Thank God for retro television channels.
I never pictured myself as a “golden oldie.” I used to cringe whenever my parents or other relatives would switch the radio to a “classics” channel. Now, I have found myself in a time of life where my favorites are now the oldies.
Come on over that hill with me!
I don’t know about you, but the news has been driving me a wee bit crazy lately. Correct that—it has been driving me ABSOLUTELY BONKERS. Mind you, I know I don’t need to stick my head in the sand and ignore everything; I need to be informed. But the bombardment of negativity can get to me.
Enter retro TV. One of these channels recently began airing one of my favorites at evening news time—Happy Days.
Thank you, Mr. or Ms. Program Director.
Instead of watching Norah, Lester, or David, I’ve been watching Richie, Potsie, and Ralph Malph . . . and, of course, the Fonz.
My relationship with these characters began when I was in middle school (Have I mentioned I’m an oldie?), when all of us guys wanted to be cool like the Fonz. I’m now watching the show with many miles and much writing experience behind me, and I have noticed some important changes.
Episodes in the first two years of Happy Days were like mini-coming-of-age movies, with Richie, Potsie, and Ralph at the center and Fonzie on the periphery, definitely an ancillary character. In the third season premiere and beyond, the show changed dramatically. Not only did producers change from film to tape—they changed the central character. Move over, Richie.
The savvy writers and producers realized Fonz, expertly played by Henry Winkler, was the breakout character, so, beginning in the third season, he appeared front and center in nearly every episode and storyline. He was soon doling advice to Richie and the gang, jumping his motorcycle over barrels, and smashing cars in a demolition derby, not to mention infamously jumping the shark.
As writers, we must be on the lookout for breakout characters, those creations who seem to jump off the page (not over the shark). By listening to our characters and responding to the ones who seem to be the most charismatic, we will grip our readers and keep them coming back for more. We have to be willing to change direction, if necessary, to liven up things. If it worked for the Fonz, it will work for us.
AAAAYYY! Don’t be a nerd—sit on it! Your writing chair, that is.
Carlton Hughes, represented by Cyle Young of Hartline Literary, wears many hats. By day, he is a professor of communication. On Wednesday evenings and Sunday mornings, he serves as a children’s pastor. In his “spare time,” he is a freelance writer. Carlton is an empty-nesting dad and devoted husband who likes long walks on the beach, old sitcoms, and chocolate–all the chocolate. His work has been featured in Chicken Soup for the Soul: The Dating Game, The Wonders of Nature, Let the Earth Rejoice, Just Breathe, So God Made a Dog, and Everyday Grace for Men. His latest book is Adventures in Fatherhood, co-authored with Holland Webb.
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