Categories
Literary Women in Histor

Laura Ingalls Wilder: Truth for the Time

Have you heard the latest outrage in the world of books and publishing?

Beloved children’s author, Laura Ingalls Wilder—turns out she’s something of a racist. Strange but true. The Association for Library Service to Children (ALSC) has deemed it to be so, in keeping with the current popular mantra that pretty much everyone these days is racist if they hold fast to traditional American values.

 Who knew!

The book award that the ALSC created over 60 years ago bearing Mrs. Wilder’s name no longer can because a scant handful of references in her Little House books have been tagged as racist towards certain minorities she came in contact with as a little girl in the 1880s.

Formerly hailed as a great classic of children’s literature, celebrating faith, family, hard work, perseverance, and American patriotism, parents are being warned against them. Her name is blackened. The award is stripped from her. And all because she told the truth as she experienced it. She wrote an historical fiction memoir based upon firsthand accounts of a major part of American history from the perspective of a child living through it. Why is that wrong?

The Laura Ingalls Wilder Home Association wonders about that, too.

Statement from the Laura Ingalls Wilder Home Association—Office of the Director:

The Laura Ingalls Wilder Home Association wishes to voice its disappointment in the recent action of the Association for Library Service to Children (ALSC). Many believe that Mrs. Wilder’s famous “Little House” books are American treasures and she should be honored as their author.

Mrs. Wilder believed her books to be historically accurate and reflect American life during the Western Movement. However difficult it may be to agree with social mores within these years, the fact remains that was a different time and what was accepted then would not be today. Mrs. Wilder was writing a historical account of her childhood to inform today’s children how proud they may be in their heritage and their nation.

Hmmm. Being proud of one’s heritage and nation. Not real popular these days in some media streams. What crazy times we live in where being proud of our heritage and nation is controversial.

But, true to the time in which she lived, Laura referred to Native Americans as Indians. Most historical fiction books of the time do. Even the Indians called themselves Indians. There is also some concern over her unfiltered childlike reaction at seeing a black person for the first time. Not quite the way we’re supposed to be speaking these days.

And therein lies the problem.

Do you write historical fiction? Do you write personal memoir or autobiography? Are you true to the time you are writing about? Or, do you fear negative repercussions if you don’t manipulate historical norms to fit contemporary trends in thought, word, and deed?

I’ve read all nine of the Little House books and loved every one. Mrs. Wilder painted sticky images in my mind of bygone times with precise details. Even though it has been many years since reading them, there are passages that left an impression so deep, I can still recall them, fascinated at how my imagination stirred with a desire to learn more about history.

I enjoyed teaching Little House in the Big Woods to a homeschool group a few years ago, leading young hearts and minds through some favorite passages: the maple syrup chapter, Pa’s bear story, Mary’s birthday, and the fact that Laura could name every tree and plant that grew in and around her home as a very little child, as though they were dear friends. What a wondrous childhood filled with worthy life lessons and experiences modern children rarely enjoy amid all the hyper distractions of today.

Times have changed. I am heartily sorry that those seeking to re-write history have chosen such a literary icon as Laura Ingalls Wilder to pick on.

In the mid-20th century, and for decades later, librarians lauded the works of Laura Ingalls Wilder for her honest storytelling of an American family living through the highs and lows of a defining moment in our national history, unfiltered by a political agenda. Not so much anymore. These days, one candid remark on social media can cost a person their livelihood and open their life to unforgiving abuse. It is a toxic environment for writers seeking to speak truth.

As Christians, publishing an unpopular message or controversial fictional story in an historical setting, we should not allow ourselves to be bullied into writing politically correct words that are untrue to ourselves and history. The Word of God should be the only arbiter of truth and the plumbline standard for our words. Some may take offense. Some may twist our meaning and motivation out of proportion, accusing us of unjustified things. If so, we are in good company. With the likes of Jesus.

And our own Laura Ingalls Wilder, it would seem.

Next month, I continue musing on this topic and share some words of wisdom from Laura’s pen to encourage the Christian writer of today.

 Journal Prompt: How true to yourself are you when writing in your journal? Is it messy? Is it whitewashed? In your historical fiction, are you bullied by contemporary politically correct culture that often skews the lens through which you experienced something in order to satisfy a trendy group-think? In essence, re-writing history? Where have you seen this type of manipulation in historical fiction? In memoir? In some contemporary biblical narratives?

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Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. In addition, she shepherds writers through the steps book development and production. Her passion to equip women and families in developing a Family Literacy Lifestyle, produces readers and thinkers who can engage the world from a biblical worldview. She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook.

Categories
Mystery/Thriller/Suspense

A Mystery Conference near You

Did you know there are conferences throughout the country that focus on the mystery / suspense / thriller genre? Some are primarily writer’s conferences, others are primarily conventions designed for fans of the genre. Both types are great places to learn, network, and enjoy the latest and best of the genre.

Here are some of the biggest conferences. If you love reading or writing mystery, suspense or thriller, you might want to check one out.

Bouchercon

The granddaddy of all mystery conventions. Named for the mystery fiction critic, editor and author Anthony Boucher, Bouchercon is the world’s largest crime fiction convention. The convention’s goal is to bring all parts of the mystery fiction community together, from readers to critics to booksellers. It features a four-day weekend of panels, keynotes, and special events. The 2018 conference will be held in Saint Petersburg, Florida in early September. Next year it will be held in Dallas, Texas at the end of October.

Killer Nashville

This annual conference is for all genres that involve mystery, thriller, or suspense writing. Held annually near Nashville, Tennessee. The four-day conference features seminars, breakout sessions, agent roundtables, a mock crime scene designed by law enforcement professionals, and more.

Left Coast Crime

This annual mystery convention is held in March somewhere in the western half of North America. The 2019 location is Vancouver, British Columbia, and the 2020 location is San Diego, California. A with other fan conferences, the purpose of Left Coast Crime is to connect readers, authors, critics, librarians, publishers, and other fans of the genre. The three-day event features panels, interviews, award presentations and more.

Malice Domestic

An annual mystery fan convention held in the Washington D.C. area that focuses on tradition-style mysteries (think Agatha Christie). Book signings, award presentations, panel discussions, and other events. The 2019 conference will be May 3-5.

New England Crime Bake

The largest crime fiction writers’ conference in New England. Held every year over Veteran’s Day weekend in the greater Boston area. Crime Bake is so popular it regularly sells out. Seminars, keynotes, master classes, pitch sessions, networking and more.

ThrillerFest

This conference devoted to thrillers is held each year in New York City by the International Thriller Writers (ITW) organization. ThrillerFest is a writers conference and fan convention in one, offering three paralell tracks: CraftFest offers classes for writers, PitchFest gives writers an opportunity to pitch their work to agents, and ThrillFest is a fan convention featuring both best-selling authors and not-yet-famous ones.

Writer’s Police Academy

For writers who want a hands-on experience to better understand law enforcement, fire-fighting, EMS or forensics. This event is held at a law enforcement training academy in Green Bay, Wisconsin. It features actual police, fire, forensics, and EMS training with top instructors. If you want to write with gritty realism, this is the conference for you.

There are plenty of smaller mystery conventions around as well. In Reference to Murder has a helpful page listing upcoming conferences with links.

Hopefully there is one near you.

Lisa E. Betz believes that everyone has a story to tell the world. She loves to encourage fellow writers to be intentional about their craft and courageous in sharing their words with others. Lisa shares her words through dramas, Bible studies, historical mysteries, and her blog about intentional living. You can find her on Facebook  LisaEBetzWriter and Twitter @LisaEBetz

Categories
History in the Making

Naming Characters in Your Historical Novels

Have you ever read a fictional novel set in the 1700s where the main character is named Harper (22 on a current top girl’s name list) or Summer (76) or Sienna (20) for a woman? How about Jayden (67 on a top 100 boy’s name list) or Kai (85) or Dylan (43) for a man?

Using character names accurate for the novel’s time period lends another layer of authenticity for readers. So where can we find these names?

The easiest source for me is books written during my story’s time period. For instance, I write Civil War romances. Soldiers’ journals provide names of family and comrades. Nonfiction books about the war cite many names of officers and rank and file soldiers. At that time, many men had a family surname as their first name or middle name, such as Harrison or Carter. Often these names were from the mother’s side of the family, so this could be a fun aspect for a novel’s secondary character as well.

Many regiments published a short history. Included with battle details were the men who served in that regiment. Names of wives, children, siblings, and parents may also be listed, providing many ideas for first and last names.

If an author is stuck for names, reading about an event that took place near the time either gives some ideas or send the writer on a chase that leads to timely names.

If a novel is set in 1790, reading about the American Revolution will give plenty of period names. Is the location set in the New England area in 1645? Look at names found in the Salem Witch Trials.

Also consider the character’s surname. If the main character has Scottish parents, a German surname does not ring true. If the character has an Irish mother and an Italian father, a first name common to either country will work—and so will a name common to the novel’s location.

One source to find the history of names is Behind the Name,  where writers can search by name, gender, or country. Authors may also browse for names under Ancient & Medieval, Biblical, or Mythology categories. The site even has a section for “Logical Names for Twins.”

Another fun tool is NameTrends. Search the site by clicking on the first letter of a name. Each letter has a listing that show when it was popular in history, beginning in 1880. Even if your novel is set earlier than this, it may provide ideas.

There is a lot to consider when naming characters in historical novels. Hopefully these sources have sparked some ideas for that next novel.

Award-winning and Amazon bestselling author Sandra Merville Hart loves to uncover little-known yet fascinating facts about our American history to include in her stories. Her debut Civil War Romance, A Stranger On My Land, was IRCA Finalist 2015. A Rebel in My House, set during the historic Battle of Gettysburg, won the 2018 Silver Illumination Award and 2018 Faith Hope and Love Reader’s Choice Award. A Musket in My Hands, where two sisters join the Confederate army with the men they love, releases November of 2018. Watch for her novellas, Surprised by Love in “From the Lake to the River” releasing in September of 2018, and Trail’s End, in “Smitten Novella Collection: The Cowboys” releasing in August of 2019.

Find her on her blog, sandramervillehart.wordpress.com.

Categories
Writers Chat

Writers Chat Recap Featuring Bethany Jett and Shalon Ironroad

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Bethany Jett, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Instagram’s IGTV with Bethany Jett

The latest trend on Instagram is IGTV. Yes, you can now create your own video channel on Instagram! It’s like YouTube…only on Instagram! Serious Writer’s Bethany Jett, showed how we can make this latest innovation work for us on Utilizing Instagram’s IGTV.

Watch the July 17th replay.

Show Notes & Live Chat Link

Bethany Jett is the Founder and Co-Owner of Serious Writer, Inc., and Vice President of Platinum Literary Services where she specializes in marketing, nonfiction proposal creation, ghostwriting, and developmental editing. Her love for marketing and social media led to her pursuing her Master of Fine Arts degree in Communication: New Media and Marketing. She also holds a degree in Interdisciplinary Studies: Behavioral Social Science and Humanities with a Criminal Justice minor.

 

Super Organized Planning for Business with Shalon Ironroad

Writing is a business. If you want your business to succeed, becoming organized is essential. Fortunately for us, consultant extraordinaire, Shalon Ironroad, knows the tricks of the trade, and she shared some great tips in Super Organized Business Planning.

Check out the July 24th replay.

Show Notes & Live Chat Link

Shalon Ironroad teaches that work-life balance is possible, but not sustainable. Instead, she focuses on the idea of work+life harmony, helping business owners and corporate teams see the value of building supporting pieces into their lives and their work, rather than having constant tension between the activities and people they love.

A veteran Virtual Assistant, Shalon Ironroad has spent the past decade supporting entrepreneurs, thought leaders, investors, and nonprofit organizations to reduce stress and improve operations so they can continue their great work without sacrificing the relationships that matter most (with themselves included). She loves helping business owners prepare to successfully automate and delegate the tasks that keep them from the work that truly matters.

In addition to her consulting work, she is a military wife, mother of three (+ 1 on the way!), and the author of The Tale of Little Tree: A Fable About Courage.

To learn more about how to build work + life harmony into your business, or to get in touch with Shalon, please visit IronroadGroup.com. Gain access to the business tools mentioned in the show via the Show Notes and Live Chat Links.

JOIN US!

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET on Zoom. Here’s the permanent Zoom room link.

Participants mute their audio and video during the filming, then we open up
the room for anyone who wishes to participate with our guests. The “After Party” is fifteen-minutes of off-the-record sharing and conversation.

Additionally, you can grow your network and add to the conversation by joining our Writers Chat Facebook Group.

Categories
Writing with a Disability (Different Ability)

Your Voice

Last month I mentioned the ultimate goal of every writer, whether experienced or a beginner—we want our audience to take away a particular idea or concept from our writing.

While that may be our reason for writing a particular prose, it is influenced by how we say it. Otherwise known as the elusive author’s voice. Everyone has something to say and a unique way to say it.

It’s part of the art of communication, how we express ourselves to others makes us unique and it is a result of many factors. For the sake of time I want to focus on four factors, particularly the last.

  • Situational: the situation we’re trying to express ourselves in.
  • Developmental/education: our education and how we process information.
  • Environment/culture: the circumstances and our surroundings.
  • Physical/abilities: how we best express ourselves or are able/disabled

Yes, even people with disabilities have a unique voice.

Voice?

I think our actual voices are something we take for granted every day. You never know how important it is until you lose it. After I had my accident, I literally lost my unique voice. When I talked, I spoke in a monotone voice like Forrest Gump. I couldn’t hear it at first, but after listening to my therapist’s recording, it was clear as a whistle, I only had to listen.

Fortunately, I had recorded the greeting on my answering machine. My therapist’s treatment involved listening to that greeting over and over until I got used to my distinct voice characteristics. I would’ve never have known my voice had been lost, if someone hadn’t pointed it out to me.

The same principle applies to an author’s voice. After blogging for a half decade, I never really heard my voice until Christian author DiAnn Mills listened to my writing and shared her thoughts with me.

After years of writing about my struggles of being disabled and single, I had developed a transparent and vulnerable writing voice. It’s ironic; my strength in writing is in knowing my weakness.

At this point, I should confess that there are many other authors and professionals who can explain voice better than I can. I am still new to this, that’s why I write for Almost An Author.

I do know most writers struggle to develop a unique voice and often confuse it with what they think “their” voice is. Other writers know what it’s not:

  1. Your angle.
  2. Your delivery.
  3. Your platform.

Your voice is unique to you and your personality; it develops the more you write. Christian literary agent Rachel Gardner puts it this way, “Your writer’s voice is an expression of YOU on the page.”

When you write, your audience should hear your voice, kind of like the greeting on my answering machine in college.

Hearing?

Each time I write I try to focus on what I am trying to say to my audience and I try to visualize them. I think about how I can best communicate an idea in my own personal way.

It may not be perfect or the most intellectual prose, but it will be my words and hopefully they will hear my voice. Gardner continues:

“It’s a unique conglomeration of your:

After living with a disability for over 20 years, I’ve learned its okay to be different—to be me. I don’t have to be the next Jerry B. Jenkins, C. S. Lewis or Francis Chan. They have their stories to tell and I have my own narratives, ideas and beliefs to share in a way only I can.

The same goes for you. As you write, think about who you are, what you’ve been through and how you feel.

Over time you will find your voice.

Martin Johnson survived a severe car accident with a (T.B.I.) Truamatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at Spiritual Perspectives of Da Single Guy and on Twitter at mtjohnson51.

Categories
Songwriting

(Writing the) Bridge of Freedom

Last month, we discussed writing a song from a premise, and how our premise will dictate what we want the song to say in the verses and chorus. I shared how the chorus is the theme of the song. It tells us what the song is really about, and how the verses support that theme. That is why we will return to the chorus and repeat it, but not the verses.

There are plenty of songs out there with a great melody tied between good verses and a strong chorus. However, a good number of great songs contain a bridge of some sort, and this is where freedom comes in, because a bridge can go in any direction. The only thing that limits a bridge is that the entire song needs to be between three to four and a half minutes long for airplay.

If verses support the chorus, and the chorus tells us what the main theme of the song is about, then the bridge can act as another statement, either equally as important as the chorus, or as another group of supportive lyrics, encouraging the chorus theme from another angle, or it can usurp the chorus and be the true ultimate statement of the theme. This usually happens if the bridge is at the end of a song.

The bridge can also act as a place of reflection, allowing it to be a musical interlude with a different melody than the verses or chorus. Or, it can even be a statement that totally contradicts the chorus, as if the songwriter is conflicted in what he wants or believes. Add contradictory chords to an already contradictory lyric and you can create the conflicted chaotic mood the songwriter wants the bridge to have. Remember the emo days? I usually go to a minor chord if I’m creating conflict, or a positive sounding, full, major chord if I’m being climatic. I also play with instrumentation or pianissimo or forte’ to make my point stronger and have the bridge stand out. This is the beauty of the bridge! Do what you want!

Whereas most songs in pop culture follow a generic pattern overall, the bridge itself can be inserted in a variety of places. It can also be written for a variety of reasons—to either support the chorus, to be the final statement, to reflect, or to contradict. It can be any length (within reason) you want it to be. It can be a single line, a couple of measures, or hijack the end of the song. And sometimes songs can have two bridges in their short four minutes. However, the majority of bridges are extremely short, under a full stanza.

Let’s take a look at the chorus for of the song, I Won’t Let You Go, by the band, Switchfoot. If you have never heard the song, I suggest you listen to it.

Jon Foreman does a wonderful job interweaving two different bridges into the mix: the first one acting as a quick, reflective period, the second one coming at the end of the song and making a final, ultimate statement. Before we evaluate the bridge, let’s review the chorus.

Chorus:

 If you could only let your guard down / You could learn to trust me somehow /
I swear, that I won’t let you go /
If you could only let go your doubts / If you could just believe in me now /
I swear, that I won’t let you go / I won’t let you go

Without reading the verses, we can see the song is about someone telling us that they won’t let us go. The song is about trusting God to not let us go.

The first bridge starts at around 2:47 and is just one simple line before jumping back into the chorus for a third time.

Bridge 1

I’ll always be by your side…

It’s simple, short, and sweet, and makes a strong point: I’ll always be there for you. Nothing else needed.

After singing the chorus for the third time, the music takes an octane boost and becomes louder and stronger, which compliments the second bridge. These are the final words of the song and ultimately tells us that nothing will ever separate us from the love of God.

Bridge 2

There ain’t no darkness strong enough that could tear you out from my heart /
There ain’t no strength that’s strong enough that could tear this love apart /

Never gonna let you go / Never gonna let you go

 If you are writing songs, the bridge is what can add dimension and take your song up a notch. After writing the meat of your song, I would suggest playing around with trying different bridges. Strangely enough, sometimes the bridge is the hardest part to write because there is so much freedom. Happy writing!

What aspect of songwriting would you like to hear next? Feel free to contact me and let me know.

Matthew Hawk Eldridge is a sleepless, coffee addicted, Renaissance man. When he’s not passionately penning screenplays or stories rich in musical history, he’s writing songs on his guitar or working on a film as an actor, double, songwriter, or musician. He is a Creative Writing graduate student at Full Sail University.

Categories
Copywrite/Advertising

5 Copywriting Courses for New or Experienced Writers

Freelancing is the future of work, and copywriting looks like it’s the future of advertising. Freelance copywriting, therefore, can be a career that grows with you through the next few years.

If you’re thinking about launching a full-time career in copywriting, you may be asking what courses can help you get started or get better as a writer. Some people are looking at entire degrees in copywriting, others at university-level certificates, and several at short online copywriting courses.

To be clear, you do not need a degree, certificate, or course to become a copywriter. All you need is a client that will pay you to write for them. Courses can help improve your skills, though, as well as give credibility to your pitch.

I’ve listed five well-known copywriting courses below and included a few thoughts on each.

  1. Copywriting Mastery Bundle

The CNN Store sells this course, which includes 63 short lessons spread across an hour and a half of videos. The course begins with a quick overview of fundamental topics such as developing a mental image and using Maslow’s hierarchy of needs to understand customer psychology. The course goes for $24, and you get a lifetime access. CNN’s Copywriting Mastery Bundle provides a broad but shallow overview of copywriting as a career and is best suited to people who are just now exploring copywriting. For that, the price seems very affordable and the content looks helpful. I doubt that the course would grant much credibility on a writer’s resume though.

  1. StoryBrand Copywriter Certification

Founded by New York Times bestselling author Donald Miller, StoryBrand is a marketing company that relies on the power of story to help their clients sell products and services. Miller and well-known copywriter Ray Edwards teach the StoryBrand courses in the copywriting certificate program. Their curriculum requires you to spend two days at an in-person seminar, which costs nearly $5,000. I’m a long-time fan of Miller’s thinking and writing, and I believe wholeheartedly in his approach. That said, I will never spend $5,000 on a 2-day course.

  1. Content Strategy for Professionals Specialization

Offered by Northwestern University through Coursera, this specialization includes four courses and a capstone project. Each course requires 1-3 hours of study each week and lasts three weeks. The capstone project takes 3-4 hours per week and lasts four weeks. The program costs $49 per month, and students get to enjoy lecturers from the Northwestern faculty and beyond. This course sequence explores subjects such as interactivity, gamification, content trends, social media, and analytics. In the capstone, learners develop a content strategy for a fictional start-up company. If I were choosing any course listed, I’d pick this one. It’s affordable, deep, and interactive.

  1. AWAI’s Accelerated Program for Six-Figure Copywriting

American Writers and Artists, Inc (AWAI) claims their course is “written by the industry’s top copywriters who have generated billions of dollars of sales from their copy.” Certainly, they offer a large catalogue of classes, and they’ve been around since 1997 so they’re doing something right. The $495 price tag could be well worth the money, but I’m deeply suspicious of AWAI. Their claims about their alumni’s success seem grossly overblown. I can definitely imagine a skilled, hard working, and well networked copywriter earning a six-figure salary. I cannot conceive of anyone raking in a million dollars a year as AWAI claims. Plus, the reviews online are mixed at best. You may find AWAI works for you, but I’d go into this one eyes wide open.

  1. Master of Arts in Journalism at the University of Missouri

If you’ve got the time, money, and stick-to-it-iveness for a master’s degree, the University of Missouri may be the place for you. Sites like USA Today and College Factual regularly rank Mizzou’s journalism program among the country’s best, and the school offers an online master’s degree. Students must complete 37 graduate credits at about $500 per credit. Mizzou is one of the few schools that offers a concentration in strategic communication. Earning a master’s degree means making a serious investment of time and money. But if it’s your goal, Mizzou is a great place to start looking.

Work is changing. More and more people believe it’s better to build your own sandbox than to play in someone else’s, and copywriting is a great gig for writers looking to engage in commerce and earn a living. Taking a course or certificate may help you improve your work and generate more income for your family. Choose the right program for you, and get started learning more.

Good luck.

Holland Webb is a full-time freelance copywriter and digital marketing strategist living near Greenville, SC. His clients are leaders in the online retail, higher education, and faith-based sectors. Holland has written for brands such as U.S. News & World Report, iLendX, Radisson, Country Inn & Suites, MediaFusion, Modkat, Great Bay Home, IMPACT Water, and BioNetwork. He is a featured writer on Compose.ly, and his monthly copywriting column appears on Almost An Author. You can reach him at hollandwebb.com or at hollandlylewebb@gmail.com.

Categories
Novelists Unwind

Novelists Unwind Interviews Jill Eileen Smith and Sarah Sundin

This month’s guests are both best-selling, award-winning authors who are renowned for their diligent research and compelling stories.

Jill Eileen Smith was inspired to write Biblical fiction after reading Two from Galilee by Marjorie Holmes. In our interview, Jill shares her long journey to publication and the challenges of researching Biblical history.

Her latest novel, A Passionate Hope, tells the story of Hannah. Jill’s depth of characterization is superb–she even had me feeling sorry for Peninnah!

 

Sarah Sundin writes about the Drama, Daring, and Romance of World War II. Two of her novels were named to Booklist’s 101 Best Romances of the Last Ten Years.

While Sarah and I chatted, her Labrador retriever decided to be part of the show. You can see Daisy’s tail wagging as she passes behind Sarah’s chair on her way to the kitchen . . . to get into the trash!

The next Novelists Unwind Giveaway will be announced on Saturday, August 4, 2018 at novelistsunwind.com. Be sure to enter for your chance to win The Sea Before Us by Sarah Sundin (courtesy of Revell).

Meet Johnnie

Johnnie Alexander creates characters you want to meet and imagines stories you won’t forget. Her award-winning debut novel, Where Treasure Hides (Tyndale), made the CBA bestseller list. She writes contemporaries, historicals, and cozy mysteries, serves on the executive boards of Serious Writer, Inc. and the Mid-South Christian Writers Conference, co-hosts an online show called Writers Chat, and interviews inspirational authors for Novelists Unwind. She also teaches at writers conferences and for Serious Writer Academy. Connect with her at johnnie-alexander.com and other social media sites via linktr.ee/johnniealexndr.

 

Categories
Blogging Basics

Guest Blogging: Sharing Your Content To Get Noticed

Want to expand your audience? One popular way is to be a guest blogger on a well-known blog. As a new blogger, this will give you exposure beyond family and friends. And that’s what you want. To find your tribe, your audience, and your followers for life.

My First Guest Blog

In the summer of 2012, I reached out to a blogger I followed and respected. She had several books published and at the time, I was unpublished. When I reached out to Mary DeMuth, Author of Thin Places, A Memoir, to my surprise and delight, she contacted me back. Her guidelines for accepting guest blog submissions required a blogger have a strong social media presence. I had some following on Facebook, but no other platform to speak of. Just based on this requirement, I did not make the cut.

BUT, Mary liked my authentic, heartfelt blog submission and agreed to post it. So, my encouragement is to reach out and ask. You never know, you may get a “Yes.” (The article I wrote for Mary DeMuth is archived, but you can find her blog here: marydemuth.com/blog/)

My Second Guest Blog

As my presence on social media grew, so did the opportunity for other bloggers to find my content. In 2015, Corrinne Rodriguez reached out to me and asked me to guest blog for her website, Everyday Gyaan. She lives in Secunderabad, India. Her blog is about keeping life simple, authentic and holistic. Corrinne thought her audience would appreciate a story about gratitude in the midst of unthinkable circumstances. I wrote a previously unpublished blog and sent it to her. The blog posted and a whole new audience halfway across the world learned about our story.

The guest blog posted in November of 2015. I recently checked my website statistics and got a surprise. I still have traffic coming to my website from this guest post. You can read the blog post here: everydaygyaan.com/a-grateful-journey

How To Find A Guest Blog Opportunity

Twitter has a search feature where you search for hashtags, but you can also search phrases. Type in the phrase, Submit Guest Post. A list of recent posts with this phrase will appear. I like this feature because you see the most recent posts first and it is not months old.

You can also do a search on Google with the following search criteria:

  • Blogs accepting guest posts
  • Writing blogs accepting guest posts
  • List of Blogs accepting guest posts 2018
  • Guest Blog for authors

Once you decide where you want to submit your blog post; read several blogs on the site. This will help you get a feel for what blog posts are accepted and see if your topic is a good fit for their audience. Then locate their submission guidelines. Find out whether they accept published or unpublished blogs (most require unpublished), how many words are required, or if you can republish the post elsewhere.

Other requirements may include certain image sizes for pictures and graphics, avoiding use of affiliate links, and promotional free submissions (with the exception of a link in your bio.) Whatever the requirements listed, be sure to follow each one for a better chance at having your creative work accepted.

Other Writing Opportunities

Being a regular contributor for a website is another way to create a writing portfolio which shows consistent dedication and helps a whole new audience find you. A local website called Tampa Bay Mom’s Blog, not only accepts guest posts on their website but a few times a year, they open an opportunity to become a monthly contributor to their site. That is how I became a contributor. If this is your niche, check if your city has local a Mom’s Blog.

I am also a monthly contributor to this column, The Blogging Guide for Almost An Author. This opportunity came by personal invitation.

The Mighty is another online website where I have been published. The Mighty is a digital health community created to empower and connect people facing health challenges and disabilities. They have over 1 million registered users. Go here to submit your story. https://themighty.com/submit-a-story/

At a BlogHer Conference I attended, I was invited to contribute to Red Tricycle. They publish family friendly articles sharing topics ranging from parenting to food & travel. Check out their editorial policy here: https://redtri.com/editorial-policy/

Seek out opportunities to guest blog. Find potential columns or contributor opportunities. Have you written a guest blog or are you a regular contributor for a website? Do they accept submissions? Post those opportunities below to help your fellow writers find a home for their writing.

Evelyn Mann is a mother of a miracle and her story has been featured on WFLA Channel 8, Fox35 Orlando, Inspirational Radio and the Catholic News Agency. A special interview with her son on the Facebook Page, Special Books by Special Kids, has received 1.4M views. Along with giving Samuel lots of hugs and kisses, Evelyn enjoys hot tea, sushi and writing. Visit her at miraclemann.com.

Categories
The Picky Pen

How to Think Like an Editor

Writing is a funny art, isn’t it? Agents and editors (freelance and publishing house) tell us to write, write, write . . . and also make sure that our manuscript is edited well. “Edited well?” But what if we don’t like the word editing because it’s too daunting? What if our minds turn to jelly or we seize up when an agent or mentor tells us to edit our manuscript?

Well. Editing may seem daunting and scary and intimidating, but it’s really just one piece of the writing process. Editing doesn’t have to be so intimidating. Every writer should have an editor, but before sending a manuscript to a personal freelance editor or mentor (or even critique group), we need to make sure that the manuscript is fluid. Simply put, editing is just going through a more detailed process to make sure our manuscript is ready for the public eye. So . . . how do we think like an editor when we aren’t one? I’ll give you some quick tips for thinking like an editor. Ready?

Three Rules for Thinking Like an Editor

1. Am I a one-book author?

Now this is a scary question because agents especially want to ensure that the author seeking representation has more than one story or book idea. If you only have one story idea now and you are finding it hard to come up with another one, please don’t panic.

That’s what your critique group or mentor or friend(s) is for. That’s why you see questions on social media, “Would you read a book about flying saucers in the Carribean?” The author is trying to get feedback on their idea. If you aren’t an idea person (but rather someone who runs with an idea after it’s been fleshed out), you may want to sign up for coaching sessions or find a friend who will listen to your idea strain and then ask you questions about it to get you thinking.

If you have a handful of exceptional one-sentence hooks, that’s a good indication to an editor that you’re not a one-book author.

2. Will my book sell?

Another big question, but an important one. As the author, you will have done your research on other books in the market in the past year that are similar to yours in subject, theme, timeline, and content. If you find many like yours, that’s good. It only means that your idea is being published. Now the trick is to make sure that your hook is ear-grabbing enough to catch an agent’s or editor’s attention. Hooks like “A woman struggles to sell her house but can’t because there’s a hippie living in her basement who refuses to move out” might work. Doesn’t that raise all kinds of questions?

On the other hand, if you can’t find a book like yours out on the market, that’s not necessarily a bad thing, but it may mean that your book isn’t ready for publication quite yet, or that your genre or subject is too narrow. That said, consider broadening your subject focus or story question. And keep writing!

3. Will I work with an agent or editor to meet deadlines, manuscript edits, and other details?

While the other two questions were super important, this one probably outranks them. Why? Because agents and editors crave for authors who are easy to work with and who aren’t afraid to make necessary changes for the book’s best interest for the needs of the readers. I am not saying you should make every single change that an agent or editor want you to make, for you know where your book stands as far as its core message, and there will be things you will not want to change. However, you can graciously explain why a change cannot be made but keep an open mind in case the suggested change is a good change. A good change will enrich your story, grow you as a writer, and really wow your readers.

If an author can meet deadlines, make clear edits, work with the publisher’s marketing team, and do their part in getting the book into readers’ hands, then that’s the author an agent or editor wants to work with. That’s exactly what thinking like an editor is all about, and chances are, you’ll never be without a writing project or a published book available on your favorite bookstore shelf.

Next month, I’ll share some more tips on how to think like an editor.

But for now, please join in the discussion! I’d love to hear from you!

Take a few minutes and ruminate. What are some other ways you can think like an editor?

About Tisha Martin

Tisha Martin is a writer and editor, and she lives to encourage authors and editors to bridge their relationships and work together for the publishing industry cause, where readers will treasure books for always. With a bachelor’s in Professional Writing, a master’s in English Education, and an editing certificate from the PEN Institute, she has equal passions for writing and editing. Active in ACFW and The PEN, she appreciates both communities. She is the former Assistant Director of PENCON, a conference for editors, where she was instrumental in seeing attendee growth in 2018, up 150% from 2017. She’s also a contest judge for Writer’s Digest. Connect with Tisha on her website www.tishamartin.com and on social media. She looks forward to the conversation!

Categories
Child's Craft

Childhood Memories Made New

Inspiration for the stories we write often comes from our own childhood experiences. But, times change; cultures change; technology changes. So, those stories from twenty, or forty, or sixty years ago must change if they are going to speak to the hearts of 21st Century children.

Try this exercise to help you make those funny, sad or frightening stories from your childhood come to life for today’s readers.

Pull out an old photo from a childhood event. If you don’t have a photo sketch the scene on plain paper. (No one’s judging your artistic abilities here.)

It’s usually easy to remember the who, the where, the when, even the what. But for this exercise we want to dig deeper.

Close your eyes and try to remember every detail of the event. Then, remember how you FELT when that photo was snapped.

Was it a special occasion? A surprise occasion, maybe? How did you feel while anticipating it?

How did you feel if the event didn’t turn out the way you had hoped? Or, was it such a terrific thing that it far exceeded your expectations?

What if this was a sad event? Just how sad did you feel? How did you act? Did you cry? Did you run and hide? Did you get angry?

How did the people around you react to you? And how did you react in turn?

The key to re-writing our childhood events as contemporary stories is to remember, capture and effectively SHOW our feelings from that past event.

It’s okay—even advisable—to change the details, even exaggerate them—but to keep the emotions you experienced.

It is the emotions in our stories that beckon to today’s children—not the exact details.

Jean Hall lives in Louisville, Kentucky. She is represented by Cyle Young of Hartline Literary. Her premier picture book series Four Seasons was recently signed by Little Lamb Books. Jean is a member of the SCBWI, Word Weavers International, and the Kentucky Christian Writers. Visit Jean at jeanmatthewhall.com, on Facebook at Jean Matthew Hall, and on Twitter as @Jean_Hall.

Categories
Talking Character

Building Characters: Start with What You Know

If you’ve ever been involved in building a house or a major remodeling project, you understand how overwhelming it can be to make all the decisions the builder demands. Creating a character from scratch can feel just as daunting. Temperament, hair color, weaknesses, fears, favorite ice cream, childhood pets, past relationships, education…

How do you know which answers are right? Where do you start?

Start with what you know.

However formed or fuzzy the character is, you know something about her. So begin by writing down everything you know.

What do you know about…

  1. The part she plays in the story? Is she the heroine? The sidekick? The bratty kid who always gets to be first? Define the part she will play as much as you can.
  2. The attributes she will need to be good at the part? A sleuth needs to be inquisitive, clever, and willing to risk danger in order to track down clues. A military officer needs courage, stamina, and a sense of duty. What are the key attributes your character needs to be believable in the role?
  3. The skills, knowledge, hobbies or experiences she will need to draw on? Does the plot involve swordplay? Ballet? Horseback riding? A narrow escape through storm drains? Pretending to be a professional chef? List all the bits and pieces of story ideas and consider what the character will need to get through the challenges.
  4. The backstory facts you already know she’ll need? Jot them down and then do some free writing to see what other gems you may uncover as you build a life story around those facts.
  5. What physical attributes and demographic info make sense? Based on what you’ve written down so far, and what your gut tells you, list the details that seem obvious or fit your mental image of the character. If you have no idea what color her eyes are, skip that detail for now and focus on whichever details you do know.
  6. Random trivia. Sometimes a character inspiration comes out of some quirky combination of colorful tidbits. The girl at the coffee shop who always wears purple and owns a pet boa constrictor, for example. Jot down any miscellaneous information you have about the character. Who knows where it might lead.

Lastly, but perhaps most importantly—don’t be afraid to change things.

Writing down what you know is only the beginning of the process. As you become better acquainted with your characters you will reevaluate and refine the details. Give yourself permission to make intentional changes.

Consider this the foundation from which the real character will grow and mature.

Happy character-building.

[bctt tweet=”When building a character, start with what you know. #writer #writetips” username=””]

Lisa E. Betz believes that everyone has a story to tell the world. She loves to encourage fellow writers to be intentional about their craft and courageous in sharing their words with others. Lisa shares her words through dramas, Bible studies, historical mysteries, and her blog about intentional living. You can find her on Facebook  LisaEBetzWriter and Twitter @LisaEBetz

Categories
Uncategorized

Looking for Great Writing Advice?

It’s time for another Third Anniversary Throwback Thursday. Almost an Author features a great advice on a wide variety of topics. Here are a few early posts that resonated with readers.

5 Tips on How to Write Faster  

Many writers spend years attempting to finish their stories, but they never do. Not for lack of desire, but for lack of follow-through. I know from firsthand experience that if I tried to write 2,000 words every day I’d fail. I already have, multiple times. But, if I set aside time to binge write, I can complete project after project. Is it time for you to become a binge writer? Read more.

War of Worldcraft: Two approaches to World Creation

So you want to create a storyworld? It took God six days to complete the one you’re living in, so don’t expect to make yours in one day. Worlds are complicated things, and in order to make one believable, you’ll need to take into consideration a whole host of things from politics to geography. But first, consider your philosophy of world creation: Which is true? From the story, arises the world… or From the world, arises the story… Read more.

4 Steps to Boost Blog Posts

Blog readers are scanners, their eyes skimming the page for interesting information. Problogger reports the average time spent reading a blog post is 96 seconds. With such a small window of opportunity, how do you engage your reader and communicate your message? Read more.

Why This Travel Writing Site Rocks!

Travel writing includes everything from tour guide product description to feature articles. What travel writing niche is best for you? This helpful website will inspire you. Read more.

Poetry from Odd Places

Poetry can morph out of everyday life experiences and from places you’d least expect. The challenge is to find out where your next poem is hiding. The trick is to pay attention to what inspires you even if it seems bizarre at the time. Sometimes a poem was meant to be written despite its ridiculous subject, just because it was fun to write—a break from reality. And that’s all that matters. Read more.

How A Dinosaur Can Help Your Writer’s Voice

Is it possible for a dinosaur of technology to help define your writer’s voice? I say yes and say it with gusto! Recording and listening to my writing has helped me catch many mistakes. New writers in search of their voice will benefit greatly from this practice. Read more.

Dangling Modifiers

Dangling modifiers. They cause lots of confusion. Lots of questions. Lots of laughter. When you start looking for dangling modifiers, you can find them easily, and a lot of times, they make for some funny sentences. Read more.

Categories
Writers Chat

Writers Chat Recap Featuring James L. Rubart and an Open Chat

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Bethany Jett, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Celebrating Writers Chat

We started July with a bang! The Writers Chat team gathered for an open mic with our loyal followers to share how Writers Chat has helped in our writing journeys. Writers Chat truly makes the difference for many, from essential advice to encouraging fellowship.

You can discover it for yourself in the July 3rd replay.

From discussions centering on Meyers-Briggs personalities to can’t miss writing resources, we hit on great topics you can take advantage of too. Explore for yourself in the Live Chat links!

Show Notes and Live Chat Link

Copywriting Made Simple – with James L. Rubart

Copywriting is a craft writers would do well to master. We had the privilege of speaking with one such master as best-selling author and branding expert, James L. Rubart, joined us to teach about Copywriting Made Simple.

Check out the replay from July 10th.

James L. Rubart is 28 years old, but lives trapped inside an older man’s body. He thinks he’s still young enough to water ski and dirt bike with his two grown sons, and loves to send readers on journeys they’ll remember years after they finish his stories. He’s the best-selling, Christy BOOK of the YEAR, CAROL, INSPY and RT Book Reviews award winning author of nine novels, a speaker, branding expert, co-host of the Novel Marketing podcast, audio book narrator, and co-founder with his son, Taylor, of the Rubart Writing Academy. He lives with his amazing wife on a small lake in Washington. His author website is: JamesLRubart.com

Learn more about Jim and the great resources he has to offer in our Live Chat Links!

Show Notes and Live Chat Link

JOIN US!

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET on Zoom. Here’s the permanent Zoom room link.

Participants mute their audio and video during the filming, then we open up
the room for anyone who wishes to participate with our guests. The “After Party” is fifteen-minutes of off-the-record sharing and conversation.

Additionally, you can grow your network and add to the conversation by joining our Writers Chat Facebook Group.

Categories
The Poet's Pen

Is Your Poem in Shape?

Carmina Figurata or shaped stanza is a picture poem—a poem that forms a picture. In “CAROUSEL” by Jan D. Hodge, the poem forms the shape of a carousel horse. This is an illustration of positive shaping. A shaped poem can describe the object and is shaped like it.

When the poem fits around a shape it is negative shaping.This is illustrated by the poem, “THE VIEW FROM KHUFIT’S TONGUE” by Walter H. Kerr. the negative space form the shape of a mountain.

“CLIMBING THE TOWER AT PISA” by Richard Frost as you might guess forms the ape of the Tower of Pisa. The poem is read form the bottom up.

Create a simple shape with simple words until an idea takes shape. Play with the words. Don’t force the image. Have fun with it.

The following poem is an example of a shaped poem. For obvious reasons I call it “PAW PRINTS.”

Darlo Gemeinhardt writes middle grade novels. She believes that there is a story in every dog. In her spare time she takes care of 1 husband (of 40 years), 29 dogs and trains with TALLAO, K-9 SEARCH AND RESCUE. Visit her at From the dog pen.com

Categories
Mastering Middle Grade

What a Retired Choir Director Taught Me About Writing

Do you ever sit in front of your keyboard, stare at the worn-out keys and wonder if anything you write will ever make a difference to anyone?

Sometimes I do.

I think everyone asks themselves this type of questions at some point. We all wonder if the tasks we do – whether related to writing or any role we play in life – will leave a lasting positive impression. We wonder whether we’re serving our purpose. 

These kinds of musings can anchor us down and drive worry, or they can inspire us to be the best we can be. I choose inspiration, so I want to tell you today about a recent celebration I was blessed to observe for someone who probably asked himself those very same questions.

We gathered in a small Oklahoma town to celebrate the 80th birthday of a man named Mr. Moore. Mr Moore taught choir for thirty years. Over those thirty years, he taught close to 900 students how to make music. My husband was one of them.

Music was Mr. Moore’s ministry, and through it, he taught his high schoolers life lessons. Some of the testimonials I heard over the weekend from my husband and his classmates included stories of Mr. Moore’s high expectations. He drove the kids to work hard because he believed excellence was within their grasp, if they would only reach for it. He taught them to have respect for themselves and others by demonstrating accountability for their mistakes. He played music for them, introducing their young ears to inspiring classical works from opera to spirituals to the Battle Hymn of the Republic. And He showed them how, with work and reverence, they could transform notes on a page into an expression of their souls.

From 1966 to 1996, this teacher taught 900 students in the public school system. A number of those students stayed in Oklahoma, but many of them left for destinations across the globe. Some of them went on to enjoy careers in music or music education, and sharing with the next generations what they’d learned from Mr. Moore. Those students reached an estimated audience of more than 42 million people.

Think about that.

Year by year, student by student, Mr. Moore planted little seeds of life in his classes that grew to reach 42 million souls. What started in 1966 as a small high school choir with 30 students became a legacy of love. At this reunion celebration, more than 600 of his former students returned to Oklahoma from around the country to celebrate him.

What does any of this have to do with writing for middle grade readers? I’ll tell you.

Sometimes sitting down to write is easy. The words flow, the critique groups are encouraging, and life is good. Right? But other times it’s difficult. Those times are when you wonder if anyone will ever read those words you wrestled to the page.

I’m not a betting person, but if I was, I’d wager Mr. Moore had similar types of days. I think there may have been rough moments when he wondered if any of his efforts mattered. Maybe he prayed for inspiration, guidance and wisdom before he walked into the classroom just like I pray for those same gifts before I touch the keyboard.

I guarantee you he didn’t teach because he expected a giant “thank you” party twenty-some odd years after his retirement. He taught music because he was called to teach it. He was faithful each day and was blessed to see some of the fruit of his efforts many years later.

We may think that we are shouting our words into the wind and that our efforts have little or no consequence. But even if only one person ever reads our work, that one person carries a piece of it with them to share with others. That can mushroom into a legacy you never dreamed possible. Just ask Mr. Moore.

Kell McKinney earned a B.A. in journalism from the University of Oklahoma and an M.S. in documentary studies from the University of North Texas. She’s a part-time copywriter, double-time mom and wife, and spends every free minute writing and/or hunting for her car keys. Connect with her on Twitter @Kell_McK or kellmckinney.com.

Categories
Magazine and Freelance

Are You Using A Magazine’s Theme List?

Last week I was at a Christian writers conference. It’s one of the key places where you can build relationships with editors and learn how to send the editor what he wants. If you write what an editor needs, then you are much more likely to get published than randomly writing something and sending it into the publication. If a writers’ conference is not in your plans, make plans to get to one soon. As editors, we publish people that we know, like and trust and you can build these relationships at a conference.

During an editor’s panel at this conference, I heard an editor’s cry for help. I’m not going to give the specific magazine but use this incident as a way to help you be more successful and on target with your magazine submissions.

This magazine editor leads a 200,000 circulation Christian publication which publishes a theme list with their guidelines. With each monthly magazine, they publish articles outside of their theme but in particular they need articles tied to their theme. In front of the entire conference, this editor mentioned several of his projected themes did not have a single article ready for publication.

magazine theme list

As I listened to this editor’s cry for help, I recalled my work at Decision, the publication of the Billy Graham Evangelistic Association. As Associate Editor, I was looking for theme related articles. For example, I needed articles about love for a February magazine (Valentine’s Day). It was not easy to get these articles even for a large circulation magazine like Decision whose circulation at that time was 1.8 million. To gather these needed theme-related articles, I would call or email some of my author friends and ask them for submissions.

If you want to be published in magazines, in general there are two options. You can write whatever you want (inspiration) and then try to find a publication for it. Or you can look at the themes an editor has created for their magazine (their needs) and write an article to meet those needs. The second approach of writing for a particular theme is more likely to be published from my experience.

The 2018 Christian Writers Market Guide includes over 150 magazine listings. Many of these listings include the location of their guidelines and theme list. Another way to find these publications is to use Google with the search words “Christian editorial theme lists.” I instantly found several pages of Christian publications with their theme lists.

As you meet needs of the editor (their theme list) you will be published in magazines and become a dependable resource for your editor. Don’t overlook this important resource for your magazine articles.

W. Terry Whalin, a writer and acquisitions editor at Morgan James Publishing, lives in Colorado. A former magazine editor, Whalin has written for more than 50 publications including Christianity Today and Writer’s Digest. Terry is the author of How to Succeed As An Article Writer which you can get at: http://writeamagazinearticle.com/. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams. His latest book is Billy Graham, A Biography of America’s Greatest Evangelist and the book website is at: http://BillyGrahamBio.com Watch the short book trailer for Billy Graham at: http://bit.ly/BillyGrahamBT His website is located at: www.terrywhalin.com. Follow him on Twitter at: https://twitter.com/terrywhalin

Categories
Uncategorized

All Writers Need Encouragement

It’s time for another Third Anniversary Throwback Thursday. One of our goals at Almost an Author is to encourage aspiring writers. Writing is a calling, but it can be lonely, frustrating, and wearisome. Writers face rejection, doubt, and discouragement.

This collection of posts was written with those truths in mind.

Come Out Swinging: Fighting Fear as a Writer

The writer’s life is not for the faint of heart. There are moments that are downright scary. That first writer’s conference, critiques, contest entries, appointments with an editor/publisher, the blank page—all potentially terrifying. If you’re like me, you’ve wasted precious writing time paralyzed by fears and insecurities. But enough is enough. Here are three ways to face our fears head-on: Read more.

13 Things that can Steal Your Writing Joy

Writers have a love/hate relationship with putting words on paper. Sometimes it’s difficult because of the process. Other times we sabotage ourselves. Today I’d like to share my list of things that steal your writing joy. Read more.

What if?

Have you ever ignored the Spirit’s nudge? Opted not to put pen to the thought? Bought into the thinking, “Why bother?” Do you realize you could be the favor, the blessing, the encouragement, the hope, the answer to someone’s prayers? Read more.

Dreamers Wanted

Dreaming is not a waste of time, it is a necessity to rescue and redeem our limited time. I challenge you to ask God to awaken the dreams he’s sown into your soul and spirit so long ago. Stop listening to the naysayers and the doomsdayers. Blow off the dust, take it in your hands, hold it close to your heart, and nurture that dream until it becomes all that God says it will be. Read more.

Souls Perish from Procrastination in Writing

What if Queen Esther had procrastinated instead of facing the king? We writers have plenty or reasons to procrastinate. If God has given us something to say, then it is important. It’s our responsibility. Souls hang in the balance. You better get to writing because “who knows but that you have [been given this story or message] for such a time as this.” Read more.

Categories
Guest Posts

Word Play: Priceless Labors of Love by Diana Derringer

Some work we love. Some work we hate. Much work we do as a labor of love.

A labor of love means a job with little or no pay.

Yet we do the work because we enjoy it or want to help someone.

I love to explain unusual English expressions to university students who visit our home or read my blog posts. Nonetheless, serving as teacher, interpreter, and conversation partner requires a tremendous investment of time and energy.

A labor of love pays in pleasure rather than money.

Other labors of love for me include:

  • Cooking
  • Teaching Sunday school
  • Writing

No one pays me to cook.

Most people would not hire me. I cook because my family, friends, and I get hungry. For years I hated the job. My first thought when my husband and I became a friendship family to international students — that’s a lot of cooking. Other potential worries such as having a perfect stranger in our house, struggling with language barriers, or losing our privacy paled in comparison.

God definitely has a sense of humor and knows us so much better than we know ourselves. Some of our best times revolve around grocery shopping, planning menus, and teaching students to cook. Wonders never cease. Perhaps students savor my culinary creations since their alternative is mass-produced cafeteria meals and instant noodles.

Teaching middle-school girls gives me more joy than a paycheck.

Most people do everything they can to avoid that age. Yet, I look forward to time with my girls every Sunday morning. I have known some of them since they were knee high to a grasshopper. Their enthusiasm and passion keep me on my toes.

My pay as a writer probably falls below minimum wage.

Although some assignments pay well, occasionally I write for no pay, if I believe in an organization’s work. Due to life circumstances, I can no longer go on international mission trips. However, I can write radio drama that’s translated into multiple languages and broadcast around the world. Checks dim in comparison to the thrill of reading personal testimonies from people whose lives changed because of a series I wrote.

Don’t get me wrong. I love the checks too and hope they continue to grow. However, regardless of their size and number or the length of my resume, I keep writing. I can’t imagine life without this incredible labor of love.

We remember before our God and Father your work produced by faith, your labor prompted by love, and your endurance inspired by hope in our Lord Jesus Christ. (1 Thessalonians 1:3 NIV)

Diana Derringer is an award-winning writer and author of Beyond Bethlehem and Calvary: 12 Dramas for Christmas, Easter, and More! Hundreds of her articles, devotions, dramas, planning guides, Bible studies, and poems appear in 40-plus publications, including The Upper Room, The Christian Communicator, Clubhouse, Kentucky Monthly, Seek, and Missions Mosaic, plus several anthologies. She also writes radio drama for Christ to the World Ministries. Her adventures as a social worker, adjunct professor, youth Sunday school teacher, and friendship family for international university students supply a constant flow of writing ideas. Visit her at dianaderringer.com.

Categories
Fantasy-Sci-Fi

The Value of a Good Critique

Every writer can use a solid critique of their work, especially when they are preparing their work for professional submission. Even a seasoned writer needs a partner. This is because, as writers, we are too close to our own work to see the subtle changes that need to happen within our stories to make them the best that they can be. It may be something obvious, like clarification of a character’s intent, or it might be less glaring, like tweaking a sentence to change the meaning behind the words of the story just slightly.

However, just as not all writers write exactly the same, not every critique partner will be alike, either. Here are a few suggestions for finding the right critique partner for your fantasy/sci-fi genre stories.

Writer groups. Most authors seek to belong to at least one writer group that meets locally. This is the most personal way to find a critique partner that might be right for you. Take care to choose someone who writes within the fantasy/sci-fi genre and doesn’t have too contrasting of a voice between their work and your own. This will help you both to focus on your stories, without getting distracted with style or genre differences. The benefit of a local critique partner is that you can meet together in person, as often as you like. But don’t get discouraged if you don’t click with anyone in your hometown. There are other ways to connect with fellow writers, as well.

Online groups. With the dawn of social media, many authors have some sort of online presence. Take a look at writer groups that your fellow writer friends are part of or ones that they follow, and then join them, too. Here you can watch the chatter within the group and find someone with a similar writing style that you think might work well with you as a critique partner. Establish an online relationship with them by commenting on their posts or responding to their comments on other posts. Then reach out to them through a personal message explaining why you think you would work well together. Be sure to establish a working relationship with them first, so they can separate you from a stranger whose message they may dismiss.

Conferences. Once again, here you will have the personal edge when searching for a critique partner. A conference is a great place to network and meet fellow writers you otherwise would not have had the opportunity to meet. There’s no need to find a partner who lives in the same town as you, since it’s just as easy to communicate electronically. Find the right person with whom you click the best. Understanding your partner’s writing style and voice is more important than living in the same time zone. Passing along critiques to one another can be as simple as commenting on a Word doc emailed once a week, or it can be more in-depth with a weekly or monthly Skype call where you can talk face-to-face.

Take your writing to the next level and engage with a critique partner. Not only will you glean valuable information from the comments your partner suggests on your own work, but you’ll grow as a writer as you critique their work, as well.

Laura L. Zimmerman is a homeschooling mama to three daughters and a doting wife to one husband. Besides writing, she is passionate about loving Jesus, singing, drinking coffee and anything Star Wars. You can connect with her on Twitter @lauralzimm, Instagram @lauralzimmauthor, on Facebook and at her website Caffeinated Fiction.

Categories
Uncategorized

Looking Back: Early A3 Posts

Almost an Author is celebrating its third anniversary. Why not take a moment to look back at some of the original posts?

Over the last three years, quite a few talented writers have dropped by Almost an Author to give advice and encouragement. Some have been with Almost an Author from the beginning. Others have joined along the way. Some have moved on to other pursuits.

A few are still writing columns. (Although not necessarily on the original subject.)

Here are a few posts from the early days of Almost an Author by columnists who have stuck around. Their advice is as valid today as it was then. Enjoy.

Hurry! I need patience

Some days feel like Finals Week in Patience 101. Writing and publishing are a major part of this learning experience.  Sometimes I have to step back and remember it was God Who planted this dream of writing and publishing in my heart, and it is God Who will see it come to fruition, in His time and in His way. But, man, I wish He’d hurry! Read more.

The Importance of Emotional Continuity

When actors (or fictional characters) enter a scene, they bring with them a certain attitude and emotional state that is a result of the moment before they appear. We expect continuity between a character’s emotional state in the previous scene and how they behave the next time we meet them.  Read more.

Just a Writer

Do you ever feel like “just a writer?” “Just” a wannabe author? “Just” a wordsmith who spends hours inventing characters and hoping someone will read your work? I encourage you to throw out the word “just” from your thinking. Treat it like yesterday’s trash that’s contaminating your mind. You are not “just” a writer. You are “A WRITER!”  Read more.

Storytelling – What Makes a Story Great?

What is it about a story that makes it compelling? Is it the characters? Is it the plot? Is it the element of surprise? Is it the challenges? Is it danger? I submit, it’s all of them, skillfully put together, woven like a tapestry to make an impression on our minds and in our hearts. Read more.

Query Letter Basics

If you want to pitch articles to magazines, you need to know how to write a query letter. The query is your calling card. It is your sales letter that includes the subject of the article, who you are, and why you are qualified to write it. This post reviews the basics of what you need to know to craft a good query. Read more.

Categories
Screenwriting

Keep It Real

My number one pet peeve with Christian films is their unrealistic characters. Christian protagonists seem to be too good to be true, almost inhuman. Even the flawed characters tend to transform into a super Christians with ease.

What little struggles they encounter are quickly remedied by a traditional Bible verse or principal. It’s like they have the entire Bible memorized and are able to tackle any surprise life throws their way, rarely showing any sign of frustration or anger, as if they’ve clicked their heels together and aren’t in Kansas anymore!

I haven’t met another Christian yet who doesn’t have struggles in life. In fact the Bible is clear that mankind is broken. I see more realistic characters in regular films.

Most superhero films have harnessed the strength of showing their heroes’ weaknesses. There protagonist’s struggles are part of character development.

Character?

 A lot of writers don’t realize where the term “character” comes from. In writing, character is used to identify a specific personality. It is made up of unique characteristics: they can be physical, psychological or emotional, they are unique to an individual.

The dictionary defines character as a trait, quality or distinct feature that makes them different from other people. In the recovery movement, scars, mistakes and flaws make you who you are—good or bad. Imperfections are part of a person’s character as well.

When my parents died, I inherited a lot of the family heirlooms. We’ve had some most of my life and over the years some have been dented or scratched after moving around. Each imperfection has a unique story or memory attached to them.

My favorite family heirloom is an old grandfather clock my parents bought when we lived in Italy. It has a few scratches along the base, but they don’t take away from the beauty of the clock’s persona.

Unless you took time to look it over you’d probably never notice its minor shortcomings. I can guarantee there isn’t another clock in the world just like it–it is uniquely flawed.

To me that is the essence of character, not perfection. Some of Hollywood’s most memorable characters aren’t exactly the picture-perfect ones. Who can forget Jack Nicholson in The shining?

Face it, none of us are perfect and we can all relate to characters that aren’t picture-perfect manifestations of someone’s imagination.

When we see realistic characters that overcome their issues and sometimes even save the day, it gives us hope. Maybe, even with our seemingly broken lives, things can turn around too.

One benefit of realistic characters is there is an endless source of material in our lives. You don’t have to look too far to find someone who isn’t perfect.

I got the idea for the Muse in my screenplay from a lunch I had with my best friend in college. While we were eating, he crammed his mouth with ketchup covered French fries.

As he talked, ketchup caked the corners of his mouth like lipstick; I couldn’t help but laugh every time I looked at him. To make matters worse we were discussing women we were each interested in going out with, they had personalities we both wanted to forget.

Even if you live the life of a reclusive writer, there are plenty of resources to help you develop memorable characters. I’ve listed a few resources below.

  • Screenwriting websites like Screencraft, Script Magazine
  • books like Dave Trotter’s The Screenwriters Bible
  • The Art of Creating Character for fiction film and TV by David Corbett
  • Jerry Jenkins’ Writers Guild
  • Aaron Sorkin’s Master Class on screenwriting.
  • Writers conferences like the Blue Ridge Mountains Christian writers conference
  • The Atlanta Pitch Summit
  • Write to Ignite conference

Often established writers want to help aspiring authors and screenwriters to learn the craft and share their technique for creating characters people won’t forget. Seven years ago I had the opportunity to learn from a smorgasbord of Christian writers through a professional writing program. Author DiAnn Mills is still my biggest supporter today.

Support?

Speaking of support, we can’t forget the pivotal role that supporting characters play in film. Supporting characters need to be just as interesting as your leads, but not too overpowering.

Recently, while watching the World Cup, the Brazilian coach stated he didn’t want to pull his best player out, but also knew he needed to respect the unique characteristics of each player.

A good supporting cast can enhance a main character’s personality or interact with them to give them another level of humanity. Everyone works together like a team to bring the whole story you’re trying to present out.

One of my favorite films comes to mind, who can forget Danny Zuko’s friends in the movie Grease or Sandy’s new friends? Each personality interacted together to help keep it real.

Martin Johnson survived a severe car accident with a (T.B.I.) Truamatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at Spiritual Perspectives of Da Single Guy and on Twitter at mtjohnson51.

Categories
Literary Women in Histor

Louisa May Alcott: A Secret Place to Meet the Muse

The nineteenth century exploded with women writers expressing themselves in abandon through story and essay. Serious writers. Sensationalistic writers. Letter writers. Diarists and poets. The rise of the middle class in both America and England meant more women were educated, and well-read, writing for pleasure, purpose, and purse strings.

Louisa May Alcott wrote on all these accounts.

Best known as the author of the classic, Little Women, Louisa infused herself intimately into the character of Jo, one of four sisters in a story loosely based on her own growing and coming of age years. Jo embodied the eager young artist Louisa saw herself to be. Not only did Jo possess an unbridled imagination, but a drive and determination to leave her mark on the world in an age when the acts of men led the charge through history.

I want to do something splendid before I go into my castle—something heroic, or wonderful—that won’t be forgotten after I’m dead. I don’t know what, but I’m on the watch for it, and mean to astonish you all, some day. I think I shall write books and get rich and famous; that would suit me, so that is my favorite dream.
― Louisa May Alcott, Little Women

In Louisa’s lifetime, 1832-1888, women tended to be relegated to supporting roles. Though, in reality, no moment in history ever materialized apart from the equal participation of both sexes. Men may have been the driving force in action, but apart from the powerful influence of women, history is incomplete.

Still, Miss Alcott lived through a time where she felt keenly the second-class nature of women as power brokers on the world stage. She was heavily influenced by the transcendentalist movement, her father being a strong proponent and teacher within the philosophy, hobnobbing with the likes of Emerson and Thoreau. Mr. Alcott was a tough taskmaster, with strong opinions on the rearing of children, often putting him at odds with his wife and daughters. One can only imagine how such a fierce mindset clashed with the artistically sensitive and creative mind of Louisa. It also didn’t help that his inability to maintain steady work and income forced the family to move 22 times in a 30-year period. From town to city to apartment to rented bungalows, a routine of constant uprooting and new surroundings provided a challenge for Louisa’s creative spirit.

Though she struggled in her relationship with a stern father, her mother’s sensitivity became a shield and comfort to her development as a writer. At the age of fourteen, she records in her journal:

March 1846—I have at last got the little room I have wanted so long and am very happy about it. It does me good to be alone, and Mother has made it very pretty and neat for me. My work-basket and desk are by the window, and my closet is full of dried herbs that smell very nice. The door that opens into the garden will be very pretty in summer, and I can run off to the woods when I like. 

Finding a place to meet her muse in her own room fed her creativity and encouraged the gift within. Soon, the family would move again. And again. And again. Making the most of her situation in each move, Louisa’s focus sharpened, and her ambition took root. Submitting books and periodicals for publication, she earned an income to assist the family.

In 1868 she published Little Women, parts one and two, followed later by Jo’s Boys. One of my favorite parts of the book were the scenes in the attic room where Jo would go to meet her muse. There, drawings peppered the walls, costumes lay about, scattered here and there with random props necessary to playacting. Guests came to the attic by invitation only—her sisters being regular visitors and willing participants in Jo’s theatricals. But always there must be time to feed her imagination with solitary reading, and then pour out her musings on reams of paper.

Every few weeks she would shut herself up in her room, put on her scribbling suit, and fall into a vortex, as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace.
― Louisa May Alcott, Little Women

When the writing fit came on, she gave herself up to it with entire abandon, and led a blissful life, unconscious of want, care, or bad weather, while she sat safe and happy in an imaginary world, full of friends almost as real and dear to her as any in the flesh.
― 
Louisa May Alcott, Little Women

Pulling apart her 1846 journal entry above, regarding the room her mother made for her—a creative habitation, the power of place, the secret place to meet her muse—I discovered some universal truths that all writers can glean from those few lines as we, too, must make our own place to meet our muse and “fall into a vortex” :

I have at last got the little room I have wanted so longSometimes, finding the perfect place of escape to feed your imagination and allow creative juices a free flow requires patience. Seasons of snatching snippets of time in shared spaces challenge every writer. As a young mother, my writing life shared space and time with toddlers, toys, and the dining room table. Moving eighteen times in twenty years as a Navy wife, I didn’t always have the luxury of a writing space. Carving out the power of place in the corner of the living room or the side of my bed sufficed until the day I could rejoice in my “little room” that “I have wanted so long.” Be patient. Keep writing. Always hope.

It does me good to be aloneNo writer can truly grow to their full potential apart from protracted times of aloneness. No writer seeking space and time to be alone is ever lonely. In the alone space, God’s presence embraces the eager listener. Meeting with the Divine Muse to fulfill your calling of writer and storyteller in the inspiration of the Holy Spirit, requires the deliberate act of pulling aside to be alone. With God. With your thoughts. With the elements of the story you want to tell laid before you without interruption or competition. Writers thrive in the alone place.

Mother has made it very pretty and neat for meVisual aesthetics feed the creative muse. Taste matters, though. Minimalists prefer stoic, simple settings with little clutter. But, some artists thrive in the chaos of a studio overflowing with the tools of their craft, souvenirs, and favorite things. For me, I find blank walls distracting. My thoughts turn to the sort of wall grouping that would best fill the space. I prefer to saturate my creative spaces with the material objects that inspire me or relate to the project I may currently be working on. Books permeate and inform my power of place. Artfully arranged framed prints, antiques, and select collectibles create a comforting environment. At peace in my place, ideas root, sprout, bud, and blossom in turn. Whether you prefer minimal or abundant eclectic arrangements, be sure they stimulate your eye as “pretty and neat.”

My work-basket and desk are by the windowWhere do you sit when you write, think, pray? Louisa tucked herself by the window. Her eyes could easily take in the glories of God’s Creation outside while natural light and fresh air streamed through the paned portal. I have regular access to a little cottage by a lake near my home. It’s a wonderful place to escape to for prayer, study, and reflective thinking. I sit inside by a window overlooking the lush foliage and sparkling water in a tiny shaded inlet. The breeze blowing through the house refreshes me more than when I sit on the deck, hunkered down in a comfortable leather sofa, my lemon water, journal, and books within easy reach on a table next to me.

My closet is full of dried herbs that smell very niceThe five senses are gateways of information and inspiration. The sense of smell has the power to transport the mind to a related time and place where the scent was first experienced. There’s an Italian deli in my town that comforts me just to walk in the door, because it smells like my grandmother’s kitchen of cheese, spices, and tomatoes. It’s a scent I connect to my childhood, and sumptuous family dinners on Sunday afternoons—long ago. The dried herbs in Louisa’s closet scented her small room with relaxing and medicinal aromas, powerfully ministering to her mind and imagination. Essential oils and diffusers, readily available today, create a fragrant environment in your secret space to either relax or stimulate mind and imagination.

The door that opens into the garden will be very pretty in summer—Louisa enjoyed the extension of her room into the garden ripe with flowers. A morning of labor in longhand on a story might tire wrist and mind. But a languid stroll around the flower beds in summer, located on the other side of the door to her room, heals and inspires. Allowing the muse of birdsong to captivate the ear, the playful antics of garden rabbits, chipmunks, and squirrels delight the eyes, and the silky-smooth touch of petals and leaves against the fingers while cutting a basket of stems for a vase, ministers healing to a weary writer, and renews the mind to return with fresh words flowing from the pen. Or in our day—on a laptop.  

I can run off to the woods when I likeThis is the romantic in Louisa. The romantic in me, too. Running carefree into the woods where all manner of inspiration lies. I spent my childhood playing and exploring in the woods around our home. As an adult, I wrote some of my best work within hours of escaping into woods, meadows, and even one glorious day, in the ruins of an abandoned dairy farm. I published some of those works in a collection designed for journal enthusiasts titled, Fragrant Fields: Poetic Reflections for Journaling.  Many writers have intimate stories of secreting away into pockets of Creation, emerging from their retreat with fresh vision. Writer’s block is easily cured by such an adventure.

Currently, I’m in the process of re-arranging my secret place to meet my muse—my office and writing space with Miss Alcott’s checklist at the ready.

Journal Prompt: Where do you meet your writing muse? Do you have a secret place to escape to where you connect with your creative gift? How important is prayer and the guidance of the Holy Spirit to your writing life? How important is the physical surroundings of your writing retreat? How does your preferred physical setting bring you comfort and inspiration?

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Kathryn Ross

Writer, Inspirational Speaker, Literacy Enrichment Artist
Celebrating the Art of Reading ~ Developing a Family Literacy Lifestyle:
Reading Together, Learning Together, Loving Together

She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook, Pinterest, Twitter, and LinkedIn.

“Be blessed and be a blessing!”

Categories
Writing with a Disability (Different Ability)

Between the Lines

Ever since I took my first journalism class in high school I’ve heard the age-old debate on how to write, to use an outline or to just free-form (discovery writing.) Some creatives feel outlining takes the life out of writing.

They like having the freedom to just let their ideas flow. Whereas most intellectuals believe structure is the best way to shape ideas and convey a thought. I believe they both serve a purpose.

  1. Outlining – Focus, flow, Balance, and definitiveness.
  2. Free-form – Spontaneity, more creativity and of course freedom.

After years of writing, I’ve come to the conclusion that I’m one of the moderates who go either way, depending on the type of writing I’m doing. When I write nonfiction and want to prove a point or explain it, I’m a legalistic outliner. Plus, writing with a brain injury makes it hard enough to focus itself.

When I write screenplays I tend to let the characters tell their own stories. It doesn’t take long before they invite me in on their joinery. Of course, there are times when I have to step in and help keep the characters in line.

Lines?

In regards to art, a line is a basic element. Geometrically, a line connects two points. It is a path traced by a moving point. A line is vital to any artwork.

Writing is a form of artwork that takes an audience on a journey from point A to B; the journey can be in the form of a fictional story or nonfictional prose. Either way, the audiences’ attention is going somewhere.

I’ve used screenwriting as a protagonist’s adventure of growing in life: they will make mistakes, get hurt and hopefully learn from it all. If I do my job well as a storyteller my audience will want to follow my character’s journey and hopefully learn a few things as well.

Nonfiction writing has a line of thought as well: it may be political, enlightenment, entertainment or a sales pitch, etc.

After all, what’s the point of writing if it doesn’t take us from point A to B? As Christian author DiAnn Mills’ theme states, “Expect an adventure!” All writing has a theme or purpose.

Takeaway!

One of my bigger struggles as a disabled writer is I tend to write for myself. Sometimes I write what I want to hear and sometimes I write for what I need. But, that doesn’t make me a good writer.

Every writer knows the selling point of any prose is the take away value. What will my reader, my audience, or my peers gain by going on the adventure with me from point A to point B?

Sometimes is obvious from the get-go, other times it comes from the journey or it is found at the conclusion of it. But by the time we get to point B, my theme should be obvious.

When I first started blogging, my posts were the length of a college thesis, and I thought this was the best way to cover all my bases from beginning to end. The problem was, I often lost focus and veered off on multiple tangents.

I was like an adolescent with ADHD who ran out of Ritalin. Without an outline, sometimes I can be all over the place and can’t keep it between the lines.

Martin Johnson survived a severe car accident with a (T.B.I.) Truamatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at Spiritual Perspectives of Da Single Guy and on Twitter at mtjohnson51.

Categories
Copywrite/Advertising

The Top 12 Principles of Copywriting According to the Voices on LinkedIn

Are you on LinkedIn? If so, let’s connect. If not, please join us.

LinkedIn is your online watering hole for conversation about business, work, marketing, entrepreneurship, communication, and more. I get a kick out of how the most business-oriented social media platform is also the most personally supportive.

Since I’ve also secured several paying clients on LinkedIn, I try to hang out there. Not long ago, I asked my marketing friends on the platform for their top 12 principles of copywriting.

Here’s what we came up with.

  1. Write with your reader in mind. (Holland Webb) I kicked off with this one. If you want to pour out your soul, keep a journal. Copywriting isn’t about you and me. It’s about them – the customers.
  2. Avoid confusion. Clarity trumps persuasion. (Jasper Oldersom) In most modern copywriting, we aren’t trying to convince people. Instead, we are inspiring and informing them so they will trust us with their business. Leave the clever prose behind, and focus on being clear, accurate, and honest.
  3. Omit needless words. (William Strunk and Mike Robinson) Here’s what Mike actually wrote, “Never say any more than you absolutely, totally, completely necessarily need to, lest you end up using far more words than it actually takes to convey your point, which may have been lost in the maelstrom of complicated, multitudinous words that really saw you just dancing frivolously around the main point, which, as you already knew from the beginning but had a word count to fill, is, in fact, a century-old dictum: Omit needless words.”
  4. If you got more ‘we’ than ‘you’ in your copy, you’re doing it wrong. (Becky Stout) It’s hard to get clients off the “me, me, me” message, but when they make the shift, the results are immediate and amazing. Plus, isn’t business more satisfying when it’s about others instead of yourself?
  5. Increase your life experiences, and always carry a notebook. (Justin Oberman) Writing gurus often give this advice to budding novelists, but it works for copywriters, too. Your varied life experiences give you more points of connection with your readers.
  6. Get rid of (horse hockey). (Sayantan Sen) I edited this one to keep within Almost An Author’s family-friendly guidelines. Sayantan’s original language is more accurate, though. Say what you mean. Cite your data. Stop talking.
  7. If you have to use the words “storytelling,” “brand,” or “program,” you’re doing it wrong. (Ebin Sandler) Yes, please! Jargon, hip language, and cliches have no place in your prose. Use them in the rough draft, but on the rewrites, ferret them out ruthlessly. Replace them with meaningful words and phrases.
  8. Think benefits, not features. (Yetta M.) This one is hard especially since clients will push back on it. They’ve designed something they want to tell the world about, forgetting that few people care about its every bell and whistle. Instead of listing what makes a product good, set up scenes that show the customer using the product in ways that make life better.
  9. Read what you’ve written, edit, rewrite. Repeat. (Naheed Maalik) This one shouldn’t need to be said, but it does. It definitely does. Because there’s no editor standing between you and the “publish” button on a WordPress blog, you have to be your own editor. I like to submit articles a week or two in advance, and then I ask the client to let me at it with the red pen before they publish it.
  10. Speak the truth. (Sara Miriam Gross) Have you seen those old snake oil advertisements from the 19th century? Apparently, those elixirs could cure everything from the vapors to smelly feet. Of course, they were probably either poison or 90 proof grain alcohol. The advertisers lied. Don’t do that. Today’s readers are sophisticated and will see right through you. Besides, it’s unethical.
  11. Use social proof + rich testimonials whenever possible to support the claims you are making. (Michal Eisikowitz) Credibility is the king of content. Trust is hard to build and easy to lose. Put everything you have into making sure you’re words ring true no matter how your readers test them.
  1. Use action words, and make claims that won’t be future disappointments. (Tzvi Zucker) Avoid the passive voice, linking verbs, and bland pronouns whenever you can. In that respect, copywriting is like every other kind of writing. Keep it interesting; keep it truthful.

So that’s it from the voices over at LinkedIn. What would you add to our list?

Holland Webb

Holland Webb is a full-time freelance copywriter and digital marketing strategist living near Greenville, SC. His clients are leaders in the online retail, higher education, and faith-based sectors. Holland has written for brands such as U.S. News & World Report, iLendX, Radisson, Country Inn & Suites, MediaFusion, Modkat, Great Bay Home, IMPACT Water, and BioNetwork. He is a featured writer on Compose.ly, and his monthly copywriting column appears on Almost An Author. You can reach him at hollandwebb.com or at hollandlylewebb@gmail.com.