to write The Finishing Touches: Preparing for Christmas with the Book of Malachi.  I shared it with my email list during Advent, then published it as a Kindle book after Christmas so it was ready to share with readers the following Christmas.

Have you written any Christmas themed devotionals or Christian Living books or articles? How did you keep in the Christmas spirit while you were writing? Comment below!

Rachel Schmoyer is a pastor’s wife who is loving her church life. She writes about the hard parts of Scripture at readthehardparts.com. She has had devotionals published in the past, but now she is looking forward to getting her first Christian Living book published. You can connect with Rachel on Facebook, Instagram, Twitter, or Pinterest.

Categories
Guest Posts

Add POW to Your Writing Resume

Is writing a competitive business, or a complimentary one? As hard as it is to admit this, I have to tell you it is inherent in my nature to be jealous. Someone might look like a better writer; another might seem to get more opportunities. How does a writer drop the green eyes of envy and adopt Christ’s attitude, in order to serve other writers? Here are three ways I’ve learned to be proactive in adding POW to my writing. First, let’s define POW.  

POW: Promote Other Writers, as in a lifestyle of service to others. When I highlight another author’s quality, I set them apart. I connect others to their topic, and I celebrate the art they bring to the world.

Three ways to Promote Other Writers:

Book Reviews

Book sales thrive on reviews. Your opinion doesn’t have to be positive or negative, just truthful. Don’t attack a writer’s opinion. Do look for ways the book helped your outlook on the subject. Reviews bump a book higher in ranking on retail sites and provide readers insight before buying books. Reviews bring a written work in front of a new audience, to highlight its value to the marketplace.

As a reviewer, I receive physical copies of books to use as giveaways on my blog, thereby building my own readership while helping other authors build theirs. It’s a win-win situation.

Two examples:

Bookcrash is a review site run by CIPA, Christian Indie Publishing Association.

AList Bloggers is run by Adams PR Group.

Book Launches

When you sign up to participate on a Launch Team, you agree to help launch the author’s work into the book world. The time frame coordinates reviews with publication dates, media interviews and press releases. Watching the process of another’s book launch teaches you how to connect with your own readers with giveaways and conversation starters.

Two examples:

Waterbrook/Multnomah Book Launch Team.

Blog About, run by the Blythe Daniel Agency.

Memes: a photo with a quote becomes an easy way to promote.

Authors have multiple tools at their fingertips to aid in the creation of memes. The saying may come from a pull quote in the book, or the author’s tagline. It may be a theme or a scripture. The author’s link is added for reference. When writers share each other’s memes on social media, we link arms to pass the word around the internet. Social media notices memes more than a quote without a picture, and that visual creates an easy opportunity to create a buzz around a book.

Two tool for making memes:

Pixteller

Canva

Philippians 2:5-8 reminds us of the attitude Jesus adopted in His tenure on the earth. He didn’t flaunt His status, but served God’s purposes. As we humble ourselves in order to promote other writers, we are serving the Lord, too.

Remember that green-eyed monster we talked about at the beginning of this conversation? When you’re busy helping other authors, there’s no time to be jealous of their success. It turns into a chance for a party instead, as you celebrate their work and accomplishments.

Continue the conversation: What can you do today, to Promote Other Writers?

Over 140 of Sally Ferguson’s devotionals have been published in Pathways to God (Warner Press). She’s also written for Light From The Word, Chautauqua Mirror, Just Between Us, Adult Span Curriculum, Thriving Family, Upgrade with Dawn and ezinearticles.com. Prose Contest Winner at 2017 Greater Philly Christian Writers Conference.

Sally loves organizing retreats and seeing relationships blossom in time away from the daily routine. Her ebook, How to Plan a Women’s Retreat is available on Amazon

Sally Ferguson lives in the beautiful countryside of Jamestown, NY with her husband and her dad.

Visit Sally’s blog at www.sallyferguson.net

Categories
Mystery/Thriller/Suspense

Body Language in Writing

Everyone uses body language in one way or another. Talking with a friend, in a business meeting, or at a ball game, the gestures, postures, and movements of our bodies and facial expressions are telltale signs of who we are, our mood, how we feel healthwise or about an issue, and what we think.

We form tightened lips, narrowed eyes, make fists, throw hands in the air, and shuffle our feet. We talk with our hands, cover our face, rake fingers through our hair, etc. We are human, and we are constantly expressive.

In real life, if more than fifty percent of non-verbal communication is through body language, then it goes to reason that when we write our protagonists and antagonists should do the same. How dull would a book be without noticing shifty eyes, crossed arms, or flared nostrils?

By using body language in writing, we are more likely to show and not tell, thus giving readers a more accurate picture of the character’s state of mind and the tension taking place. We draw the reader in when we use realistic and believable behaviors, just be sure to use them in moderation. Too many will slow your story down.

Example of overuse: Roy’s face reddened, lips tightened, his knuckles whitened in clenched fists, and he gritted his teeth when his boss gave the promotion to his partner. He stormed from the room and slammed the door, remembering the pistol in his brief case.

Better: Heat rushed into Roy’s face when his boss gave the promotion to his partner. He clenched his jaw to keep from saying too much and left the room. The door slammed behind him as his focus lands on the briefcase under his desk, housing a Glock.

Roy’s body language describes his attitude and mood. The tension thickened, and the stakes rose the moment a weapon was mentioned. Most readers can tell something bad is about to happen; thus, the suspense intensifies. Let them bask in the non-verbal clues the character reveals and keep them turning the page.

Using body language sounds simple, but it’s not as easily written. Here are a few more examples of suspicious, angry, or aggitated body language. We must avoid repetition of the same gestures in our writing to avoid losing the readers interest. 

Crossed the arms                                 Tightened lips                         Straddled a chair

Narrowed eyes                                    Twisted lips                             Looked away

Jutted chin                                          Clenched fists                         Lowered eyebrows

Crouched down                                  Confrontational                       Rolled eyes

Darting glance                                     Grimacing                               Shaking fist

Twitching trigger finger                      Lying                                       Sneering or Smirk

            Remember, use body language where it will pack a punch in the story and add depth to the character’s dialogue. Most importantly, keep the reader turning the page, or their body language will toss the book aside.     

Loretta Eidson writes romantic suspense. She has won and been a finalist in several writing contests, including first place in romantic suspense in the Foundations Awards at the 2018 Blue Ridge Mountain Christian Writers Conference, a finalist in ACFW’s 2018 Genesis, was a finalist in the 2018 Fabulous Five, and a double finalist in the 2017 Daphne du Maurier Award for Excellence.

            Loretta lives in North Mississippi with her husband Kenneth, a retired Memphis Police Captain. She loves salted caramel lava cake, dark chocolate, and caramel Frappuccinos.

Visit her:

Website: lorettaeidson.com

Facebok: loretta.eidson.7 

Categories
Mastering Middle Grade

My Fall TBR List

I may ruffle a few feathers here, but my favorite thing about fall is NOT pumpkin spice.

My favorite thing about fall is the reading. Who doesn’t love the time of year when you can cozy up with a stack of books, fluffy reading socks, fleece blanket, and a hot cup of cinnamon tea? Mmmmm.

I have made my tea and now I’m eagerly prepping my reading list. I’ll add more titles as time goes by, but these are the three reads I’ll start with. 

Historical fiction continues to sell, and War Horse, by Michael Morpurgo is one I’ve wanted to read for years. I generally enjoy stories told from an animal’s perspective (The One and Only Ivan, Redwall), so I’m curious about how well a World War I tale fits with this point of view.

Speaking of historical fiction, The Birchbark House Series by Louise Erdrich is also on my list. The five-book series set in the late 1800s centers around a family in the Ojibwe community. Since this time period is not necessarily remembered for its gentleness, I’m eager to learn how Erdrich treats difficult subjects (I’m certain she does it masterfully).

In the “Totally Not Historical Fiction” category, I’d like to read Knights vs Dinosaurs by author/illustrator Matt Phelan. I am a sucker for silliness, so a book that combines King Arthur’s knights with time travel and dinosaurs sounds like a glorious afternoon read. I am always eager to read books that promise to make me laugh.

I hope you are ready for cooler weather and plenty of cozy reading time. What is on your TBR list? Share your recommendations with us in the comments, and happy reading!

Kell McKinney earned a B.A. in journalism from the University of Oklahoma and an M.S. in documentary studies from the University of North Texas. She’s a part-time copywriter, double-time mom and wife, and spends every free minute writing and/or hunting for her car keys. Connect with her on Twitter @Kell_McK or kellmckinney.com.

Categories
Writers Chat

Writers Chat Recap for September, Part 1

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Bethany Jett, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Writing Contests with Victoria Duerstock

As the contest coordinator for Serious Writers, Inc., Victoria shares with us insights and a few insider tips on entering writing contests. She explains the benefits of entering contests, submission dos and don’ts and so much more. If you have thought about entering contests, but not sure if they are right for you, check out this week’s episode.

Watch the August 27th replay.

For resources and more information check out this week’s Show Notes and Live Discussion.

Pick the Brains of Authors

In this open mic episode, we gave the Writers Chat community an opportunity to ask our authors questions. Some of the questions asked were:

                 *What are your goals for your drafts?

                 *When looking for an agent what should you put in your proposal?

                 *Should I self-publish or traditional publish?

                 *How do I approach potential influencers?

If these are questions you’ve had rolling around in your head, click the link below to find informative and encouraging answers.

Watch the September 3rd replay.

For more information check out this week’s Show Notes and Live Discussion.

JOIN US!

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET on Zoom. Here’s the permanent Zoom room link

Participants mute their audio and video during the filming then we open up the room for anyone who wishes to participate with our guests. The “After Party” is fifteen-minutes of off-the-record sharing and conversation.

Additionally, you can grow your network and add to the conversation by joining our Writers Chat Facebook Group.

Categories
Magazine and Freelance

What Oscar Mayer Wieners Have to Do with Style

One of the joys (and frustrations) of the English language is how it ebbs, flows, and changes. Unlike dead languages, which are, well, dead, English is fully alive. As writers, it’s our job to stay informed. Does email have a hyphen? Is the word internet capitalized or lowercased? And what in the world is a singular they? It sounds a little schizophrenic if you ask me.

As you write and submit articles, your professionalism will shine if your grammar, punctuation, and formatting reflects the latest updates. Your editors will appreciate you, the publications you write for will invite you to contribute more often, and your edited articles will no longer look like the victim in a slasher movie.

Here are several changes and points of style you may find helpful. In the spirit of full disclosure, I also struggle with (and sometimes fail to remember) the rules that govern usage. When in doubt, look it up. But be sure to use credible sources. One of my new favorite reference books is Dreyer’s English, An Utterly Correct Guide to Clarity and Style by Benjamin Dreyer.

The Singular They

Every year, editors announce big stylebook changes at the American Copy Editors Society (ACES) annual meeting. In 2017, they announced, “the AP Stylebook now allows writers to use they as a singular pronoun when rewriting the sentence as plural would be overly awkward or clumsy.” Even though I squirm a little, this change helps me avoid the annoying and often interruptive he/she or his/her.

Example: The teacher announced that each student could use one homework pass a month. This means he or she won’t have to turn in his or her homework on the night of the big football game. 

Change To: The teacher announced that each student could use one homework pass a month. This means they won’t have to turn in their homework on the night of the big football game. 

 The style also allows writers to pair they with everyone in similar situations.

Exclamation Points

The late Sue Duffy first editor at Reach Out, Columbiamagazine, gently but firmly told me, “Use as few exclamation points as possible — only when someone is shrieking or their house is on fire.” Even now, years later, whenever my left pinkie reaches for that forbidden punctuation mark, I hear her voice and my pinkie returns to its proper place.

“Began to” and “Started to”

In most cases, it’s best to avoid the use of “began to” or “started to.”

Example: “Tears began to roll down his cheeks.”

Change To: “Tears rolled down his cheeks.”

We don’t begin to cry, we cry. We don’t start to walk, we walk. We don’t begin to eat, we eat.

Occasionally someone might start to walk to the front of the church and change his mind, but most of the time, it’s best to use the verb only. If you’re not sure which is correct, try it both ways. You’ll realize that began to and started to are usually unnecessary.

Were vs. Was

Remember the hot dog jingle, “I wish I were an Oscar Mayer wiener”? Why doesn’t it go, “I wish I was an Oscar Mayer wiener”? Many writers struggle with knowing when to use were and when to use was.

Dryer proposes this rule of thumb: If you’ve presented a situation that is unlikely, improbable, or just plain impossible, use were. If the situation that is not the case but could be, use was.

Example using were: If I were to become the president of the United States, I’d end war, rid the world of nuclear weapons, and give every ten-year-old a bike.”

Example using was: If I was in that meeting, I’d have asked for a raise.

I hope these four points of style have made you think and settled more questions than they’ve raised. And in case you’re wondering, during that 2017 meeting of the ACES, editors also announced the Associate Press would no longer use a hyphen in email and lowercase the word internet. The Chicago Manual of Style followed suit the next day.

Now you know.

(Portions of this content were previously posted on The Write Conversation.)

Lori Hatcher is the editor of Reach Out, Columbia magazine and the author of several devotional books. Hungry for God … Starving for Time, Five-Minute Devotions for Busy Women won the 2016 Christian Small Publisher Book of the Year award. Her most recent book, Refresh Your Faith – Uncommon Devotions from Every Book of the Bible is due out in the spring of 2020. A blogger, writing instructor, and inspirational speaker, her goal is to help women connect with God in the craziness of life. You’ll find her pondering the marvelous and the mundane on her blog, Hungry for God. . . Starving for Time . Connect with her on Facebook, Twitter (@LoriHatcher2), or Pinterest (Hungry for God).

Categories
Guest Posts

5 Reasons Everything That’s Easy To Read Involves Some Hard Writing

The famous saying goes: “Easy reading means hard writing.” But why is that? If you have always wondered that, take a look at some of the things that you have to master before being successful at making your work easy to read:

You have to master the flow

Writing is more than just placing one word after another. Writing is creating music with words. Your story, no matter how long, has to have some flow. Simple, short sentences. Medium sentences that pop off the page and add meaning. And finally, long, detailed sentences—those that require a maximum focus on the reader`s part —that reveal secrets and mysteries.

It’s all about that flow that you can create by varying sentence lengths, emotions and meanings within a text. If you just start writing sentences of the same length one after another, it can be boring and repetitive.  So flow is an important technique to master.

You have to write vividly

Vivid writing doesn’t come easy either. It’s a tricky blend between being clear and imaginative. As a tool, writers use vivid writing to immerse the readers into their work completely. But, no matter how good it may sound, description has many pitfalls. For example, you could make the mistake of over-describing things—like nature, a person or a creature—and end up boring the reader.

The trick here is not to be too in love with your words. Sounds impossible, right?

Well, you can at least try to be sensible enough to know which parts to remove — long-winded, flowery descriptions and anything that doesn’t move the plot forward, reveal a part of the character arc or a piece of mystery. This is a good rule of thumb and it will help you to create more vivid sentences rather than boring ones.

You have to be humble

“So, it took you six months to finish that first draft, then another six to edit, proofread, edit again and revise everything. Then you had to flesh it out some more and so on. This is all amazing but the reader doesn’t have to know that,” says Alison Austin a contributor at Paper Fellows.

Create your best work and offer it humbly to your readers, as a gift. There is nothing worse than a writer trying to tell people how they should perceive something or feel about something, yet you see it so many times in books. It’s your job to tell the story, not to make decisions for your readers.

You have to be clear

Clear writing is also incredibly hard because we are so used to the notion that good writing means metaphors and thesaurus words, jargon words, long, flowy chapters and so on. However, good writing is nothing like that.

You have to be clear and, as mentioned, remove your own vanity from your writing. Be clear about what you have to say – no cliches or metaphors that you are used to seeing so often in books and written pieces. Use simple but strong words in your writing and make sure that your point is clear with each new paragraph.

You have to tell a good story

Good storytelling is never easy. You have to come up with a captivating plot that will make the readers turn the pages in the desire to read and learn more. Use your imagination, develop a somewhat logical sequence of events and use all of the elements previously mentioned to create a tale that will have something meaningful to give to the readers. Don`t forget about your characters either— they need to have a story and a development arc as well. Help them grow and learn together with the readers.

There are many reasons why easy and engaging writing means hard and long writing with many revisions and edits. These are some of them. If you really want your work to be impressive, follow these tips and continue working on making your writing better.

Ellie Coverdale is a creative writer and a blogger. She loves reading, yoga, and sharing her stories at online magazines and blogs.

Categories
Writer Encouragement

Take a Break

I didn’t know how much I needed a break until I grew grumpy. My usual ability to cope was stretched as taught as a rubber band holding too many papers. Exhaustion overwhelmed me at times. Then I got sick with bronchitis. In the summertime.

When you are overwhelmed with life, not only is it difficult to write your stories but sickness can rear its ugly head at any time of the year.

I stopped and took inventory of my past several months. It was a bit on the scary side: My husband’s stroke and months of rehab, my granddaughter’s diagnosis of cancer in her foot, my sister’s illness, moving out of state … The stressors were numerous and more than just a little daunting.

While things have improved for the most part, there are residual difficulties such as my granddaughter needing a prosthesis for her foot amputation and my husband still dealing with memory issues. I am struggling with now being the sole driver in our empty nest household. It’s not a situation I ever imagined.

In the midst of all this anxiety, my older son extended an invitation to come and stay for a week. I would help them out with childcare for the triplets while their mom and dad worked. Although some might see that as more work for me, it has been a refresher visiting with my out-of-state grands and my son and DIL who I rarely see. While I am not sitting doing nothing, it is a change from my normal and sometimes angst-filled routines. It has been a gift from the Lord through my son.

I could have found excuses not to go on this respite but I knew I needed it. Anyone who carries the load at home needs it for peace and renewal before the rubber band of anxiety snaps from the pressure.

So I set up everything for my husband to help him manage on his own. Our younger son and my husband’s sister are nearby in case of emergency. Then I boarded the flight, knowing this was going to be the refreshment for my soul and body that I needed.

It is so easy to be overwhelmed by our responsibilities that we often forget to take care of our own needs. It is a choice. We can make ourselves indispensable in our stress, or we can find coverage for all the needs around us. We all need to take a healthy break at times.

With a clearer head and renewed enthusiasm, I look forward to facing the blank Word doc again, and creating my next novel. After this rest.

Then I can happily … carry on.

Elaine Marie Cooper has two historical fiction books that recently released: War’s Respite (Prequel novella) and Love’s Kindling. Love’s Kindling is available in both e-book and paperback. They are the first two books in the Dawn of America Series set in Revolutionary War Connecticut. Cooper is the award-winning author of Fields of the Fatherless and Bethany’s Calendar. Her 2016 release (Saratoga Letters) was finalist in Historical Romance in both the Selah Awards and Next Generation Indie Book Awards. She penned the three-book Deer Run Saga and has been published in numerous magazines and anthologies. Scarred Vessels, a novel about black soldiers in the American Revolution, will release in 2020. You can visit her website/ blog at www.elainemariecooper.com

Categories
The Afterword

How Local Authors & Local Bookstores Support Local Economics

Big box book chains are struggling, but local bookstores are surging again after decades of decline. How do local bookstores and booksellers keep afloat with today’s competitive marketplace, the automation of online services, and the influx of e-books? Why do authors seek out local bookshops- these bastions of literary communities- to pitch their wares? Amy and Holland go to Fiction Addiction, Greenville, South Carolina’s own local bookstore, to chat with owner Jill Hendrix and USA TODAY bestselling novelist Susan Boyer. 

Jill Hendrix grew up in Greenville, SC. After graduating magna cum laude from Yale University and working in publishing and internet startups in New York for 5 years, she returned to Greenville and founded the independent bookstore Fiction Addiction in 2001. She is past president of the Southern Independent Booksellers Alliance and past Treasurer of the SC Academy of Authors. She continues to manage Fiction Addiction and also offers coaching to other bookstore owners through her website.

Susan M. Boyer writes the USA TODAY Bestselling Liz Talbot mystery series. Her debut novel, Lowcountry Boil, won the Agatha Award for Best First Novel and garnered several other awards and nominations. Lowcountry Boomerang, the eighth Liz Talbot mystery, was released on September 3, 2019. Susan loves beaches, Southern food, and small towns where everyone knows everyone and everyone has crazy relatives. You’ll find all of the above in her novels. Susan and her husband live in Greenville and visit the lowcountry often. 

Listen to the podcasts.

Podcast Part One

Podcast Part Two

Your hosts:

Holland Webb is a full-time freelance writer and editor. He spends his days writing about higher education, B2B technology, and nonprofit organizations. His clients have let him write for U.S. News & World Report, The Learning House, The Red Lantern, and Sweet Fish Media. Holland’s favorite writers are Malcolm Gladwell, Olive Ann Burns, and Flannery O’Connor. In his spare time … are you kidding, what spare time? You can reach him through www.theafterwordpodcast.com or on Twitter at @WebbHollandLyle.

Amy Bowlin is a veteran teacher. She works with 6-year-olds in literacy intervention and shares with college seniors the art of teaching literacy. Balancing both worlds involves commuting which allows her to listen to her favorite podcasts, “Wait Wait … Don’t Tell Me,” “This American Life” and “Revisionist History.” When she is not traveling to Greece to work with refugees, she likes to write, hike, kayak and spend time with family and friends. You can reach her through www.theafterwordpodcast.com or on Twitter at @albowlin1.

Categories
Becoming an Author

5 Ways to Practice Good Virtual Etiquette for Authors

As an aspiring author, you might be aware of how to professionally submit to an agent or editor. But did you know these agents and editors aren’t likely to evaluate your level of professionalism by your email presentation alone?

Agents/editors search for writers online. Not just to evaluate your platform and brand, but also to see how you portray yourself virtually. We want to discover if you are the kind of writer of which we would like to develop a professional relationship.  

So if you hope to remain professional and keep a clean online reputation, here are 5 admirable practices you may want to develop:

1. Refrain from over-sharing.

Sure, you may be tempted to vent about how your day was ruined because of a careless driver. But do you really want your emotions to be broadcasted on social media for the world to see? We don’t always think straight when we’re angry. Later, you may come back to that post and regret the words you used.

2. Be careful about how you handle the naysayers. 

In this virtual world, we can’t exactly escape the bullies, nor can we please everyone who views our posts. When someone pushes your buttons, choose your response carefully. Model Jesus by the way you are “slow to speak and slow to anger” (see James 1:19). The way you respond to these rude comments will say a lot about your character.

3. Avoid being a naysayer yourself!

There are some people who write posts for the sole purpose of striking virtual arguments with others. I’d hope you aren’t a naysayer yourself, because this would definitely serve as a red flag for agents and editors.

4. Don’t bash another book—especially if it’s the genre you write.

There’s a difference between politely sharing your opinion about a particular book and ranting about how that book should’ve never been published. Doing this will not exactly give you a reputation as one who respects authors and the book industry.

Besides, once you’re published, what if you want to seek an endorsement from that author? And you never know—you could end up having your own book evaluated by that author’s agent or editor. Wouldn’t it be terrible if they discovered this harsh post you wrote about their client’s project?

5. Support other authors.

Agents and editors love to see writers who are active in the online book and writing community. These are the writers who are not too prideful to brag about the genius work of another writer. When you give to the community in some way, you are planting seeds of generosity. That old saying is true … “What comes around goes around.” Don’t be surprised if these authors take note of your generosity and return the favor.

The bottom line is this: Think twice before hitting “post.” The words or photos you drop into cyberspace could possibly remain there forever, whether you like it or not.

So after you write each post, read over it and ask yourself, “Would I be ashamed for an agent or editor to see this? Would it taint my author reputation or brand in any way?” Use your manners in social media just like you would in a job interview.

And if you don’t want your reputation attached to a post, then, well—don’t post it in the first place.

Tessa Emily Hall writes inspirational yet authentic YA fiction to show teens they’re not alone. Her passion for shedding light on clean entertainment and media for teens led her to a career as an Associate Agent at Hartline Literary Agency, YA Acquisitions Editor for Illuminate YA (LPC Imprint), and Founder/Editor of PursueMagazine.net. Tessa’s first teen devotional, COFFEE SHOP DEVOS, will release with Bethany House in 2018. She’s guilty of making way too many lattes and never finishing her to-read list. When her fingers aren’t flying 116 WPM across the keyboard, she can be found speaking to teens, decorating her insulin pump, and acting in Christian films. Her favorite way to procrastinate is by connecting with readers on her blog, mailing list, social media (@tessaemilyhall), and website: tessaemilyhall.com.

Categories
The Intentional Writer

Are You “Almost” an Author?

Do you identify yourself as an author? A writer?

If not, it’s time to start.

You are a writer if…

Do you write poems? Blog posts? Funny anecdotes for the church newsletter?  

Do you journal on a regular basis?

Do you assemble words into sentences and paragraphs for no other reason than because you enjoy doing it?

Do you have ideas and truths you attempt to communicate to others through some written medium?

If you answered yes to any of those questions then you are a writer. A writer is someone who writes. Simple as that.

“A professional writer is an amateur who didn’t quit.”

Richard Bach

You are an author if…

Have you written a book, article, or report? If so, then according to the dictionary you are an author.

Don’t believe me? Then consider this.

I was talking about Almost an Author with a faculty member at a writing conference. With a smile, she asked me if I considered myself only almost an author. Then she made an interesting comment about how we use the word author.

She said that published author is a commonly used term but no one ever says unpublished author. This implies that the word author does not necessarily mean a person has been published.

In other words, if you have completed a piece of writing, you are an author. Not almost an author. Not an aspiring author. Not an author imposter.

A real, honest-to-goodness author.

Do you feel like an imposter?

I know how you feel. I struggled for years with the idea that I wasn’t good enough or successful enough to call myself a writer. But one day a wiser and more experienced writer challenged me to have the courage to begin calling myself a writer.

So I did.

And you know what? Not one person accused me of being an imposter. (I did get a few odd looks, but that’s to be expected.)

More recently I went through the same struggle over calling myself an author. I have completed multiple novel manuscripts. I have been published in magazines. I have seen my scripts performed on the stage. And yet I was loathe to call myself an author.

No more!

Three steps to claiming the title of writer (or author)

  1. Internal. The first step is to begin thinking of yourself as a writer (or author). Claiming the title in your own head boosts your confidence and helps you take writing seriously. Until you are willing to think of yourself as a writer you will remain a dabbler—someone who has an excuse to quit at any time. Writers are intentional about writing. Writers mean business.
  2. Among friends. The second step is to call yourself a writer (or author) among your fellow writers. Claiming the title in public can be scary, so start with those who will understand and support you. Other writers understand what it means to call yourself a writer. They understand how long and difficult it is to get published. They will not ridicule you for calling yourself a writer. (If they do, it’s time to find different writer friends.)  
  3. In public. The final step is introducing yourself as a writer (or author) in public. Claiming the title of writer produces instant accountability. It implies you are actively writing. (So long as you are, you can claim the title with pride.) When you get to this step, be prepared to answer questions such as, “What do you write?” and “when will your novel be published?” You may also face skepticism or ridicule. Do not let this stop you from owning the title.

Are you ready to quit being almost an author? I hope so.

What was your biggest hurdle in referring to yourself as a writer? Let me know in the comments.

Award-winning writer Lisa E. Betz believes that everyone has a unique story to tell the world. She loves inspiring fellow writers to be more intentional about developing their craft and courageous in sharing their words. Lisa shares her words through speaking, leading Bible studies, writing historical mysteries, and blogging about living intentionally.

You can find her on Facebook  LisaEBetzWriter Twitter @LisaEBetz and Pinterest Lisa E Betz Intentional Living.

Categories
Fantasy-Sci-Fi

The Slow Build of Believability

Most of us have probably been told to “plunge your main character into terrible trouble as quickly as possible.” This is a good motto to write by, and will help as we pitch to agents, our agents pitch to publishers, and ultimately, our readers decide whether to keep reading.

But there is also a whiplash-like phenomenon when we try to dump all the terrible trouble on our MC at one time, reveal the character arc in that great, epic scene we spent three days on, and tie it all up with our final, thought-out sentence.

To be clear, terrible trouble is a necessity, character arc is needed, and that epic scene provides the great payoff to the readers that we set up at the beginning.

However, especially when it comes to fantasy and science fiction, where we’re world-building like crazy and using uncommon character names, there needs to be a level of believability.

Just like building character in the real world takes time, building characters in fiction requires time as well. This demands specificity in our writing. It demands setups we may not even realize we’re writing into our story.

Pet-the-dog Moments

Including moments when our MC shows unnecessary compassion on a person or even an animal goes a long way in building credibility. Scenes where they tip generously when no one’s looking, stop to pick up the bottle in the dirt, or listen to the homeless person when they’re in a rush, these types of scenes build character credibility. Credibility brings believability.

Appropriate On-the-Nose Moments

No one wants to read about the character answering the phone by walking through their kitchen to the bedroom, unplugging it from the charger, swiping to open, and saying hello. (Or taking the parchment from the carrier pigeon, depending on your time period!) The important thing is to show routine in an engaging way. Once readers connect with the MC at a base level, they’ll connect with their humanness. Connection brings believability.

Destroying the Status Quo

Once we’ve set up that our MC is credible, believable, and someone readers can connect with, it’s imperative we destroy the status quo again, and again, and again. After all, we need to plunge our main character into terrible trouble as quickly as possible. Not just in the first pages, but that trouble needs to follow them like a shadow until they bring their heroism into the light of the final pages.

Slowly building credibility will leave readers deeply connected with the MC. That type of connection is what makes MC’s not only credible and believable, but memorable. Memorable characters stick with readers. And when characters stick, publishers will want to publish!

Sarah Rexford is a Marketing Content Writer, working with brands to grow their audience reach. She studied Strategic Communications at Cornerstone University and focused on writing during her time there, completing two full-length manuscripts while a full-time student. Currently she trains under best-selling author Jerry Jenkins in his Your Novel Blueprint course and is actively seeking publication for two books.

Instagram: @sarahjrexford
Twitter: @sarahjrexford
Web: itssarahrexford.com

Categories
Embrace the Wait

Survival Tips for the Waiting Part of Writing Tip #7 – Find a Dedicated Space to Write

My husband spoke to me tenderly—our gaze connected over the twinkling candlelight. In the background, the muffled hum of conversation mingled with a soothing melody played by the cellist. The aroma of fresh baked bread and perfectly grilled steak wafted through the air, tempting and taunting our appetites. The waiter, a tall fellow with overflowing charisma and ambition that far exceeded his status, kept our drinks filled and our interest piqued with his animated description of the chef’s seasonal menu. My husband spoke again. His smile formed perfectly around the words and shone in his eyes. Those baby blues crinkled at the corners now. But they still held the spark and wonder that had made me blush in our youth. “Hello—earth to Annette? Did you hear me?” The edge in my husband’s tone lured me back to reality. “Seriously, Babe? Our first date-night in weeks and you’re a million miles away. You were crafting your novel again, weren’t you?”

I had to admit it was true.

Most fiction writers experience a constant mental flow of creative narrative. While we work, shop, exercise, care for the family, and complete various tasks we are also busy nurturing our book-babies to life. In the background of our everyday thoughts our characters’ personalities sprout. Their unique features are formed. Backstories take shape and evolve into plot, setting, and theme. Those tiny musings usually play nice and are content to take backstage to our practical life dealings. But there comes a time when our imaginations can no longer contain the scope of the story. The words must be born into print. And that’s when multitasking becomes impossible.

As with any pregnancy, there’s labor involved in bringing a story into the world. As a former doula, or birth-coach, I can attest to the fact that the best location to deliver any human baby is the place the mom feels most at ease. That place may vary from mom to mom, but the elements are always the same. Whether at home, in a hospital, or a birthing center the most important thing is that the venue is a safe, secluded space that is well stocked with essential items that will aid in the delivery and care of the newborn. I have found the same to be true with birthing book-babies. The laboring process progresses much more smoothly in a dedicated space.

Finding your perfect writing nook might involve some experimentation. You’ll want to find a spot that will allow your creative juices to flow, unhindered by the roadblocks of normal life. This will look different for every writer. But the overall goal should be to create a distraction free zone. Your area should be an escape—a place to temporarily forsake every other responsibility for the sake of writing. Once there, surround yourself with items that inspire creativity and equip yourself with the best writing resources available. Be sure to guard against timewasters like social media trolling and aimless internet browsing. Also, set clear boundaries with family and friends to keep them from well-meaning invasions. The process may require some time and effort in the beginning, but the end result will be a lasting haven to birth many book-babies to come.

Scripture: Ecclesiastes 3:1, Ecclesiastes 9:10

Fun Fact: Roald Dahl, the author of the award-winning books Matilda and BFG, made his dedicated space for writing out of an old shed overlooking his garden. He called it his writing hut, and it was off limits to everyone else. Dahl explained his strict no admittance policy by saying,  

“When I am up here I see only the paper I am writing on, and my mind is far away with Willy Wonka or James or Mr Fox or Danny or whatever else I am trying to cook up. The room itself is of no consequence. It is out of focus, a place for dreaming and floating and whistling in the wind, as soft and silent and murky as a womb…”

Annette Marie Griffin is a award-winning writer who speaks at local women’s group meetings and women’s retreats on the topic of biblical womanhood and finding our identity in Christ. She is the Operations and Events Coordinator at a private school for special needs students and is the editor of their quarterly newsletter. She has written custom curriculum for women’s retreats and children’s church curriculum for Gateway Church in San Antonio, Texas where she served as Children’s Ministry Director and Family Program Director for over twenty years. She and her husband John have five amazing children and two adorable grands. She’s a member of Word Weavers International, ACFW, SCBWI, and serves on the Board of Directors for The Creative Writing Institute.

Categories
Screenwriting

Treatments

Now that summer is coming to an end, I feel it’s time to get serious about the business of writing. For the last two months, I’ve talked about how the art of dialogue is more than just simple conversation between characters, it establishes a few things.

  • Personalities.
  • Conflict.
  • Action.

As I’ve learned myself, the heart of dialogue isn’t about what we say or don’t say, dialogue is all about story. Knowing the story we want to tell helps shape the dialogue throughout our screenplays.

This month I want to look at a tool that is unique to screenwriting, whether you’re a panster or outliner, you need to know why treatments are so important in this industry and why many find it so confusing or even downright scary.

Treatments!

Treatments are important because they serve many functions in the life of a screenwriter—each of which is imperative to the writing process.

Before we begin crafting our story we must understand our characters:  Their goals, their worlds, their struggles.

Once we get the pieces of the puzzle, we have to figure out how all of them fit together to create our narrative. Thus, the first function of your treatment is a working outline of your story.

You don’t have to have all the answers, just the basics plus your story’s endgame—the message you’re trying to get out. So before you even begin writing a screenplay, you should know:

  1. Who the main characters are.
  2. Their world.
  3. The conflict.
  4. Their desires.

I view these four elements as the basics of our story. Around them, we can build a narrative that expresses a theme or plot we want to share.

And that brings me to the second purpose of writing a treatment.

In the writing business, your first audience is an agent. They are the first and most crucial readers you need to impress. While authors send book proposals to essentially market their book to potential agents, screenwriters send treatments to both agents and studios. Both book proposals and treatments function in similar capacities, although they are different.

It’s important to note that like book proposals, every agent has a different preference on length and content for treatments, so be sure to check out the guidelines on their agency’s website.

Your treatment should give the basic elements I mentioned above as well as provide a tease of your story without telling all of the specific details. David Trotter explains, “A treatment is a long synopsis—a written pitch… It emphasizes crucial moments, the key events of the story, and the emotional highs and lows of your characters.”[i] Again this function of the treatment is for marketing and potential sales.

Selling points?

I like to think of treatments as written movie trailers: in a few brief moments we see the characters, their world, and conflict. They not only create interest in going to the theater and getting the rest of the story. Trailers also reveal a movie’s selling points. Below are a few movies I’m looking forward to seeing, I am sold on the stories within a few minutes.

Gemini Man

Artemis Fowl

https://www.youtube.com/watch?v=wXlBep9uFjI&feature=youtu.be

The Chosen

 This is why many screenwriters are terrified by the process of writing treatments: They know if they don’t nail them, they may lose a potential sale. However, if you stick to your treatment during the writing process you will come out with the key points of the story you’ve created.

  • Characters.
  • Emotions.
  • Resolutions.

Keep these elements of your story in mind as you recraft your treatment into a marketing tool for your story to ensure it gets the best treatment.

Martin Johnson survived a severe car accident with a (T.B.I.) Traumatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at Spiritual Perspectives of Da Single Guy and on Twitter at mtjohnson51.


[i] Trotter, David Screenwriters  Bible. Beverly Hills, CA:Silman-James Press (1998) pg258.

Categories
Guest Posts

Collaborative marketing—the future for authors

It’s never been easier to get your book published. But easy access to publishing creates challenges of its own.

With millions of titles uploaded to various self-publishing platforms on a regular basis, authors must radically reshape their approach to book marketing in order to see an increase in sales. An innovative approach to increasing exposure is collaborative marketing.

There’s nothing new about the idea of collaboration. It’s been a key element of writing for centuries. But the idea of marketing collaboratively, instead of individually, is a successful business technique that authors need to embrace.

Simply put, collaborative marketing, or co-marketing, is a strategy that involves working with similar companies or individuals to promote a brand while driving down costs.

Evidence for collaboration’s power in the business world is all around us. An appliance manufacturer rents space from a wholesale retailer. A certain brand of sneakers teams up with a sports drink manufacturer to advertise their product more efficiently. When the cost of advertising is shared, the potential profit for both parties increases dramatically.

While many authors may collaborate, in the sense of doing a guest blog or endorsing the book of another author in a similar genre, our vision of collaboration needs to be expanded. Co-marketing must become a major tool in the writer’s toolkit in order to more effectively convince readers to purchase a book.

For authors, collaborative marketing can largely take two forms: working with readers and working with other authors.

Let’s look at working with readers first.

The age of social media has fundamentally revolutionized marketing by putting consumers—or, in our case, readers—in the driver’s seat.  Huffington Post writes, “marketers {think authors} now need to develop deep relationships with their core consumers so they can easily inform an idea with them and motivate people to advocate for their brand.”[1]

We are all aware that readers (consumers) wield immense power that can encourage, or discourage, other readers from making a purchase. But what about engaging readers beyond the book? Getting readers to engage with your characters, or the topics you present, exponentially increases your ability to reach your target audience.

For example, if your book offers strategies for time management, you might consider holding contests in which entrants share how they boost productivity during the holidays. By engaging with readers in a way that directly relates to your book, you create a unique partnership with the consumer that can result in user-generated content, more online chatter about your book, and ultimately, more sales.

User-generated content is a prime example of collaboration with readers. Can you provide opportunities for readers to engage with your characters or post pictures relating to themes from your book on YouTube, Instagram, Twitter or their blogs? Even better, encourage them to share content with you so you can repost their content on your social media channels. Be sure to secure their permission.

When your readers are generating content about your book, they’re promoting your brand, leaving you to do what you love best—writing more books!

The alternate form of collaboration is to form partnerships with other authors.

Think, for a minute, about a concert you attended or perhaps a song you listened to recently. Chances are there was more than one musician playing. You could argue that each musician is in competition with the others as they all want to be heard. But, by working together, the musicians create something more solid and mask any imperfections.

The same can be said of collaborative marketing among authors.

This year my company, Logos Publications, launched a revolutionary collaborative marketing strategy called Catch Fire TM. Catch Fire TM is a subscription-based, marketing program that promotes a website on which all author-subscribers can list up to three books.

Catch Fire TM promotes collaborative marketing by sharing adverting costs and by creating a community of authors which can result in stronger products and potential sales. For more information, visit www.logospub.com.

As the efficacy of competitive marketing dwindles, author-entrepreneurs must look to the future. And that future’s name is collaborative marketing.

JP Robinson gained experience in the marketing field doing promotional work for multi-million dollar medical facilities and non-profit groups over the past decade. He is an international speaker, educator, and prolific author of both fiction and non-fiction.

JP also conducts writing seminars in various parts of the country and heads Logos Publications, LLC, an emerging publishing and book marketing team.

When he isn’t writing or teaching, JP loves spending time with his wonderful wife and children.


[1] Klepic, J. (2017). The Age of Collaborative Marketing Has Arrived. [online] www.huffpost.com.  

Categories
Bestsellers

Award-Winning Author Interview with Taryn Souders

Can you share a little about your recent book?

It’s a mystery titled Remains To Be Seen (to be published by Sourcebooks/Jabberwocky)

Days before school is set to begin for thirteen-year old Coop Goodman in the small town of Windy Bottom, a skeleton is uncovered at the abandoned playground. All signs point to murder and Coop’s beloved Gramps is the number one suspect!

Why do you write? Do you have a theme, message, or goal for your books?

I write for the general market so my goals are to write fun clean books that are exciting (and hopefully humorous) for kids, teachers, and families to read.

How long have you been writing?

Since 2006

And how long did it take you to get your first major book contract? Or are you published non-traditionally? How did that come about?

I am traditionally published. I have three different publishers: Sleeping Bear Press, Sky Pony, and Sourcebooks/Jabberwocky. My first book, Whole-y Cow! Fractions Are Fun was published by Sleeping Bear but the paperback rights were sold to Scholastic—so to me that was “major”. I started sending Whole-y Cow out in 2006 then stopped after a few months because we began a remodel on our home and I was pregnant. Then, in 2008, I received an email from SBP asking if the project was still available! I’d forgotten all about it! I signed with them and then the book released in 2010. People don’t always realize how long publishing can take, but that was an eye-opener for me. Then I got an awesome agent, Sally Apokedak of Apokedak Literary Agency. My first middle grade novel was Dead Possums Are Fair Game (with Sky Pony), followed by a two-book contract with Sourcebook/Jabberwocky. They published How to (Almost) Ruin Your Summer and will also be publishing Remains to be Seen.

How long does it take you to write a book?

I’m a slow writer—it takes me a couple years to produce a book that I’m happy enough with to send to my agent. Sally then usually edits and sends me suggestions that take a couple more months.

What’s your writing work schedule like?

Because I have school-age children still, I usually don’t get a lot of writing done during the summer. If I’m in the middle of story, ideally I’d like to knock out around 600 words a day. I take the weekends off to spend with family.

Do you have an interesting writing quirk? If so, what is it?

Well, I MUST have coffee—but I think a lot of writers have that requirement! I always listen to music. And if I run into a snag (writer’s block or a plot hole) I usually walk around the house talking to myself to try and work out the problem.

What has been your greatest joy(s) in your writing career?

When How to (Almost) Ruin Your Summer made Florida’s Sunshine State Young Reader Award list I was ECSTATIC! I got absolutely no work done that day and stayed on cloud nine for weeks. I was just as excited when Dead Possums Are Fair Game made the Georgia Children’s Book Award list the following year.

What has been your darkest moment(s)?

Rejections are never fun so when I get a few of those in a row, I tend to feel sorry for myself. But my husband is a great support and so are my critique groups. I’m part of Word Weavers International and SCBWI.

Which of your books is your favorite?

I think I’d have to say Remains to be Seen. I absolutely devoured mysteries as a kid and have always wanted to try my hand at one. I love my characters and their struggles, but I also love my southern heritage so combining a mystery with the south was a lot of fun!

Who is your favorite author to read?

It’s a toss up between Gary Schmidt, Sheila Turnage, and Lisa Lewis Tyre

What advice can you give aspiring writers that you wished you had gotten, or that you wished you would have listened too?

I have two pieces of advice. First, read hundreds of books in the genre you want to write. Learn what is appropriate for that age group. Study the dialogue, the characters, and how the plots are developed. The more you read in that genre, the better!

My second piece is to join a critique group. Critique groups are awesome for seeing problems or plot holes (and such) that we can no longer see since we’re so familiar with our work. Learn to listen to constructive criticism without stopping to justify your work.

How many times in your career have you experienced rejection? How did they shape you?

Countless—I’ve lost track! But with the rejections, editors have often provided a reason why and that helps me to make changes and hopefully strengthen my writing. I realize not all editors do that—and if an agent doesn’t represent you the chances are you may not find out why your manuscript was rejected. But don’t give up!

Do you have a favorite character or scene in one of your books?

I truly love the first couple chapters of Remains to be Seen. The reader meets a good chunk of the cast and there’s a nice dose of humor.

Where do you get your ideas?

I get my ideas from my life experiences and those of my kids. I mix a bit of my history with some imagination and then wait to see what comes out!

What are common mistakes you see aspiring writer’s make?

Dialogue is often one of the areas that can show if a writer is a novice. It can read unrealistic, stilted, or very adult. New writers also seem to be cautious of using the word said. They want to exclaim, shout, yell, cry, etc. Said is an invisible word, and is great to use because our brains tend to skim right over it. Don’t be afraid to use it!

And of course there’s the classic, Show, don’t tell mistake. Don’t tell your reader someone is angry. There’s a better way to show anger in conversation than simply adding an exclamation point and the dialogue tag of yelled. Have someone slam a door, throw a shoe, or tear up a photo and then speak. It’s far more exciting to read and shows the character’s emotion better.

Where/How do you recommend writers try to break into the market?

Conferences are a GREAT place to meet agents, editors/publishers, and other writers. If an agent or publisher can put a name with a face, they are more likely to remember you when you submit your manuscript. Conferences can be expensive so joining organizations like Word Weavers International or SCBWI (The Society of Children’s Book Writers and Illustrators) is helpful because they usually offer scholarships to conferences!

Taryn Souders

Taryn’s first book, Whole-y Cow!  Fractions Are Fun was published by Sleeping Bear Press (2010), and became a non-fiction best seller for Scholastic’s Book Clubs.

Her middle grade novel Dead Possums Are Fair Game was released by Sky Pony and was a 2016 Crystal Kite finalist. It was part of the 2016 Battle of the Books in Birdville ISD in Texas, the 2017 Battle of the Books in Chicago, and a 2018-2019 Georgia Children’s Book Award nominee.

How to (Almost) Ruin Your Summer was a 2017 Crystal Kite Finalist and was also named to the Sunshine State Young Reader Award 2017-2018 book list. Her fourth middle grade novel, a mystery, Remains to be Seen, releases Spring 2020.

Taryn graduated from the University of North Texas with a degree in Interdisciplinary Studies and a specialization in Mathematics. She taught middle school where she learned the art of sarcasm. Now she stays at home and writes.

Taryn is a member of both SCBWI and Word Weavers, International. She currently lives in Sorrento, Florida with her husband, David, their three children, and two cats—an overly fuzzy Ragdoll named Mordecai, and a polydactyl Hemingway named Sebastian—who sleep on the sofa all day (the cats, not her husband or children). Her website is www.TarynSouders.com

Twitter: https://twitter.com/TarynSouders

Facebook: http://www.facebook.com/Taryn-Souders-Author

Website: https://twitter.com/TarynSouders

Books can be purchased at Barnes and Noble, Books-A-Million, Amazon, and through the publishers (listed below).

Amazon:

Sky Pony:

Sourcebooks:

Sleeping Bear:

Categories
Guest Posts

How Do Writers Create Book Launch Content?

Congratulations on having a book to launch! Now to accept the challenge of creating content in today’s world of social media. So what’s next? Need a little help figuring out how to work smart—effectively and efficiently?

If so, the tips below are also exercises for the writer to consider before deciding topics and where to post information, blog or guest blog.

Not every writer creates the same content for social media.

Readers of various fiction genres and types of nonfiction have particular topics of interest and needs that a writer can fill. We writers have unique talents and expertise. Savvy writers discover their audience’s sweet spot.

Jot down the answers to the following:

1. What is my genre?

  • Describe your genre as though it were a character.

2.  What is my brand?

  • How is it different from any other writer brand?
  • How is my brand the same?
  • What social media platforms suit my brand the best?

3.  Who are my readers or target audience?

  •  Be specific
  • Develop a few paragraphs that characterize the reader.

4.  Where do my readers/followers/target audience hang out?

  • Join in the platform conversations and be a part of the group.
  • Make notes of the areas of interest.
  • List how I can address reader needs that apply to my brand?

We are making progress. By understanding who we are, we are better equipped to offer valuable content according to our skills, knowledge, and brand.

Let’s continue listing ways to enhance a book launch through social media.

5. What is the perfect way for others to find out about my book?

  •  We’ve all heard word of mouth is the best technique to learn and hear about a product. How can I make this work for me?
  • Research blog sites that meet the criteria established above. Request to guest blog. Incorporate a book giveaway. Use your social media platforms to drive traffic to the content and giveaway.
  • Provide valuable information for all blogs that meets reader needs.
  • Create social media posts and link all to the book’s website. 

6.  What is something my readers don’t know about my brand, book, or me?

  • Be real and humorous. Make it fun.
  • Did I learn something in the research process?
  • What did I learn about myself in writing the book?

7. What are the topics about my book that I could feature on social media?

  • List more than will ever be needed
  •   Acquire social media skills and learn how to master them.

8.  Develop social media content for my various platforms

  • List social media content for Facebook, Twitter, Instagram, Pinterest
  • Use only royalty-free images such as pixabay.com
  •  Consider scheduling tool such as buffer.com or hootsuite.com
  •  Customize memes according to social media platform specifications – adobe spark    

Are you ready to create dynamic content to launch your book in the wonderful world of social media?

DiAnn Mills is a bestselling author who believes her readers should expect an adventure. She weaves memorable characters with unpredictable plots to create action-packed, suspense-filled novels. DiAnn believes every breath of life is someone’s story, so why not capture those moments and create a thrilling adventure?

Her titles have appeared on the CBA and ECPA bestseller lists; won two Christy Awards; and been finalists for the RITA, Daphne Du Maurier, Inspirational Readers’ Choice, and Carol award contests.

DiAnn is a founding board member of the American Christian Fiction Writers, a member of Advanced Writers and Speakers Association, Mystery Writers of America, Sisters in Crime, and International Thriller Writers. She is the director of the Blue Ridge Mountain Christian Writers Conference, Mountainside Marketing Retreat, and the Mountainside Novelist Retreat with social media specialist Edie Melson where she continues her passion of helping other writers be successful. She speaks to various groups and teaches writing workshops around the country.

DiAnn has been termed a coffee snob and roasts her own coffee beans. She’s an avid reader, loves to cook, and believes her grandchildren are the smartest kids in the universe. She and her husband live in sunny Houston, Texas.

DiAnn is very active online and would love to connect with readers on: Facebook, Twitter, or any of the social media platforms listed at diannmills.com