“So, tell me about your book.” What a great invitation – whether it is from family or friends or (gasp) agent or editor! You finally have their attention! Be ready with your PITCH!
Pitch/logline is one amazingly compact sentence the relates the essence of your story, specifically the plot.
Well, that sounds easy – until I try to write one! There are two good places to find examples.
1 Book description on Amazon or another book seller.
Many times, an original pitch to sell the manuscript is fleshed out to become the book synopsis or back cover copy. I am currently pitching “We’re Getting a Dinosaur!” I looked at board books about dinosaurs and new babies. I found back cover copy:
“A big sister anticipates the birth of a new sibling in this warm and funny stage-by-stage picture book tour of all the sizes of a growing baby, from teeny-tiny poppy seed to giant watermelon. (My Brother Is an Avocado by Tracy Darnton (Author), Yasmeen Ismail (Illustrator). Margaret K McElderry, 2023.
“A big-kid dinosaur can’t wait to teach the new baby everything in this funny, tender, joyful take on becoming a big sister or brother.”
(How to Grow a Dinosaur by Jill Esbaum (Author), Mike Boldt (Illustrator), Dial, 2018.
“It’s not easy being a big sister, especially when your new baby brother is a dino-baby!” (Dino-Baby by Mark Sperring (Author), Sam Lloyd (Illustrator). Bloomsbury, 2013.
2 ChatGPT generates loglines.
It is NOT compromising your authorship to let AI help with pitches!
I typed in: “kid thinks new member of household will be a dinosaur. Shocked with baby in pink blanket. Baby is like dino – loud, messy, and runs the house.”
AI came back with: When a young child eagerly awaits the arrival of a new family member, they’re convinced it’s going to be a dinosaur. But when the baby finally arrives, wrapped in pink, they realize she might just be the wildest dinosaur of them all.
So I asked AI to rewrite the pitch for a board book.
AI sent back: In “Dino Baby Adventures,” a child eagerly awaits a new family member, expecting a dinosaur but instead finding a wild, messy baby girl wrapped in pink. Could she be a dinosaur in disguise?
3 Find the common thread or buzz words.
They are upbeat and funny, succinct but piquing curiosity. Many have SEL education about accepting a new baby.
My final pitch is: A child’s dream of a Dino Sized Romp is shattered by the arrival of a baby in a pink blanket, but she has dinosaur traits: loud, messy, and rules the house. Maybe it’s a Cyndi-saurus!
This month look at book blurbs and mess with ChatGPT (the free version). Then experiment with writing pitches for your WIP. You are ready to meet an agent in an elevator!
Next month I’ll take pitching a step further with “X (formerly known as Twitter)” contests and above the slush pile opportunities.
Multi award winning author Robin Currie holds a Master of Library Science from the University of Iowa but learned story sharing by sitting on the floor during more than 1000 story times! She sold 1.7 M copies of her 40 storybooks and writes stories to read and read again!
Imagine with me for a moment: it’s a Monday night, the last night before your Almost An Author deadline the next day. Panic sets in as you open a blank document on your laptop.
The blank page mocks you and dares you to fill it with something meaningful for your tens of readers. What to write? How to fill this menacing blankness?
In the back of my mind, I get a germ of an idea, something that had happened to me weeks earlier with one of my students (It’s a bonus when you’re both a WRITER and a TEACHER, as students provide a plethora of ideas).
Yeah, I’ll write about that funny encounter. But what would be the point, the takeaway? I decided to start writing and let that emerge.
What happened next was a miracle: the words . . . and puns (important if you write humor) . . . flowed. I entertained myself as I weaved the experience with funny asides and an eventual solid takeaway. The idea changed a bit as I wrote the piece, but the basic gist of it remained.
Wow, this one was easy, I said to myself. I wish they all flowed this way.
The truth is, it rarely is this easy. That whole “words flowing like water down a hill” doesn’t happen very often. Writing is truly hard work, and often I find myself pulling out what little hair I have (trust me, there’s not much) trying to come up with a topic and then trying to flesh out said topic.
When the writing flows easily? Be thankful for the moment.
When you are stuck in every way and worrying about your deadline? Be thankful then, too. Writing is a gift, and gifts are hard to deal with sometimes. We struggle, we write, we rewrite. Hopefully, at the end of the process, there’s a gem of a piece waiting for the world to consume.
You have just read the latest one. Not sure it’s much of a gem, but I did pull it out of my mind, filled a blank page with it, and submitted it on deadline. Score!
Carlton Hughes, represented by Cyle Young of Hartline Literary, wears many hats. By day, he is a professor of communication. On Wednesday evenings and Sunday mornings, he serves as a children’s pastor. In his “spare time,” he is a freelance writer. Carlton is an empty-nesting dad and devoted husband who likes long walks on the beach, old sitcoms, and chocolate—all the chocolate. His work has been featured in Chicken Soup for the Soul: The Dating Game, The Wonders of Nature, Let the Earth Rejoice, Just Breathe, So God Made a Dog, and Everyday Grace for Men. His latest book is Adventures in Fatherhood, co-authored with Holland Webb.
Wrapping up our Zoom call, my friend and I double checked our lists. The last hour and a half-included rehashing two retreat schedules, rehearsing staging, and measuring the grocery list. Even our lists were thoroughly vetted, and the timetables held up for scrutiny.
At last, we were satisfied we had done our best to prepare and said our goodbyes. Immediately thinking of two more things, I typed out the texts and set down my phone.
The details matter when events combine into a road trip. Airline schedules, event planners, and audiences flow around their own calendars. All must be organized in order to strategize.
In Ecclesiastes, Solomon said there is a time for everything. There is a time for planning so that the direction is mapped out. There is a time for preparation and attending to the details. Then there is a time to execute the plan and follow through to see the final product. Each step is necessary to travel to the destination.
Each step is a part of the journey of a writer.
Exercise:
Read Exodus 23:20. How does knowing the Lord goes before you encourage you to keep writing? What could He guard for safe keeping? What place or audience is prepared for your message?
Hebrews 13:5 in the NIV says, “Never will I leave you; never will I forsake you.” Knowing God’s presence is with you as you write, contemplate, and muse, what assurance do you gain?
Read Isaiah 52:12. Are you writing in a hurry? Are your words coming with a fury? What does it mean to you that the Lord goes before you and comes behind you?
Read Ecclesiastes 3:1-15, 17. Write out your timetable and submit it to the Lord for safekeeping. He will let you know when the time is right to release your words.
Has the journey to being published left you exhausted? Take heart! David and his companions were weary from their travels. But they arrived and you will too. They found refreshment and you will too! (Check out 2 Samuel 16:14.)
The journey of a writer requires planning (mapping out the directions), preparation (attending to the details), and executing the plan (follow through to the finish).
May your travels be eventful and thoroughly scrutinized for the lessons yet to be gleaned.
Where will your words take you?
Over 140 of Sally Ferguson’s devotionals have been published in Pathways to God (Warner Press). She’s also written for Light From The Word, Chautauqua Mirror, Just Between Us, Adult Span Curriculum,Thriving Family, Upgrade with Dawn and ezinearticles.com. Prose Contest Winner at 2017 Greater Philly Christian Writers Conference.
Sally loves organizing retreats and seeing relationships blossom in time away from the daily routine. Her ebook, How to Plan a Women’s Retreat is available on Amazon.
Sally Ferguson lives in the beautiful countryside of Jamestown, NY with her husband and her dad.
In Yukon Wilderness Evidence,forensic botanist, Dr. Keeley Ash, is called to a crime scene where roots have grown into skeletal remains and she has to help date the tree to determine how long the bones have been hidden deep in the Yukon forest. When she’s abducted by hunters, she hides evidence and vows to bring the criminals to justice. Brett Ryerson arrives to tend to the injured and discovers a woman from his past. When they target and kidnap her before his eyes, he races into the forest to save her life.
Why do you write? Do you have a theme, message, or goal for your books?
I write to share God’s light in this darkened world. My stories always deal with everyday struggles we face. I share about hope, forgiveness, and trust in God’s sovereignty. It’s my hope that readers will be captured by the action-packed plot, inspired by the characters, and moved by the inspirational message.
How long have you been writing?
When I was young, I loved to read Nancy Drew, so I started writing my own version – the “Mindy Dobson” series. I wish I’d kept them as it would be fun to go back and read it (and laugh). This was when my first writing “spark” started. However, I didn’t pick up my pen again until my late twenties. Then more seriously about fifteen years ago.
And how long did it take you to get your first major book contract? Or are you published non-traditionally? How did that come about?
Approx ten years. It’s been a roller coaster ride but God has grown me throughout every rejection. It’s made me work on the writing craft which I will continue to. A writer is never done learning!
Which of your books is your favorite?
That’s a tough one! That’s like choosing your favorite child. I enjoyed writing Yukon Wilderness Evidence. It was so fun to include five-year-old MJ. I also had fun including a Nancy Drew angle in my upcoming book K-9 Ranch Protection. That doesn’t really answer your question, does it? I guess I can’t pick. 🙂
Do you have a favorite character or scene in one of your books?
In Alaskan Avalanche Escape, I created a “mountain man” named Bertie. He was so fun to write about and his story is a bit of a mystery, so I’m planning on going back and writing his story in a novella. He quickly stole my heart.
Tell us about an award you won that was particularly meaningful.
My book Safe House Exposed won the HOLT Medallion award in the short inspirational category. To win that award was such a blessing!
How long does it take you to write a book?
From concept to final complete manuscript – 3-4 months. That’s for the 55K LIS books. My trade book took a bit longer.
What’s your writing work schedule like?
I normally write from around 9 to 2ish. I find that’s when my best creativity flows. After that I work on edits, social media, memes, posts, etc.
Do you have an interesting writing quirk? If so, what is it?
I can’t say that I really do!
What has been your greatest joy(s) in your writing career?
I’d have to say that moment when my author copies arrive at my door. Opening that box and holding your “baby” in your hands NEVER gets old.
Could you tell us about a dark moment in your writing career?
Rejections. They’re tough, but part of every writer’s journey.
How many times in your career have you experienced rejection? How did they shape you?
Many, but I learned from each one and pressed forward! They say that each rejection gets you one step closer to the “one.”
Where do you get your ideas?
Lots of places. I often have ideas spark from watching scenes in movies and TV. Also, from some news stories and even dreams! Some conversations I overhear can also spark an idea. You just never know.
Who is your favorite author to read?
I can’t narrow it down to one. Jaime Jo Wright, Lynette Eason, DiAnn Mills and many more. LOL.
What advice can you give aspiring authors that you wished you had gotten, or that you wished you would have heeded?
I would say keep on and don’t give up. I know that’s easy to say as there were times when I felt like giving up, but I had many supporters cheer me on. Also, read writing books, go to conferences, and find a writing mentor. These will all help you. Finally, don’t compare yourself to other writers. Everyone’s journey is different.
What are common mistakes you see aspiring writers make?
Giving up too soon. It’s a journey. Work hard at the craft and keep writing, pitching, attending conferences.
Where/How do you recommend writers try to break into the market?
Definitely attend writers conferences and pitch your story to agents and editors. Meeting them face-to-face is the best way to get to the top of that infamous “slush” pile.
Darlene L. Turner is an award-winning and a Publishers Weekly best-selling author and lives with her husband, Jeff in Ontario, Canada. Her love of suspense began when she read her first Nancy Drew book. She’s turned that passion into her writing and believes readers will be captured by her plots, inspired by her strong characters, and moved by her inspirational message. You can connect with Darlene at www.darlenelturner.com where there’s suspense beyond borders.
Like most people, I was saddened to hear the news about the passing of Christian recording artist Mandisa. She didn’t hide the fact that she was struggling and that her success and fame couldn’t fulfill her. I respect her vulnerability about the battles she fought because I have struggled with them as well.
Depression
Low self-esteem
Health issues
Her song “Overcomer” encouraged people to keep fighting. About the time it was released, I was struggling with my faith, broken relationships, and the loss of close friends. Her encouraging words helped me get through some of the darkest days of my life.
Today, many people are struggling to deal with daily life, whether it’s finances, mental health, or physical health concerns. We all need a little help and encouragement if we’re going to stay in the fight of life.
The Fight
While I am a firm believer that it’s the fight that makes us stronger in life, I am also keenly aware that sometimes the fight can overwhelm us, even if we have a strong faith. If you think life is hard, try living with a severe brain injury.
The side effects of living with a brain injury range from physical to mental and emotional challenges. Alone, any of them may cause a person to want to give up and quit life.
Statistics show that fifty-seven percent of TBI (traumatic brain injury) survivors are moderately to severely disabled. Fifty percent of survivors are hospitalized again at some point. Thirty-three percent must rely on others for help with daily activities
It doesn’t take much for disabled persons to become depressed or discouraged. The Brain Injury Association of America advises survivors to practice self-care and self-affirmations to stay encouraged and healthy. Many of these practices are beneficial if you are struggling with the grind of a writer’s life.
The Grind
Most of us writers have experienced the grind of the writer’s life and know how it can wear us down. Social media and marketing can suck the life out of the craft of writing. The writing process itself can sometimes be difficult.
There are times when brainstorming, writing, and editing just seem to drain us of our creative passion. Add to that the rejection letters and no guarantee of being published. It’s clear why so many choose to throw in the towel.
If you have found yourself overwhelmed by the grind of a writing career, you are not alone. The odds of making a living as a writer are stacked against us. But don’t give up the fight just yet, below are some tips for staying motivated and staying in the fight for your writing dreams.
Find your why.
Find your motivational triggers.
Make sure you’re not chasing someone else’s goal.
Picture yourself as a successful writer.
Create a roadmap and stick to it.
Reward yourself
Establish a routine
Create a vision board
Let go of perfectionism
Cultivate community
Read
Reevaluate constantly
Over the years I have almost given up numerous times and each time I have stepped away to reevaluate my goals and options. I can attest it is wise to take a break and regroup. My initial writing goals had nothing to do with writing books.
As an English major in college, I wanted to write screenplays that made a difference. Life had different plans. My desire to write books was encouraged by mentors who believed in me and nudged me in the direction of writing books.
However, I never completely gave up on my dreams of screenwriting. Earlier this year, I decided to take the time to do another revision of my latest screenplay.
While rearranging the order of the plot points, I had an epiphany. Sometimes life also takes us down unexpected paths on our journeys.
Different Paths
I’ve said it before and I will reiterate it here, every brain injury is different and each person’s recovery will be unique to their brain injuries. I have seen people with less damage to their brains who are worse off than I am.
Our brains are amazing organs that can be reprogrammed and rewired to do common tasks in not-so-ordinary ways, that’s why no two people are the same; even conjoined twins can follow different paths.
I have learned over the last 27 years just how unique my recovery has been because the brain surgeries performed on me are rarely performed. I am one of the last persons to receive a partial frontal-lobe lobotomy due to the risk to the patient.
Likewise, a path to publication or literary representation looks different for every writer. We cannot follow the same course to success as other writers, because we are different writers and unfortunately the publication industry is constantly changing.
That’s why, this year I made the hard choice not to attend an annual writing conference I usually go to in the spring. I felt like it was time to take a break, regroup, and see what doors would open. Fortunately, the doors and opportunities are already opening.
I am about to celebrate one year of writing a successful spiritual column that reaches around the globe.
A popular screenwriting website has offered me free hosting and evaluations for my revised screenplay.
I am in my seventh year writing this column.
My path to success is different because my goals, gifts, and story are different. I must use my voice and skill set to achieve my goals. I get to encourage other writers through my writing. I can educate others about persons with disabilities and I get to help others struggling in their writing journeys. Together these are enough reasons for me to stay in the fight!
Martin Johnson survived a severe car accident with a (T.B.I.) Traumatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at MartinThomasJohnson.com and on Twitter at mtjohnson51.
Young adult author Michelle Dykman isn’t afraid to tackle tough subject in her young adult novels. Her three book series is set at Bethel Private School, an environment many teens can relate to. Her characters make mistakes, find themselves in difficult situations, and ultimately find hope.
DJS: Why did you choose the setting of Bethel Private School, and the particular issues you did to write about?
MD: The Bethel Private School series came to me while I helped one of my ESL students in high school work through an English assignment. This incident led me to think about the many times a student had come to me with a problem to discuss, or used me as a sounding board. After roughly six years of teaching high school students, I wondered if there were books out there that could help these teens find their way to Christ, meeting them at the place where they were. I decided to write a series of books specifically for teens with characters facing the same challenges they were, with a message directing them to the Greatest Problem Solver of all – Jesus Christ.
DJS: Did you learn anything about yourself as you wrote the series?
MD: I learned a lot about myself and relived many of my less than positive high school experiences. It also allowed me to see how far I have come from those days, and how much maturity gives perspective. God was good to me when I was a teen. He is still good to me today. The series allowed me to see how much more teens are facing today and how much society has influenced the path of mental health issues in teens. My research has given me a bit more insight into the challenges my own children face, as well as the ones I see in classroom each day.
DJS: Your YA books are about some pretty serious topics. Were you surprised or shocked by anything you learned about as you were writing/researching?
MD: My husband and I have been involved with teen ministry for a number of years and I have seen, heard and discovered far more than I would have liked to about the students I taught in Sunday School and youth group as well as in class. I make it my motto to not shock easily, as this is a surefire way to discourage a teen from discussing an uncomfortable topic with you, or sharing anything they are ashamed of. Many teens have spoken to me because I don’t judge. We all make mistakes. I always want to create a safe space for a teen to share their struggles with me.
DJS: What is the main thing you would like young readers to take away from your books?
MD: Jesus Christ. In all my books there is a very clear gospel message on which direction to turn when life is too much or problems seem too great. My main motivation in writing all my books is that teens would find Christ and know no matter what they have done or where they have gone, they are never too far that God cannot find them or they cannot turn or return to Him. I want teens to know the freeing message of the gospel. I also hope that if they see the consequences of my characters choices, it might make them think twice before making the same mistake.
DJS: What is the main things you would like parents and teachers to understand about relating to teens?
MD: One thing I would like parents and teachers a like to understand about teens is that they are going to make mistakes. No matter how many times they are cautioned, warned, or dissuaded, somewhere down the line they are going to mess up. There are two ways an adult can react. You can go through the various stages of “I told you so” and lose your teens trust in you, or you can come alongside them by using that opportunity to show them to Christ and help them to understand that no matter what they have done there is always forgiveness. Lovingly remind them that although their choice will have consequences, your love and God’s love for them remain unchanged. I think sometimes we, as adults, forget being a teen is such a confusing time of life. We would rather forget it ever happened. The more time I spend with teens, the more I realize, sometimes it does us well to remember that not all the choices we made at a young age were great.
Michelle Dykman is a reader, teacher, and debut author of If These Stars Could Talk. After spending ten years crunching numbers, Michelle discovered her two true passions, teaching and writing Clean and Wholesome Christian Romance novels for adults and teens. Michelle lives with her husband and two boys in the snowy and sometimes hot rural areas of Canada. From time to time, she misses the dry warmth of her home country, South Africa.
About the series: Being a teen is tough no one knows this better than high school friends Willow Rysen, Candace Hillman and Amy Carter. These friends navigate peer pressure, an unplanned pregnancy, and finding their faith at a time when life is confusing, the future is daunting, and the answers to life’s questions are far from easy.
Donna Jo Stone is an award-winning author of young adult contemporary and adult historical fiction. She writes about tough issues but always ends her stories on a note of hope. Her novels are about common struggles and finding the faith to carry on through those battles.
The first book in Donna Jo’s young adult series is scheduled for publication in 2025.
Her short romance, A Wedding to Remember, released Feb 1st, and her adult 1960s inspy romance, JOANN: Apron Strings Books 5, releases May 15th.
Stay in touch and receive the latest news by signing up for Donna Jo’s newsletter at donnajostone.com.
One of the biggest errors I see with book proposals is the author has put little or no effort into the title for their book. They have thrown some words on the page or even submit with the words “working title.”
The title for your book should be three to five words that snap the editor’s head around and hook them into reading your proposal. It should also tell the editors what the book is about. Many first-time authors are concerned when they read the standard book contract which normally says the publisher selects the title for the book. If you have a great deal of personal attachment to your own idea for a book title, I’d encourage you to get over it. The book publisher has a far greater financial investment in the actual production costs of the book; thus, he is the final authority on the title. I always tell beginning writers that if you create a great title, it will stick throughout the consideration process. As you write your book proposal to sell, your task is to find the perfect title for your book—along with several alternative titles.
For example, I created the title Lessons from the Pit for our original book proposal that eventually received a book contract. The publisher added a lengthy subtitle, but the original short title stuck throughout the entire process.
Many times, I’ve created the title for my book and it’s been ultimately used—even though in my contract I gave the final authority over to the publisher. In particular, my nonfiction children’s book titles have remained the same. For one of these books, I wrote a short-retold Bible story about Paul and Silas in jail entitled A Strange Place to Sing. You have to admit that singing when you are thrown into jail is a strange reaction, but it’s exactly what the apostle Paul and his traveling companion Silas did in the book of Acts. A short story about Jesus and the children was titled Never Too Busy. This title illustrated the central theme that Jesus Christ is never too busy for a child (or an adult). Simple titles usually will stay throughout the entire publishing process—particularly if they are central to the content of your book.
Another factor to consider in choosing titles is whether any other book already has this or a similar title. The book publisher will look at your title with this perspective in mind. It doesn’t make sense for salesmen to present a new book to a retailer, only to have the retailer say, “Isn’t that like this book over here?” Because you can’t copyright a title, two different publishers can issue a book with the exact same title.
Years ago, I found an example of this in the fiction area. (It also happens in nonfiction.) One of the popular genres of fiction is called “Chick Lit.” Kristen Billerbeck’s novel, What A Girl Wants (Thomas Nelson), was released on March 7th in an original paperback. Later, while reading a monthly newsletter at a bookstore, I spotted the same title—from a different author and a different publisher—What A Girl Wants (NAL Trade) by Liz Maverick—a paperback novel released on March 2nd. As much as possible, publishers attempt to avoid this confusing situation.
Even without the same title, you can count on readers to confuse your book title and sometimes recall a wrong word or two. Yet you still want the retailer to be able to locate your book and sell it. Put the necessary time and energy into researching and creating an excellent title but offer several alternative titles as well.
Book publishing is not a solitary task; rather, it is a matter of consensus building. As the author, you have to convince an editor to believe in your book and champion it internally. This editor then has to convince a room full of publishing executives that they need to publish your book. In the title process, give your editor the ammunition he needs to convince the others.
An excellent title is a factor you need to consider thoughtfully before you submit your proposal. Brainstorm a series of possible titles. After years at working for Morgan James Publishing, I know your title ideas will be much more valued and accepted than at most traditional publishers. A key part of your book proposal creation is a compelling title.
Medical scenes can be a great way to explore the natural drama of life. These types of events frequently result in high emotions, life-and-death stakes, and even conflicts. However, it’s also vital to be authentic in your approach. When medical scenes strike a reader as realistic, it can pull them right out of the narrative, leaving you struggling to get them back into it.
Creating effective medical emergency scenes isn’t just about establishing a richly-described setting, with beeping electrocardiogram (ECG) equipment or malfunctioning vending machines. You also need to focus on making the characters and their actions as true to life as possible.
So, how can you go about this? Let’s explore a few things to consider.
Seek Expertise
Unless you are a medical professional, you’re unlikely to have many authentic insights into the professional side of medical emergencies. This is particularly important if you’re writing from the perspectives of doctors, nurses, and paramedics. Sure, many writers have been on the patient side of things, but this isn’t always the same as having the day-to-day technical knowledge to write convincing scenes.
So, what can you do? Wherever possible, seek a source of expertise. Look for medical professionals with experience in the situations you’re hoping to depict. Reach out to your immediate network and see if there are friends or family with connections that you can chat with. Even retired medical providers can give you some useful insights.
While authenticity is important, this doesn’t mean you have to overload your readers with dense medical jargon. That can certainly be off-putting. When you’re talking to experts, aim to get a good overall sense of the actions taken during procedures and the equipment being used. This ensures that you can paint the scene without leaning too heavily on accurate but ultimately meaningless technical data.
Write Empathetically
When you’re writing authentic medical emergencies, it’s essential to remember that professionals in these environments are people. Yes, they have technical knowledge and skills, but that isn’t the be-all and end-all of who they are. These are jobs in which professionals deal with pain, death, fear, and interpersonal connections every day. There’s a deep emotional component to the job that runs through everything they do. Therefore, you need to take an empathetic approach to writing about these characters.
Get into the emotional and practical mindset of professionals. You could consider the key components of thinking like a nurse to better understand their strengths, challenges, and coping mechanisms. For instance, while they are sensitive to patients’ pain and distress, their daily exposure to blood, wounds, and bodily fluids can make them less susceptible to shock in medical emergencies. Their regular handling of difficult circumstances may mean they’re always assessing the risks of a situation, even in their personal lives.
At the same time, these traits that make them effective professionals can also mean they experience too much emotional labor. They’re often putting the needs of others before their own. How they manage this and respond to it can make for great character depth and even be the source of some realistic flaws. Writing empathetically helps you avoid the tropes of the overworked nurse and dig a little deeper into the wider impact of their lives and mental wellness.
Consider Bystander Behavior
Medical professionals and patients are not the only people involved in medical emergency scenes. There are likely to be a range of bystanders such as members of the public at the scene of an accident or other patients in hospital waiting rooms. Being honest and curious about what their responses might be can add another layer of authenticity to your writing.
A good example here is bystanders at the scene of a medical emergency. It’s easy to fall into the trap of showing heroic and capable people who leap in to perform life-saving procedures until the ambulance arrives. This isn’t always accurate though. There are various emotional and practical reasons bystanders don’t attempt cardiopulmonary resuscitation (CPR). The burden of responsibility for someone’s life can be too overwhelming or they might be afraid of doing it wrong and causing more damage. Others simply misinterpret the situation as being less serious than it is.
This multitude of responses provides you with resources to make sure even minor characters ring true with your readers. Indeed, the nuances here can offer additional opportunities for drama and high emotion. Will a bystander with a fear of disease or infection be able to overcome this to save a life? What’s going through the head of a civilian with CPR training as they use their skills for the first time?
Conclusion
Achieving an authentic sense of realism is key to crafting impactful medical emergency scenes. This involves not just seeking out experts for research, but also delving into the emotions people are likely to exhibit. Authenticity doesn’t mean you need to forgo elements of fantasy or melodrama; instead, you just want a good foundation to build your fantastic fiction on.
Amanda Winstead is a writer from the Portland area with a background in communications and a passion for telling stories. Along with writing she enjoys traveling, reading, working out, and going to concerts. If you want to follow her writing journey, or even just say hi you can find her on Twitter.
Your book is launching in 6 months. Reviewing your email list, you see 37 active subscribers (people who currently open your emails) and 236 dormant subscribers (people who subscribed long ago but then stopped opening new emails, so while they’re on your email list, you’re basically strangers).
This is not good. Your subscribers are VIPs…Very Important People. Other than your family and friends, they’re the ones most likely to buy and promote your book. It takes time to attract new subscribers and then 2-4 months to develop a relationship by serving them regularly via weekly or bi-monthly emails. So you’re tight on time. But don’t panic. You can do this!
Of all the potential options to build up your email list, consider offering one or more free online events.
That might mean one event. One every month. One every other month. One each day for a week. You choose.
You’ll need to make a basic plan, write several emails, promote each event in its turn and give people time to respond to your invitation. The cost to attendees? They only need to share their first name and email address to be added to your email list for one or more events. This allows you to serve them well before the event, keep them up to date about the events as they get nearer, and to follow-up afterwards to stay connected.
Event suggestions
Webinars (a “web-based seminar” focused on your book’s subject), free trainings (to teach attendees how to complete a single, basic task connected to your book’s topic), live Q&A, or interviews (with you as the host, or ask a friend to interview you) are all good choices.
The purpose of these special events is to attract potential book buyers, not by using sales tactics but by offering free, valuable education directly related to your book’s content.
If you don’t have many email subscribers or social media followers, most attendees won’t know you, so they won’t value your offer…yet. Some will attend just to get your free stuff. Then they’ll decide if they want to hear more from you. They’re expecting to see you in action offering your version of humor, help, and wisdom.
You don’t need to be a professional presenter; you need to be prepared.
Think of these events as an online get-together with friends who don’t yet know each other but they’re all interested in learning what you’re offering. Lord willing, they’ll warm up to you and each other as the event progresses. 🙂
A few tasks must be completed before you begin promoting and well before your event begins. Expect to work these tasks into your schedule for 2-4 weeks. You’ll be soooo glad you worked ahead.
You’ll want an “email provider,” a company that stores your attendees’ info so you don’t have to, which allows you to send out emails to all your attendees at once rather than emailing them individually from your personal computer (don’t ever do that!).
Invite interested parties to “sign up” or “opt in”
Create a page on your website dedicated for this purpose or by contacting your email provider (Aweber, Constant Contact, MailChimp, there are many to choose from) and requesting their help to build a “landing page.” That’s super-simple once you know how to do it, and miraculously, most email providers offer to do it for you at no charge. Check with your provider.
Once created, that page will have a unique URL (link) you can share in your emails and social media promotions. You must get the word out if you want people to attend! Ask friends to share your promotional graphics on their social media.
It’s important to include subscribers who’ve gone dormant.
They were interested in your message once. Give them a chance to reconnect by sending a re-engagement email. See How to Reactivate a Dormant Email List.
After that email goes out, send them your regular weekly or bi-monthly emails so they won’t go dormant again. You want them on your email list to let them know about your upcoming free events.
For new subscribers, write a short series of Welcome emails and upload them to your email provider. For help with content ideas, see Welcome Email Series Part One and Parts Two-Four.
Write in your voice.
Help readers “see” your personality. Offer valuable advice. All in one 4-part email series. These emails should be roughly three short paragraphs. Then, with help from your email provider if necessary, send all your readers weekly or bi-monthly emails that you’ve written and uploaded ahead of time. Ask your email provider about an “email automation.”
Must you be the leading authority on your subject matter for your events to succeed? No, though it’s wonderful if you are. 🙂
Remember that you know more about your topic than your audience does. That’s why they’ll attend. They’ll want your content.
Free events require preparation time on the front-end, but by completing the various tasks mentioned above, you’re less likely to need paid ads (though they’re wonderful if you have the funds).
Book launches–and free events–have multiple moving parts. Do what you can, as you can, even if it’s less than you’d hoped to do. Christ sees all you’re juggling personally and professionally. Have peace that He knows you’ve done your best. That’s all He asks.
Patricia Durgin is an Online Marketing Coach and Facebook Live Expert. She trains Christian writers and speakers exclusively, helping them develop their messaging, marketing funnels, conversational emails, and Facebook Live programs. Patricia hosted 505 (60-minute) Facebook Live programs from 2018-2020. That program is on indefinite hiatus. She’s also a regular faculty member at Christian writers and speakers conferences around the country.
Has this happened to you? You are introduced to someone new as a children’s author.
Response: “I have an idea for a picture book – how do I get it published?”
Oh, my where to start? Depending on where you are in your own process, you might say the market is hard to break in, that AI is a serious threat to creatives, that agents are impossible to acquire, that the publishing world is full of scams.
About 2/3 of those words will be incomprehensible to a new writer. All that is the kind of talk we share with others who have a Collection of Rejections! And miraculously – a published book!
But this hopeful writer wants a path, and so here is a 3-step plan to offer.
1 Write your story.
Ideas can’t be copyrighted or critiqued. It is the manner the idea is conveyed that matters.
Once the book is written, figure out what it is.
Is it a made-up story, a traditional story retold? Is it a story based on facts or a book of only real facts.
Would a baby or toddler listen to it? Would a preschooler like it in story time? Would an early grade school child read or explore it?
Are your characters children, animals dressed and acting like children, or animals acting like animals?
What do you want to change about your story in light of what you learned about your story?
2 Research the Market.
There are lots of books out there – how is your different?
Read at least 30 books like your story that have been published in the last five years.
Choose three authors who published books like your story and follow the blog or FB for six months. If they use terms that are new, ask or look them up.
Take a basic class that relates to your story type.
What do you want to change about your story in light of what you learned?
3 Get Feedback.
Now matter how good it sounds in your head….
Find 5 people you do not know to read your story, preferably out loud. Many online groups have manuscript exchange opportunities. Or pay for a professional critique.
What do you want to change about your story in light of what you learned?
Then and only then will your story be in a position to be submitted.
And if the wide-eyed writer asks the frequent follow up question: “How much can I expect to make the first year?”
Answer honestly: “Keep your day job.”
Multi award winning author Robin Currie holds a MLS from the University of Iowa, MDiv and DMin from LSTC, but learned story sharing by presenting over 1000 story times! She sold 1.7 M copies of her 40 storybooks and has never given up her day job.
I teach Public Speaking to college and high school students, and one thing we talk about is “Shared Meaning.” When you are trying to relate to an audience, you must strive for a mutual understanding of things you are talking about in your speech. Shared Meaning is just as important in writing as it is in speaking. I am currently learning and experiencing this issue with my much-younger students.
When I have a rather large class, as I do this semester, I play an icebreaker game, in which students must ask each other basic questions, like the following:
What’s your favorite ice cream flavor?
What’s your favorite time of the year?
What’s your favorite TV show?
That last question is the point where it has gotten dicey this semester. Students are encouraged to ask me these same questions, and one inquired about my favorite TV show. I don’t watch much current TV at all, so my answer is always the same: my all-time favorite is I Love Lucy.
DISCLAIMER: Even though I am much older than my students, I was NOT ALIVE during I Love Lucy’s initial run. I have always watched it in reruns, on tape, or on DVD (see, I am old, but not THAT old).
The student wrote my answer on his paper and then delivered the dagger to my heart with his reply: “Hmmm, never heard of that one!”
NEVER heard of that one? NEVER felt the joy of the Vitameatavegimin routine? NEVER bent over double from laughing at the candy factory episode? NEVER heard Lucy cry “WAHHHHH?” I.Can’t.Even.
I decided to poll my other classes, and, out of all of them, ONE student had heard of and watched I Love Lucy. I guess I need to reserve my place at the Old Folks Village ASAP. Maybe I can get a part in those “People Becoming Their Parents” insurance commercials.
I wanted to know something my students currently watch, and they mentioned the show Stranger Things. I know just a smidge about that show: it’s on Netflix, it’s about the ’80s, and it brought back the song “Running Up That Hill,” which I didn’t like in the ’80s and certainly don’t like now. Get off my lawn!
AUTHOR’S NOTE: Please don’t suggest I watch Stranger Things. It’s not my cup of tea, I will never watch it, so maybe you can tell me your favorite I Love Lucy episode instead.
The lesson here? In speaking and in writing, KNOW YOUR AUDIENCE. In my day job, I work with mostly teenagers—I probably don’t need to make references to I Love Lucy, E.T., or Jessie’s Girl when I am speaking to them. If I’m writing a piece geared toward younger people, I need to find out what they relate to and address those things. What’s hip and “with it” right now?
Um, maybe I need to reword that last remark.
If I am addressing a “more mature” audience (of which I am a part), I can include references to the “oldies but goodies” of pop culture. They are my people and know who Jenny is and her phone number, who shot J.R., and who and what hit Marcia to make her say “Oh, my nose!”
If you don’t know those references, I am sorry. Really sorry. Grab your sippy cup and watch an episode of Bluey. Yes, miraculously, I have heard of that show.
Now, give me your pop culture references. Hit me with your best shot.
Carlton Hughes, represented by Cyle Young of Hartline Literary, wears many hats. By day, he is a professor of communication. On Wednesday evenings and Sunday mornings, he serves as a children’s pastor. In his “spare time,” he is a freelance writer. Carlton is an empty-nesting dad and devoted husband who likes long walks on the beach, old sitcoms, and chocolate—all the chocolate. His work has been featured in Chicken Soup for the Soul: The Dating Game, The Wonders of Nature, Let the Earth Rejoice, Just Breathe, So God Made a Dog, and Everyday Grace for Men. His latest book is Adventures in Fatherhood, co-authored with Holland Webb.
A wedding launched Jesus’ ministry. His mom was there. His friends were there. None of them could have guessed what would happen that day. Maybe not even Jesus—He said He wasn’t ready. But His mom was persuasive. She asked for help and Jesus responded.
Has a need propelled you to writea post, an article, or a book?
Has it seized your imagination and compelled you to act? How have you launched that response into the stratosphere?
Jesus saw the jars used for ceremonial washing and had an idea. (Sometimes all it takes is an idea!) From there, the idea morphed into action and action produced the result that rocked the world.
How will your idea lead to action and change the course of events for another?
The thing that’s so interesting is His choice of vessel. What was used for ceremony and ritual, held what represented His blood, sacrifice, and atonement. No longer needing religious ceremony, we now come in relationship as we are cleansed by the blood of Jesus!
What vessel will you use to launch your product?
Maybe it is an everyday object like a post on social media, or something set aside for special use, like a Launch Party where you sign your books.
You may feel like you’re not ready. Is it time to step out in faith?
Exercise:
Read John 2:1-11
Be where you need to be. John 2:2. Are you connecting with other writers who can take the journey with you?
Identify the need. John 2:3.
Confront your obstacles. John 2:4. What is holding you back?
Take a step to solve the problem. John 2:6-7. What tools are available?
Involve others in the solution. John 2:7-8. Do you have a Prayer Team, a Launch Team, or a Dream Team? Each group has a specific function to help in your quest. Let them be a part of the solution. They will feel needed and celebrate the results with you.
Test your project and get feedback. John 2:8-9. Book reviews and endorsements help others know about your Grand Idea.
Trust the results in God’s hands. John 2:11. Your timing may not feel right but God’s timing is perfect. May we be ready to step out in faith when God says, “Go.”
I had the privilege of being part of two anthologies. “Room at the Table” was compiled by Starr Ayers and Stephanie Pavlantos. This is a collection of encouraging stories from special needs families. They included three stories about my brother and the challenges he overcame. He will always be my hero. The second anthology I contributed to contained my Christmas poem “Mrs. Claus Bakes.” The proceeds for “Christmas Spirit,” compiled and edited by Terri Kalfas, benefit Samaritan’s Purse.
Why do you write? Do you have a theme, message, or goal for your books?
I write to inspire and entertain. If I had to choose a theme, it would be courageous joy. I write for a monthly magazine called Senior Savvy. It is for the 55 and over reader. The best compliment the readers have given me is that my articles are relatable and bring back memories. I have written stories about holidays growing up, learning to swim, and my childhood. My goal in all of my writing is to offer hope. Having lived 67 years, I have stories that inspire and come from experience.
How long have you been writing?
I have been writing during my entire educational career. As a 35-year veteran teacher, I wrote newsletters and inspirational articles for the system. I taught predominantly reading, writing, and history. From teaching a first grader how to write their first sentence, to a high schooler learning to write a research paper, it has been rewarding.
And how long did it take you to get your first major book contract? Or are you published non-traditionally? How did that come about?
I’m hoping for my first major book contract. While teaching I wrote “Up Dunn’s Mountain,” a manuscript that is a coming-of-age story set in the Civil War. The protagonist Bea struggles with issues related to the time period.
During Covid, I wrote a prequel to help the reader understand issues that affected Bea leading up to becoming an orphan along with her twin brother Bubby. Then, while on a roll, I wrote a sequal that carries Bea’s story forward through the eyes of her adopted schoolmarm Momma. She finds her answers and hope for a better future in the south.
Which of your books is your favorite?
My favorite books are historical fiction. I used them in my classroom to engage my students in history. The concept of using story was my inspiration to write my own trilogy. When I taught my students to find the human side of history, they were hooked. Books drew the students into lessons brought by the non-fiction part to life.
My favorite scene in the Dunn’s Mountain trilogy is when Miss Clairmont tells a childhood story about her first pair of button-up boots. The cobbler told her father she could have them for a song and dance. So, she literally does both to the merriment of everyone in the shoe shop.
Tell us about an award you won that was particularly meaningful.
My manuscript, Up Dunn’s Mountain won first place for Young Adult Literature at Blue Ridge Mountain Christian Writers Conference in 2020. The sequel, Miss Clairmont’s Christmas won third place for Novellas in 2022.
An award that is particularly meaningful to me was presented at the Asheville Christian Writer’s Conference. I won first place for “The Rodeo Girl,” a devotional about a student I formed a connection with when I attended her rodeo. It completely changed our relationship.
I challenged readers to find a way to give others a second glance, to meet them where they are. I think the reason this particular award is so meaningful is because receiving it caught me off guard. I did not see myself as devotional worthy. I learned later that others feel that same struggle.
What’s your writing work schedule like?
My writing schedule includes a planning for my monthly magazine commitment. I am fortunate to belong to Word Weavers International. The members serve as editors, inspiration, and friends and they help me make my articles the best they can be.
Other opportunities to write come up organically. My husband serves as my first beta reader. He says he does not pass judgement but looks for things that need clarification and grammar. However, when good things happen, he is my first cheerleader.
Do you have an interesting writing quirk? If so, what is it?
My interesting writing quirk is that I lack confidence and when I get a compliment, I am always surprised. One of the greatest joys I have had was winning an opportunity to attend Get Lit at the Mitford Museum in Hudson, N.C.
I’m fortunate, one blessing has led to another. Because of my story, I’ve been asked to present at local museums or schools, which are my favorite because I call those moments “teaching without testing.” I dress in period attire and portray characters like the ones in my trilogy. It is so fun!
What has been your greatest joy(s) in your writing career?
Since retirement, three years ago, my writing career has become more committed.
Could you tell us about a dark moment in your writing career?
A dark moment during that time was when I had Covid. I lost my focus and interest in writing. I felt unable to inspire others. What drew me out was the joy of family.
I read the same children’s books multiple times for the entertainment of my grandchildren. I caught the cadence of stories. Then I checked out books from the library using a remote system. They brought inspiration. I followed devotionals and even wrote a few. The mix of genres was the right medicine that healed my Covid heart.
How many times in your career have you experienced rejection? How did they shape you?
I have experienced plenty of rejection, so much so, that I might have given up had it not been for mentors like Cindy, Eva Marie, Sarah, Taryn, Edwina, DiAnn, Joyce and Edie. They shaped my writing by introducing me to “champaign rejections.” Champaign rejections are the ones that helped me grow and taught me to be culturally sensitive, press on, plus where to find resources and most importantly to learn the craft.
I have learned these lessons and so much more. I keep on keeping on because of my hometown heroes like Jane, Elaine, and Cyndi. I have so many beta readers I lost count. I am thankful for the Word Weavers, 540 classes, Writing with the Erasers group and classes. We all stand on the shoulders of giants. My prayer is to be for others what so many have been for me.
Where do you get your ideas?
I learned from writer, Lester Laminack, to keep a journal. I write ideas on napkins, my phone, and slips of paper. These ideas come from reading—which has become a source of unlimited resources. So much so, I’m starting to predict where the stories will go.
Who is your favorite author to read?
My favorite authors to read are Janette Oke, Jan Karon, Patti Callahan Henry, Kristy Woodson Harvey, Jason Hart, Fanny Flagg, and Kristin Harmel. I have too many authors I like to read to count them all.
What advice can you give aspiring writers that you wished you had gotten, or that you wished you would have heeded?
The best advice I can you give aspiring authors I wished I had received is to try different things and don’t be afraid to ask for help. When I first started I was embarrassed and timid. I still struggle but now when I get a rejection, I read the suggestions and start again. I don’t want to live with regret.
I recommend writers break into the market in a variety of ways. Attending conferences is a great way to network. Join a support group. Toughen your skin. That is how to grow. Take chances. Enter contests. Don’t look at others and set your own course.
Theresa Parker Pierce has 35 years of experience teaching reading and history in both private and public schools. Two-time Rowan Salisbury Teacher of the Year, Theresa enjoys storytelling about her childhood in eastern North Carolina and the history of Rowan County.
Theresa is a member of Word Weavers International, Blue Ridge Christian Writers, Room at the Table, and the 540 Writing Club. She writes monthly for Senior Savvy magazine. She shares her volunteer time between the North Carolina Transportation Museum in Spencer and the Rowan Museum in Salisbury. You can connect Theresa on Facebook.
Writers Chat, hosted by Johnnie Alexander, Brandy Brow, and Melissa Stroh is the show where we talk about all things writing, by writers and for writers!
“Because talking about writing is more fun than actually doing it.”
Come Write with Us: Writing Fight Scenes with Crystal Caudill
Award-winning author Crystal Caudill joins us again so we can practice what we learned in her previous episode about writing both physical and verbal fight scenes (Picking the Write Fight; 1/16/24). After a brief recap of the earlier episode that focused on the purpose of a fight scene, Crystal led a brief brainstorming session. Then she asked specific questions that guided us in writing our own fight scenes. Every story needs tension to engage readers. Watch the replay to learn more from this week’s episode.
Watch the March 19th Replay
Crystal Caudill is the award-winning author of “dangerously good historical romance. She is a stay-at-home mom and caregiver. When not writing, Crystal can be found hanging with her family, drinking hot tea, or reading at her home outside Cincinnati, Ohio. Find out more at crystalcaudill.com.
Fiction Series Collaboration with Naomi Musch and Amy Walsh
Naomi and Amy have participated in several collaborative fiction projects. Today they share advice on creating a marketable project that novelists will love to write and fans will love to read. They cover such topics as the difference between a series and an anthology, finding a common element for the stories in the collection, financial commitment and so much more. This episode is a great starting place for anyone who is interested in creating or participating in a series or an anthology.
Watch the March 26th replay
Naomi Musch writes to bring hope that will change the story—maybe even her own. Some of her novels have been finalists in the Carol Awards; the Faith, Hope, and Love Readers’ Choice Awards; the Selah Awards; and have been twice nominated for Book of the Year. Naomi’s perfect day is spent writing, roaming the farm, and loving on her passel of grandchildren.
Amy Walsh writes historical and contemporary romance, mysteries, speculative fiction, and women’s fiction. She is a 5th-grade writing teacher in an urban public school. Amy and her husband, Patrick, have three creative children. Amy considers herself greatly blessed in the roles God has given her as an earthling–including aspiring wordsmith, teacher of youngsters, nature appreciator, tea aficionado, avid dessert fan, book fanatic, lover of family and friends, and Christ-follower.
Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133
Recently, I was screened to take part in a brain injury survivor case study. During the brief interview, the memories of those early days after my accident came crashing down on me reminding me of the pain I’ve worked so hard to put behind me.
It was difficult for me to remember all of the negative emotions and situations I endured during that life-changing season. I have struggled with many of the same issues over the last 27 years.
Depression
Loneliness
Shock
Fear
To my surprise, due to my remarkable recovery, I did not qualify to take part in the case study survey. My accomplishments over the last 27 years exceeded the study’s parameters.
I’m not referring to any spectacular feats of strength, but typical everyday chores and tasks individuals must perform to take care of themselves—activities I couldn’t do in the weeks following my accident.
In the end I remembered how far I’ve come since those difficult days when I was overwhelmed by my TBI and felt like giving up.
Overwhelmed
Webster’s dictionary defines overwhelmed as, “Upset, overthrow; to cover completely. Overcome by superior forces or numbers or to overpower in thought or feeling.”
Certainly, we have all experienced the feeling of being overwhelmed at some point in our lives. However, for persons with disabilities, these feelings or situations can be exceedingly debilitating.
Because our bodies and emotions are literally out of our control; those first few weeks after my accident were so difficult for me, that I became suicidal. It was humiliating to need help to do common tasks like feeding myself or using the restroom.
After I finished therapy I began trying to write again and found myself hitting another brick wall. Due to my brain injury, I lost all fine-tuned motor skills in my left hand. Although I am right-handed, I am still unable to type at a productive are feasible level.
As an English major with writing aspirations, this presented another obstacle for me to navigate. After a few days of struggling to type, I learned about speech dictation software that I could purchase to write.
Twenty-six years later I still use the same software to write everything, including the posts you read here in this column. It’s humorous to say, but I am more of a speaker than a writer!
Writers Life
I have been pursuing traditional publication for the last decade. Now once again I have started feeling overwhelmed as I continue to navigate the hurdles of a writer’s life.
As aspiring writers, we’ve all had to start on the same playing field with nothing but a good story or prose that we want to share with the world. As Jerry B Jenkins asks, “What’s your story?”
As communicators, we know ideas are only as good as we can communicate them to others. Learning how to communicate more effectively is a big part of being a writer. That is why we must continually study and learn the craft.
Then we can masterfully create our fictional or nonfictional narratives. A fantastic idea can lose its persuasion or entertainment value if it is not communicated effectively.
Let me go ahead and confess now, I also understand just how overwhelming the writing life can be. Seeking an agent and maintaining an author’s newsletter can be overwhelming and time-consuming, but wait there’s more. There are countless aspects of the journey we each must learn and master in route to publication.
Curating ideas
Research
Writing
Editing
Rewriting
Building a platform
Managing social media
Book Promotion
Book tours
Speaking engagements
Each one of these functions can be overwhelming in and of themselves. This is why writers need mentors and cheerleaders to nudge them along in the grind of the writing life.
Have you ever felt like giving up? You’re not alone if the writer’s life has overwhelmed you. I cannot count how many times I’ve wanted to step away from my computer and never write another word.
Each time, I have leaned into the writing community and reached out to others for help and advice. At the beginning of last year, I resolved to give up my writing passion.
And just as I was ready to quit, I became a finalist in a Christian writing competition, that third-place win reminded me of what it means to be an overcomer. Just because the chips are down doesn’t mean we have to cash in. Just because we fell overwhelmed, doesn’t mean we can’t become overcomers.
Overcomer
Overcomers are defined as persons who overcome something; one who succeeds in dealing with or gaining control over some problem or difficulty. March 31 will mark the 27th anniversary of my accident which almost overcame me both physically and mentally.
However, I am not the same person I was before. I have worked hard to overcome countless obstacles to live life this long. I have allowed these obstacles to make me stronger, just as fire refines and strengthens precious metals.
There have been times in my life when I’ve come close to giving up, that’s when I remind myself to get up instead. I have learned there is beauty in the trial. We can be overwhelmed by hardships or overcome them and let them work good in our lives.
Humble us
Guide us
Strengthen us
Hardships can allow writers to grow as people and as professional writers. The cliché is true, “Where there is a will, there is a way.” As writers, we must find our way to becoming overcomers.
Sometimes it’s the struggles of publication that give writers their voice and story. Just like it’s the struggle of breaking free from a cocoon that gives butterflies stronger wings to fly higher.
The struggles of life may be overwhelming like a cocoon, however like a butterfly in the spring, we can become overcomers!
Martin Johnson survived a severe car accident with a (T.B.I.) Traumatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at MartinThomasJohnson.com and on Twitter at mtjohnson51.
V. Romas Burton is the author of two fantasy series, Heartmaker and The Legacy Chapters. Her latest release, Justified, is book two in The Legacy Chapters. I asked her to share a little bit about her experiences writing a series.
DJS: Writing one novel can be daunting, and I imagine a series can only be more so! What pros and cons about planning a series did you learn as you went through the process?
VRB: There have been a lot of both pros and cons along the way. One pro is that once I know the ending to my series, I can usually find my way from the beginning. A con I’ve learned is that sometimes “pantsing” (not planning out the events in your story), is not always the best route when trying to make it to the end!
DJS: I can understand the pansting issue. Sadly, I’ve taken the route of not enough plotting before sitting down to write. That method didn’t work well for me, although one of my critique partners swears by it. As you planned your series, what did you learn about the process that surprised you? And now that you’ve produced a series, is there anything you would do differently?
VRB: I’ve learned that sometimes your story doesn’t end up where you originally thought. Sometimes a better plot line is uncovered or a new twist is added that makes the story richer. Now that I’ve produced a series I would probably look a bit closer at my characters’ development and really try to make those solid and relatable.
DJS: Trying to figure out where to begin or what resources to start with can be overwhelming. Where do you suggest authors find help planning a series?
VRB: I would recommend attending a writers’ conference to take some classes and also to meet other like-minded authors. It’s always helpful to have people to bounce ideas off of when you’re not sure what to do next. I also recommend reading through your favorite series with the eyes of an author, not a reader, and see how your favorite author crafts their story over the span of two or more books.
DJS: That’s great advice. I always recommend reading. What are your three favorite YA series? Why do you think you like them so much?
VRB:The Lunar Chronicles by Marissa Meyer
This was the series that introduced me to YA Fantasy and ultimately made me a writer.
The Caraval Series by Stephanie Garber
I love Stephanie Garner’s descriptions and how she crafts her stories.
This isn’t technically a series, but I love all of Jane Austen’s books. Her stories and characters have influenced my writing in many ways.
DJS: You can never go wrong with Austen. (And I think The Lunar Chronicles and The Caraval Series are also great picks.)
Thanks so much for visiting with us!
Find future book updates and news on V. Romas Burton’s website: www.vromasburton.com
V. Romas Burton grew up bouncing up and down the East Coast where she wrote her first story about magical ponies at age seven. Years later, after studying government and earning an M.A. in Theological Studies, V. Romas Burton realized something even bigger was calling out to her—stories that contained great adventures and encouraging messages.
Donna Jo Stone is an award-winning author of young adult contemporary and adult historical fiction. She writes about tough issues but always ends her stories on a note of hope. Her novels are about common struggles and finding the faith to carry on through those battles.
The first book in Donna Jo’s young adult series is scheduled for publication in 2025.
Her short romance, A Wedding to Remember, released Feb 1st, and her adult 1960s inspy romance, JOANN: Apron Strings Books 5, releases May 15th.
Stay in touch and receive the latest news by signing up for Donna Jo’s newsletter at donnajostone.com.
One of the most important parts of every book proposal is the sample chapter. The sample of your writing must be compelling because it is a taste to the agent or editor of what will be written in the book manuscript.
When I presented a book proposal at the publishing house, several of the executives didn’t read the first part of the proposal that included the overview, chapter summaries, author bio or the marketing plan. Instead, they turned to the sample chapter and read it first. If the sample was excellent, they read the rest of the proposal. If the sample was poor, then they had formed their opinion (and likely a final decision) regarding the suitability of this book to add to our publishing list.
In many ways, this type of reading pattern is smart—because the writing should be what sells the publishing executive on a particular project. It’s why they have to publish your particular project, so make sure you invest a substantial amount of energy and excellence into your writing. It should be compelling, and the stories should make the reader (editor) turn the page to learn more. You need a combination of personal experience and how-to information in a nonfiction book that is appropriate for the particular publishing house.
And what are you adding “extra” to the sample chapter? Beyond your storytelling (which needs to be excellent) and your information (which needs to be simple, yet profound), are you adding some questions for the reader to think about or sidebar articles to give additional tidbits of information throughout the book? What special feature can you add that will make your book stand out?
Here’s one caution as you add this “extra” feature to your sample chapter:
Make sure you consider the cost of this feature. Sometimes authors will create a plastic “gimmick” to go with the book without thinking how this “gimmick” will be produced and what it will add to the value of the book? If the feature is something that can be printed like the rest of the book, it will not be an issue. But if it involves artwork (read extra cost for the publisher) or design work (again more production cost), then your “extra” may be a cause for rejection rather than help your proposal.
Children’s authors tend to lean more toward using gimmicks.
I once met with a new author who was also an artist. She had produced a series of removable Christmas tree ornaments in a book format that would celebrate the days leading up to Christmas. While the concept was interesting, the production costs would be astronomical. This author looked at me like I was crazy when I asked, “And what will be the retail price of this book? A hundred dollars?” I’m certain she thought I was trying to blow off her idea, but I was simply trying to get her to realize the cost of such a feature. The idea wasn’t a practical one that a publisher could execute without a high retail cost or a huge volume of printing.
You may have noticed that best-selling authors’ books have some very nice features.
Possibly beautiful artwork or the author’s signature is embossed into the hardcover underneath the paper book jacket. These features are possible if you are going to print two million copies at the same time and are able to gain strong economic discounts and economy of scale. In most cases, however, new authors can’t ask or expect such features as the publisher will be taking enough of a risk in simply printing their book. Adding the “extra” feature has to pay off for the publisher.
Take extra time to polish your sample chapter so every member of the publishing committee will be eager to get your book under contract and become a part of their forthcoming publishing plans.
This is something you can do as the author to help build enthusiasm inside and outside of the publishing house.
It’s possible to write anywhere. Famous written works were written in a range of locations — from New York taverns to French prisons. However, some environments are undoubtedly more conducive to creativity. Your characteristics and preferences can also make one place better than the other when you want to feel focused or inspired. You may crave the solitude of rural life or the hustle and bustle of the city. You could desire a cozy nook, a mobile van with access to nature, or a quirky loft space. Whether you want to go out for an afternoon to write, travel for weeks at a time, or even make a permanent move, you can create your ideal writer space by going somewhere that jives with your personality, taste, and goals.
How Changing Your Environment Fuels Creativity
Switching things up can train your brain to think differently. This is important when you’re either writing from a differing perspective or if you want to see a topic from a different point of view. You could even gain all new ideas from changing your scenery. In general, changing your environment can enhance your writing by giving you:
Distractions that demand creative problem-solving;
An elevated, or just affected, mood;
Exposure to varying cultures;
Novel surroundings that lead to unique ideas.
All that to say, unconventional workspaces don’t automatically equal enhanced creativity. Rather than just looking for something new and different, you should strive to find an environment best suited to your specific needs and work style. You can travel somewhere to find inspiration, but you may not be able to work if it’s crowded and you find it difficult to write unless you have peace. You can certainly go to these exciting places, but be realistic about your schedule and where you plan to do the bulk of your writing.
Considerations for Moving as a Writer
If you find yourself constantly searching for inspiration in spaces instead of your own home, you can always move your home base. This may involve moving somewhere in the mountains where it may be more secluded or perhaps a city that has a lot of museums you can peruse when you’re not writing. If you choose to relocate and move somewhere new, make sure you’re prepared. Otherwise, you may be too distracted and stressed about the move, itself, to be inspired to write. When thinking of moving to create your ideal writer space, consider:
Budget;
Climate;
Local amenities and attractions;
Travel and accommodations;
Timeline.
If you find a place you desire to move to and it is within your budget, you can start planning your move. Just remember to pin down exactly why you’re making this change for your writing career. If you’re moving to get a fresh perspective, for example, moving a long distance for a short period could work for you. On the other hand, you may feel more comfortable in a different city and want to make a permanent move. If that’s the case, be sure to visit your new location before making the big move to see if it feels right. Another option is to travel frequently and work on the road.
Choosing a Nomadic Lifestyle
Seeking new horizons can mean desiring to travel around to more than just one place. If that’s the case for you, you might want to consider a brief or extended stint living in an RV. This can give you the option of switching your location whenever you please, especially if one isn’t conducive to creativity for you anymore. Living as a digital nomad can offer you:
Flexibility;
Cost savings;
A minimalist lifestyle;
Closeness to nature;
A sense of community.
You can connect with other nomad writers online or at RV camps to share your journey and bond over trials and successes. Just remember that you will be working with limited space and will need to equip your van or RV with a source of reliable internet if you have to submit any of your work on the road. If you want to write without internet access, this can give you a great opportunity to unplug.
Making Any Space Conducive to Productive Writing
Whether you choose to buy a home, rent an apartment, or travel around in an RV, you can design your very own writing sanctuary within those walls. Before making a big decision like moving, it’s helpful to visualize what you want your daily life to look like in that new space. Think about what you need to do your best work. Some examples of space considerations include:
Quiet, soundproof space;
Bustling background noise;
Seasonal changes, like calming rain or sunny days for walks;
Natural lighting;
Enough room for your preferred desk;
Comfortable seating.
Whatever your style, you can find decor to fill up your new space with inspiring pieces. If you find you still need a change-up in your new writing space, you can always pop over to a new-to-you coffee shop or library for a change of pace. Just remember that you are in control of your surroundings, and you can find the right environment to put magic onto the page.
Amanda Winstead is a writer from the Portland area with a background in communications and a passion for telling stories. Along with writing she enjoys traveling, reading, working out, and going to concerts. If you want to follow her writing journey, or even just say hi you can find her on Twitter.
Writers Chat, hosted by Johnnie Alexander, Brandy Brow, and Melissa Stroh is the show where we talk about all things writing, by writers and for writers!
“Because talking about writing is more fun than actually doing it.”
Content Writing with Holand Webb
Holland Webb, a full-time content writer, shares tips for writers wanting to start their own content-writing business. After sharing a little about his own background and personal experiences, Holland focuses on content basics including tips for finding keywords for your clients’ posts; various types of content ranging from product descriptions and social media posts to white papers, ebooks, and ghostwriting; and writing content for LinkedIn. If you’re interested in writing content for businesses and/or individuals, either full-time or part-time, then this episode is for you!
Watch the March 5th Replay
Holland Webb is an inspiring content writer who understands the elements of storytelling and how to put them to work for business. In addition to writing material for U.S. News & World Report and Focus on the Family, he has written website content for a major chain of hotels with locations in North and South America, Asia, and Europe. Holland’s other clients have included International Ministries, BestColleges.Com, MailChimp, Wiley, and Architectural Digest.
Writing Articles that Give Hope to the Questions World with Annette Marie Griffin
In a world where attention spans dictate content, truth is considered relative, and clicks prove more valuable than gold—people still crave a cure for emptiness. In this episode of Writers Chat, Annette Marie Griffin covers the felt needs of today’s seekers. She discusses where they look for answers to life’s deepest questions and dives deep into the spiritual calling that drives today’s Christian writers to the foot of the cross to obtain relevant content.
Watch the March 12th replay
Annette Marie Griffin is an award-winning author and multi-generational speaker who has taught and written for adults and children for over 30 years. She began by writing story-driven curricula for youth groups and parenting classes while serving as Ministry Director at Gateway Church in San Antonio, Texas. Since then, she’s written hundreds of high-ranking articles for Salem Media Group, she’s a columnist and acquisitions editor for StarLight Magazine for kids, and she teaches workshops and training classes at local and national writing conferences. When Annette isn’t writing, speaking, or teaching, she loves making memories with her brilliant husband, 3 adult children, 2 teens, and 3 adorable grands!
Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133
There’s little doubt that excessive consumption is harming communities and the environment. For one, the manufacturing processes produce vast amounts of waste and emissions to transport products to customers. For another, many companies have elected to use cheaper materials to save on production costs, which eventually causes these same products to degrade earlier in their life cycle. As a result, consumers have to spend more money finding replacements rather than repairing a well-made item. It’s a difficult issue. But you may be surprised to learn that libraries can be part of the solution.
This is because libraries now and in the future are tending toward being more dynamic community spaces. They offer multiple resources, give people areas to congregate, and are sources of diverse expertise. As a result, they are central to activities related to building a genuinely sustainable circular economy.
Sharing Green Knowledge and Resources
Libraries across the world play a pivotal role as forts of knowledge. This is no different when it comes to maintaining community sustainability. Generally speaking, climate change continues to worsen because many people don’t have the skills or understanding to make meaningful green changes in their lives. Therefore, librarians can contribute to a sustainable future as guides to setting and achieving Sustainable Development Goals (SDGs) in their everyday activities and businesses.
First, individual librarians or groups can help the public to understand what key SDGs are. Within the context of a circular economy — a system that prioritizes reusing, repairing, and recycling products — librarians can coach on sustainable consumption and production patterns, including sustainable publishing. Libraries can host public discussions about what this means and practical approaches to achieving it. To become approachable, these discussions can direct locals to organizations in the community where they can purchase old items or who may accept old materials for recycling.
Growing a Sustainable Writing Community
Libraries can also serve as ecosystems for budding writers while promoting sustainability. While buying books as individuals is a great way to support authors financially, libraries can purchase books which allows multiple people to enjoy the book. This makes the author’s work more accessible, more sustainable and reduces over consumption.
In addition, libraries can be an ideal place to harbor writing conferences, writers-in-residence, and writing workshops to introduce local authors to the community.
Hosting Maker Spaces
Among the key tenets of a sustainable circular economy is to reduce the potential for both over consumption and to minimize unnecessary waste. Community members need to be able to make items from scratch and repair their current items. Libraries can contribute to these efforts by hosting maker spaces.
This is something that more libraries could practically implement. Many maker activities, such as 3D printing, don’t need specialist spaces, like workshops or ateliers. Indeed, the increasing accessibility of equipment can make libraries a good location for such projects. Local experts and librarians can also teach or host learning sessions about how to go about using 3D printing for the first time. They can also further encourage eco-friendly behavior by recommending more sustainable materials that we’ll see in the future. For example, materials such as polylactic acid (PLA) filaments are made from biodegradable products such as corn starch and can help anyone interested in building practical items.
Creating Libraries of Things
For some time now, libraries around the world haven’t simply been book repositories. They’re host to a wide range of resources, from movies and music to eBooks. Yet, there’s also a growing movement for libraries of things. Essentially, this is about lending practical and in-need objects. This potentially boosts the circular economy by minimizing unnecessary production demand while making items more accessible to those on lower incomes.
Nevertheless, a truly impactful library of things addresses the needs of the community. It may be practical to lend board games and tabletop roleplaying games so that families can minimize their screen time. Cookware and bakeware lending might engage library users in more creative culinary and nutrition activities. Exercise equipment can boost community wellness. Some libraries are increasing access to museums, planetariums and science education centers by offering passes to these organizations for the whole community to access.
Conclusion
Libraries are becoming circular economy hubs. They’re increasingly offering access to practical knowledge, repair workshops, and lendable tools, among other resources. There’s still more they can do, though. However, this is dependent on greater community engagement and finding sources of funding. The public needs to show that there’s a demand for these services in library spaces alongside seeking support from philanthropic organizations, private businesses, and government agencies.
Amanda Winstead is a writer from the Portland area with a background in communications and a passion for telling stories. Along with writing she enjoys traveling, reading, working out, and going to concerts. If you want to follow her writing journey, or even just say hi you can find her on Twitter.
The most engaging blog posts have five elements: content, a title, subheads, images, and white space.
If you haven’t already, break your primary topic down into 6-8 secondary topics, those subjects you consistently offer your audience. If you use WordPress, these subjects can become your blog categories.
Then dissect each secondary topic into a tertiary topic as a “mini topic.” These can become your blog’s tags…still a vital part of your message but lower on the food chain.
If you’re new to blogging, first create blog posts about your primary topic, then each secondary subject, and finally, your tertiary material. Working from the center out allows you to offer a broad range of helpful information without straying from your primary message.
After you go broad, go deep next. Choose one of your three content levels (primary, secondary, or tertiary) and take your reader on a deep dive focused on a single point. A short blog post that’s utterly clear is more valuable than a long one that bounces back and forth, getting nowhere.
There are no rigid rules here. This is a simple way to offer valuable content without covering your office walls with content ideas. Even a content plan as simple as the one mentioned above can keep you on track. Offer what you know your readers want to know, and they’ll return, bringing their friends.
Create a Great Title to Catch Your Reader’s Eye by Revealing Your Content’s Direction (Not the Content Itself)
Be careful your title doesn’t include every pertinent morsel or your reader won’t need to, well, read it. 🙂
Here’s a fictional example for an article about a prisoner’s escape and subsequent financial gain: How I Escaped Alcatraz and Became a Millionaire.
No reason to read that article! The title reveals all the main points.
What if we changed it to… The Last Man to Escape Alcatraz. There’s some intrigue in that headline, yes? The title reveals enough about the article’s content without revealing everything. Curiosity would draw readers to this article.
Why Are Subheads Important?
Everywhere we turn, we’re exposed to content. Usually it’s too long, too boring, and disorganized. So we’ve learned to scan before reading.
Subheads–bolded words sized slightly larger than your content’s text–seen above–show readers your post’s structure at a glance.
Without subheads, readers have two options:
#1: read the entire article to discover what it’s about, or
#2: leave your website.
Guess which one they’re more likely to do? Subheads help readers scan. Use them.
Images Support Your Content
Photographs, diagrams, maps, and so on increase your content’s value by supporting it. Even a basic visual is better than none, “pulling” readers down the page so (say it with me) they will keep reading.
Why Readers Like “White Space” Even if They Don’t Know What It Is
Blank, empty space gives readers a visual break. We’ve both landed on a website crammed with paragraph after paragraph of single-spaced text. Don’t we leave immediately? Our eyes need space to differentiate one point or paragraph from another.
White space increases readability. We’re more likely to understand-and share–content when we can read it, right?
These five elements, used together, can transform a “so-so” blog post into one your readers will savor for years. Write one. Then another. And another. And watch your audience grow.
Patricia Durgin is an Online Marketing Coach and Facebook Live Expert. She trains Christian writers and speakers exclusively, helping them develop their messaging, marketing funnels, conversational emails, and Facebook Live programs. Patricia hosted 505 (60-minute) Facebook Live programs from 2018-2020. That program is on indefinite hiatus. She’s also a regular faculty member at Christian writers and speakers conferences around the country.
Research and back matter have never been more important. Reviewers and consumers have access to information to check out the accuracy of everything they read to children. Picture books, board books, and read-aloud stories, if they include facts, need to be researched before sending to editors. Editors often hire subject specialists to confirm accuracy.
Research for a Board Book.
ABC books are easy – if you can think of words for Q and X that kids recognize! Same with counting books if the point is just the number of objects. But if, for example, you choose a subject like trains or fruits…or dinosaurs? Research!
How to Dress a Dinosaur: Ah, this is where I found out that what I thought I knew about dinosaurs was not too wrong but outdated. Dinos have newer fancier names, and many have been reclassified. Some have even been discontinued! From stegosaurus and ankylosaurus, I tracked ten different dinos to make sure they had the body parts I referred to, lived in the zones I indicated, and would do the things I planned.
Research for a fiction picture book.
Kids will listen to “talking bear” stories, recognizing that the animals are behaving like people. But if one of the bears suddenly starts saying “moo” credibility is strained. The closer animals are to real animals, the more the setting, behavior, and interactions with others must be bear-like.
Tuktuk: Tundra Tale features talking animals but in all other ways they behave as arctic animals would as they get ready for winter. Spoiler alert: There are no penguins at the North Pole! And there are many Inuit words for snow. Even though it was a fiction story, factual backmatter on arctic animals, landforms, and sky signs was required and vetted.
Research for a nonfiction picture book.
This is becoming an increasingly popular area, particularly for sales to public libraries and schools. Every word, every detail, and every art suggestion must be completely accurate. And a list of resources cannot include Wikipedia!
My next book is coming in 2025, but I am still waiting for a publisher to find the illustrator before they announce it! My research started on site, in the location where the story takes place, and based on the stories and facts the rangers and guides conveyed. Still, every detail, every fact, must be confirmed – not that rangers are EVER wrong, but I might have misheard!
Research other titles.
One last round of research – the ever-shifting comp titles. These are the other books that face the potential buyer – in the bookstore or the catalog. What will be your competition (in 2025 or 2026!) on the same subject, theme, school unit, or story time?
Back to the dinosaur books, there are tons of them. Occasionally the market is glutted! But I also had to research books on teaching your child to get dressed, typical preschool clothing, the language skills of a child at the age he learns to get dressed, and the patience of parents. One resource for book lists is “Imagination Soup” by Melissa Taylor.
Research: why the librarian is your best source of credible information!
No surprise: Multi-award-winning author Robin Currie holds a Master of Library Science from the University of Iowa and learned story sharing by sitting on the floor during more than 1000 story times! She sold 1.7 M copies of her 40 storybooks and writes stories to read and read again!
Welcome to my world. Am I the only one who notices every misspelling and/or grammar mistake?
I can be driving in the car and notice such errors on signs and billboards. I can be passing through a neighborhood and find issues with various displays. Don’t even get me started about social media posts.
Being an observant copyeditor is both a blessing and a curse.
When I am writing my own pieces or editing someone else’s work, my ability to spot errors comes in handy. When I am reading someone’s social media post or fancy sign and see mistakes, I have to fight the urge to correct everything. It’s a constant struggle.
I attribute (blame?) my copyediting skills to one of my school teachers. He taught me everything from eighth grade English to Journalism to senior Honors English to college freshman composition. His teaching style? Pound grammar and punctuation rules into the students, showing no mercy. It wasn’t always pretty, but I came out of it with a keen knowledge of where commas go and don’t go, how to use a semicolon, and which verb tense to use in any situation.
Moving on to college, I majored in print and broadcast journalism, continuing my adventures in grammar. Professors marveled at my grasp of these principles. I could barely do math, but, if you handed me a piece of writing to critique, I was in my element.
I pursued a career as a college professor, using my copyediting skills every day, much to the dismay of many of my students.
For several years I served as the student newspaper adviser, and, by the time an issue was printed, I was sick of it because I had read it over and over and over in an effort to catch each and every error, with one or two always slipping by.
DISCLAIMER: I do not judge friends and family for grammar miscues. They do happen, especially with AutoCorrect and other tools in this electronic age. I am just saying I am sensitive to them, much like some people are sensitive to smells while others respond to certain sounds.
The next time you see something listed as “For Sell,” think of me and the other copyeditors who can’t help but notice such things. Copyeditors, UNTIE! Um, I mean . . . UNITE!
Carlton Hughes, represented by Cyle Young of Hartline Literary, wears many hats. By day, he is a professor of communication. On Wednesday evenings and Sunday mornings, he serves as a children’s pastor. In his “spare time,” he is a freelance writer. Carlton is an empty-nesting dad and devoted husband who likes long walks on the beach, old sitcoms, and chocolate—all the chocolate. His work has been featured in Chicken Soup for the Soul: The Dating Game, The Wonders of Nature, Let the Earth Rejoice, Just Breathe, So God Made a Dog, and Everyday Grace for Men. His latest book is Adventures in Fatherhood, co-authored with Holland Webb.
Why are you in despair, my soul? And why are you restless within me? Wait for God, for I will again praise Him For the help of His presence, my God.
Psalm 42:11 (NASB)
Have you heard this one? Why did the preacher give a sermon on gardening? Because he wanted to talk about “soul”-ful planting.
My husband is a pastor, so I think we’ve heard every preacher joke. But taking care of yourself is not a joking matter. Have you ever considered we are all pastors to our own soul? In Psalm 42:11, David spoke to his soul and gave himself instructions to change his perspective. We speak to ourselves all the time. I’ve heard another say, “You idiot, why did you do that?” Or, “Duh. What a dumb thing to say!”
Our Women’s Bible Study Group is working through a book where Lauren Ibach says,
“When we continually preach the gospel to ourselves and seek Jesus through His Word and prayer, we are strengthened by Christ and our joy increases!”
The phrase, “preach the gospel to ourselves,” captured my imagination. What if we spoke life into ourselves instead of defeat? What if we encouraged our hearts like David instead of belittling our efforts?
Exercise:
Kathy Carlton Willis says, “The work that takes place in our souls is as important as measurable productivity.” How would you measure soul care? What goals could you set to work on the nurture of your inner life?
Edie Melson says, “Writing is an exhausting endeavor, and we cannot do it effectively when the well is dry.” What can you do to refill your well? What refreshes and energizes you?
Read Psalm 103:1. What did the author tell himself to do? How does praise change your focus?
Read Matthew 16:24-27. What does Jesus say we must do to preserve our soul? Why does relinquishment go against our natural inclination?
Read 2 Timothy 4:17. What are we to do? Who is with us? Where is He? How does He help? Why is this action important?
As we “preach the gospel to ourselves,” we are reinforcing the love God has for each of His children and the message He wants to share with the world. Let’s model the gospel to ourselves and fill up the well that it may overflow to others!
How do you tend your soul?
Over 140 of Sally Ferguson’s devotionals have been published in Pathways to God (Warner Press). She’s also written for Light From The Word, Chautauqua Mirror, Just Between Us, Adult Span Curriculum,Thriving Family, Upgrade with Dawn and ezinearticles.com. Prose Contest Winner at 2017 Greater Philly Christian Writers Conference.
Sally loves organizing retreats and seeing relationships blossom in time away from the daily routine. Her ebook, How to Plan a Women’s Retreat is available on Amazon.
Sally Ferguson lives in the beautiful countryside of Jamestown, NY with her husband and her dad.
Writers Chat, hosted by Johnnie Alexander, and Brandy Brow, and Melissa Stroh is the show where we talk about all things writing, by writers and for writers!
“Because talking about writing is more fun than actually doing it.”
In the Midst of the Journey with Jo Massero
Jo shares her writer’s journey with her life experiences and the different seasons in which she and her husband have served God’s purposes for their lives. Her deeply personal and vulnerable testimony encourages us to “remove our masks” so that our own weaknesses can be turned into strengths for God’s glory.
Watch the February 20th Replay
As the founder of Jo Massaro Ministries, a Christian organization that aims to empower people through her speaking and writing, Jo has interviewed many authors. These interviews can be viewed on her website and YouTube channel. She is also the founder of In Their Hands, Inc., a nonprofit organization dedicated to children’s literacy. She will be cohosting a podcast called In the Midst of the Journey debuting in the fall of 2024. Jo is the proud mama to a new rescue dog, Bella. Her websites are: JoMassaroministries.com and InTheirHands
Mastering the Art of Querying with Bethany Jett
Literary agent and author Bethany joins us today to share tips on querying an agent or a publisher. Writing an effective query is an important skill. Topics in today’s chat include: the difference between queries and pitches; discussing the six elements of an effective query; the popular hashtags used by agents/editors on X/Twitter, and so much more. Be sure to catch the replay for more information.
Watch the February 27th replay
Bethany Jett is an associate literary agent with the C.Y.L.E. agency, as well as a multi-award-winning author, and a marketing strategist who earned top honors in her master’s program, where she earned her MFA in Communications focusing on Marketing and PR. Her motto is “Teach as you go,” which she lives out as the co-owner of Serious Writer, a company that teaches and empowers writers and authors. Bethany is married to her college sweetheart, and together they’re raising 3 teen/tween sons and their Pomeranian Sadie.
Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133
