Categories
A3 News

A3 Awards News

FROM THE MANAGING EDITOR:

We have the distinct pleasure of again announcing that Almost an Author has made the Top 101 and Top 100 Best Websites for Writers for 2019 with Writer’s Digest and The Write Life.

Writing is what we do, what we teach, what we present, and we are all about writing. Our “creed” so to speak is: Learn Craft. Launch Career. Build Platform. So, these prestigious awards mean something to us. It shows us we’re doing something right. Something beneficial.

I congratulate all of our columnists, past and present, because you’ve made us what we are. A Top website for Writers. We appreciate our readers’ support. And, we’re always looking for ways to improve. Last year, we consolidated our look, changed managing editors (thank you so much for your service Cherrilynn Bisbano), and introduced “column sharing.” That takes the pressure off busy writers who don’t want to contribute every month, and gives new columnists a chance to spread their wings.

We love doing this for you, the writer.

Categories
Writers Chat

Writers Chat Recap for January, Part One

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Bethany Jett, is the show where we talk about all things writing, by writers, and for writers!

“Because talking about writing is more fun than actually doing it!”

Featuring… Goals for 2019

In this open mic episode, writers discuss their goals for 2019 and some interesting resources they use to achieve their goals.

Watch the January 8th replay

 

If you want resources on goal setting for 2019, check out this week’s Show Notes and Live Chat Discussions.

JOIN US!

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET on Zoom. Here’s the permanent Zoom room link.

Participants mute their audio and video during the filming, then we open up
the room for anyone who wishes to participate with our guests. The “After Party” is fifteen-minutes of off-the-record sharing and conversation.

Additionally, you can grow your network and add to the conversation by joining our Writers Chat Facebook Group.

Categories
Magazine and Freelance

Looking for Article Opportunities

Writers just beginning to write articles look around them and the big question becomes, “I know some of the basics of writing articles but how do I find places to submit my work?”

Article writing can come in many forms these days. Just look around you. Everything that has words on it has been written by someone—magazines and blogs, of course, but also placemats in restaurants, stories on sides of products such as kid’s meal boxes, flyers, newsletters, and more. So be creative and think outside the box.

Articles require research and it is sad not to be able to use and reuse your research for other things. Don’t spend time in extensive research without looking for ways you can use your material for other articles or projects.

For example, you may have just submitted an article on cats and what great pets they are for a general interest magazine. Why not create a fun quiz for kids about the quirky habits of cats? Or make a list of fun facts about cats? Those are things you could submit to another magazine or pitch to cat product manufacturers as something fun they could put on the side of their products. You could also write a children’s story that incorporates some of the things you learned.

Perhaps you have done an article for a local magazine and learned a lot about your area. Create a placemat with games and fun facts that you could pitch to local restaurants. Better yet, offer to customize the placemats by including a few fun facts about that specific restaurant. Some restaurants have the history of their businesses on the placemat. Here again, writer opportunity!

When you see a possible market, be bold and don’t hesitate to approach a business or editor with an idea as to how you can help. Introduce yourself as a writer and tell him or her that you noticed they used written materials. Offer to send samples or a list of ideas. Then make sure you follow up.

Bottom line, be attentive as you go through your day and make note of written items you see. There may just be a writing opportunity right in front of your eyes.

 

Linda Gilden is an award-winning writer, speaker, editor, certified writing and speaking coach, and personality consultant. Her passion is helping others discover the joy of writing. Linda recently released Articles, Articles, Articles! and is the author of over a thousand magazine articles and 17 books including the new LINKED Quick Guides for Personalities. As Director of the Carolina Christian Writers Conference, Linda helps many writers take the next step in reaching their writing goals. Linda’s favorite activity (other than eating folded potato chips) is floating in a pool with a good book surrounded by splashing grandchildren—a great source of writing material! www.lindagilden.com

Categories
Publishing Pulse

Don’t Let the Industry Dehumanize You

If you are an author, a human being writing for other human beings, you have been blessed with a precious ability. If you write fiction, you have the unique gift of storytelling. If you write nonfiction, you are no less creative, because you have devised ways to describe and explain truth to make it understandable and compelling. Don’t let it go to your head, but also don’t deny the importance of the  role you play in the publishing industry.

I feel the need to make such a warning because the publishing industry can tend to dehumanize us (a danger I suspect is found to some extent in most industries). But book publishing wasn’t always this way; the artistic and creative interaction between authors and publishers tended to keep the human factor at the forefront. It’s only in the last couple of decades that the publishing industry—or I should say, certain elements of the publishing industry—began referring to the person who writes the words as a “content provider.”

It all came about innocently enough. With the advent of ebooks (and to some extent, audiobooks, computer apps and other derivative products), publishers started realizing that they were not the purveyors of books, but of content. The author’s words were what had value, and the medium—paper and ink, a text file, or an audio file—were merely the window dressing. In a sense, they made an about-face from the 1960s chant of Marshall McLuhan that “the medium is the message” to see that the value was in the message, regardless of medium. The new refrain has become “content is king.”

I appreciate the sentiment. Of course, the content is what makes the book, the ebook, the audiobook a sellable product, but where does the content come from? It comes from the mind of the author, not from a computer with artificial intelligence, and certainly not from an infinite number of monkeys with an infinite number of typewriters. They really have it all wrong—the author is king, and always has been. Your words are the commodity that is for sale on the marketplace. The rallying cry of “content is king” attempts to divorce the product (the content, your words) from the creator and owner of the content—you, the author.

Consider the attitude of Amazon’s publishing arm toward authors and content. They claim to have the most content of anyone—and that is true, except they don’t own that content, they did not create that content, and (unlike most traditional publishers) they do little or nothing to develop and polish that content.

A lot of authors think it is wonderful that Amazon allows them to publish their material with little or no editorial “interference.” But the better authors, the ones that succeed, realize their creation needs polishing, and their creative ideas need an editorial sounding board—the feedback of a first reader, who may see problems that the author is blind to. You get that polishing, that sounding board, at a good traditional publisher, but you won’t get it at a self-publishing provider such as Amazon. It is unlikely that you will even have any interaction with a human being—the Kindle Direct Publishing (KDP) system is computer-automated. Talk about dehumanizing!

So don’t let the “content” mongers dehumanize you. Demand (or if you are self-publishing, pay for) a real, live editor who will work with you creatively to hone your manuscript into the best book it can be.

David E. Fessenden

Literary Agent, WordWise Media Services
Publisher and Proprietor, Honeycomb House Publishing LLC

David Fesseden has degrees in journalism and theology, and over 30 years of experience in writing and editing. He has served in editorial management positions for Christian book publishers and was regional editor for the largest Protestant weekly newspaper in the country.

Dave has published seven books, written hundreds of newspaper and magazine articles, and edited numerous books. He is a frequent speaker at writers’ conferences. Two of his books, Writing the Christian Nonfiction Book: Concept to Contract and A Christian Writer’s Guide to the Book Proposal, are based on his experience in Christian publishing. The Case of the Exploding Speakeasy, Dave’s first novel, reflects his love for history and for the Sherlock Holmes stories of Arthur Conan-Doyle.

Dave and his wife, Jacque, live in south-central Pennsylvania and have two adult sons.

Websites/Blogs:

www.fromconcepttocontract.com
www.davefessenden.com
www.thebookstore.info

Categories
Encouragement Writer Encouragement

Call 911 for Your Manuscript

Have you ever thrown your hands up in defeat after reading your manuscript and groaned, “Someone Call 911!?” Maybe you’re anxious about how your story is developing. Perhaps you’re frustrated with your characters. Or when you read the dialogue out loud, it’s boring and unrealistic.

We all get desperate for help in our writing at one time or another and it’s OK to ask for help.

I recently had a very real 911 experience with my husband. Long story short, he had a mild stroke and his right side became paralyzed. This was a complete shock as he is not that old and we did not know he had hypertension. He’d even had a recent physical. We were stunned.

I knew, however, that it was time to call 911 and my husband is currently doing intensive Rehab therapy. He’s slowly getting his strength back with the help of professionals.

If, as a writer, you’re feeling agony over a written piece that just does not seem “healthy,” go to a professional in the field—an editor, published writer, someone who you trust to give you feedback. (Some editors will request a fee for their critique so ask before you receive an unexpected invoice)

 

Perhaps your story line drags or your hero is not very likeable. Maybe you’re just plain stuck. An expert can help you get back on track and give constructive criticism. Don’t be afraid to ask.

Contacts from writer’s conferences are a great resource. If you belong to a writer’s group, ask a fellow member. If the first person you contact is in the middle of their own writing woes (it happens!), ask another. Get the help you need to give rehab to your story. It might be a simple solution.

Some ER visits merely require a stitch or two. Some require intense care and follow up. But as the goal for a person in physical crisis is a healthy body, a writer’s goal is a healthy manuscript—one that draws a reader from one page to the next and keeps their eyes wide open, long after the lights should be out.

Don’t hesitate to call the emergency number of a fellow wordsmith who can bring perspective and healing to your story.

Then carry on.

Elaine Marie Cooper has two upcoming releases on January 18, 2019: War’s Respite (Prequel novella) and Love’s Kindling. They are the first two books in the Dawn of America Series set in Revolutionary War Connecticut. Cooper is the award-winning author of Fields of the Fatherless and Bethany’s Calendar. Her 2016 release (Saratoga Letters) was finalist in Historical Romance in both the Selah Awards and Next Generation Indie Book Awards. She penned the three-book Deer Run Saga and has been published in numerous magazines and anthologies. You can visit her website/ blog at www.elainemariecooper.com

 

 

 

Categories
Platform and Branding

Amazon Advertising: Introduction

In October, we discussed keywords. There are two main goals when selecting your seven keywords: 1) to find words that are actually being searched for in high quantities and 2) words that aren’t so competitive that you can’t show up high in searches for.

When you only have seven keywords to choose from, you have to hit both of those metrics to remain relevant. But what if you could choose 1000?

With Amazon Advertising you can.

Essentially, Amazon Advertising works the same way as your keywords: you selected words or phrases that are related to your book, and when someone searches for them, they’ll see your book. What makes Amazon ads different is that you can select up to 1000 keywords (per campaign, and you can run as many campaigns as you like!).

Not only that, but you can target comparable authors and book titles in your genre. If you write Christian Living, how would you like to rank next to Max Lucado? Joyce Meyer? What about being the first result for “bible study” or “Christian living for women” in an Amazon search? You absolutely can with Amazon Advertising.

The only difference between Amazon ads and your seven keywords (despite the vastly greater number and the kinds of targeting you’re allowed to use) is the fact that you pay per click. You never pay when the ad is shown, but you’ll pay a marginal fee when a reader clicks on the advertisement and is directed straight to your book page.

The typical cost per click is around 10 – 20 cents, so depending on the price of your eBook/book, you can make a great return. If you make $2.00 per eBook, and your average cost per click is 20 cents, you can have ten clicks and only one sale to break even. If you covert more than that, the cup runneth over. Obviously the paperback or higher priced eBooks will give an even better return on investment.

But the real benefit of Amazon ads isn’t just making your money back. It’s about visibility. That’s the most difficult part about book sales right? We work our tails off planning for a book, writing it, editing, and then shell out money and time to get it prepared. And for what? Most of the time we launch our books not to applause but to crickets. Why? Because most people don’t know it exists.

Amazon advertisements solve that problem.

Whether you are a New York Times Best Seller or a first-time author with zero sales and zero reviews, you can be the first result in an Amazon search and appear on the book pages of your favorite authors and books. That’s how you get discovered: being visible to the right readers.

If you’re already sold on using Amazon Advertisements, feel free to follow this link and take a look at my comprehensive online course on Amazon ads: AMS (Amazon Marketing Services) Zero to Hero. As a special offer, use the code A3AMS for 50% off!

If not, stick around for next month, where we’ll dig into Amazon ads a little further, and gain a better understanding of not only why they work, but why they are crucial in the modern publishing environment.

Vincent B. Davis II is an author, entrepreneur, speaker, and soldier. His first novel “The Man with Two Names” was published in July 2017, and has since become an Amazon International Best Seller. He is passionate about helping authors improve their brand and platform. He works with publishing companies and individual clients to help them sell more books in the modern publishing environment. Vincent created Warrior Book Marketing Group in 2018 and he and his team would love to help improve your digital sales. Email him at vincent@warriorbookmarketing.com with any questions.

Categories
The Intentional Writer

Boost Productivity by Taking Effective Breaks

What? How can I be more productive if I work less?

It may not make sense, but it’s true. Studies show that taking intentional breaks will make you more productive and will lead to better overall success than pushing through the doldrums. For example: Studies have shown that those who take a lunch break and fully disconnect with their work are more productive afterward than those who don’t.

Why? Because those who power through, hour after hour, thinking they are operating just fine are actually working in a state of mental exhaustion. Without breaks they become prone to an increase in bad judgment and a decrease in creativity and quality of work.

Taking effective breaks is one of the best methods to give your brain a rest so it can function at optimum form.

However, not all breaks are equal.

Effective breaks are intentional. You should be in control of when and how you take them.

They are not random “Squirrel!” moments where you lose focus due to distractions. They are not excuses to check social media or to eat that donut you ignored earlier. Effective breaks are designed to give your weary brain a rest, but not to sidetrack you into starting a whole new priject.

How to take effective short breaks

  • Aim for breaks of fifteen minutes or less.
  • Get away from the desk or work space.
  • Allow your brain to think about something other than work. Resist the temptation to problem-solve that scene during break time. The goal is to fully disconnect with work and give you brain a chance to relax and regroup.
  • Stand up and move. Get the blood flowing and stretch out those places where you store tension.
  • If you can go outside, great. If not, seek out a window with a view or even a shelf of plants.
  • When possible, connect with fellow humans and talk about something other than work.
  • Go tech-free. Checking email, social media, or other tech distractions will not provide the best break for your brain.
  • You may need to set a timer so you don’t dally too long before getting back to work.

In addition, be aware of your daily slump time.

All humans experience a midday slump in energy and alertness. This is true across ages and cultures, from publishing executives to would-be writers.

My slump usually hits midafternoon. During my slump my brain feels sluggish and I have less energy, less motivation, and less self-control. Slogging on without taking a break results in little worthwhile output. I have come to terms with my slump time and have adjusted my expectations and schedule to accommodate it.

For me, short breaks are even more vital during midafternoon. Instead of beating myself up over my sluggishness I listen to my body and take frequent short breaks.

In addition, I suggest scheduling appointments and important decisions in the morning when you and others typically function at their best. Reserve midday for more mundane tasks that don’t require high-level thinking.

Have you discovered the power of short breaks? What strategies help you make the most of your breaks?

Lisa E. Betz believes that everyone has a story to tell the world. She loves to encourage fellow writers to be intentional about their craft and courageous in sharing their words with others. Lisa shares her words through dramas, Bible studies, historical mysteries, and her blog about intentional living. You can find her on Facebook  LisaEBetzWriter and Twitter @LisaEBetz

Categories
Fantasy-Sci-Fi

How to Write Fantasy and Science Fiction

So, you’re a writer. And you’d like to write fantasy and science fiction. You have a great idea for a story set in a world of dragons, sea monsters, and wizards. Or on a space ship orbiting a distant planet. This all feels so exciting, and you can’t wait to get started. Except.

Except you know very well that dragons, sea monsters, and wizards aren’t real. And that man-made space shuttles haven’t yet found a way to orbit planets at the other end of the galaxy. Also, you’re quite aware that many authors have already established fictional worlds of their own in these settings, and you don’t want to rely too heavily on what’s come before – you want to create your own take and leave your mark on these genres.

How do you go about all of this?

Here are some tips, from a self-published fantasy author who has faced all of this herself.

Do your research. Huh? For stuff that doesn’t exist yet, or may never have existed at all? Yup, that’s right. As we’ve already noted, there are numerous published titles in the fantasy and sci-fi markets, which have created a sort of baseline for the genres. So, find out just what has come before your work – but don’t feel obligated to adhere to any of it. Genre novels run the risk of becoming clichéd, and readers can get tired of hackneyed plot devices and cardboard character archetypes. This brings me straight to my next point…

Be original. Once you’ve figured out what all the tropes (or common elements) of recent sci-fi and fantasy are, attempt to break them. For example, we’ve all read several tales of nasty aliens trying to wipe out humanity by nefarious means. Why not write a novel about kind aliens who want to help us reverse pollution to the environment and cure disease?

Before I started writing my fantasy series, The Order of the Twelve Tribes, I dug and dug through literature on mythology, fairytales, Tolkien and CS Lewis and JK Rowling, hoping to find a “hook” that would make future readers sit up and take notice. In the end, I went with a snippet of Celtic Christian folklore I stumbled across, connecting the origin of fairies to Fallen Angels after the War in Heaven. And one of the main praises from my subsequent reviews has been the originality of the premise.

Where necessary, find out how things really work. Yes, you are building a fictional world, but it still needs to make sense. If you have a magic system, determine early on how it operates. Can your characters acquire it, or do they have to be born with the ability? Does it come from an outside power source or influence (such as the One Ring in Middle Earth)?

Are your characters in a galaxy far, far away, but still human? Then what requirements would their planet/space ship need in order for the survival of their carbon-based life forms? If a race of dragons – or aliens – has remained undiscovered for x number of centuries by your protagonists, how did that happen? Was there a lack of funds for space travel in your home setting? Were the dragons suspected of being extinct, and they used this to their advantage, hiding deep in remote wilderness?

Readers will appreciate that you fleshed out the details.

Self-published author and blogger Daley Downing is also a stay at home parent, autistic adult, ballet teacher, and cat lover. She spends her days writing the YA fantasy series “The Order of the Twelve Tribes,” and wrangling special needs children.

Categories
A Lighter Look at the Writer's Life

Resolutions??

Since it is the dawn of a new year, let’s discuss those dreaded resolutions. I have been resolving to lose weight for about 44 years, so we’ll move past that one.
Here are some common resolutions for writers, along with my rebuke—I mean, commentary.

  • Drink more coffee. According to the plethora of Hallmark movies about writers, we drink a lot of coffee. WAIT A MINUTE! I gave up caffeine eight months ago, so I’ll be drinking more hot chocolate.
  • Find a groovy coffee shop or diner as a place to write. Writers all over the Internet talk about how they do their best work at Starbucks, Panera, or a charming mom-and-pop place. WAIT A MINUTE! I have trouble writing in a crowd, plus I live in a small town. I know EVERYONE, so I wouldn’t get much writing done with all the conversations (Have I mentioned I love to talk?). I’ll stick to sitting on the couch with my laptop.
  • Get up really early to write. At one of my first writers conferences, I went to a workshop called “Finding Time to Write” taught by a popular author, and he shared his routine with us. He suggested we get up at 4:30 IN THE MORNING to get in a few hours of writing before the workday begins. WAIT A MINUTE! No one would want to read what I would write at 4:30 IN THE MORNING, and I am generally not functional until 9 or 10. I’ll stick to writing in the evenings, when I’m actually AWAKE and semi-coherent.

I, like most writers, have figured out what works for me. Some people may be able to bang out a bestseller at the local coffee shop early in the morning with loads of caffeine, and that’s fine. Hey, if it works, go for it! The rest of us will find the right time and place (and beverage) to do our best work.

Who knows? Maybe I’ll find something for that weight loss resolution, after I finish all of these holiday treats.

Carlton Hughes wears many hats. By day, he’s a professor of communication at Southeast Kentucky Community and Technical College. On Wednesday evenings and Sunday mornings, he does object lessons and songs with motions as Children’s Pastor of Lynch Church of God. In his “spare time,” he is a freelance writer whose work has appeared in numerous publications, including Chicken Soup for the Soul and several devotional books from Worthy Publishing—Let the Earth Rejoice, Just Breathe, So God Made a Dog, and Everyday Grace for Men. Carlton and his wife Kathy have two college-age sons, Noah and Ethan. He is on the planning committee for Kentucky Christian Writers Conference and is a year-round volunteer for Operation Christmas child. He is represented by Cyle Young of Hartline Literary Agency.

Categories
Screenwriting

Genre

When I first started pursuing a career as a writer of the screenplays and began learning the craft, I learned that the first rule is to know your audience. And this isn’t just for screenwriting; it’s across the board for all writers, because, ultimately that is who we are writing for.

Knowing our audience helps us determine what we want to say and how we’re going to say it. We may not know the details of the narrative or how it will play out, but we can determine what we want to say.

Your theme or takeaway will be your message to your target audience. To help decide who you want to write to, look around at the world and pay attention to what is going on. There are so many possibilities with the new year; people are looking for fresh starts and new adventures.

People are looking for different things; our job as writers is to provide new adventures and new messages. In film different messages and narratives are divided into many genres. For the sake of this post, I will briefly discuss the top seven of 2018.

  • Action- $3,936,789,020 via 55 movies
  • Adventure- $2,776,858,544 via 38 movies
  • Drama- $1,571,656,896 via 261 movies
  • Horror- $875,245,579 via 33 movies
  • Comedy- $771,190,520 via 71 movies
  • Thriller/Suspense- $617,768,392 via 55 movies
  • Musical- $309,165,560 via 8 movies
  • Romantic Comedy- $240,993,609 via 15 movies[i]

The general rule in screenwriting is for the writer to establish the genre of the film of the screenplay in the first 10 pages. That way the reader, studio, execs or whoever the first audience is will understand the kind of film or genre it is.

GENRES?

The word genre comes from a 19th-century French word that means, “a kind.” It’s also where we get our word gender from. The idea here is rather simple. Genres are different kinds of films that contain similar structures, themes, and characteristics.

There are endless possibilities when it comes to genres, subgenres, and hybrid genres. Robert McKee wisely notes, “You must not only respect but master your genre and its conventions. Never assume that because you’ve seen the films in your genre you know it. “[ii]

McKee notes six primary genres not necessarily in this order. [iii]

  1. Maturation Plot Big
  2. Westerns Butch Cassidy
  3. Modern Epic Mr. Smith Goes To Washington
  4. Horror Nightmare On Elm Street
  5. War Story Saving Private Ryan
  6. Love Story A Very Long Engagement 

There are always multiple combinations or subgenres of each of these and it’s common for them to overlap. For instance, the last movie listed above is a romantic story set in war times. But the romantic theme of love never gives up is the ultimate theme of the film.

By the end of the film, it is clear that undying love is the heart of director and screenwriter Jean-Pierre Jeunet’s message. It is a love story from the first scene until the end.

The Heart of it All!

Throughout this year we’ll explore a few of these different genres from time to time. But we must never forget that regardless of the genre, what we want to say to our audience through the basics I discussed last year:

  • Action
  • Character
  • Setting
  • Plot

That is the heart of our narrative and will determine our genre.

[i] https://www.the-numbers.com/market/2018/genres

[ii] McKee R. (1997).  Story: Substance, Structure, Style, And The Principle of Screenwriting (Kindle edition) pg 89.

[iii] McKee R. (1997).  Story: Substance, Structure, Style, And The Principle of Screenwriting (Kindle edition) pg 80-81.

Martin Johnson survived a severe car accident with a (T.B.I.) Truamatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at Spiritual Perspectives of Da Single Guy and on Twitter at mtjohnson51.

Categories
My Writing Journey

My Definition of Success

All too often we’re shallow enough to think the prize is worth the journey. Really it’s the journey that’s the prize.

When I was little my dream fit in three words: publish a book.

I didn’t care about sales and didn’t even know about the Times list. All I wanted was to see my book on a store shelf.

Now I’ve written three books, signed with an agent, and I’m waiting to hear if and when my books will hit stores.

But the moment I signed an agent contract wasn’t the moment I found success.

Signing my first book deal won’t be that moment either.

There’s a misconception that success equals sales stats and how many digits are on an advance check. Those are extremely important. Publishing is a business after all! However, they aren’t how I define my success as a writer.

Wanting to see my book on a shelf is what started my journey, but I’ve found the journey is actually more important than whatever success I may find at the end.

In college writing was the last job I wanted because I believed I was way too extroverted for it. Thankfully, an author sat me down and explained the marketing and publicity side of writing and I realized writing isn’t just about writing.

I couldn’t be a writer if I didn’t live life to the fullest because writing is about sharing truth of experience.

It’s giving words to the feelings of others.

It’s a medium to use when one physical person has a message that needs to reach thousands and millions and billions of others. I write because I want to communicate to everyone and writing is one way to do that most effectively.

As I’ve progressed from a third grader penciling sentences on wide-rule paper to a post-graduate typing thousands of words on my Mac, I’ve learned writing isn’t about writing.

Writing is about communication.

I graduated college last December with a degree in Strategic Communications. I had no idea one year later I’d be signed with an agent and already hearing positive feedback from multiple publishing houses.

At heart, I’m a communicator. At heart, I just really love people. And at the core of what I do, the goal isn’t to just “get published” anymore.

The goal is to communicate truth – through living, through interpersonal interactions, through writing. That’s why success isn’t a once-in-a-lifetime book deal (however awesome that would be!).

Writing is so much more than words. Success is so much more than numbers.

Writing is a venue where words are necessary to communicate powerfully and effectively with the masses.

When I get my first book deal I’ll be thrilled, no question about that! But success isn’t signing my name on my piece of paper.

Success is the growth I’ll learn through the process of getting there.

Here’s to the journey!

Sarah Rexford is a Marketing Content Writer, working with brands to grow their audience reach. She studied Strategic Communications at Cornerstone University and focused on writing during her time there, completing two full-length manuscripts while a full-time student. Currently she trains under best-selling author Jerry Jenkins in his Your Novel Blueprint course and is actively seeking publication for two books.

Instagram: @sarahjrexford
Twitter: @sarahjrexford
Web: itssarahrexford.com

Categories
Literary Women in Histor

Margaret Elizabeth Sangster: Conversations with a Wise Friend

I stash books in every corner of my home. There’s not a single wall in my house where you won’t see at least one vintage book artfully displayed. I rescue old volumes in cloth covers with pre-1940s copyrights. When I’m thrifting or browsing for treasures in antique shops, my eyes are alert to catch a gold embossed hardcover spine by a classic author. My mantle is a showplace for early volumes of Dickens, Tennyson, and Van Dyke—notable names among a host of lesser-knowns, but no less worthy wordsmiths in their day.

Vintage books are my favorite reads and go-to props for decorating year-round. Recently I came across a volume that captured my attention with a gold embossed spine and faded portrait of a gentle woman’s face on the cover.

It was that of 19th century American poet, author, and editor, Margaret Elizabeth Sangster. In her day, she was a prolific writer who explored family and faith themes with thoughtful devotional reflections, hymns, and sacred texts.

Born in 1838, she lived in New York and New Jersey, growing up in a Christian home. Honing her writing skills in her youth, she delayed her publishing aspirations throughout her thirteen-year marriage to George Sangster, until his death in 1871. A widow in her mid-thirties, she chose not to remarry, and pursued a career as writer/editor with a number of popular publications for women and Christian readers including Hearth and Home and Harper’s Bazaar. She was a contributing writer to Ladies’ Home Journal, The Christian Herald, and dispensed wisdom in a regular column of the Woman’s Home Companion. In addition, she published several volumes of children’s stories, poetry, and inspirational collections for women—including The Joyful Life, published in 1903 by the American Tract Society—my new treasure for devotional reading.

As we enter a new year holding great promise for Christians world-wide, and especially for writers creatively communicating Christ through their words, it is useful to review the timeless advice from writers of the past. We learn that, as a society, we don’t really change as much as we like to think we do. The window dressings of style and trends might—but the driving force of the human heart condition does not. Like Jesus, humans are the same yesterday, today, and tomorrow—ever in need of His saving grace and wise words for practical application in whatever epoch of time God has allotted to us.

Mrs. Sangster’s 19th century words soak into my heart and mind as we enter 2019. Her gentle compassion and compelling wisdom in applying biblical principles to everyday life read fresh and relevant to my life as a Christian woman a century after she penned the words.

So, to kick off this new year, I invite you to visit with Mrs. Sangster in select excerpts from a chapter of The Joyful Life, published by the American Tract Society in 1903. We listen in on a vintage conversation between the author and her intimate friend from school days, Miriam.

May you drink deep from her wells of wisdom and listen to this woman writer’s heart in this New Year’s Meditation:

Of Old School Days: “There Were Well Educated Women”

 One of my old schoolmates, a girl who used to sit at the same desk with me when we were in our teens, came not long ago to make me a little visit. In our different ways we have both been very busy since those bright days when we studied French verbs and Latin conjugations together, and dipped into mathematics and explored ancient history, albeit our school was only a seminary for young ladies, and the era of the woman’s college had not yet dawned.

In passing, let me say a good word for the fidelity of the old-time preceptors and the thoroughness of the instruction they imparted. I am not disposed to undervalue anything in the latter curriculum, but there were well-educated women, cultured, disciplined, and broadened by their intellectual training, before the great colleges set wide doors open for the entrance of girl students. After all, the best result of an education course is seen in its success in putting tools in the hand for use in the life-work, and in the symmetry with which it develops character.

Of Aging Well: “The Golden Age of the Grandmother”

Miriam is a bright, breezy person whose heart is the gayer because she is the mother of a house full of children, and has always had young people about her, needing her counsel. She does not look her real age, but then nobody does that any longer; we are all ten years younger than we used to be, so much more closely do we follow the laws of health, and so much greater is the ease of modern living, what with labor-saving contrivances and luxuries of which our mothers and grandmothers never dreamed.

Today, the woman, married or single, who is under forty years is a young woman, and her looks convey no other impression. At fifty the gracious lady bears herself as thirty-five was wont to do two score years ago, and the active person of sixty is far from claiming immunity from service, or any privileges of ease, on account of her age. Miriam and I felicitated ourselves that this is the golden age of the grandmother.

On Passing Years: “The Seasons Do Glide Faster”

“But, my dear,” said my friend musingly, “how short the years are getting to be. Don’t you recall what a long, long space of time a year was when we were children? Now twelve months is a little flitting period, which makes one think of the simile of a bird flying through a lighted hall, from blackness to blackness.”

“Well,” I answered, “I grant that the seasons do glide faster with one than of old, but I think it is simply because I have so much to do, and so many complex interests. I can fancy, however, those to whom the progress of time is slow enough, even in old age. The man who was once in the midst of affairs, but on whom a creeping paralysis has set its fettering hand; the woman chained to her bed by a cruelly torturing malady; the prisoner in his cell; the stranger lonely among strangers, may not find the years so swift. Part of the restlessness which makes some old people so unhappy is no doubt due to the fact that their empty days have grown slow and dragging, that there is no flavor left for them in life’s cup. People in the shadow of grief always suffer from the tedium of the days. The mourner’s days move at a snail’s pace.”

On Resolutions: “Turning the Fresh Page”

After a while she said, “Another year is coming. Are you making any new departures, any new resolves? There is something attractive about turning the fresh page, isn’t there?”

“I have long felt that every day is a fresh beginning, and I have laid aside the habit, if I ever had it, of celebrating the new year as a special place for good resolutions. I do like, though, to signalize it by some particular pleasure, to meet my friends and kinsfolk then, and to exchange greetings and good wishes with them. If the calendar did nothing else, it would remind us that the chances for making our beloved ones happy are lessening and that we ought to avail ourselves of every coming opportunity to scatter sunshine on the pathway of all we meet.”

On the Christian Race: “A Daily Definite Study of the Bible”

“But,” persisted Miriam, “you would not influence others to pass by a New Year’s milestone without some effort to start anew in the Christian race, would you? Suppose you were talking to a crowd of students, is there nothing you could suggest as very apposite to them at such a time?”

“For one thing, I said, I would counsel all who have never done it, to begin on January first a daily definite study of the Bible. There is a good deal of Bible study just now, it is true, but also, in hundreds of Christian homes, and by thousands of young men and women, the Bible is a neglected book. The young people who are familiar with the Scriptures are not too numerous—those I mean who can turn at an instant’s call, without hesitation or embarrassment, to any reference text in the prophets, the psalms, or the New Testament. We live in an age of much literary enterprise, when the printing press scatters new books as the forest trees scatter leaves in the autumn; when newspapers are multitudinous, and every man, woman, and child reads something. That many otherwise liberally educated men and women do not know the Scriptures, even as literature, is a misfortune, for they are a treasury of noble words in many incomparable styles. And, by searching them, those who would obtain eternal life still are required by the Divine Author. Yes, I wish I could urge the young people of our land, wherever they are, to begin to read the Bible daily, to read it through in course, or to read it for its poetry, history, and philosophy. I wish they would read it for the life of the Master. On a shelf in my library are many lives of Christ. But none equals, nor approaches, the life so simply revealed in the gospels of the four evangelists.”

 On Youth: “A Clever Young Girl Was With Us”

This talk of ours was resumed on another occasion when Miriam and I were not alone. A clever young girl was with us, and she had her opinion and expressed it very earnestly.

“I know,” she said, “what people of my age need, and that is agreeable companionship. We are restless and dissatisfied unless we are in the midst of things. I would tell everyone I knew, especially if she or he happened to be a little blue, as young people often are, to get to work, not merely in wage-earning work, though for many that is a necessity and to some a resource and duty, but to join a Christian Endeavor Society and give to it the best one could. A good time to join the procession of Christian workers is surely the New Year. I do think young people should assist their pastors more than they do, and what better season for a start than at this very time?

So spoke Caroline, and we older women agreed with her. The only life worth living is the life of Christian love. If it be a life after the fair Christ-pattern, it will be a life poured out for others, and therefore very blessed.

On Filling the Days: “With Contentment, Surrender, and Sweetness”

Friends, methinks we stand in the portal of another year. God gives us more days, more weeks, how many or how few we know not, but they are sent straight from heaven, and we are to use them for him. Have we made mistakes? It is not too late to rectify them. Have we committed sin? We may find cleansing in the fountain where all uncleanliness is washed away. Have we been discouraged? “As thy days, thy strength shall be,” is the word of the Lord to our weariness and faintness. As we wait, not knowing what shall be on the morrow, we many fill the measure of today with contentment, surrender and sweetness. And from the sky the everlasting Father, speaking to our need, says, “Certainly I will be with thee!”

Portions of this article were adapted from originally published works by Kathryn Ross in RUBY Magazine, December 2016 and January 2017— It includes an edited version of the chapter “A New Year Meditation” from the book The Joyful Life by Margaret E. Sangster, published by the American Tract Society in 1903. To enjoy the full chapter in an audio dramatization, visit The Writer’s Reverie PODCAST.

Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. In addition, she shepherds writers through the steps book development and production. Her passion to equip women and families in developing a Family Literacy Lifestyle, produces readers and thinkers who can engage the world from a biblical worldview. She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook.

Categories
Bestsellers

BEST-SELLING AUTHOR INTERVIEW with Margaret Daley

Can you share a little about your recent book?

Obsessed (second book in Everyday Heroes Series) blurb:

Stalker. Arson. Murder.
When a stalker ruthlessly targets people she loves, a woman flees her old life, creating a new identity as Serena Remington. Her plan to escape the madman and lead him away from family and friends worked for three years. Now he’s back. With nowhere else to run, her only choice is war. Quinn Taylor, her neighbor and a firefighter with expertise in arson, comes to her aid, but will it be in time to save her?

Buy links: Amazon, Barnes and Noble, Apple, Kobo and Google Play

Why do you write? Do you have a theme, message, or goal for your books?

I’ve always been a storyteller from a young age. I never thought I would write down those stories I made up when playing with my dolls. I went on to become a special education teacher (27 years). I loved reading and one day decided to see if I could write down a story. That is what started me writing stories for publication.

How long have you been writing?

Since 1977. I would never let anyone see that first story but after that I had the writing bug.

And how long did it take you to get your first major book contract? Or are you published non-traditionally? How did that come about?

I wrote for about three years before Silhouette bought my first book in 1980. I’ve written for many publishers over the years: Silhouette (later bought by Harlequin), Dell, Simon and Schuster, Harlequin Love Inspired, and Abington.

How long does it take you to write a book?

Usually between 8-12 weeks.

What’s your writing work schedule like?

Right now I’m recovering from total knee replacement. Usually my writing schedule is to write throughout the day (often 6 to 7 days a week). I do take breaks and do other things like researching and brainstorming.

Do you have an interesting writing quirk? If so, what is it?

When writing mysteries/suspense stories, I often don’t know who is the “bad guy” because I set up several along the way. I don’t want to know. Usually it comes to me about 2/3 of the way through the story—sometimes even later.

What has been your greatest joy(s) in your writing career?

Reading the letters and emails from my readers.

What has been your darkest moment(s)?

I wrote and published over twenty books in the eighties then went through a long period of not being able to sell another book. In the middle of the nineties, I sold seven more books after a dry spell for eight years and almost giving up writing. But I didn’t. Then Harlequin’s Love Inspired bought one of my stories in 2000, and I’ve been writing stories ever since. I’ve now written over 105 books.

Which of your books is your favorite?

Saving Hope, the first book in my Men of the Texas Rangers. It is a romantic suspense about child trafficking.

Who is your favorite author to read?

James Rollins (adventure and suspense)

What advice can you give aspiring writers that you wished you had gotten, or that you wished you would have listened to?

Know the rules for writing, but also don’t be afraid to break them if it makes your story better.

How many times in your career have you experienced rejection? How did they shape you?

I’ve experienced many rejections. That is part of this career. The rejections made me stronger and more determined.

Do you have a favorite character or scene in one of your books?

Usually it’s my current hero and/or heroine which is Sadie Williams and Brock Carrington in the story I’m writing right now titled Trapped.

Where do you get your ideas?

They just come to me. Something (like a news story) might spark an idea. I often say that God is my muse.

What are common mistakes you see aspiring writer’s make?

Things to look for when writing: developing your main characters and know them well, pacing is important, if you don’t have several reasons for a scene, leave it out or combine with another scene, research when needed but don’t put everything you learned into the story—only what is needed.

Where/How do you recommend writers try to break into the market?

Now a writer can be self-published, but there is a lot to learn about self-publishing. Whether you self-publish or try to get a publisher to buy your story, you need to research the market. There are organizations like Romance Writers of America that can help you with it.

Bio:

Margaret Daley, a USA Today’s Bestselling author of over 105 books (five million plus sold worldwide), has been married for over forty-eight years and is a firm believer in romance and love. She is currently writing for Harlequin’s Love Inspired Suspense and self-publishing. When she isn’t traveling or being with her two granddaughters, she’s writing love stories, often with a suspense/mystery thread and corralling her cats that think they rule her household. To find out more about Margaret visit her website at http://www.margaretdaley.com.

Link to my books: https://margaretdaley.com/all-books/

Facebook: https://www.facebook.com/margaretdaleybooks

Twitter: http://twitter.com/margaretdaley

Goodreads: https://www.goodreads.com/author/show/238174.Margaret_Daley

Link to sign up for my newsletter on front page of website: http://www.margaretdaley.com

Categories
Writers Chat

Writers Chat Recap for December, Part 2

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Bethany Jett, is the show where we talk about all things writing, by writers, and for writers!

“Because talking about writing is more fun than actually doing it!”

 Featuring…

Setting Up Your Planner with Bethany Jett

It’s that time of year, again, to begin thinking of goals, plans, and appointments for the New Year. In this episode, Bethany shares tips on how to set up a planner, digital or paper, that works for you. As a business owner, writer, and homeschooling mom, Bethany knows the importance of staying organized. A planner is her best tool to successfully accomplish all the “to do’s” of her busy life.

Watch the December 18thth replay

If you want more information about digital and paper planners, as well as other valuable resources, check out this week’s Show Notes and Live Chat Discussions.

Bio

Bethany Jett is co-owner of Serious Writer, Vice President of PlatLit, as well as an award-winning author and ghostwriter, speaker, and amateur chef. Bethany is a planner and a coffee addict.

Writers Chat will resume January 8th.

JOIN US!

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET on Zoom. Here’s the permanent Zoom room link.

Participants mute their audio and video during the filming, then we open up
the room for anyone who wishes to participate with our guests. The “After Party” is fifteen-minutes of off-the-record sharing and conversation.

Additionally, you can grow your network and add to the conversation by joining our Writers Chat Facebook Group.

Categories
Writing with a Disability (Different Ability)

Keep It Going

Last month I shared I was emotionally struggling with writing; I hope my post encouraged others to keep pressing on.

Since it’s the beginning of the year and everyone is focusing on health goals after the holidays, I want to address how it affects the writing community: We need to be physically healthy to do what we do.

A drained body can suck the creativity out of us as easily as a rejection letter. Living with a traumatic brain injury shapes every facet of my life, from what I eat and drink to how and when I sleep.

  • Too much caffeine can overload my nervous system and cause a stroke or I may become dehydrated and have seizures.
  • Not enough sleep leaves me foggy or I can possibly blackout.

One of the biggest risks for TBI survivors is atrophy.  This is a wasting away of a body part or tissue – it results from lack of use or movement due to complications of a brain injury.

For me, the entire left side of my body is numb and has a lack of sensation. I’ve lost all fine-tuned motor skills in my left hand. Perhaps you’ve noticed stroke survivors not using limbs or leaning to one side. That is because part of the brain has been affected, which in turn affects that side or limb.

This is where Newton’s law of inertia comes into play. The basic idea is objects and people will stay at rest until something or someone causes movement and as long as there’s movement the item or person will keep moving.

Keep it going!

Now that the holidays are over and we are trying to stir from our winter slumber, even writing can seem problematic, no matter how disciplined we are in the craft.

We’ve tried to write every day. But the beginning of the year is an uphill battle. So let’s try applying some of the counter tactics to fight atrophy in our writing lives.

  1. Exercise regularly: walking is okay, but cardio is better. Cardiovascular exercise works our heart and makes it stronger for when we’re not able to work out or take a break from our computers.
  2. Schedule breaks to rest your brain (literally) and spur creativity: I have a daybed in my home office so I can lie down when I can’t focus on my writing. I also try to do physical activities after I eat. This helps to keep my body from storing food as fat and helps it break food down for energy.
  3. Never eat at your computer: we’ll be tempted to sit long periods of time mindlessly eating and racking up calories.
  4. Never skip meals: coffee is a quick fix, not the long-term nourishment our bodies and minds need.
  5. Drink plenty of water: coffee does not count; it actually counters the benefits of water since it is a diuretic; water helps nourish our brains and hydrates our organs. Imagine water being the conduit that helps move our creativity. I shoot for a minimum of 1 gallon/day.
  6. Get a good office chair with support: We sit a lot and need good posture.

One of the first lessons I learned through the Christian Writers Guild was to invest in a good desk and chair. I was taught that “carpal tunnel syndrome is the bane of writers.”[i] 

And “Keep the  90-90-90 rule: keep your elbows, hips, and knees at 90° angles.” [ii]

The right stuff!

At some point this year it will be time for me to once again purchase an office chair.  I decided to do some research on what to look for in an ideal office chair for writers. Below are a few factors to consider for committing to a key the only tool writers physically depend on to be productive.

  • Seat height: an office chair should be easily adjustable, pneumatic levers are the easiest. Height ranges from 16 to 21 inches work for most people. You should be able to have both feet flat on the floor with your thighs horizontal and your arms even with the height of the desk, without bending over.
  • Seat width and depth: you should have enough width and depth to support you comfortably, typically 17 to 20 inches wide.
  • Lumbar support: lower back support is key to optimal spine support and keeps it from curving.
  • Backrest: 12 to 19 inches and also adjustable.
  • Seat material: there should be enough padding to keep you comfortable during long periods of sitting. Cloth fabric that breathes is better than hard surfaces.
  • Adjustable armrests: your arms should be able to rest comfortably with your shoulders relaxed.
  • Swivel: I used to consider this a luxury, but swivel chairs allow users more freedom in moving without having to strain to reach high areas of a work desk.

And moving is the name of the game for staying healthy and keeping our hearts strong. During my research for this article, I discovered a new product endorsed by the Mayo Clinic to help sedative workers be more active while at work. Both Apple and Orbitz have utilized the HOVR system in their offices.

I am planning on purchasing the product this year myself as I spend more time working from home and doing what I enjoy, hopefully, this should help keep it going.

[i] Jenkins, Jerry Writing Essentials (2010) p 6.

[ii] Jenkins, Jerry Writing Essentials (2010) p 6.

Martin Johnson survived a severe car accident with a (T.B.I.) Truamatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at Spiritual Perspectives of Da Single Guy and on Twitter at mtjohnson51.

Categories
Songwriting

The Power of Prosody

When we think of songwriting, we often think of the lyrics—that is, the actual words spewing from our lips. Or, we may be thinking about the musical portion, if we’re a musician. But what makes a powerful song is not only the lyrics and the music, but the actual prosody of the song or even of the delivery.

Let us start by answering the question: “What is prosody?”

In music, prosody can be seen as the culmination of tone, pitch, meter, rhythm, tempo, loudness, softness, etc. in the delivery of the lyrics and music as a whole. How a person delivers the line of a song is just as important as the line itself.  The delivery of a word is just as important as the word itself. There is power in how a word is spoken. There is more power in how a phrase is sung. Whether we whisper something vengeful like, “I hate you.”  Or shout the words, “I love you!” The very tone, pitch, and loudness tell us something. It is through tone that gives our words believability. How a word or group of words is delivered is equally a part of songwriting as the actual written words or musical portion itself.

If someone is speaking to you sarcastically, you can usually tell by how they are saying their words, not by what they are saying. How you deliver words in a song is important. Imagine if you sang something with the same tone and pitch throughout the entire song (and sadly, I have seen this happen!) Imagine if you sang without emotion. It wouldn’t be a very interesting song, would it? If you are singing a sad ballad about someone dying, and yet, you have no emotion in your voice, the song wouldn’t be considered believable. But if the singer’s voice cracks and is close to tears, you may find yourself drying your eyes, overwhelmed with empathy.

But song prosody is more than that. It is also about how the lyrics marry the music. The way the lines are delivered and the tone of the content of the song must match the musical portion of the song, whether it’s in the key that is used, the tempo, the volume, or even the instrumentation.  If you have a song about being happy, you want your musical instrumentation to support that. What instruments make you think of happy? What would your tempo be for happy? It would be… happy, right? Probably fast-paced and upbeat. And you wouldn’t want your happy song to be sung in a minor key. The music would say sad and dark but the lyrics happy. It would be Frankenstein, and nobody would understand it because the lyrics oppose the emotional feel of the music. That’s bad prosody.

For happy, I would choose an upbeat tempo with drums, some brass instruments, perhaps even a trumpet to lead, and it would have to be written in a major key, like the song, “Happy”, by Pharrell Williams.

But if I want to write a song about emotional pain, I would probably choose a piano dripping in reverb with a slow tempo, written in a minor key, like the song “Angel”, by Sarah McLachlin. Or If I wanted the music to be harder, I could go grunge with heavy electric guitars chunking out chords.

Sometimes, we don’t hear lyrics at all. What we hear is how words fit together, mingled with how they are sung, reaching a certain pitch or note—mainly in the chorus. And if it’s done well, the song will stick with us for years and years to come. Think of the most memorable songs from your childhood. Now think about what lines stick out to you the most. It is usually because that particular line has a harmonious marriage to the music and reaches some sort of climatic peak that gives pleasure to the ears.

More than just the volume, meter, tone, or pitch of your voice, sometimes breaks without singing can speak volumes in the song. It’s not always what we say—sometimes it’s what we don’t say and taking a breath for a quarter or half note can tell part of the story. When The Supremes sang, “Stop in the Name of Love,” the producer had Diana Ross pause after saying the word, “stop.” That little break changed the song and made it memorable for decades. Another example of prosody is when Garth Brooks sang “Friends in Low Paces,” every time he said the word “low,” he sang it with a much lower note than the rest of the song.

By understanding prosody, you can enhance your songwriting from amateur to professional level. Just like writing a short story, the important key is to go ahead and write out what you want to say. Write your song’s first draft. Then, go back and take out words, replace words, and edit, edit, edit. Then, fine-tune your work with prosody in mind. What instrumentation and lyrics really sell what you are trying to say, and how can you marry the two? Can it be done by matching a word to a note, changing a rhythm pattern, or changing tempo? What else within the song reflects your theme?

Is there a future songwriting topic you would like to discuss? Would you like me to evaluate your songs? Please write me and let me know!

 

Matthew Hawk Eldridge is a sleepless, coffee addicted, calico-cat hugging, Renaissance man. When he’s not passionately penning screenplays or stories rich in musical history, he’s writing songs on his guitar or working on a film as an actor, double, or musician. He is a Creative Writing graduate student at Full Sail University.

Categories
Copywrite/Advertising

Add Some Holiday Sparkle to Your Copywriting

Everything feels magical at the holidays. More smiles. More laughter. More glitter.

Here are some ways to sprinkle holiday sparkle into your copywriting.

Know your client’s holidays. Sometimes you are so caught up in your own holidays you forget not everyone celebrates the same way that you do. Know what your client believes so you don’t end up putting Merry Christmas on a Jewish person’s business Facebook page or signing off an email for a Muslim business owner by mentioning the Savior’s birth. Not good! Even if the business owner celebrates a particular holiday, they may not want you to mention it in your copywriting because of the beliefs of her client base. To be safe, ask your client if they want the holidays mentioned outright in your copywriting or social media posting.

Know your client’s location. No one in Florida is dreaming of a white Christmas. That is why they moved to Florida—to escape the cold slushy mess from the north! If you do have the go ahead to mention the holidays, do so in a weather-appropriate way. If you are writing for New Mexico, don’t paint the picture of a winter wonderland. This tip applies all year long. If you are writing for a company that concentrates on local business, know the local weather and a bit of the local culture so you can write with that particular audience in mind.

Know the feelings of the season. Even if you cannot mention the holidays by name, there are a lot of feelings that are amplified during the holidays that can be mentioned to connect with potential customers. Family time, togetherness, and time to reflect on what’s really important are some common themes. And don’t forget the New Year. This is the time when people are setting goals for themselves and feeling empowered to make them happen. How can your client’s service or product improve the customer’s life? This is really something we should be doing all year long, but people are more willing to hear it when New Year’s Day comes.

Let us know in the comments. How do you add holiday sparkle to your copywriting? Are there any types of businesses you’ve had a hard time when it comes to mentioning or not mentioning the holidays?

Rachel Schmoyer is a pastor’s wife, mom of four, and a copywriter. She also helps Christians find the simple truths in the complex parts of the Bible at readthehardparts.com. Her other writings and publishing credits can be found on rachelschmoyerwrites.com.

Categories
Novelists Unwind

Novelists Unwind with Jan Drexler and Regina Rudd Merrick

Jan Drexler lives near in the Black Hills of South Dakota where she often goes hiking when she’s not writing. But her stories often take place in Amish country–Indiana, Ohio, Pennsylvania. Many of her ideas come from family stories “seasoned with a lot of research and imagination.” Because of her Amish/Mennonite/Anabaptist heritage, Jan understands the history, theology, and diversity of these groups. We talk about these and more in our interview.

Regina Rudd Merrick got her writing start in the world of fan fiction. Disappointed that one of her favorite shows had been canceled, Regina joined an online community dedicated to writing new stories for the characters in the series. Though Regina has lived most of her life in Kentucky, her Southern Breeze Series is set in Litchfield Beach, South Carolina. Her love of the area comes through in her novels.

The next Novelists Unwind Giveaway will be announced on Saturday, January 5, 2019 at http://www.novelistsunwind.com. Be sure to enter for your chance to win a print edition of an amazing inspirational novel.

Meet Johnnie

Johnnie Alexander creates characters you want to meet and imagines stories you won’t forget. Her award-winning debut novel, Where Treasure Hides, made the CBA bestseller list. She writes contemporaries, historicals, and cozy mysteries, serves on the executive boards of Serious Writer, Inc. and the Mid-South Christian Writers Conference, co-hosts an online show called Writers Chat, and interviews inspirational authors for Novelists Unwind. She also teaches at writers conferences and for Serious Writer Academy. Connect with her at www.johnnie-alexander.com and other social media sites via https://linktr.ee/johnniealexndr.

Categories
Book Proposals

Make a Lasting First Impression

In the rush to show a literary agent or editor your idea, many writers forget a simple yet important truth: You only get one chance to make a good first impression.

As an editor and former literary agent, I’ve read thousands of written proposals and pitches. For over 25 years, I’ve taught at writer’s conferences and had short 15 minute sessions with writers who show their ideas. When an editor asks for your proposal or manuscript, are you sending it? If you follow through with an excellent submission, you will be among the few who do so. It may be surprising to you, but many people do not submit their requested materials.  No wonder they don’t get published because they do not get into the process.

Let’s begin with some good news. I’ve been with some of the top publishers and literary agencies in New York City. Without exception, every single agent and editor is actively reading and speaking with writers. They are searching for the next bestseller. Whether you write a novel or nonfiction, every writer needs a book proposal or pitch. Why? Imagine receiving over 100 pitches a day (not uncommon for a well-connected literary agent). The title and first few sentences are critical to catch their enthusiasm.

There are a number of keys to making a great proposal.

  1. Create a memorable book title. Many writers are worried that someone else will take their title. Instead you need to try it out on others and test it and make sure it pulls in your reader.
  2. Read and re-read your opening paragraphs. Have a trusted writer friend read it and give feedback. If an oral pitch, then practice it. You’d be surprised at the difference it will make.
  3. Write to a well-defined target audience. No book is for everyone.
  4. Detail your competition. Every book competes in the marketplace—no matter what you believe about the uniqueness of your idea. You need to include four or five specific competitive titles to your book.
  5. Present a realistic marketing plan of what you will do to partner with the publisher to sell books into the market. Your plans need to be practical and clearly defined.

Your writing and story is unique and I know you have something unique and  special to give to the marketplace. What type of first impression will you make today?

Here’s three resources to learn more detail:

  1. My online Write A Book Proposal course (WriteABookProposal.com) I have step-by-step teaching how to make your best impression.
  2. Book Proposals That Sell, 21 Secrets To Speed Your Success which I wrote as a frustrated acquisitions editor and has 130 Five Star Amazon reviews. I have slashed the price and bought all the remaining copies: http://BookProposalsThatSell.com
  3. Get my free Ebook, Some Book Proposal Insights and teleseminar at: AskAboutProposals.com

Take advantage of these resources. Then you will make the right type of lasting first impression.

Terry Whalin is an acquisitions editor at Morgan James Publishing. He has written over 60 books and for more than 50 magazines including Jumpstart Your Publishing Dreams. Get his free Book Proposal Checklist at: http://terrylinks.com/bookcheck. He has over 205,000 followers on twitter. http://twitter.com/terrywhalin

Categories
Blogging Basics

7 Ways To Make Your Blog Shine

The saying, “You only have one chance to make a good first impression” holds true in the blogging world. When someone visits your blog, you have between 0-30 seconds to grab your reader’s attention and keep them there.

What are some ways to make your blog shine and hold your audience’s interest?

These are the top seven elements I look for in a blog.

Title

A good title, like a good book, needs to give the reader a reason to read. Your hook or the why of your blog should be reflected in the title. List titles are especially good at getting your reader’s interest. Example, 3 Ways To ______, Top Ten _______, or How To _______, are catchy titles. Remember to use emotional words to encourage your audience to read on. Examples: Better, Fascinating, Free, Hurry, Special. You can view a list of 500+ emotional words here.

Try: coschedule.com headline analyzer to check your title before posting. A score of 70 or above is ideal.

Get To The Point

In the lightning fast pace of social media, your audience needs to be captivated by your blog within the first few lines. You may be tempted to diverge and slowly get into your topic, but I encourage you to resist the urge.

Tips:

  1. Yoest SEO (SEO: Search Engine Optimization) suggests your keyword be written in your first paragraph. This also helps your SEO. (Your keyword should also be found in your title.) Find other SEO tips here.
  2. The first paragraph should be the start of delivering what you promised in your title.
  3. Telling a story related to your topic in the first paragraph also helps captivate attention.

Readability

Have you ever published the first draft of your blog? Chances are you read, re-read and edited several times before posting. Could a sentence be read easier by changing a few words? Would a paragraph be better placed near the end of the blog instead of the middle? Are there too many topics discussed with in one blog? Asking these questions and making changes helps with the readability of your blog.

Tip: If there are too many topics in one blog, cut and paste the extra topics into a Word Document. I call this document my Cut Page. The next time I’m searching for content to post, I read my Cut Page to find content.

Likability

Does the cadence and tone of the author come across as likable and friendly? Would I want to enjoy a cup of tea with the author? Likability, to some extent, is needed for most blogs, especially personal blogs. Technical or medical blogs can be more straightforward.

I remember finishing a memoir, and I couldn’t wait to find out if the author had a blog. I wanted to know more of the story and get to know her better. A blog is a perfect way for an author to give their audience a glimpse of themselves through authentic, likable content. One author who offers this likability factor is Debora Coty. She uses humor in an engaging and likable way to share her content.

Read Debora Coty’s blog here:

Flow

Have you ever watched a video on YouTube and lost interest quickly? Chances are the video didn’t flow seamlessly enough to hold your attention. One topic didn’t fit with the next topic. Or, worse yet, they went off on a tangent while you were still waiting for the content of the video. While you want a friendly and likable blog, staying on track by avoiding extra topics or tangents will help your blog not only flow but be shareable.

Note: Flow is subjective and not always definable. After editing my blog, I let it marinate for a day. The next time I review it, I find it easier to catch flow issues.

Grammar/Spelling

Have you ever read a blog and found grammar and spelling errors? Even the most seasoned blogger will occasionally miss an error. Hopefully, a kind reader will send a personal message to fix it pronto. It’s like having lettuce in your teeth; you hope someone mentions it.

To avoid these annoying mistakes, you can hire an editor. Or ask a friend to read your blog before posting. Or choose from the many grammar apps available.

Grammar Apps:

Grammarly offers a free and paid version.  Monthly $29.95, Quarterly $19.98, Annual $139.95.

ProWritingAid – Prices start at $50/year.

Photos

How many photos should you add to your blog? Some bloggers only post a featured image. Others post a photo every 300 words. While this may be a question of preference, remember photos added in your blog using a keyword helps with your SEO.

It also helps with flow and readability. Since my blog is a parenting blog for special needs families, adding 2 – 3 pictures per blog is a natural fit.

Tip: I use my own photo’s for blogging. If you want to use stock photos, check out Pixabay offering royalty free stock photos.

Find other photo websites on this post.

What do you look for when you read a blog? What do you find holds your attention and makes you want to share with your family, friends and work colleagues? Share those elements below.

Evelyn Mann is a mother of a miracle and her story has been featured on WFLA Channel 8, Fox35 Orlando, Inspirational Radio and the Catholic News Agency. A special interview with her son on the Facebook Page, Special Books by Special Kids, has received 1.4M views. Along with giving Samuel lots of hugs and kisses, Evelyn enjoys hot tea, sushi and writing. Visit her at miraclemann.com.

Categories
Romancing Your Story

Getting Inside the Romantic Hero’s Head—Part III

Have you ever wondered what the opposite sex is thinking while you’re thinking? Men, as a rule, think in fewer words, phrases, emotions, than women generally do. The key to dialogue in romance writing is to keep it natural and consistent. #InsideHerosHead #writingromance101 @donnalhsmith @a3writers [bctt tweet=”Have you ever wondered what the opposite sex is thinking while you’re thinking? Men, as a rule, think in fewer words, phrases, emotions, than women generally do. The key to dialogue in romance writing is to keep it natural and consistent. #InsideHerosHead #writingromance101 ” username=”@donnalhsmith @a3writers”]

Categories
The Picky Pen

How to Edit Your Character

We’re heading into a New Year. Perhaps you’ve finished a novel during Nanowrimo. Maybe you’re plotting a new story to begin writing in January. New Year, new goals, new story, right? I’d like to touch a little on how to edit your character. This might be something you tuck away and pull out after you’ve finished your discovery draft, or something you’re ready to use if you’ve completed your draft during the November writing frenzy.

I’d like to share a blurb from a well-loved classic to delve into the art of editing your character so that their inner/outer journey, actions, and dialogue is specific to the special person you’ve created. These elements will apply to both fiction and non-fiction.

Jane Eyre by Charlotte Bronte is a leading example of the depth of story through the power of its characters and how each character is important to the plot. We see all of the main elements in Jane’s character that really endear her to us: background, personality, appearance, and journey.

Background

Jane in Jane Eyre came from a horrible background. She thinks she will be nothing more than a servant because that’s what she’s been told as a young girl. However, she desires to be more, and applies at Thornfield Hall as the new governess. And throughout this new experience, we see Jane struggle with feelings of being good enough for her new position, but how she chooses to react to those past situations in light of her interactions with Mr. Rochester eventually allows her to influence Mr. Rochester’s life.

What about your characters? Whether you’re writing fiction or non-fiction, you have many different characters who all play a part in your story. Your main character drives the story, and the other characters enhance what your main character does. What brought your characters to the beginning of your story?

Personality

When Jane first meets Mr. Rochester, she thinks he’s an angry person, but he does not scare her. What does that tell you of her personality? Her background of being treated unkindly and unfairly is characterized in her personality. She is not afraid of Mr. Rochester because she has learned how to respond to less-than-desirable actions from others. Jane’s gentle, firm, and idealistic personality is consistent throughout the novel, which creates a compelling character in Jane, and one that readers admire and love.

What about your story? What motivates your character to do the things they do, say what they say, or react and respond to different events within the story? In a non-fiction manuscript, your character’s personality will enhance the illustrations for each point you’re trying to

make and the content will really come alive for your readers. Developing these elements will ensure your character has a depth of personality that will affect your readers.

Appearance

Jane thinks she is plain, but in the end Mr. Rochester thinks she is the most beautiful person he’s ever seen, even though he has lost his sight due to the fire. Why is this? Jane’s inner character shines through to her outward appearance in her tone, mannerisms, and attitude.

What about your characters? Your readers will gauge your characters’ general appearance (hair color, eye color, skin tone, height), but it’s the inner appearance we create that will give readers a deeper understanding and appreciation for your characters. For example, a reader may find a character’s smile to be endearing, while the character themselves may think that their smile makes them look awkward because they have a crooked smile. When we describe the characters in our manuscript, we may be compelled to give a list of all of our character’s features. However, this type of character description bogs down the story. The trick is to describe characters in a way that is natural, and that is through your character’s actions in each scene.

Character’s journey

There are two kinds of journeys for your character. The inner journey and the outer journey. Each journey motivates the character throughout the story and engages the reader in your character’s life. What is the inner journey and the outer journey supposed to look like? The outer journey is what the character wants, and the inner journey is the inner struggle of that desire.

Jane wants to be treated not as a servant but as an equal. She wants independence, but she also wants someone to love her. The story shows how she displays that independence by standing up to Mr. Rochester’s indifferent attitude toward her. But with her inner journey, her struggle, she fears that she is not his equal because of their class differences, and she also fears that she might lose her independence, even though she desires to marry Mr. Rochester.

What about your characters? What does your character want? What is your character struggling with? What are they afraid of? What do they have to lose? Your characters will go through a series of emotional arcs. Michael Hague describes a character arc as a journey from living in fear to living courageously. Whether fiction or nonfiction, you decide what your character or reader wants. Then you structure the different events that your character goes through with the inner journey of how they are internalizing the events around them based on their outer journey, what they want.

Wrap-Up

The key here is to create a trail of breadcrumbs that leads your readers from Point A to Point B, keeps them guessing at how the character is going to get what they want, and what might get in their way and prevent them from getting what they want. And these four elements of your character’s background, personality, appearance, and journey set the stage for an engaging reading experience that whisks your readers away to a world of characters—and story—your readers will never forget.

Please take a minute and join in the discussion! I’d love to hear from you!

What’s your favorite character from a novel you’ve read, and what makes that character special to you? How can you enhance your own characters by the characters you read about in other books?

Tisha Martin writes historical fiction and nonfiction but also edits and proofreads for beginning and best-selling writers, professional editing agencies, and publishing houses. She has a BA in Professional Writing, an MS in English Education, and an editing certificate from the PEN Institute, affordable continuing education for editors. Active in American Christian Fiction Writers and The PEN, she appreciates the writing and editing communities. As Assistant Director of PENCON, a conference for editors, she enjoys travel marketing and updating PENCON’s Facebook Page. Connect with Tisha on her website www.tishamartin.com and engage in the conversation.

Categories
Child's Craft

Christmas Grief

Christmas is usually crammed full of jingle bells and jolly times. But not always, and not for everyone.

Just as Christmas is the most wonderful time of the year it can also be the most miserable time of the year.

As a child my Christmases were filled with anticipation and joy and iced cookies with lots of sprinkles. My parents loved hiding gifts and surprising my sisters and I with unexpected delights.

But when I grew up life didn’t center around Christmas surprises and goodies anymore. Life was hard at times—even at Christmas.

My husband suffered from depression. At times it was debilitating for him. And those times almost always included Christmas. His PTSD from serving in Vietnam made matters worse. December seemed to be the lowest time of the year for him.

Don’t get me wrong. Both my husband and I loved Christmas. He wasn’t usually a fan of shopping, but for Christmas he pulled out all the cash he could and bought all the gifts he could for those he loved. He was a very generous man. I’m thankful for many happy memories of him pulling off surprises and finding unique ways to gift every member of the family with cash.

But beyond the gift giving he struggled to have the “joy” that Christmas is supposed to bring. That meant our children and I faced some unique challenges trying to keep the season merry and bright.

Late into our marriage my husband got professional help with his depression and that made celebrating Christmas a little easier for him (and us) for about ten years.

In the midst of that time a tragedy happened in our lives. Our son died unexpectedly of a heart attack. He was thirty years old.

That drew a dark curtain over the next few Christmases at our house. How could we celebrate? How could we enjoy jolly times without Stephen?

How We Dealt With It

It took time. Nobody wants to hear that answer. But it is true. It takes time to heal from a grief so deep you can hardly breathe.

It took determination. We had to make up our minds that we were going to find something in Christmas that we could enjoy.

It took avoidance. Yes, we deliberately avoided certain aspects of Christmas that our family had traditionally enjoyed. Stephen loved pecan pie. I had made one for him every Christmas since he was four or five years old. But not the Christmas after his death. Nor the next, nor the next. It was probably ten years before I could make another pecan pie and enjoy it.

Our Christmas tree was decorated with little kid-made ornaments from our children’s youth. But not the Christmas after Stephen’s death. I packed those ornaments away and didn’t pull them out again for many years. I bought shiny new ornaments and decorated our tree in a totally different fashion. It was the only way I could bear to look at it.

Other things changed, too. The hole in our hearts was so deep that we had to find different ways to celebrate or be sucked down into that black hole of grief.

It took prayer. Not the “bless this food” or “lay me down to sleep” kind of prayer. It took submitting my heart to God’s perfect will. It took throwing myself into the arms of Jesus and crying on His shoulder. It took whining and pouting and beating my fists on God’s chest. It took prayer that leads to surrender to the greater will of my loving Father. It took learning to trust that He always knows best.

It took permission. We were counseled wisely to give ourselves permission to be sad. To let the sadness play its role in our Christmas. Over the years I would sit down before Christmas and stroll through old photo albums remembering the vacations, birthdays, Christmases and graduations. I would spend that day crying and letting the sadness cover me like a quilt. But I knew that the next day I would get up from that position and move forward with the things families do to build new memories of Christmas and other important events.

Time, determination, avoidance, prayer, permission.

They helped us to find a new way to celebrate and a way to find new joy at Christmas.

In my grief I learned to see Christmas through God’s eyes a little, I think. Was it a joyous event for the Father? Or did He grieve because His Son was far away in a strange place surrounded by sinful people? Did He weep because He knew what His Son was going to endure in the years after that Silent Night?

Maybe God’s full and complete joy came not at the manger, but at the empty tomb.

That’s where I find my Christmas joy—at the hope of the empty tomb.

Jean Hall lives in Louisville, Kentucky. She is represented by Cyle Young of Hartline Literary. Her premier picture book series Four Seasons was recently signed by Little Lamb Books. Jean is a member of the SCBWI, Word Weavers International, and the Kentucky Christian Writers. Visit Jean at www.jeanmatthewhall.com, on Facebook at Jean Matthew Hall, and on Twitter as @Jean_Hall.

Categories
History in the Making

Discovering Personalities of Historical Characters with the Enneagram

My recent novels are about two women who lived four thousand years ago, Hagar and Sarah. Their stories are told in the Bible, and I believe I will meet them in heaven someday. Looking at it like that, you realize the responsibility you incur, as a historical novelist, to portray your characters as close to right as possible.

[bctt tweet=”How do you identify the personality of a character who existed? #writers” username=””]

I use a personality profile called the Enneagram, a set of nine distinct personality types, with each number on the Enneagram denoting one type. Each type has exceptional talents and foreseeable difficulties in being who they are. Nine different ways to approach your character arc. I use the Enneagram as a map to the internal journey and transformation of my characters. It shows me what motivates them, what their basic fear is, their desire (what they want), and how they respond to conflict.

  • Type One: The Reformer. Leads with integrity but hindered by demanding perfectionism.
  • Type Two: The Helper. Generous and positive but can be people-pleasing and possessive.
  • Type Three: The Achiever. Inspiring and successful but status conscious and materialistic.
  • Type Four: The Individualist. Creative and intuitive but moody and self-conscious.
  • Type Five: The Investigator. Visionary and intellectual but isolated and distant.
  • Type Six: The Loyalist. Courageous and committed but defensive and anxious.
  • Type Seven: The Enthusiast. Adventurous and spirited but impulsive and unfocused.
  • Type Eight: The Challenger. Self-reliant and strong but controlling and intimidating.
  • Type Nine: The Peacemaker. They bring people together but can be stubborn or passive.

 

 Look for clues in your research.

 Before I began writing about Sarah, I searched the Bible for clues regarding her personality. Sarah was loyal to God, her husband, and known for hospitality. But also doubting and lashed out at Hagar when she perceived her as an enemy.

Sarah fit Type Six, the Loyalist. Ironically, and what made her arc interesting, the biggest fear of a Type Six is abandonment. As a writer, that gave me inner conflict for Sarah when her husband abandoned her to two kings.

Healthy sixes are warm and friendly, traits needed for hospitality. But the unhealthy side of their personality make them hysterical, suspicious, and paranoid. Acting out from anxiety, they blame others and complain to third parties about people they are frustrated with. Exactly what Sarah did when she complained to Abraham about Hagar. Given Abraham’s permission to do whatever she wanted with the haughty handmaid, Sarai mistreated Hagar, so Hagar ran away.

Perfect for a writer’s toolbox.

The Enneagram is a helpful tool for identifying the personalities of real-life historical people. Because you make them deep and real. It also works when you want to craft memorable characters from scratch that readers relate to. How they react in the world, grow, learn, and change, gives a writer genuine conflict to keep booklovers turning pages.

For more information visit my Facebook page: @authorkdholmberg.

KD Holmberg is an author, blogger, and freelance writer. She is a member of ACFW, Word Weavers International, and a founding member of the Jerry Jenkins Writers Guild. She is represented by Hartline Literary Agency. A retired flight attendant, she has traveled and lived all over the globe. She and her husband, Keith, love to golf and live in South Carolina. You can find more about her: Facebook @authorkdholmberg, twitter @kdeniseholmberg, and kdeniseholmberg.blogspot.com

Categories
Write for His Glory

Stand Alone

Are you hesitant to stand alone – to risk being unpopular, rejected, or mocked? Do you hold back with what you’re writing to try and make it “fit” with what you think is acceptable?

A while back, Don and I attended an excellent conference at The Cove with my parents. The speaker, Pastor Jim Henry, was teaching on Joshua – conference title “From Fear to Faith”. Pastor Jim gave us many nuggets of wisdom to take home. He shared about the different tests Joshua passed on his way to being one of the greatest leaders in the Old Testament.

My favorite one: Can you stand alone?

Joshua came back excited about the promised land; 10 out of 12 said, “No, we can’t do this.” Then Joshua led the people in the “battle” of Jericho with a totally illogical battle plan.

He followed God, not popular opinion. He feared God, not man.

The Lord then showed me how easily I followed the crowd instead of my own heart. He showed me how fear of man held me down.

A wonderfully talented worship leader, Joe Horness, led worship for the conference. Through his music and his testimonies, the presence of God filled the room. During one upbeat song, I felt the urge to clap rise up in my soul. I thought, “OK, I’ll be the first one to start,” with the implication that others would follow as they usually do.

Well, they didn’t.

After a few loud claps, I sucked in my breath and hesitated…and quieted my clapping to a barely audible hand pat. My thoughts panicked – “WhatwilltheythinkAmIdisturbinganyoneMaybethisisn’ttheplacetoclap”.

Then the Lord nudged my spirit. Wait. I want to clap. I enjoy clapping. For me, right now, this song, it is part of my worship to God.

So it doesn’t matter if anyone claps, or sings, or even worships. *I* can clap, even if no one else follows.

I can stand alone.

At that moment, I made a decision. I clapped, and sang, and worshipped the Lord freely from my heart. Something changed. No, *I* changed. The Lord changed me. With one simple act of obedience to freely worship Him and not fear man, He broke off something, filled me up, and healed my heart.

Yes, clapping to a song in a room full of fellow believers may be a very small thing. But hey, it’s a start! Some days are better than others as I try to walk forward with more boldness, and as I learn to live more fully in each moment. I want to live in fear of God, not fear of man; and that’s SO hard sometimes. By God’s grace I am making progress.

I’m also learning to trust God to speak to and through me as I write and share with others. As me – not as anyone else, or with anyone else’s style, but from the heart as God gives me the words. No matter who disagrees, who criticizes, or even who likes what I say – I can’t be driven by positive feedback either. I want to hear “well done, good and faithful servant!” from my Father, and I can only hear that if I am living to please Him and not everyone else…including myself!

Where do you have trouble standing alone? Take courage, and look up at the Lord instead of others, and then be amazed at what He can do with your simple act of obedience.

Am I now trying to win the approval of human beings, or of God? Or am I trying to please people? If I were still trying to please people, I would not be a servant of Christ. (Galatians 1:10)

Merry Christmas to all, and Happy Birthday, Jesus!

Mary Graziano Scro, a graduate of Christian Communicators Conference, is an inspirational author, speaker, and blogger who intuitively weaves analogies and personal testimony with practical biblical teaching. Whether “live” or at the keyboard, Mary loves sharing what God has done in her life to encourage others about the awesome life God has planned for us, IF we are willing to choose wisely in our everyday lives (John 8:31-32). And it’s not only about us – the more we invest in our own unique relationship with Jesus, the more visible He is to a world that desperately needs Him.

You can reach Mary on:

Facebook: Mary Graziano Scro https://www.facebook.com/don.mary.scro

Twitter: @marygscro

LinkedIn: Mary Graziano Scro  https://www.linkedin.com/pub/mary-scro/11/600/a4b

Blogs: Life Is Not A Formula at www.marygscro.com