Categories
Blogging Basics

Make Your Blog Mighty: Attention To The Details

Do details matter? In the world of blogging, I would say, “Yes.” You labor over a beautifully crafted blog spending time, effort and energy to share your heart with your audience only to hear crickets. Has this happened to you? The following two tips could help make your blog hum with activity by paying attention to the details.

SEO Your Headings

I recently saw a lengthy news article online. After the title and under the featured image, the writer listed bullet points sharing the most important topics shared in the article. This helped me to decide if I wanted to read the article in its entirety.

Headings in a blog are similar to the points noted in the article. Using the Headings Feature in WordPress will help your blog to be easily read. This allows the reader to scan the blog and know, at a glance, if they would like to read it.

Another reason to craft Headings is for SEO. As stated in a Yoast article,

“Although not a major ranking factor, headings do affect SEO. That’s because headings are important to help users understand the subject of an article. And if readers use headings to figure out what an article is about, Google will too.”

Crafting headings helps visually set a block of text apart and aids with the readability score in WordPress.  Yoast SEO recommends you offer a heading for every 300 words. To add headings, you type the heading, highlight it, and then select the dropdown box that says Paragraph.

Heading 1 – 6 are available options to select from. I usually use Heading 2 throughout my blog. You can choose Heading 1 as your first heading and use Heading 2 in the remainder of your blog.  For this blog post, I used Heading 2 only.

The Mighty Meta-Description

The purpose of creating a meta description is to have a reader choose your blog to read. Similar to the description on a book jacket, the meta description helps draw them in. State why they should read your blog. Using 150 characters, craft enticing phrases like, Learn More, Get It Now and Try It For Free. This needs to mirror/match your content or Google may penalize your site.  The meta-description should have your selected keyword shared at least once for SEO purposes.

For my blog titled, Why Being A Mother Has Great Value, I wrote the following meta description:

Is there value in the mundane daily chores of being a mother? This article says, “Yes.” Read why being a mother has great value.

My selected focus keyword is: a mother has great value. These words are also contained in my title. Using the focus keywords in my meta description, and title helped to give my Yoast SEO score a green light.

Another example of a meta description used by Barnes & Noble for the memoir, I Can Only Imagine By Bart Millard is the following:

I Can Only Imagine is an amazing book. I was humbled just reading it, Mr. Millard’s story is fantastic to read. To know all that he is gone through in his life and how GOD fit exclusively into it.

In this meta description, Barnes & Noble chose to use a book review to entice the reader. However you choose to craft your meta description, remember to make it do the heavy lifting to gain attention. In other words, make it mighty.

Why do these details matter? Meta descriptions help to entice your reader. Headers help your readers decide if they want to continue to read. There are many aspects to writing, designing and marketing your blog. These two details are two of the ingredients to make your blog mighty. For more tips, read Sure Fire Ways To Gain An Audience .

Evelyn Mann is a mother of a miracle and her story has been featured on WFLA Channel 8, Fox35 Orlando, Inspirational Radio and the Catholic News Agency. A special interview with her son on the Facebook Page, Special Books by Special Kids, has received 1.4M views. Along with giving Samuel lots of hugs and kisses, Evelyn enjoys hot tea, sushi and writing. Visit her at miraclemann.com.

Categories
Romancing Your Story

Falling in Love—NOT the Goal

My name is M. Rose Gardner and I am an aspiring author of contemporary romance.  This is my first article for A3 and I hope you enjoy it.

You may be looking at the title and wondering why the goal in a romance isn’t falling in love? Actually, the only person who should have that goal for the hero and heroine is the author.

Categories
The Picky Pen

How to Take an Editing Break

In light of conference season coming to a close, I thought I’d take a moment and deviate from my normal self-editing blog post style and chat about a topic that I’ve been hearing a lot of writers discussing recently.

Categories
Child's Craft

Is the Story Middle Grade or YA?

A Quick Look at the Two

Middle Grade:

Age of readers: 8 to 12 or 13

Length of books: 30,000 to 50,000 words

Content restrictions: No profanity, graphic violence or sex

Age of the Main Character: usually 12 or 13

Focus of the Main Character: friends, family, school, the immediate world and relationships.

Voice: usually third person

Young Adult:

Age of readers: usually 14 to 18

Length of books: 50,000 to 75,000 words

Content restrictions: Profanity, graphic violence, romance and sexuality are allowed if pertinent to the story.

Age of the Main Character: usually 14 or 15 for younger YA books, 17 or 18 (but still in High School) for older YA books.

Focus of the themes: YA MCs discover how they fit into the big world outside their family, friends and school.

Voice: usually first person

Ask Yourself The following Questions:

(Do this BEFORE you get into writing the manuscript.)

How old is the Main Character of the story?

9 to 12 years old means the story is for Middle Grade students. 14 to 18 means the story is for a YA audience. Avoid a 13 year-old Main Character.

What kind of strong language does the book contain?

Middle Grade books stay away from cursing. Some publishers allow peripheral characters like parents or coaches to do mild cursing a little. Words like “darn” are permitted.

If the Main Character and or their friends use profanity or sexually explicit words the book is for Young Adults. But publishers insist that the profanity serves a purpose, that it is critical to the character or to the voice. They don’t want profanity just for the sake of making a book edgy.

How graphic and how frequent is violence in the  book?

Often General Market publishers follow the same guidelines for violence as the ratings for movies and TV programming. Some Christian Market publishers allow more violence than others.

CHECK AND FOLLOW THE PUBLISHER’S GUIDELINES EXACTLY.

If you choose to add profanity or violence to the story remember that much less is allowed in Middle Grade books than in Young Adult books. That means much less violent, much less gory, much less frequently. Often the violence is reserved for the end, the last battle or the darkest moment in a Middle Grade book.

How much, and what kind of romance is in the story?

A crush, some hand-holding, a lot of blushing and embarrassment and maybe a peck on the cheek means the book is for Middle Grade.

If the Main Character (and others) are “in love,” have sexual contact or talk about sex, experience making out, real kissing or more, the book is for Young Adults. Even if these topics are not committed but are strongly hinted at, discussed or imagined, the book is for Young Adults.

How does the main character experience and interpret life and the world?

If the story centers around home, family, school, friends the Main Character probably experiences the story and their personal changes internally. That is typical of a Middle Grade book. The characters change but stay within the confines of their smaller world. They are just beginning a journey into seeing life a different way. They experience the events of the story, but aren’t especially aware of what they are feeling and why. They are not really analyzing life.

If the Main Character’s world expands during the story so that they start questioning and thinking about their place in the bigger world beyond home, family, school and friends the story is for Young Adults. The Main Character is experiencing the world externally and beginning a journey to find their place in the bigger world and see life differently. They tend to be introspective and analytical about their experience and how it affects their life.

Jean Hall lives in Louisville, Kentucky. She is represented by Cyle Young of Hartline Literary. Her premier picture book series Four Seasons was recently signed by Little Lamb Books. Jean is a member of the SCBWI, Word Weavers International, and the Kentucky Christian Writers. Visit Jean at www.jeanmatthewhall.com, on Facebook at Jean Matthew Hall, and on Twitter as @Jean_Hall.

Categories
History in the Making

Finding the Setting for Our Novels

Searching for the setting of that next novel? I am in the same boat.

My third Civil War romance, A Musket in My Hands, releases this fall. After taking a break to write a historical romance novella releasing next summer, I turned my thoughts to the topic of my next Civil War novel.

Categories
Write for His Glory

Validation

We all long for validation. One definition of “validate” from Merriam Webster is “to recognize, establish, or illustrate the worthiness or legitimacy of.” We read that definition and we question, doubt flooding our minds. We fear we don’t measure up.  WE know what we think, and who we are deep down inside.

With all our mess, failure, and weakness, do we matter? Are we valuable? Do we belong?

Only God can answer those questions, and He does so through His Word. When we look for validation anywhere else, we open the door to confusion and a full-on barrage of negative attitudes and feelings.

How does it start? As writers, we’re submitting our work to those who have the authority to accept or reject it. We often take it personally when our best work is rejected.

But it’s not personal, any more than a teacher grading a paper is personal. It’s about the work.

But it hurts. Especially when you did your best and it wasn’t good enough.

Yes, it hurts – a very necessary hurt that causes us to step back and evaluate, and to make changes where needed. How else will we learn and improve if everything we say, do, or submit is accepted with no questions or feedback – aka, with no rejection?

When we experience rejection and long for validation in its wake, what do we do? Where do we look for the truth? How do we move past it? How do we overcome our feelings of inadequacy?

Do we go to the phone, or to the Throne?
Do we wallow in the mire, or look to Someone higher?
Do we give up and turn back, or get up and improve what we lack?
Do we make excuses, or muster up our creative juices?
Do we take offense, or look at the scene through God’s lense?
Do we focus on the feeling of dread, or look to where we can be fed?

The only One who can validate us at our core, where it matters, is Jesus. Isn’t it a waste of precious time to look anywhere else or expect validation from anyone else…including ourselves?

Praise be to the God and Father of our Lord Jesus Christ, who has blessed us in the heavenly realms with every spiritual blessing in Christ. For he chose us in him before the creation of the world to be holy and blameless in his sight. In love he predestined us for adoption to sonship through Jesus Christ, in accordance with his pleasure and will—to the praise of his glorious grace, which he has freely given us in the One he loves. (Ephesians 1:3-6)

When we work and submit from a place of truth and security in God’s love for us, we have the strength to endure rejection and get back up as many times as it takes to do all He’s called us to do.

What are you waiting for? Time to get that next submission ready!

Mary Graziano Scro, a graduate of Christian Communicators Conference, is an inspirational author, speaker, and blogger who intuitively weaves analogies and personal testimony with practical biblical teaching. Whether “live” or at the keyboard, Mary loves sharing what God has done in her life to encourage others about the awesome life God has planned for us, IF we are willing to choose wisely in our everyday lives (John 8:31-32). And it’s not only about us – the more we invest in our own unique relationship with Jesus, the more visible He is to a world that desperately needs Him.

You can reach Mary on:

Facebook: Mary Graziano Scro

Twitter: @marygscro

LinkedIn: Mary Graziano Scro

Blogs: Life Is Not A Formula

 

Categories
Grammar and Grace

How to Write Big Money

I was recently polishing my latest manuscript. One of the subplots involves a grant payout with large sums of money. In the drafts, I wrote the amounts with numerals. I had written $50,000, $30,000, $20,000, and $10,000 twice–all in one paragraph. A beta reader pointed out the mega use of zeroes.

A check in the Chicago Manual of Style made me reel back all those zeroes. Here’s the rule:

Use words not numerals when expressing money unless it’s a ridiculous amount that would be hard to read.

So I rewrote the paragraph and all the other mentions of money throughout the manuscript. For example, $30,000 became thirty thousand dollars. I also rewrote the paragraph so that I wouldn’t have so many thousand and dollars in the same paragraph and tripping up the reader.

Happy writing!

Hope Toler Dougherty holds a Master’s degree in English and taught at East Carolina University and York Technical College. Her publications include three novels Irish Encounter and Mars…With Venus Rising, and Rescued Hearts as well as nonfiction articles. A member of ACFW, RWA, and SinC, she writes for SeriousWriter.com. She and her husband live in North Carolina and enjoy visits with their two daughters and twin sons.

Author of Rescued Hearts
                 Irish Encounter
                Mars…With Venus Rising

Visit Hope at hopetolerdougherty.com

Categories
Mystery/Thriller/Suspense

What Does It Mean to Write Suspense?

There’s nothing more satisfying for an author than to hear readers say they couldn’t put the book down. It captured their attention from the beginning and kept them turning the page. Why? First, the hook was well written, but more importantly, conflict arose and thrust suspense into the scene.

Categories
Mastering Middle Grade

Three Things I Wish I’d Known

Do you ever stare at one sentence until your eyes start watering? Have you had to read that one sentence a few times before the words carry less sting and begin to make more sense?

That happened to me when I opened a rejection email, skimmed the courtesy introduction part, and then reached the paragraph that started with

“I’m sorry to say I stopped reading after chapter 7.”

Ouch.

After I put some ice on my bruised ego, I decided to send the offending manuscript to some trusted reader partners.

I truly did want productive feedback. But in the dark, vain corner of my heart I sought validation. I knew my readers would review my work, love (nearly) every word, and validate  They’ll prove this agent wrong and my pride will be healed and I will send this gem back out into the world and so on and so forth and what have you.

Let me tell you what actually happened.

I got some comments back that changed the way I think about writing for middle grade. Here are the biggest three:

1) Quick starts are the best starts.

If you think you need to set the stage for eight- to twelve-year-old readers by filling the first three (or more) chapters with character and location descriptions, think again. Start in the middle of action or they will get b-o-r-e-d fast.

Think of your book as a swimming pool. Middle grade readers don’t want you to hold their hand and walk them through the shallows. Middle grade readers are eager to jump in to the action of your world. If you try to show them their way into it, they will leave. For example:

My old writing: Susie Queue was the shortest girl in her sixth grade class. She had chestnut hair and dark eyes that observed every envious look the other girls shot her way.

My new writing: Suzie stretched to retrieve her books from her top locker. She tried to ignore the girls giggling next to her and focus all her energy on not being late to class.

The first two sentences were passive, observational. We were told about Susie, but nothing really happened to pull us in. The second two sentences dropped us into action. We learned about Susie because of what she did. As she does more, we will learn more.

2) More pages, more problems (but in the best way).

Protagonists need problems to solve. If those problems are too simple, a middle grade reader at best will become bored and put the book down. At worst, they’ll get offended and tell their friends not to bother reading it because “it’s for little kids.”

Good stories have main characters who have something to gain and something to lose. Know what those are for your characters. Make sure in every scene you’re using them to move the story forward. When your characters are comfortable, your reader is probably bored.

3) Humor is your friend.

I wrote a protagonist who lost his parents, his sibling, his best friends and then his dog over the course of three chapters. It was an overly intense, emotional mess that nobody wanted to finish.

I realize that I just wrote about giving your protagonist high stake problems to solve. Keep doing that. Also, give your reader a little laugh occasionally to let them breathe. Think about the times in your life where you’ve been in a low place. Having a friend to make you smile gives you the energy and encouragement to keep going. Write that smile to give your readers the emotional breather so they are ready to turn the page.

What are some things you wish you had known when you began writing for middle grade? Anything you’re still curious about?

Kell McKinney earned a B.A. in journalism from the University of Oklahoma and an M.S. in documentary studies from the University of North Texas. She’s a part-time copywriter, double-time mom and wife, and spends every free minute writing and/or hunting for her car keys. Connect with her on Twitter @Kell_McK or kellmckinney.com.

Categories
Writers Chat

Writers Chat Recap for September, Part 2

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Bethany Jett, is the show where we talk about all things writing, by writers, and for writers!

“Because talking about writing is more fun than actually doing it!”

 KidLit: Inspiring Children to Learn

With Annette Whipple

Many educational books for children have too much or too little on the pages causing a lack of interest or wonder in learning. Annette has a vision to make learning fun and inspire a sense of wonder through her educational works. She shares how to make a book signing into a memorable event. Annette also shares how to break into the children’s nonfiction market. There is a surprise guest appearance by children’s nonfiction author Michelle Medlock Adams.

Watch the September 17th replay

https://www.youtube.com/watch?v=wogVgGqkBLo&feature=youtu.be

Are you interested in children’s nonfiction? Then come check out the information and resources on this week’s Show Notes and Live Chat Discussions.

https://mnstroh.com/2018/09/19/kidlit-inspiring-children-to-learn/

 

Jab, Jab, Jab, Right Hook

Gary Vaynerchuck

In this open mic episode of Writers Chat, Bethany Jett and the Serious Writers Book Club discuss Gary Vaynerchuk’s book on how to understand the nuances of social media and grow a powerful platform. Gary also covers other topics like native storytelling, your brand, and much more.

Watch the September 28th replay.

https://www.youtube.com/watch?v=Or1jIrYfOE4

To discover more of how to grow your platform and be heard above all the noise, see the Show Notes and Live Chat discussion.

https://mnstroh.com/2018/09/28/jab-jab-jab-right-hook/

JOIN US!

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133.

Participants mute their audio and video during the filming, then we open
the room for anyone who wishes to participate with our guests. The “After Party” is fifteen-minutes of off-the-record sharing and conversation.

Additionally, you can grow your network and add to the conversation by joining our Facebook Group. https://www.facebook.com/groups/writerschat/

Categories
Magazine and Freelance

Article Writing Basics

People are often surprised when I say I love to write articles. “Articles?” they say. “How did you learn to do that? Doesn’t that take a lot of time? How do you know what to write?”

Categories
The Poet's Pen

COME AND LISTEN TO A STORY – What is a Ballad?

A ballad is a form of poetry that alternates lines of four and three beats, often in quatrains, rhymed a-b-a-b, and usually tells a story. A narrative song that was passed down orally was called a folk ballad.

Categories
Publishing Pulse

Beware the Hollywood Stereotypes of Publishing

There seem to be plenty of people out there who have never published anything, but are happy to give you advice on how the publishing industry works, based on something they saw in a movie. Far too many people have a stereotype in their mind of publishing a book, and worse yet, it’s a 20th-century stereotype. Here’s some of the questions I have been asked that are mostly the stuff of fiction:

Categories
Writer Encouragement

Economy Class Writer?

I recently went to Rhode Island for some book research and flew economy class—of course. I am a writer after all, and my name is not John Grisham. And my checking account is certainly not as full as Stephen King’s.

Really, I don’t mind sitting with the others in “steerage” (remember “Titanic?”), as long as I’m not left to drown in an emergency. The flight was fairly comfortable and I was flown safely to my destination in Providence. But the whole flight I stared at the “class curtain” directly in front of me—the divider between First Class and the rest of us plebeians.

The attendant on this flight was kind enough not to separate the two worlds, which I certainly appreciated. I often look at the pulled curtain as being somewhat ridiculous. After all, you can see through it and if someone really wanted to observe a passenger being given a warm hand cloth, I’m sure their eyes could peek beyond the drape. But frankly, I don’t care. I know what a washcloth looks like.

Separating the classes makes me think about so many areas in our society, even in the writing world. We go to a writer’s conference and our jaws drop at a “famous” author or “agent.” By the time we’ve pulled ourselves together, we missed an opportunity to say hello to a person just like you or me. They have to brush their teeth in the morning, too. 😉

Granted there are some in the literary world who would prefer to close the curtain, as it were, to newbie writers looking for a break in the industry. But those with their heads in the clouds do not represent all of the professionals in the industry. Most are gracious human beings. And if you happen to sit at a table with someone who prefers the First-Class section, just smile and try to interact. If you feel the curtain being closed to you, excuse yourself and go sit where the company is friendlier. 🙂

The truth of the matter is, even well-known authors were once newbies. Most remember where they started. Some of them might even be an introvert like many writers are. Try to give them allowances. Unless they are unbearable company!

Thinking of yourself as an “Economy Class” writer will keep you feeling unworthy and inadequate at best. Not that you should puff yourself up by touting your perfect manuscript that will take the Literary World by storm! But I encourage you to do your best, keep learning the craft, and stop hiding behind the curtain of self-doubt. We are all in this together.

Carry on.

 

Elaine Marie Cooper is the award-winning author of Fields of the Fatherless and Bethany’s Calendar. Her latest release (Saratoga Letters) was finalist in Historical Romance in both the Selah Awards and Next Generation Indie Book Awards. She penned the three-book Deer Run Saga and has been published in numerous magazines and anthologies. She freely admits to being a history geek. Look for her upcoming series set in Revolutionary War Connecticut. The 4-book series is entitled Dawn of America. You can visit her site at www.elainemariecooper.com

 

Categories
Platform and Branding

Nailing Your Metadata: Keywords

Last month we talked about categories. Now we’re going to dig into the other side of the metadata equation: keywords.

Nailing your Keywords

Your keywords are the 7 (on Amazon) particular words/phrases that you’d like your book to come up under if someone searches for them. Most authors make the mistake of picking a few descriptive terms like “bible study” or “romantic comedy”. Unless you’re a NYT Bestseller, it’s unlikely that you’ll rank first on this page of results.

Alternatively, some people pick keywords that no one is interested in or actually typing in. If you are trying to rank in ultra-competitive keywords, you’re in shark-invested waters without a float. If no one is searching for the keywords you’re using, you’re in the desert.  So what’s the key? Picking keywords that are being searched for often, but don’t have much competition. There is a fine line, and it’s a tightrope to balance.

 There’s a statistic that says if your book ranks first overall for a search term, there is a 27% chance a shopper will click on your book. If your book is the second result, that number drops to 12%. The odds of someone clicking on your book if it ranks on the second page are only 7% (for all 10-15 results on the page).

So, you want to be on that first page, and you want to be that first result if possible. But you also want to make sure there are people actually interested in that keyword.

Your job is to research various terms related to your book and analyze the market for it. You need to break down the monthly traffic volume for each possible term, and then look at how fierce the competition is based on the highest-ranking titles’ sales rank. With these numbers in mind, you can choose the 7 most effective keywords to keep your book visible to the right audience.

Pro Tip: How do you analyze the traffic of each term? Well that’s a good question. I use a tool called KDP Rocket to analyze traffic data for all of my clients. It digs into the Amazon numbers to tell you just how often (per month) a term is being searched for, and how competitive that term is. You might be surprised by the results. This is the best tool I’ve found to help with keyword research.

Putting It All Together

Optimizing your metadata might not become a bestseller overnight. It doesn’t have the kind of immediate effect that ad campaigns or discount promotions have. But what it does give you is a competitive advantage and the ability to maintain long-term success from the short-term sales strategies. By updating your categories and keywords, you instantly become more discoverable to target readers, and that is always a good thing.

Vincent B. Davis II is an author, entrepreneur, speaker, and soldier. His first novel The Man with Two Names was published in July 2017 and has since become an Amazon International Best Seller. He is passionate about helping authors improve their brand and platform. He works with publishing companies and individual clients to help them sell more books in the modern publishing environment. Vincent is also the Senior Editor for blueridgeconference.com. If you are interested in contributing a blog for the site, or have any other queries, you can reach him at Vincent@thirteenthpress.com

Categories
A3 Contributor Book Release

10 Ways to Deepen the Craft of Writing by DiAnn Mills

Writers seek ways to polish their craft and deepen their understanding of what makes a marketable manuscript. Dedicated writers challenge themselves to make each project better than the previous one. The following 10 items will increase every writer’s awareness of the skills needed for a successful book.

Categories
The Intentional Writer

Walk in the F.O.G.

Recently, I was teaching “The World of Writing for Children” at a Christian writers conference, and during the first session, a lovely woman in the front row asked, “I’ve heard that the children’s picture book market is the most difficult to break into…are there any tricks to getting your manuscript into the hands of editors?”

It was a valid question.

Categories
The Intentional Writer

Promotion is Coming

If there’s one thing I’ve learned in life it’s this—promotion always takes preparation.

That truth was never more evident in my life than when I took a magazine feature writing position at a worldwide ministry, only to be informed I’d actually be doing something entirely different…and I wasn’t thrilled about it.

My editor explained that they had a greater need for another ghostwriter, so I would be fulfilling that role. During my years at Indiana University Journalism School, I’d been told to “find my voice.” So, I’d been working hard every day since college graduation to do just that. Now, my new boss was telling me: “Lose your voice, and find somebody else’s.”

That just didn’t make sense to me.

“Let me get this straight,” I answered. “I’m going to be taking somebody else’s thoughts and words from a sermon or a presentation, and then I’m going to write an article weaving all of those thoughts together in that person’s voice? With no byline?”

“Exactly,” my Editor answered. “That’s why it’s called ‘ghostwriting.’ You are invisible.”

Little did I know, not only was God working out some of that stubborn pride from my heart, but also He was preparing me for a role that would be a great blessing in my life—spiritually, professionally and financially. I was able to learn to ghostwrite while getting paid to do so—all the while being mentored by one of the best ghostwriters in the business who happened to work two offices over from me. It wasn’t an especially easy season in my life, but it was a season of preparation, though I didn’t know it then.

A few years later, I was offered the assignment of a lifetime, ghostwriting a book for a celebrity I greatly respected. That book ended up being a New York Times Bestseller, which opened up numerous ghostwriting doors for me. Over the years, I’ve been able to ghostwrite for many wonderful people, and it’s been a privilege to help them tell their stories.

But I wouldn’t have had those awesome opportunities without that season of preparation at the worldwide ministry.

You know, there are examples of preparation proceeding promotion throughout God’s Word. Take Esther, for example. She was just living her life as a lovely young Jewish girl in Persia when she ran smack dab into her destiny—becoming the Queen and ultimately saving the Jews from annihilation. However, in order for her to step into that destiny, she had to go through a year’s worth of beauty treatments. (Esther chapter 2) During that season, God was preparing her both spiritually and physically for what was to come. Had she not gone through those 12 months of preparation, she wouldn’t have been in position for that promotion.

So, let me ask you, are you experiencing a season of preparation? If so, don’t be discouraged or grow weary in the waiting. Just know that you are being prepared for promotion, and rejoice in it!

Michelle Medlock Adams is an inspirational speaker, award-winning journalist and best-selling author of more than 80 books, earning top honors from the Associated Press, the Society of Professional Journalists and the Hoosier State Press Association. Since graduating with a journalism degree from Indiana University, Michelle has written more than 1,500 articles for newspapers, magazines and websites; acted as a stringer for the Associated Press; written for a worldwide ministry; helped pen a New York Times Bestseller; served as a TV host for TBN’s “Joy in Our Town” show; and blogged for Guideposts. Today, she is President of Platinum Literary Services—a premier full-service literary firm—and she serves as chairman of the board for Serious Writer Inc., and teaches courses for Serious Writer Academy.   Michelle is married to her high school sweetheart, Jeff, and they have two grown daughters, Abby and Allyson, two son-in-laws, and one grandson, as well as a miniature dachshund, a rescue Shepherd/Collie mix, and two cats. When not writing or teaching, Michelle enjoys bass fishing and cheering on the Indiana University Basketball team and the Chicago Cubbies .

Categories
Uncategorized

The Heartbeat of Your Villain

Every story needs a villain. Without one, your hero would have no reason to grow or change. But what makes a good villain? It’s all about the backstory. 

Categories
A Lighter Look at the Writer's Life

Polishing Gems by Sue Potts

(Editor’s Note: Sue Potts is our guest columnist this month, specially asked by Carlton Hughes.)

While on vacation in the Smoky Mountains, when my daughter was young, we stopped at a gem mine. We bought our bag of dirt and took it and a sifting screen to the trough of water. The dirt washed away from the sifter, leaving behind gems and small colored stones. My little girl was delighted with each sparkle in her sifter. We collected out gems wiped them off and put them in a pouch to carry them home. We didn’t find anything valuable, but it was a fun experience.

Categories
Time Management

Finding Balance

I believe life…or rather, living the life you really want to live…is all about finding a good balance. It’s about finding time for exercise, eating right, getting enough sleep, working enough to feel fulfilled, helping others…finding the perfect blend of physical, mental, emotional and spiritual energies to feel healthy and whole.

But often it’s really tough when there are only 24 hours in a day (and at least seven for me have to be spent sleeping for me to function!) When you’re juggling a full-time job AND your career as an author AND your personal life as a wife, mother, grandmother, etc. —well, life can feel unbalanced sometimes. When we need to do keep up with marketing our books on top of it all, how are we possibly supposed to find time to WRITE, must less to be reasonably happy?

Categories
Screenwriting

The Setting

One of the most overlooked components of a story, especially in screenwriting, is the story’s setting. Perhaps, it’s because some writers find the concept confusing and don’t know what to do with it.

Unfortunately, many aspiring writers mishandle an important aspect of the story. Setting is much more than simply what is happening in the background of the characters’ lives, in most cases it is key to shaping their lives.

  • Physically
  • Mentally
  • Socially
  • Spiritually
  • Politically
Categories
My Writing Journey

Thanks, Tony Robbins

“Janine?” Where are you?”

I don’t know why my husband asked me that. He knew where to find me– in front of the computer, squirting eye drops in my blurry eyes.

Yep, I’d spent another all-nighter spiffing up my manuscript. After twenty-two years, a renowned publisher had asked to see the whole thing. As I pounded the keyboard, giving Answered Prayer a final twice-over, I wondered how many nights I could go without sleep. (It was four, minus a couple two-hour naps.)

My writing journey started in the summer of 1996. I had purchased a set of “Personal Power” cassettes from Tony Robbins. At the ripe-old age of thirty-eight, it was time to figure out what I wanted to do when I grew up. For thirty days, I walked the high school track and let Tony’s voice seep into my head:

“The past does not equal your future.”

and

“Decide today who you will become, what you will give, and how you will live.”

I got the message. I wanted to become a writer. And not the kind who pens killer grocery lists on the back of the electric bill.

I went back to college, took a couple of computer and creative writing classes, and began my writing journey.

I wish I could say my first book was good. Calling it bad is a compliment. I still cringe when I think about it. If you’re a writer, you understand why. Your first book, though a labor of love, is fraught with newbie errors: POV changes mid-paragraph, a plot so crooked it rivals a dog’s back leg, and characters so boring they put themselves to sleep.

But it was my start…

With the love of God and 19th-century westerns deep in my soul, I began the second book. And for the past twenty years Cassandra Jane Pickett and her ruggedly handsome (of course) love-interest, Matt Atkins, have visited agents and publishers, in hopes someone would see their worth and give them a shot. (Well, yes. I revamped and edited their story so many times, it barely resembles its auspicious beginning).

But I’m happy to say their dreams, and mine, have not been in vain. The editorial director at Kensington Publishing is reviewing Answered Prayer even as I write this article.

As I wait by my computer with bated breath (Eww!), I hold hope Answered Prayer will see the publishing light of day.

Hmm… Tony Robbins was right. The future can look brighter every day.

Janine Mick Wills is a former pastor’s wife with a B.A. in Christian Ministry. She received The Grace Way Bible Society Award from Ambassador Baptist College for high academics and Christian character. She has used her training to help women grow in the grace and knowledge of God (Titus 2:3-5). To this end, she created a page on Facebook  called Growing in Grace by Janine Mick Wills. Janine has published articles in many magazines, including NovelAdvice, an online site that gives advice to aspiring novelists. She was also a columnist and freelance reporter for The Tomahawk (Mountain City, TN).

Categories
Literary Women in Histor

Beatrix Potter: Filling the Writer’s Nest with Tangible Inspiration

This is the tale of a tail—a tail that belonged to a little red squirrel, and his name was Nutkin.

Beatrix Potter, 1903

The Tale of Squirrel Nutkin

There’s something cleansing about the opening line of a Beatrix Potter storybook. I can almost hear her reading it in a sing-song voice, with just a touch of playfulness and sufficient drama to embolden the cautionary lesson at the climax of each tale. The solid, moral footing of her stories drawn from her keen, life-long observation of the flora and fauna in the Lake District of England, grounds whimsy in a swath of reality. I recommend hoarding a nest full of her nutritious tales for children of all ages, living in any era, as part of a Family Literary Lifestyle.

Miss Potter’s legacy of little animals going about the daily chores of farm and village life, wearing clothing and sipping tea in blissful existence next to humans, developed from the seed of her childhood. Growing up in a well-to-do home in London, her Victorian parents, as was the fashion of the day, had little interaction with Beatrix and her brother, Bertram, in their early years. On occasion, Beatrix’s father, connected with some of the trendy artists of the late 1800s, took her with him to art galleries and museums, feeding her desire to develop her own artistic skills.

Sketches from her childhood journals reveal a natural talent, blossoming with many hours of solitude in her third-floor nursery to perfect precise lines and watercolor techniques. When living in London, Beatrix completed her academic assignments under the tutelage of a nurse, and then governess. They, along with the servants in the house—cook and butler—encouraged her fascination with life in the garden. Though Beatrix might be tasked with finishing a still life drawing for a lesson, her favorite art subjects scampered, scurried, and skittered about on four legs between bushes, along fences, and up tree trunks out of doors.

In the late spring each year, the family moved to a fine summer home in the Lake District area until early fall when they returned for “the season” to London. In the glories of the English countryside, Beatrix roamed meadows and woodlands searching out all manner of plants and creatures in their burrows. She kept a journal of their habits and personality sketches, as well as detailed drawings of them in varied poses and settings. Then, of course, she’d name them. And some she’d adopt, making for quite a menagerie of cages and wicker boxes in her rooms.

Her furry roommates became famous as lead characters in her stories including Peter Rabbit, Benjamin Bunny, Hunca Munca mouse, and more—like Squirrel Nutkin.

I usually like to bring out all my Beatrix Potter collection of books and figurines for springtime décor. But in the fall, I always display The Tale of Squirrel Nutkin, one of my favorites. I love the Autumn shades of reds, golds, and browns in the art, and how delightfully she captures the seasonal escapades of squirrels, gathering nuts and hoarding them to feed off of through the winter under the lordly gaze of Old Brown, the owl.

My front and back gardens are full of squirrels at present, continuing in the ritual, unmoved by world changes over the last 100 years. The constancy of their lifestyle acts as a compass for me, grounding me in how I see life and cherish what matters. Their quirk-some personalities delight as much as they chide my heart, as I see myself in some of their habits. Beatrix might have mused in the same way, studying her squirrel friends. She used her observations to great success in speaking bold commentary on the human heart through country landscapes and the antics of the creatures who live there.

One of the things that I believe fed her tales and ability to pepper her character sketches with engaging detail, was the fact that she surrounded her world—be it her room, gardens, or hours in a meadow—with tangible inspiration. She lived among physical displays of the subjects in her art and writing. Squirrels and owls—she knew them intimately because she had them close at hand, living as pets in her room, to observe and manifest in The Tale of Squirrel Nutkin.

Tangible inspiration.

I regularly make use of this writing technique—though not in the collecting of small animals from the wild. I’m a visual learner and creator. I can’t write in a sparsely appointed room because I’m constantly distracted by bare walls, thinking what I might want to put there to fill the space. This translates to my writing life in the habit of surrounding myself with physical objects to inspire whatever it is I’m writing about.

For instance, some years ago I ran a theatrical group and regularly wrote and produced plays for performance. I’d spend a year collecting props and costumes, slowly positioning them in my living room. Displayed for me in daily view, I meditated on the story they might help me tell, and how I might use them in the script. Keeping objects visually before me fed inspiration within and allowed my brain to drift to the land of “What If,” allowing imagination full sway, until words bubbled forth.

As both illustrator and writer, Beatrix Potter’s work testifies to this visual learning style technique, further inspiring me as a writer and storyteller. In fact, when I speak, I rarely do so behind a simple podium. There must be a stage and setting. Props and tangible visuals. I rely more on these items surrounding me on a platform than I do on written notes. And I, like Beatrix, prove that a picture—tangible inspiration—is worth a thousand words. The writer just needs to mine those words. Then click publish.

 Journal Prompt: How do you surround yourself with inspiration to write? Think about a time when a physical object or tangible inspiration was the seedbed and soil to your written work.

Bonus Writing Exercise: Choose a smattering of objects unrelated to each other and arrange them in a display. Study them and begin to cast them as characters, setting, and conflict in a short story of your own. How does writing with physical objects as your inspiration make a difference to how your story unfolds?

[bctt tweet=”TWEET: #BeatrixPotter and a Gathering of Nuts—filling your writing nest with inspiration to feed upon; Women Writers in Life and Letters Series ” username=”@A3writers @misskathypwp”]

[bctt tweet=”TWEET: #Women Writers in Life and Letters—Beatrix Potter: Filling the Writer’s Nest with Tangible Inspiration ” username=”@A3writers @misskathypwp”]

BIO

Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. In addition, she shepherds writers through the steps book development and production. Her passion to equip women and families in developing a Family Literacy Lifestyle, produces readers and thinkers who can engage the world from a biblical worldview. She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook.

 

Categories
Bestsellers

BEST-SELLING AUTHOR INTERVIEW with Allen Arnold

Can you share a little about your recent book?

The Story of With is a roadmap for dreaming with God. It’s been called a “beautiful, revelatory parable, filled with wonder, mystery, and adventure.” I wrote it as an allegory because we don’t need more principles or theories about creativity. We need our hearts awakened. And nothing reaches the heart faster than story.

The protagonist of the allegory is Mia, an up and coming chef who hungers for more in her life and her dreams. Yet she feels like it’s all up to her to make things happen. Through a series of events, she finds herself ushered into a fantastical place where the only way home is through filling four mysterious vials. It’s ultimately a journey from the Orphan Realm to the Freedom Realm.

At the close of each chapter, I briefly explore the themes or ideas from that section in “The Shift to With.”

I hope the unique fusion of the mythic and practical will invite readers to pursue their heart—and their art—with God.

Why do you write? Do you have a theme, message, or goal for your books?

My passion is to help awaken the hearts of creatives, drawing them into deeper intimacy, identity, and imagination with God by knowing Him more fully as both Creator and Father.

I believe nothing is more important than knowing God intimately—and a key way we are invited to do that is through our gifting. It sounds almost too good to be true, but we weren’t primarily created to simply do things for God. We were created to pursue life with God. Story lets me explore that concept in a million different ways!

How long have you been writing?

I’ve always been drawn to story. In fact, God primarily used story to shape my Story. As a boy, it was through the heroics of comic books. Then novels and movies. Later, as founding Fiction publisher at one the world’s largest Christian publishing houses, I had the honor of overseeing the development of more than five hundred novels from authors such as Ted Dekker and Stephen Lawhead. So while The Story of With is my first book, I’ve lived in the world of story my entire life.

And how long did it take you to get your first major book contract? Or are you published non-traditionally? How did that come about?

I chose to self-publish The Story of With…and am so glad I did. I spent twenty years in the traditional publishing industry. I still have many talented friends who work in that world…but am disheartened by some of the ways the industry is changing.

More than ever, it seems the focus is primarily on established authors or celebrities with large social media followings. The new voices that publishers used to find and invest in now receive little focus or promotional dollars. And in most cases, first-time authors have a very limited window for their book to succeed before the publishing team moves on to the next project.

From the start, I knew The Story of With wouldn’t fit easily within the normal publishing model. It isn’t a straightforward fiction or non-fiction title. It’s an allegory with some teaching. And rather than publish it as inexpensively as possible, I wanted to pay special attention to details that would cost more—but matter to the reader. It was important to me to use high quality paper with larger type and more white space than most book pages include. I wanted readers to experience a sense of spaciousness as they entered into this story of freedom and hope. I also desired to create an audio version of the book with some of the industry’s top voice talents—an expensive proposition that I felt that would be less likely to happen for a first time author at a traditional publishing house.

Mainly, I sensed this message would be an evergreen title that grew slowly yet steadily over time. Given that, it just made sense that the best person to steward this process would be me rather than a publishing team tasked with juggling numerous titles simultaneously.

It’s been a good journey. I’ve realized my dreams for the book. And yes, there’s even an audio book available featuring two of the top voice talents around.

How long does it take you to write a book?

Great question. The short answer is “as long as God wants.” I used to believe there was a formula. Now I understand that writing is a journey I take with God…and I don’t know how long the trip will be until He says we’ve arrived.

The best journey we can invite readers into is the one we’re currently on. That means as writers we must be living more than we are writing. Because we can’t write a better story than we’re living.

The process of co-creating with God resembles the rhythm of a dance more than the efficiency of an assembly line. It requires the artist to set aside the illusion of control and go at the Father’s pace.

I often find I can’t write more until I’ve lived more. That journey can take days or months. It’s easy to grow impatient along the way. Then God reminds me that the goal isn’t to simply finish a project because of deadline but to bring it fully to life in God’s time.

What’s your writing work schedule like?

Each morning, I wake up and expectantly and ask God what He has planned for the day. Sometimes He invites me to start writing immediately. Other times, He lets me know it isn’t a day for writing but to simply spend time with Him. I love story…but I crave God more than writing so I give Him full control of my schedule and creativity.

It can often feel like there isn’t enough time to write. But do we really think the Creator of time won’t give us enough time for what He’s stirred us to create?

What I’m inviting others into is the wild, unpredictable mystery of creating with God. It certainly isn’t as neat as a daily word count. But sense when does the number of words written reflect the eternal value of what was written? Perhaps we should count less and create more.

What has been your darkest moment(s)?

Early in my career, I was an extremely driven man. During my twenties and thirties, I felt I could open any door through sheer force of will. What seemed extreme to others was energizing to me. And the problem was, it was working.

But from a soul perspective, I was in a free fall. I thought the way to be more was to do more. And so I kept doing more until my heart went numb. I felt deep shame at who I had become…but also a glimmer of hope in who I could become. I believed God could make all things new…I just never realized it was me who needed to be made new.

I share a bit of that story in the first few pages of The Story of With.  It was the start of my journey from being a self-made man to becoming a son of God who longed to do every part of life with my Father.

Who is your favorite author to read?

My favorite novelist is Stephen Lawhead. And my favorite series from him is the Song of Albion trilogy. That series came more than decades ago and changed the way I saw life, God, and myself. It actually fueled my desire to become a Fiction publisher. Then, more than a decade later, God opened the door for me to be Stephen Lawhead’s publisher.

The Song of Albion trilogy is general market fiction written from a Christian worldview (a fantastical Celtic tale mixed with modern day characters). If you’re curious, the first book is The Paradise War.

What advice can you give aspiring writers that you wished you had gotten, or that you wished you would have listened too?

The life you have with God while creating determines the life your art will have. As your life grows closer to God through shared adventures, first you are refined. Your talents and gifting then follow.

In that way, our creativity reveals more about us than we think. What we give birth to – from ideas to stories to songs – possesses both the strengths and the blind spots of the creator. You simply can’t create art more powerful than your own life. Where you are faking it, your art will be less true. Where you haven’t gone, your creations can’t go.

What we create alone from our own strength can’t surpass our weaknesses. Yet what we create with the Creator can’t help but transcend us.

How many times in your career have you experienced rejection? How did they shape you?

Many times. But I’ve learned that rejection simply means others don’t get it or perhaps that my vision needs refining. That’s especially true when one is creating something new rather than recycling a concept that’s been done countless times before.

We tend to base our art’s worth on the reactions or reviews of others. We need to aim higher. Ask God to reveal the true value of your art. He is, after all, the One who gave you your talent. The impossible becomes possible as you invite the Creator into every aspect of your creativity.

The life we have with God will determine the life our art ultimately has. He wouldn’t have it any other way.

Do you have a favorite character or scene in one of your books?

I’m a big fan of Ryder in The Story of With. He’s a complex character…and he ushers Mia (and readers) into the scars of our stories. The quicksand scene with Ryder (Chapter 10) is my favorite scene of my book. To say more would be to say too much until readers experience the story.

Where do you get your ideas?

I get my ideas from spending time on the playground of creativity with God. There’s nothing better. He is the most gifted storyteller. The best Father. The Creator of oceans and sunsets and stallions. When I spend time with Him, I’m always in awe of what we come up with together.

At a recent writer’s conference, my friend Ted Dekker gave the audience this transformative challenge: Don’t write to teach. Write to discover.

If I want to take readers somewhere new, I have to go there first. It’s the same for you. Your readers don’t want you to be comfortable in the creative process. Stop trying to master the process and start exploring. Forget the cozy chair and seek disruption. Readers want to be invited somewhere new by storytellers going new places. They prefer trailblazers to teachers. Stretch yourself. Then stretch your readers.

What are common mistakes you see aspiring writer’s make?

The biggest mistake I find authors make (whether new or proven) is chasing success rather than pursuing God in their creativity.

That leads to striving and to formula.

With so many creative people working in the world of story, how did we become so comfortable with the familiar; so dependent on formula? When something works, businesses tend to want more of that something. There’s the pressure to repeat and systemize success, driven by a false belief that the next breakthrough will come by recapturing that same lightning in a slightly different-colored bottle. Yet that never works. What propelled the first book was its originality…not a repeat of what had already been done.

That’s the problem with formula. The pull to the proven and predictable doesn’t lead to what’s fresh or what’s next. It leads to more of the same.

But the answer isn’t striving. As I say in my book The Story of With: “God doesn’t need your help as much as he wants your heart. Whenever you start to focus more on your talents and gifts than on him, you miss the main invitation. Which is to pursue them together. With him.”

That is what true success looks like…and the way to infuse your art with an eternal spark.

Where/How do you recommend writers try to break into the market?

First, do the hard work of discovering your unique voice and style. Among other things, you must continue seeing and experiencing new things. When authors let their own lives become too predictable, the stories will follow. A problem of formulaic stories may point to a life lacking spontaneity. If your days are a bit too similar, find ways to eradicate formula from your life first.

Then—and this is key—you must stay on the journey of discovery rather than growing comfortable, setting camp, and settling into the same. As your life grows, your voice will grow. As you scale new heights, you’ll face more obstacles and more breakthroughs. Let your stories do the same. Surprise us with what’s now awakening your heart rather than give us another serving of what once did. Show us the view from the new peak you just climbed rather than write from the old one that is safe.

As you create, the goal is never to be the “next” ___________ (fill in the blank with a bestselling author).

It’s to be the “first” you.

We were never meant to pursue our art alone. I hope you’ll join me in this journey of greater creativity, bigger dreams, and truer success. You can find The Story of With on Amazon and Audible – and follow my insights on creativity via Twitter @thestoryofwith.

BIO

Allen Arnold is the author of The Story of With, a book that reveals how stepping into our identity, imagination, and intimacy with God can forever transform our talents, dreams, and creativity. A highly sought-after speaker, Allen has shared this transformative message at hundreds of gatherings, including Dave Ramsey’s creative team, numerous writing and worship conferences, the Association of Christian Schools International, and Grace and Lace, a fast-growth apparel company featured on Shark Tank. As founding Fiction Publisher for Thomas Nelson, Allen oversaw the development of more than five hundred novels spanning every genre. He now directs the content at Ransomed Heart, a ministry in the mountains of Colorado founded by John Eldredge (the New York Times Best-selling author of Wild at Heart). His favorite way to spend the day is with his family – in whatever that day’s adventure may hold. He loves blue oceans, black coffee, hot salsa, and big ideas.