Categories
The Picky Pen

Editing Is Psychological

Yes. That’s right. Psychological. I promise not to go too deep. Please keep reading. In editing our own manuscripts, we usually know what’s going on, who each character is, and how the story’s going to unfold. What we don’t expect is the sneaky errors that crop up. When we least expect it. When we’re about to hit send or publish, or worse yet, after we’ve sent our manuscript off to the publisher!

And what we don’t expect is that our eyes skip over what’s actually missing because our brains automatically interpret what’s there. Hence the psychological aspect of editing.

How do we fix this, or at least make it more manageable? Ah, well, let’s take a closer look at three common mistakes we all make in editing our writing.

Three Common Psychological Editing Mistakes

  1. Extra spaces.

Extra spaces are a pain, but professional editors loathe them. When editing your manuscript, double check that you don’t have two extra spaces between words or sentences. According to Chicago Manual of Style and nearly every publishing house, one space should appear between sentences. Not the long-standing two spaces. That’s old school. One space and done.

  1. Multiple characters on the first page.

Have you ever entered a room where everyone is talking at once? The noise just engulfs you, making it impossible to focus on any one conversation, much less hear yourself think. If you’re in that family of introverted writers, an experience like this is crippling sometimes.

Just like entering a room full of talking heads, if the first page of your manuscript has too many characters, your readers will want to throw the book at something, anything. Readers want to know who, what, and why when they read the first page.

Rule of thumb: To keep a reader, introduce at least two characters—the protagonist and an important secondary character—on the first page to get the story off on the right foot with your readers. You can add more characters as needed on the second and preceding pages, but please stick to simple on the first page. Your readers will thank you.

  1. Redundant phrases or repetitive words.

In the writing stage, you write whatever comes to your mind just to put words down on paper. And in the reading stage, you skip over these most common phrases you use in everyday speech. But in the editing stage, you don’t even notice these redundant phrases because you’re focused on characterization, plot, dialogue, or whatever you know you need to work on the most. With redundant phrases, you can usually delete one of the words and your sentence will breathe easier.

Hey, I’m preaching at myself here! The other day I was editing my own WIP and noticed with great horror that (take notice of the strikethrough, it isn’t necessary here!) I used “even” four times within four preceding paragraphs! I was so mortified that the words choked me, and I scrambled to revise my sentences.

Here are a few redundant phrases to watch out for:

  • Final outcome (outcome)
  • False pretense (pretense)
  • Absolutely certain (certain)
  • Completely finished (finished)
  • Sat down (sat)

Now, that wasn’t too hard, psychologically speaking, was it? It’s so easy to gloss over the obvious mistakes in our manuscripts. Therefore, taking that extra special effort (see what I did there?) to shore up the little issues that really make a difference in the long run—for you, your characters, your agent, your editor, your publisher, and for your readers. Not to mention your manuscript because it’s now a squeaky-clean product!

Join in the discussion!

Take a few minutes and ruminate. What are some editorial issues you fail to notice in your manuscript on first or second or final read-through?

About Tisha Martin

Tisha Martin writes historical fiction and nonfiction but also edits and proofreads for beginning and best-selling writers, professional editing agencies, and publishing houses. She has a BA in Professional Writing, an MS in English Education, and an editing certificate from the PEN Institute, affordable continuing education for editors. Active in American Christian Fiction Writers and The PEN, she appreciates the writing and editing communities. As Assistant Director of PENCON, a conference for editors, she enjoys travel marketing and updating PENCON’s Facebook Page. Connect with Tisha on her website www.tishamartin.com and engage in the conversation.

Categories
Talking Character

Keeping a Character File

Do you have a method for capturing the bits and pieces you use to create memorable, complex characters? If not, consider starting a character file.

What does a character file look like? It’s up to you. You could use a hardbound journal, a file folder filled with clippings and sticky notes, or a program like Evernote. Collect and organize the data any way you like, but if you don’t keep a character file in some form or other, I suggest you start.

Three types of character files a writer might find useful

A people-watching file

Whether you are sitting on a bench watching people go by, or hanging out with friends at a party, a writer should always be on the lookout for character inspiration.  Keep a record of interesting details such as:

  • Quirks
  • Mannerisms
  • Striking physical features
  • Attire, hairstyles, jewelry, and tattoos
  • How people express emotions, especially non-verbally
  • How people behave in a given situation—particularly tense or unexpected ones.
  • How different personalities interact. For example, who is in the middle of things and who has gravitated to the fringes.

A literary file

Books are filled with character descriptions. While it’s not appropriate to plagiarize another writer’s words, it pays to record striking details, descriptions and observations. They might give you insights into technique or become a model for your own creative ideas. You should consider collecting snippets like:

  • Vivid physical descriptions
  • Clever metaphors used to describe characters
  • Insights into a character’s behavior or inner turmoil
  • Descriptions of highly eccentric characters that work
  • Quirks or mannerisms that you find charming, or that help you identify with a character
  • Dialogue or internal monologue that vividly conveys attitude or personality

You might also want to note what doesn’t work, particularly if you can pinpoint why.

  • Characters you find annoying
  • Descriptions that fell flat or felt wrong
  • Characters whose physical descriptions don’t seem to fit their personality

A character-specific file

As you build characters for your stories, you may find it helpful to collect various tidbits that apply to a particular character. Many writers find Pinterest to be a great tool for this, and once the book is published they share the board with their readers. In addition to collecting snippets of character description like those mentioned above, a character-specific file might include:

  • Photos that look like your character, or that vividly express emotions or attitudes your character often exhibits
  • Photos or descriptions of clothing, jewelry and hairstyles.
  • Props your character might use: tools, cookware, swords, chariots, whatever.
  • Details of décor, furniture, gardens, and architecture that might fill the character’s home.

These are only a few suggestions of what can be included in a character file. Trust your creative intuition and include anything that strikes you, no matter how irrelevant it seems at the time. Who knows what brilliant ideas a random detail may spark—if you take the time to capture it.

 

Lisa E. Betz believes that everyone has a story to tell the world. She loves to encourage fellow writers to be intentional about their craft and courageous in sharing their words with others. Lisa shares her words through dramas, Bible studies, historical mysteries, and her blog about intentional living. You can find her on Facebook  LisaEBetzWriter and Twitter @LisaEBetz

Categories
Write for His Glory

One Word at a Time

Do you ever have a writing deadline, but have nothing to write?

No thing, blank mind, nada, zilch?

Me too.

Like right now.

So what should I do? How in the world do I meet a deadline with quality work, well thought out, when nothing is coming to my mind?

OK, I’m just going to sit at my computer and start typing.  (Pause)

Scripture is full of stories where God told people to go…but didn’t tell them where. Or filled His people with words right when they needed them. God rarely gave His people a whole road map, but rather gave them one step at a time, right when they needed it.

For us as writers, yes, that’s one word at a time, right when we need it.  Not two days earlier, or even one hour earlier, but right now as we sit at the keyboard, expectantly waiting.

God wants to fill our hearts with His love, His words, His peace, His everything. Then we share what He provides at just the right time. He *always* provides on time, doesn’t He? And to translate, that’s not necessarily in OUR time, but in His time.

(Pondering…)

Thinking back, some of my best writing has been in response to prompts where someone gives a topic, and I’ve had 15 minutes to write about it. Unedited, uncensored, straight from the heart writing.

(Pondering…)

Since God is never late and always provides, why is blog post so hard to finish? Ideas are just.not.coming. (Pause)

Lord, what do You want to say to these readers?

Trust me. I’ve given you a gift, and a calling.  Seek first my Kingdom, then all other things will be added to you. ALL includes your writing, every single word of it, right when you need it.

When the words don’t come, maybe it’s because you are are pre-occupied with matters you have not given to Me. Maybe it’s because you aren’t first making time to just BE with Me. Maybe it’s because you haven’t asked ME what I want to say through you – you haven’t prayed.  

Trust me. Give everything to me. And then write…from your heart, from that place of Rest in Me, one word at a time.

And always, always, remember how much I love you!

OK. Write from a place of security in His love for me. Seek HIS Kingdom and write from that place. Trust He’ll provide.

trust God to provide, one word at a time

And this same God who takes care of me will supply all your needs from his glorious riches, which have been given to us in Christ Jesus. (Philippians 4:19, NLT)

I’d like to end with a writing prompt. Take 15 minutes to write about a time when you wrote something, then read it and said, “I can’t believe I wrote this!” Write about the topic, and how God inspired you.

And be encouraged, He’ll do that again!

[bctt tweet=”Trust, Pray, Write, one word at a time. God will provide all you need.” username=””]

 

Mary Graziano Scro, a graduate of Christian Communicators Conference, is an inspirational author, speaker, and blogger who intuitively weaves analogies and personal testimony with practical biblical teaching. Whether “live” or at the keyboard, Mary loves sharing what God has done in her life to encourage others about the awesome life God has planned for us, IF we are willing to choose wisely in our everyday lives (John 8:31-32). And it’s not only about us – the more we invest in our own unique relationship with Jesus, the more visible He is to a world that desperately needs Him.

You can reach Mary on:

Facebook: Mary Graziano Scro https://www.facebook.com/don.mary.scro

Twitter: @marygscro

LinkedIn: Mary Graziano Scro  https://www.linkedin.com/pub/mary-scro/11/600/a4b

Blogs: Life Is Not A Formula at www.marygscro.com

Categories
Grammar and Grace

Compound Words? (Part 2)

Last time, I offered a list of compound words from A to H. This post continues with the remainder of the H words through T.

honeybee

honeycomb

honeydew

honeymoon

honeysuckle

hookup

hookworm

horseback

horsefly

horsehair

horseman

horseplay

horsepower

horseradish

houseboat

household

housekeeper

housetop

housework

however

intake

ironwork

itself

jackpot

jailbait

jellybean

jellyfish

jetliner

jetport

jumpshot

keyboard

keyhole

keynote

keypad

keypunch

keystroke

keyway

keyword

lifeblood

lifeboat

lifeguard

lifelike

lifeline

lifelong

lifesaver

lifetime

lifework

limelight

limestone

longhand

longhouse

lukewarm

mainland

mainline

matchbox

meantime

meanwhile

moonbeam

moonlight

moonlit

moonscape

moonshine

moonstruck

moonwalk

moreover

mothball

motherhood

motorcycle

nearby

nevermore

newborn

newfound

newsboy

newsbreak

newscaster

newsletter

newsman

newspaper

newsperson

newsprint

newsreel

newsroom

newsstand

newsworthy

nightfall

nobody

noisemaker

northeast

notebook

noteworthy

nowhere

nursemaid

nutcracker

oneself

onetime

overabundance

overboard

overcoat

overflow

overland

overshoes

pacemaker

pancake

passbook

passkey

Passover

passport

paycheck

peppermint

pickup

pinhole

pinstripe

pinup

pinwheel

playback

playboy

playhouse

playthings

ponytail

popcorn

postcard

racquetball

railroad

railway

rainbow

raincheck

raincoat

raindrop

rainstorm

rainwater

rattlesnake

rattletrap

repairman

riverbanks

rubberband

sailboat

salesclerk

sandlot

sandlot

sandlot

sandstone

saucepan

scapegoat

scarecrow

schoolbook

schoolboy

schoolhouse

schoolwork

seashore

setback

sharecropper

sharpshooter

sheepskin

shoelace

shoemaker

shortbread

showoff

showplace

sideburns

sidekick

sideshow

sidewalk

silversmith

sisterhood

skateboard

skintight

skylark

skylight

skyscraper

slapstick

slowdown

slumlord

snakeskin

snowball

snowbank

snowbird

snowdrift

softball

software

somebody

someday

somehow

someone

someplace

something

sometimes

somewhat

somewhere

soundproof

southeast

southwest

soybean

spacewalk

spearmint

spillway

spokesperson

stagehand

standby

standoff

standout

standpipe

standpoint

starfish

steamboat

steamship

stepson

stockroom

stonewall

stoplight

stopwatch

storerooms

stronghold

subway

sunbathe

sundial

sundown

sunfish

sunflower

sunglasses

sunlit

sunray

sunroof

sunup

supercargo

supercharge

supercool

superego

superfine

superfine

supergiant

superhero

superhighways

superhuman

superimpose

superman

supermarket

supermen

supernatural

superpower

superscript

supersensitive

supersonic

superstar

superstructure

supertanker

superwoman

sweetheart

sweetmeat

tablecloth

tablespoon

tabletop

tableware

tadpole

tagalong

tailbone

tailcoat

tailgate

taillight

tailpiece

tailspin

takeoff

takeout

takeout

takeover

talebearer

taleteller

tapeworm

taproom

taproot

target

taskmaster

 

taxicab

I hope these lists are helping with your editing efforts.

Happy writing!

Hope Toler Dougherty holds a Master’s degree in English and taught at East Carolina University and York Technical College. Her publications include three novels Irish Encounter and Mars…With Venus Rising, and Rescued Hearts as well as nonfiction articles. A member of ACFW, RWA, and SinC, she writes for SeriousWriter.com. She and her husband live in North Carolina and enjoy visits with their two daughters and twin sons.

Author of Rescued Hearts
               Irish Encounter
              Mars…With Venus Rising
Visit Hope at www.hopetolerdougherty.com
Categories
Mastering Middle Grade

Three Things I Learned in Wimberley, TX

This past month I packed up my little bag, tucked my insecurity into the glove box and drove south to Wimberley, TX to participate in the Serious Writer Tour conference.

The sun shone, the chickens clucked and y’all, I’m here to tell you, it was a great day.

Carpets of Texas bluebells added beauty to my journey.

Here’s some of the conference highlights:

  1. Children’s writers are eight times more likely to be published in nonfiction. Wendy Lanier shared this fantastic statistic, plus a slew of information on the various types of nonfiction that are published (hint: it ain’t just biographies).

From trade to literary, commercial to persuasive, there’s plenty of flavors within the nonfiction realm to explore. Until this point, I hadn’t considered writing nonfiction. I think I (incorrectly) imagined the process being very similar to writing an encyclopedia. But I like researching. And in the middle grade arena, tapping this market first could help build your credibility.

  1. Contests. One of the many info nuggets dispensed by Michelle Medlock Adams was that contests matter. Why? Because agents and editors who are on the hunt often look specifically at – you guessed it – contest winners. And you can’t win if you don’t enter.
  1. Always be ready to pitch. I wasn’t expecting to have one-on-one time with acquisitions editor Rachel Lamonica Pellegrino from Little Lamb Books. But guess what? I got it. And when she asked what I was working on, friends, it wasn’t pretty. I messed up in every possible way.

After I stopped chewing on my feet, Ms. Pellegrino gracefully gave me constructive, actionable feedback. Even though it was ultimately a positive experience, I fumbled into an important life lesson. So let me serve as a cautionary tale: Do your prep work. Create a concise, thoughtful pitch. Rehearse it. Because you never know what kind of opportunities you’ll have. You want to put your best foot forward instead of shoving it firmly into your mouth.

BONUS ITEM:

  1. Get out of your comfort zone. If you’ve read along and thought “This is all well and good, but I could never go to anything like this. I’m ______,” allow me to gently and kindly take you by the shoulder and say “Yes you can.”  Not only can you, if you’re serious about writing, you should invest time and energy in learning new things about your craft.

At a writing workshop or conference, you’ll meet other writers. Confession: this intimidates me sometimes. But I remind myself that writers are my people. For every writer in the room, there’s a unique path that led them there. I don’t have to worry whether or not my path is like theirs. There’s room at the table for all of us.

What do you think? Are you planning to attend any conferences or workshops this year? Which ones?

Kell McKinney earned a B.A. in journalism from the University of Oklahoma and an M.S. in documentary studies from the University of North Texas. She’s a part-time copywriter, double-time mom and wife, and spends every free minute writing and/or hunting for her car keys. Connect with her on Twitter @Kell_McK or kellmckinney.com.

Categories
Magazine and Freelance

Writing for Magazines Provides Variety

Does your writing have a lot of variety? Or do you feel like you are writing the same type of article over and over with little variance? Writing for magazines provides many different possibilities, topics and types of articles. When I wrote for a church publication years ago, I wrote an article about baptisteries and steeples giving resources where churches could purchase these items. I knew nothing about steeples or baptisteries but I learned a great deal as I wrote that article and gathered the contents.

For any magazine article, there are at least two ways to approach the article. You can either write the entire article, then shop it to various magazines (normally on speculation since you wrote it without an assignment) or you can write a one-page query letter and shop your idea to publications and get a specific assignment.

Common types of magazine articles

Let’s explore some of the various types of magazine articles. I’m not covering all of the possibilities since it will vary for each magazine but these are some of the basic types of articles:

Round-up Article. I’ve written round-up articles on the latest marriage books or Bibles for children. As the writer, you can reach out to various publishers and have them send sample review copies for possible inclusion in your article. These books become the foundation of your round-up article.

Personality profile. These articles are focused on a single personality like a bestselling author. Your article reveals something different and unusual about this person’s life. I’ve interviewed over 150 bestselling authors and written personality profile articles.

Interview article. This type of article is also often focused on a well-known author or personality. The style of the writing is different and more of a Q & A format where you use the actual words of the subject inside the article. Many magazines use this type of article.

How-to article. When you write this type of article, you show the reader step by step how to do some skill or some craft.

Issue article. These articles are focused on a particular issue such as gun control or bullying or prevention of abortion or ???, Some magazines regularly feature this type of article in their publications,

Op-Ed article. An op-ed is an opinion article where you give your view on a topic and showcase your expertise and background. Magazines and newspapers use op-ed articles.

Devotional article. Numerous publications print devotional articles. Often each publication will have a particular format for you to follow with your devotional. They often include a verse or two of Scripture, a brief prayer and a short devotional insight. I’ve written devotionals for the Upper Room which has a circulation of over six million.

Book reviews. Most magazines only want to publish positive reviews unless it is a trade magazine which also publishes critical or negative reviews. If a publisher sends you an Advance Reading Copy of a book before the publication date, you can read these books and often publish reviews in magazines.

Personal experience.  I’ve written a full article about the importance of personal experience articles. Everyone has “different” experiences and almost every magazine uses these types of articles.

Take a few minutes and look over the variety of articles you can write for publication. Then take a few minutes and write some ideas and types of articles that you are attracted to publishing. I encourage you to write the article or query and get published in different types of magazines. There is a world of opportunity available to you if you take action.

Terry Whalin, a writer and acquisitions editor at Morgan James Publishing, lives in Colorado. A former magazine editor, Whalin has written for more than 50 publications including Christianity Today and Writer’s Digest. Terry is the author of How to Succeed As An Article Writer which you can get at: Write a magazine article.com. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams. His latest book is Billy Graham, A Biography of America’s Greatest Evangelist and the book website is at: Billy Graham Bio.com Watch the short book trailer for Billy Graham.

His website is located at: www.terrywhalin.com. Follow him on Twitter at: @terrywhalin

Categories
Publishing Pulse

Publishing as a Business

Today’s book publishing market can be a dangerous place, with a lot of scam artists spouting confusing terminology. I applaud the efforts of legitimate author groups who try to dispel the confusion, especially about different types of publishing business models. And yet, in an effort to simplify, it’s easy to become simplistic. Some of the explanations I’ve seen about traditional (commercial) publishing versus so-called self-publishing (subsidized publishing), even from industry leaders, are sometimes inaccurate and do not seem to take into account some basic business principles.

Like any business, book publishing involves a capital investment (the purchase of raw materials, labor, tools and/or equipment) to produce a product or service that is marketable (able to be sold for a profit). But unlike most businesses, the “raw material” of book publishing is content—an author’s words. And this is where the disconnect between author and publisher usually begins.

Most authors are uncomfortable with viewing their creative work as “raw material” — they prefer to think of their work as a finished product. Rather than being paid a standard industry rate for their raw material, they believe they have a marketable, finished product, and so they should receive the profits.

It’s an attitude that seems to make perfect sense—until you remember what profit really is. Profit is the revenue over and above the capital investment. In writing a book, has an author made a capital investment? Not at all! As an author, you may feel you have invested your heart and soul into your book, but if you haven’t invested any cash, it’s not a capital investment that will generate profits. Certainly you should be paid an appropriate amount (in royalties) for the value of your “raw material” — or, if you prefer, for your hours of labor in writing the book. But if you haven’t paid out the money needed to publish the book, you are not entitled to the profit on that investment, no more than you would be entitled to the interest income on someone else’s bank account!

And like it or not, it costs money to publish a book. The word publish has the same root as the word public, because when you publish a book it means taking those words sitting in your computer and putting them into a form that can be distributed to a waiting public—and it costs money to do that.

Rather than limiting themselves to the role of content provider (or “raw material” supplier, if you prefer), some authors choose to wear the hat of capital investor (supplier of the cash) and publisher (doing the work involved in preparing and distributing their words to the public). The common term for this is self-publishing. Next month, I will discuss the pros and cons of this process, and why there really is no such thing as self-publishing.

 

David E. Fessenden

Literary Agent, WordWise Media Services
Publisher and Proprietor, Honeycomb House Publishing LLC

Dave has degrees in journalism and theology, and over 30 years of experience in writing and editing. He has served in editorial management positions for Christian book publishers and was regional editor for the largest Protestant weekly newspaper in the country.

Dave has published seven books, written hundreds of newspaper and magazine articles, and edited numerous books. He is a frequent speaker at writers’ conferences. Two of his books, Writing the Christian Nonfiction Book: Concept to Contract and  A Christian Writer’s Guide to the Book Proposal, are based on his experience in Christian publishing. The Case of the Exploding Speakeasy, Dave’s first novel, reflects his love for history and for the Sherlock Holmes stories of Arthur Conan-Doyle.

Dave and his wife, Jacque, live in south-central Pennsylvania and have two adult sons.

Websites/Blogs:
www.fromconcepttocontract.com
www.davefessenden.com
www.thebookstore.info

Categories
Writer Encouragement

Bleeding Into your Words

When it comes to writing, wordsmiths sometimes hold back on the deeper emotion. While there are times that works—I doubt writing out a recipe is terribly heartrending—there are other scenarios that beg for an author to bleed a bit through their words. Without the infusion of feeling, you may not connect with your reader. If there is little connection, you could risk losing the attention of not just your readers, but editors and agents as well.

Sometimes I see a question on social media from a writer who seems surprised that they cry when they are reading over their work. They wonder if this is normal.

I say a resounding “YES!” This is not just normal but you have accomplished the goal of expressing deeper emotions that bring your story to life.

This can be a challenge for many writers because bleeding on the page makes us feel vulnerable. It forces us to examine feelings that we prefer to keep hidden in our hearts. But when was the last time you experienced a book that made you cry? Did the words that elicited tears make you want to stop reading? Not likely. You probably picked up a tissue, blew your nose—and proceeded to finish the story.

You may wonder how you can express emotions when a fictional storyline you’ve created is an unfamiliar pain in your own life. I’d suggest two things: 1. Interview someone with experience in that particular loss (i.e. someone who has lost a pet, a parent, a child). 2. Search your memory for a similar experience and recall exactly how you felt. You can glean much from your life that transfers into your writing.

In my YA historical, “Fields of the Fatherless,” the heroine’s father is killed in a battle. Although my father died under completely different circumstances, I’ll never forget touching his stiffened body at the visitation service. I then described how “Betsy” experienced the same sensation. I cried a great deal writing that scene, and through many other scenes in that book. In fact, through every edits I worked on, I repeatedly cried at the same scenes again and again. I had allowed my emotions to drip into the words. The result was a book read by many, which won or was a finalist in four awards, and continues to sell on Amazon despite its release date in 2013.

Will every book require deep emotion? Of course not. But when sorrow and pain becomes appropriate, go for it. I encourage you to bleed that emotion into your words.

Carry on.

Elaine Marie Cooper is the award-winning author of Fields of the Fatherless and Bethany’s Calendar. Her latest release (Saratoga Letters) was finalist in Historical Romance in both the Selah Awards and Next Generation Indie Book Awards. She penned the three-book Deer Run Saga and has been published in numerous magazines and anthologies. She freely admits to being a history geek. She has a four-book series set in Revolutionary War Connecticut that will begin releasing this year. You can visit her site at www.elainemariecooper.com

Categories
Fantasy-Sci-Fi

Realistic World-Building

The trend within the fantasy and sci-fi genres is to push for more detailed world-building within our stories. While this might work for some novels, it isn’t always necessary. When writing a sci-fi story set on earth in the not too distant future, less is actually more. A story can be just as effective—if not more so—when the writer keeps the setting simple. Keep in mind that in reality, the next generation or two probably won’t be living too much differently from the way we do now.

Names.

I personally know teenagers named William, Julia, Benjamin, Robert and Elizabeth. I also knew teenagers with these names when I was a young girl in the eighties. Today, we’ve also got names like Truxton and Abcde, but every generation will have new and different names. Overall, they haven’t changed that much. I would expect there will still be boys named James and girls named Grace in the year 2118. When creating your cast of characters, throw in an unusual name or two, but don’t bog the story down with odd names that are too difficult to pronounce. It’s perfectly futuristic to give your characters normal names.

Technology.

Computers have changed our way of life forever. Technology is moving at a faster pace each and every year. But that doesn’t mean earth will be unrecognizable in another century. With each new technology, it takes years of testing and then more years of production, before a company or government can implement it into society. Pharmaceuticals take decades to pass through the FDA. We may have the first self-driving cars on the road, but will that really mean all vehicles in our country will be self-driving in just a few decades? Most likely, not. Remember to incorporate some of these changes as occurring slowly over time within your story. However, no one will expect our skies to be filled with flying cars by the year 2068.

Geology.

What’s happening on our planet? It’s no secret that polar ice caps are melting and changes in our atmosphere are causing scientists to scratch their heads. But how will this affect our world in the future? Many futuristic stories include the same countries and landmarks that exist today, but use different names or have new alliances, causing the reader the need to learn about our planet as if it were not our own. But how will our world be different geologically? Including small changes in the natural world around us may be the key to your world-building without having to “reinvent the wheel” by creating all new nations just to make our world seem different.

The differences needed for world-building within a sci-fi story on earth don’t need to be complicated. Remember to keep things simple, pull from what is familiar to you, and think about the next logical step for the future of our world. This just might be the key to keep your reader reading, without getting hung up on complex details.

Laura L. Zimmerman is a homeschooling mama to three daughters and a doting wife to one husband. Besides writing, she is passionate about loving Jesus, singing, drinking coffee and anything Star Wars. You can connect with her through Facebook and Twitter @lauralzimm and at her website Caffeinated Fiction.

Categories
A Lighter Look at the Writer's Life

Pop! Goes the Cultural Landmarks!

I recently heard a discussion about pop culture “landmarks”– movies or television shows that have made a lasting impression on your life and writing career, and it made me think about my landmarks.

As a young boy, I was obsessed with the 1960s Batman series, which I watched in reruns every day after school. The WHAM! BAM! POW! graphics, colorful sets, and overall cheesy manner were right up my alley. I guess you can trace my odd outlook on life to this show.

Other favorites that left their mark are I Love Lucy, The Brady Bunch, and The Carol Burnett Show—it’s no wonder I write humor. The more I pondered about my landmarks, digging deeper to think of a television show that made me want to be a writer, one program stood out: Lou Grant.

Oh, Lou Grant! The spinoff of the Mary Tyler Moore Show took place in the busy newsroom of a Los Angeles newspaper, and it enthralled me. The show debuted right about the time that I was asked to be the junior high correspondent for the high school paper and, ironically, ended as I graduated high school and finished my illustrious journalism career there.

Week to week for five seasons, Grant guided his bevy of reporters in breaking the latest stories in rousing fashion. He served as a mentor for newcomer Billie Newman and often butted heads with overly-enthusiastic Joe Rossi. Who can forget Grant’s visits to regal publisher Mrs. Pynchon, with her pearls, her tough-yet-understanding demeanor, and her little dog constantly in her lap?

Each Monday night, I would pop my Jiffy Pop (which still fascinates me), grab a glass bottle of Pepsi, and park myself in front of the huge color television set in our small living room, ready for some exciting journalism action. I couldn’t get enough of the show as it captured the highs and lows of chasing a story and dealt with the benefits and consequences of investigative reporting. Combined with my work  on articles about school assemblies and club meetings, I was hooked.

My love affair with journalism didn’t end with the cancellation of Lou Grant, as I went on to major in journalism in college and still teach it, in addition to my freelance writing.

A few years ago, one of our obscure cable channels showed Lou Grant reruns for a short while. The strong sense of journalism remained, but many of the references and issues were dated. The newsroom was full of fancy electronic TYPEWRITERS, and there was even a scene with a newfangled invention—a CAR PHONE. Even so, it remains a pop culture landmark and an important influence in my writing journey.

Now . . . what’s your landmark?

Carlton Hughes wears many hats. By day, he’s a professor of communication at Southeast Kentucky Community and Technical College. On Wednesday evenings and Sunday mornings, he does object lessons and songs with motions as Children’s Pastor of Lynch Church of God. In his “spare time,” he is a freelance writer whose work has appeared in numerous publications, including Chicken Soup for the Soul and several devotional books from Worthy Publishing—Let the Earth Rejoice, Just Breathe, So God Made a Dog, and the soon-to-be-released Everyday Grace for Men. Carlton and his wife Kathy have two college-age sons, Noah and Ethan. He is on the planning committee for Kentucky Christian Writers Conference and is a year-round volunteer for Operation Christmas child.

Categories
Writers Chat

Branding Yourself as a Professional Writer with Cody Morehead

Ever wondered how to help your audience catch your vision? Ever wondered if you even have a vision for your writing? In this episode of Writers Chat, Serious Writer’s Creative Director Cody Morehead talks about how you can build your brand so it’s strong enough to go the distance.

Cody Morehead is an excellent communicator, who uses his over-the-top personality to exhilarate and engage audiences. His messages encourage, challenge, and motivate his audiences to deepen their faith, grow in their understanding, and live a fulfilled life. But, Cody isn’t just a one trick pony, his musical talents allow him the opportunity to lead transformative worship, or perform humor laced parodies and dramas. When listening to Cody, you’ll laugh, you’ll cry, and he’ll keep you on the edge of your seat! I can’t wait to book him again!

-Cyle Young

Award Winning Author, Senior Pastor, Nationally Recognized Athlete and Speaker

 

JOIN US!

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. Participants mute their audio and video during the filming, then we open up
the room for anyone who wishes to participate with our guests. The “After Party” is fifteen-minutes of off-the-record sharing and conversation.

Additionally, you can grow your network and add to the conversation by joining our Facebook Group.

Categories
Bestsellers

BEST SELLING AUTHOR- JONATHAN CATHERMAN

Can you share a little about your recent book.

The MANUAL TO MIDDLE SCHOOL is for boys making the big jump up to middle school. The move from elementary to middle school can be difficult for many guys. Too big to be little yet too little to be big, they face the perfect storm of changing bodies, rushing hormones, and learning challenges. Many new to middle school guys find themselves struggling with grades, behavior, relationships with family, friends, and teachers. Boys often grow frustrated and embarrassed as they strain to figure out what to do and what not to do in their new world… called middle school.

For me, the best part of this book is that I wrote it with my two sons. When we started writing together Cole was moving into middle school and Reed as moving out to high school. Our dinner conversations were all about younger brother asking older, “What’s middle school really like?” These proved to be our inspiration. It also helped that I was working with middle schools around the country so I was able to interview over 300 teachers, administrators, and parents about what they saw as the biggest struggles new to middle school guys face daily. I’d return home armed with fresh content that the boys and I would filter it through the real-time middle school boy experience.

Why do you write? Do you have a theme, message, or goal for your books?

I write because I believe to those who are given much, much is expected in return.

In 2012 I walked away from an auto accident that should have ended my life. In the moment of impact, with glass breaking and airbags deploying, I thought, “I’m going to die. Who will raise my boys?” I felt cheated out of the role of one day walking the boys through the rights of passage shared between a father and his sons. Who would teach them to shave? How to change a tire? Meet a girlfriend’s parents for the first time? “That should be me,” I thought as my rental car crushed in around me.

A moment later I stood bruised but not broken on the side of the freeway, staring at a totaled rental car. While thanking the Lord for protection beyond explanation I resolved to move from being a decent dad to parenting with purpose. Starting that night I created a cloud file for my sons titled, If anything ever happens to me. In the file I wrote instructions to life, “how to” tutorials, introduction to people they should meet, and reminders of their mother’s favorite things.

Months later I shared this file with my mentor and he rattled my mind with his reply. “This isn’t a file for your sons only Jonathan. This advice is for countless boys who need a positive male role model to walk beside them.” He told me, “This needs to be a book.” Little did I know how right he was.

The theme of my writing has been about transforming boys to become confident and capable men. That theme recently expanded to include girls as my bride Erica and I completed two manuscripts titled, The GIRLS’ GUIDE TO CONQUERING LIFE and The GIRL’S GUIDE TO CONQUERING MIDDLE SCHOOL. We had a blast writing together and hope the work will help transform girls to become kind, confident, and capable young women in the making.

Looking back to that hot Texas day, on the shoulder of a freeway, I walked away from a wreck and into the gift of time shared with my sons and bride. I do my best to steward the value of this gift every day. And so I write, in return for how much has been given to me.

How long have you been writing? And how long did it take you to get your first major book contract?

My first book was published in 2014. It took about 18 months to write, shop, edit, and illustrate.

How long does it take you to write a book?

My writing tends to take a bit long because it includes hundreds of illustrations. A good accounting is about a year for each book.

What’s your writing work schedule like?

I pound the keys after my boys go to school and before they come home. Once they burst through the door I try to be done. I’ll also write while they are in music lessons. After dropping them off at the studio I’ll sit in the corner of a little café down the street and type as much as I can before rushing back to pick them up.

Do you have an interesting writing quirk? If so, what is it?

I don’t think I have any interesting working quirks but my family does, and they point them out to me regularly. So, I guess I do. Apparently, I listen to the same music soundtrack on repeat, over and over again. They all know who my favorite musician is… this week. They also say I like my office arranged in a very specific way and that I know when they have moved things around. Besides that, and as long as my old dog is laying on the floor beside me, I think my writing environment is pretty low maintenance.

What has been your greatest joy(s) in your writing career?

The greatest joy of my writing career is first and foremost working with my family. After that, it’s the lives impacted by the books. For example, a few years ago a celebrity friend included me in a documentary film project he produced about bullying. I got to meet with the “tough” guys he was mentoring, introduce them to The MANUAL TO MAHOOD, and practice a couple How To instructions from the book. Shortly thereafter, my friend died unexpectedly. At his funeral one of the guys he was mentoring pulled me aside and said, “You’re the How To Pound a Nail guy, aren’t you. After you met with us my mom asked me to hang a heavy mirror for her. I didn’t think I could until I remembered what you taught us about finding a stud in the wall and pounding a nail. I hung that mirror no problem. It really made my mom proud of me. Thanks, man.” This may not sound like much to some people, but for this young man the simple act of knowing how to pound a nail helped him gain his mother’s respect and avoid the embarrassment of not being able to successfully hang a mirror. Isn’t that what everybody wants? To gain respect and avoid embarrassment.

What has been your darkest moment(s)?

That last day of rereading my own work before sending it to my publisher. I tend to question every word and can’t believe that’s what I poured myself into for a year. But I’m usually good again by the time the advance release copies arrive on my desk.

Which of your books is your favorite?

I regularly find myself in the pages of Run With The Horses by Eugene H. Peterson

Who is your favorite author to read?

Inheriting my grandfather’s library of Oswald Chambers early writings is one of my most cherished collections.

What advice can you give aspiring writers that you wished you had gotten, or that you wished you would have listened too?

Your writing will never be good enough for you. So finish your manuscript and submit the darn thing. The editors will make it better.

How many times in your career have you experienced rejection? How did they shape you?

If people are reading your work rejection is guaranteed. Between the ease of posting online and “everybody gets a voice” haters are only a click away. Erica once kicked me out of a funk by reminding me, “Not everybody is going to like you all the time. I love you but nobody is that good. Get over it and move on.” Ya, she’s a tough one and I love her for it.

Do you have a favorite character or scene in one of your books?

I finally got to share my 8th-grade dance, parachute pants, pretty girl in a red dress story in The MANUAL TO MIDDLE SCHOOL book. It’s on page 54 if you want a good laugh.

Where do you get your ideas?

Who needs help and how can I assist?

What are common mistakes you see aspiring writer’s make?

Self-doubt and fear of rejection lend itself to the excuse of not finishing. Get’er done!

Where/How do you recommend writers try to break into the market?

Go to an agent with a manuscript proposal that is well composed. Do your research on what you’re asking them to pitch to publishers. An agent is far more likely to take you on if you have original work or a unique way of presenting a tried and true topic.

 

Purchase on Amazon: http://amzn.to/2Ciwrpg

Jonathan Catherman has worked in private and public education for 23 years. As a sociologist and educator, Jonathan is dedicated to understanding what mindsets, skillsets, and toolsets best influences the character and leadership development of today’s emerging generation. An international bestselling author, award-winning cultural strategist, education consultant, and founder of 1M Mentoring Jonathan speaks worldwide to diverse audiences of all ages. His contagious energy and passionate speaking style engages and inspires while his clear vision and practical instruction clarifies what leadership principles and structural relations empower greatness in people and organizations. For his success in the development and delivery of youth mentoring resources and programing Jonathan was awarded the 2016 President’s Volunteer Service Award and Martin Luther King Drum Major for Service Award. Jonathan and his bride Erica have been married for 20 years. Together with and their two sons the family enjoys the warmth and hospitality of North Carolina where they call a small community near Charlotte home.

Categories
Screenwriting

Moving On

We’ve all seen bad movies before. Films we couldn’t wait to see after watching a brief two or three minutes trailer on TV only to be disappointed and fooled by the hodgepodge, jumbled collections of vaguely related scenes that look like they were put together by an editor with a severe case of ADD or hiccups.

Action-adventure movies are notorious for this poor visual seizure. Like what was meant to be an epic battle scene in Zach Ryder’s Wonder Woman, the Amazonians are defending the island and Ares, the attacker rambles on about the past while the battle rages from one action beat to another.

These stories that have no sense of direction or purpose and just move from one scene to the next; we often find ourselves leaving the theater feeling ripped-off, like victims of some get rich quick Ponzi scheme that promises big payoffs, but never delivers.

We wonder if somehow we missed something, perhaps during a quick bathroom or snack run. Just maybe the problem wasn’t a weak storyline, but poor transitions or lack of them all together—just a smorgasbord of powerful scenes thrown together in an effort to sell a story (1 Cor. 14:33.)

The real problem is poor transitions or lack of them altogether.

Transitions are important tools to help weave scenes and storylines together in a film.

Effective transitions help your writing (story) flow. They help give your audience a sense of direction and purpose. First the writer (creator) must determine the direction their story is going and then they can plant cues or catalysts to guide the audience along.

We can take notes from King Solomon on how God does this (Proverbs 16:9, 19:21). Once we establish the path of our story, then we need to pick what kind of transitions we are going to use to get from point A to point B.  Film uses different types of transitions.

  • Action, movement of one person or object mirrored to movement of another person or object.
  • Specific views or shots which are similar.
  •  Dialogue.

Dialogue is my favorite form of transition. It allows me to mention something in one scene and have it come to pass later in my story. Foreshadowing saves time, whitespace and allows me to build momentum as my story progresses.

Think of it like a mountain stream that flows from a lake or pond at a higher elevation. Throughout the flow of water, the stream picks up sediments and carries it from one place to another, often unseen by the naked eye. But the end result is obvious where the water’s path ends. It’s where the current stops moving.

Moving on?

In the late 1800s the French Lumière brothers became filmmaking pioneers and patented the cinematograph, a motion picture camera. They used it to make their first film, Workers Leaving the Lumière Factory.

It was basically just a series of pictures of workers leaving a factory, no words, just the common action of workers flowing out of a factory at the end of the day.

It wasn’t until the 1920s that audiences were able to hear sound in movies and that took storytelling in film to a whole other level. It gave filmmakers more dimension to their storytelling (Genesis 1:3.) The whole purpose was always to move an audience from one place to another.

Transitions aren’t limited to just film.  Dialogue transition can also be used in fictional books. Christian YA author Tessa Emily Hall uses this technique in her book Unwritten Melody at the end of chapter 4 when Cassie is talking to herself about sharing her lyrics with a guy she is crushing on when she meets with him again, and then Tessa begins the next chapter with Cassie sharing her lyrics with James.

Transitional writing is key in nonfiction writing as well, even in blogging. If you have ever read a post of mine, you’ve noticed there is a hint or preview of my next blog post hidden in the final subtopic of each post. This way I can keep my train of thought smoothly moving on.

Martin Johnson survived a severe car accident with a (T.B.I.) Truamatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at Spiritual Perspectives of Da Single Guy and on Twitter at mtjohnson51.

Categories
Blogging Basics

Content Creation Ideas For Your Blog

Ideas on How to Blog

How Often You Post

Blogging takes consistent commitment. Whether you decide to blog once a month, once a week or more; a consistent posting of your content sets an expectation with your audience. If you post every Wednesday, your audience will come to look forward to reading your content mid-week. Consistent posting will also help search engines find your blog.

Blogging once a week or more can help you gain an audience. I post once a month, but when I started my blog, I posted once a week. If you want to gain an audience more rapidly, post twice a week to boost your exposure. Look at your schedule and decide which posting schedule works best for you.

If you have not started a blog, create between 8 – 10 blogs in a Word document. This will give you 4 – 5 weeks of blog content to post. Having content ready to go can relieve the stress of creating quality content and help you get started with being consistent.

Write Ideas Down Write (Right) Away

My ideas for blogging come from everyday life. When a thought comes to mind, I write it down quickly to remember the details. I use iPhone notes to keep track of ideas. I also use an old-fashioned pen and paper; however, it is too easy to lose a piece of paper. Using the recorder on my iPhone is another way to help corral blog ideas.

Free Write

What content to create is a conundrum we all face as authors. Pick a day and a time to write free from distractions.  Many times, you will face a blank page as crickets twerp in the background. Just start typing. Free write whatever comes to mind. Often times, I will end up writing 2 – 3 topics in one sitting. I flush out the most developed topic and save the other topics for another blog.

Ideas on How to Find Topics

Use a calendar of Events and Holidays as great idea starters for your blog.

Apples4theteacher.com/holidays has a list of events and holidays to choose from.  January 8th is National Clean Off Your Desk Day. Write a blog about how you keep organized as an author. Post a picture of your organized desk.  You could also engage your readers by asking them to share their tips.

April 10th is National Library Day. Blog about your local library. Contact them and offer to do a book signing to promote National Library Day.

April 12th is D.E.A.R – Drop Everything And Read Day. Share an excerpt of your book in a blog post.

April 14th is International Day of Laughter Day. Share humorous excerpts from your book.

April 28 is Sense of Smell Day. Share excerpts from your book which describe a sense of smell. Offer tips on how to write a scene using the five senses. Engage your readers to submit a short story highlighting a sense of smell and award the winner a copy of your book.

Buddy Up

Find another blogger in your same genre and buddy up to brainstorm content ideas. Once written, you can promote each other’s blog on your social media platforms. This is a great way to build a friendship and also share each other’s audience.

Ask Your Audience

Asking your audience is a great way to not only engage with your readers but allows them into your process.  What content would they want to read?

Jessica Osborn-Houser of JJburry.com offered her readers an opportunity to chose which blog they wanted to read. The choices offered were:

  1.       Using Sentence Variation
  2.       Adding details with phrases
  3.       How to write book reviews

Her readers voted to learn how to write books reviews by 63%. She posted her poll on Twitter, but you can use Facebook to post a poll as well. Once the voted blog is posted, you have an instant audience interested in reading it.

How do you decide what to write about on your blog? What topic received the most engagement on your blog? What content tips do you use to create content?

Evelyn Mann is a mother of a miracle and her story has been featured on WFLA Channel 8, Fox35 Orlando, Inspirational Radio and the Catholic News Agency. A special interview with her son on the Facebook Page, Special Books by Special Kids, has received 1.4M views. Along with giving Samuel lots of hugs and kisses, Evelyn enjoys hot tea, sushi and writing. Visit her at miraclemann.com.

Categories
Copywrite/Advertising

What It’s Like to Write for a Digital Marketing Agency

Since I became a copywriter, I have written for my own clients and for digital marketing agencies. Each arrangement has its pros and cons, but my preference at this point in my life is to write for digital marketing agencies.

What is a digital marketing agency?

A digital marketing agency takes care of a company’s online presence. They come up with a plan to create effective internet ads, website content that turns leads into customers, and engaging social media profiles. A digital marketer knows SEO and keeps up with the latest online trends. A digital marketing agency could be just one person, a team of people, or a large organization.

What does a copywriter write for a digital marketing agency?

A big part of writing for a digital marketing agency is writing blog posts for business websites. Blog posts are a type of content marketing. Content marketing is any writing that sets up the business as an expert in their space and allows them to give free information to build a trust relationship with potential customers. Blogs are the perfect place for a business to do this online, but this could also include newsletters or even social media posts. Email marketing can be content marketing as well.

What it is like to write for a digital marketing agency?

Each digital marketing company works a little differently, but for the most part, I am given a blog topic to write for a particular business website. Then I research the business and get to know their voice and how they are trying to help the reader. Are they formal and informative? Or friendly and fun? What life problem for the reader is the company trying to solve?

Then I research the assigned blog topic on reputable websites and write the blog post according to the instructions given to me. Some companies want 300-500 words. Others want 1,200 words or more. Some digital marketing agencies supply me with a complete outline of the blog post including keywords and how many times each should be included. Some provide reliable resources for information on the topic which means all I need to do is write. Other agencies simply tell me to write a blog post for a particular website and I have the freedom to choose the topic and the keywords. Depending on the business, this could be fun or frustrating.

By far, blog posts are the most popular type of content marketing writing assignments, but I have also written emails and social media posts as well. If you are going to write for a digital marketing agency, it’s a good idea to have multiple skills or at least be willing to learn new skills. A good place to start learning the basics is Digital Marketing for Dummies by Ryan Deiss and Russ Henneberry.

Pros and Cons of Writing for a Digital Marketing Agency

You don’t have to talk directly to the client. Talking to the client and figuring out what they want and need takes time. Some clients are hard to get a hold of. Others communicate through massive brain dumps that you have to sift through and organize. Being the writer means the digital marketer has the responsibility of organizing the assignment before you begin your work.

The downside of not talking directly with the client is when you have a question or need a clarification. Then you are forced to play whisper down the lane to get answers. That also takes time and information could get lost along the way.

The client doesn’t know who is doing the writing. From the client’s perspective you are an anonymous writer on a digital marketing team. Even if your blog post is well-written and has a great response, you will not be revealed as the author. You will not build publishing credits under your own name. When you write for a digital marketing agency, there is no quest for personal glory. Any win for the client is a win for the whole team and you have to be okay with that.

Your writing can have maximize impact for the client. Unless you understand SEO, keywords, and the whole digital marketing picture, you will not have the knowledge necessary to make your writing the most effective it can be for the client. If you write with a digital marketing agency, trust and follow the instructions of the digital marketer so your writing can have maximum impact. If you ever want to have your own clients or if you simply want to grow as a copywriter, you will have to know more than just effective writing. Watch with curiosity how a digital marketer structures your writing assignments. If you are writing for your own clients, you won’t have this insightful input.

You don’t get to pick what to write. This varies from digital marketer to digital marketer. With one digital marketer, I have regular clients for whom I write month after month. Since I know the clients and what has been written already, I have a lot of freedom in choosing blog topics. For other digital marketing agencies, I have no say at all and simply work on assignments as they are given.

Invoicing is simple. With your own clients, you need to invoice each one and keep track of who paid and chase down those who didn’t pay. If you write for a digital marketing agency, you can write out one invoice to the marketer with all of your writing and know you will be paid. All the digital marketers I have written for have been well-organized with payments and paid a fair rate, on time, without any problems.

If you are getting started as a copywriter or looking to expand your copywriting opportunities, seek out a digital marketing agency to partner with. You’ll gain guided experience that you can use for future clients whether you get clients on your own or through other digital marketers.

Are you a digital marketer? What advantages are there to having a copywriter on your team? Are you a copywriter who writes for a digital marketer? What pros and cons have you had in your copywriting experience?

Rachel Schmoyer is a pastor’s wife, mom of four, and a copywriter. She also helps Christians find the simple truths in the complex parts of the Bible at readthehardparts.com. Her other writings and publishing credits can be found on rachelschmoyerwrites.com.

Categories
Writers Chat

Writing for Regional and Local Markets with Scott Rutherford

If you’ve wondered how to make your writing pay, you’ll want to watch this Writers Chat with Scott Rutherford, executive editor for a free mailer publication with a potential reach to over a million in various communities in Texas and Louisiana. It’s an encouraging interview, especially if you’re new to writing. As Scott Rutherford puts it, “I landed a job as an executive editor with only twelve hours of college. In my defense, nine of them were in English.”

Enjoy the inspiration!

About Scott Rutherford:

Scott Rutherford is a confirmed serial killer of Oxford commas and managing editor for Metro Leader, a family of hyper-local community monthlies in Texas and Louisiana with distribution to more than a million homes. He is currently managing papers in Lubbock, Sherman-Denison, Corpus Christi, and the Rio Grande Valley, Texas. He has previously managed and/or served as staff writer for Metro Leader papers in Shreveport, Monroe, Lake Charles and Natchitoches, Louisiana and Marshall, Texas.

Prior to coming to Metro Leader in 2014, he worked as a full-time freelance writer, editor and (occasionally) translator. He has written thousands of articles for print and online publications under his own name and a variety of pseudonyms. He has ghostwritten books you can buy at any bookstore, but he can’t tell you (much) about that.

Before that, Rutherford served as a pastor, youth pastor, and residential care worker for at-risk youth.

When he’s not writing, you can usually find him writing.

Unconfirmed rumors suggest he’s also been seen rediscovering, dusting, and playing the drums.

JOIN US!

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. Participants mute their audio and video during the filming, then we open up
the room for anyone who wishes to participate with our guests. The “After Party” is a
fifteen-minutes of off-the-record sharing and conversation.

Additionally, you can grow your network and add to the conversation by joining our
Facebook Group.

Categories
Novelists Unwind

Novelists Unwind Interviews Hannah Conway

Join Johnnie Alexander as she chats with Hannah Conway and Jolina Petersheim on Novelists Unwind.

Introducing Hannah Conway

Hannah Conway is the author of The Wounded Warrior’s Wife and Up In Smoke.

When I asked Hannah to be my guest, she said, “We’re going to have so much fun.”

She wasn’t wrong!

Besides finding a lot to laugh about, we talked about crème brulee pineapple and hot & spicy cinnamon Oreos, embracing military themes and honest endings, glass bottles and shiny rocks, and how God doesn’t waste a hurt. Read more here, or watch the video below.

Introducing Jolina Petersheim

Jolina Petersheim is the bestselling author of The DivideAlliance, The Midwife, and The Outcast, which Library Journal called “outstanding . . . fresh and inspirational” in a starred review and named one of the best books of 2013.

Learn more about the inspiration behind The Alliance and its sequel, The Divide, in our interview:

Your Novelists Unwind host:

Best-selling author Johnnie Alexander imagines heart-tugging stories in multiple genres. Her debut novel, Where Treasure Hides, has been translated into Dutch and Norwegian. She also wrote the Misty Willow Series: Where She Belongs, When Hope Arrives, and What Hope Remembers. Since Johnnie loves to talk about writing, she interviews inspirational authors for Novelists Unwind, co-hosts a weekly online show, Writers Chat, and teaches at writers conferences and on Serious Writer Academy. Johnnie recently moved to Oklahoma with Griff, her happy-go-lucky collie, and Rugby, her raccoon-treeing papillon. Connect with Johnnie on her website or her Facebook Author Page.

Categories
Book Proposals

One Page Sell Sheet

The One Page Sell Sheet is like a mini resume. The sell sheet gives the agent or publisher pertinent information while enticing them to read on. It is not to be confused with the sell sheet sent to bookstores to promote your book or the one sheet presented to agents and publishers at a conference.

The use of fancy fonts and colors is not recommended on your One Page Sell Sheet.

Your headshot and photo of the cover of the book (if available) should be the only photos included on this page.

Always adhere to the submission guidelines which can be found at the agency or publishers website.

Grab the attention of the agent or publisher by including the following.

The first line: The title, genre, and word count

  Title: Don’t underestimate the importance of your title. Yes, the publisher may change it, but the title draws the reader in and it eludes to the genre and content of the book.

  Genre: Is your book fiction or non-fiction.   List any sub-categories. An extended list of subcategories can be found on Amazon.

  Word Count: Most writing programs keep the word count for you. If not, the rule of thumb to obtain a word count is to multiply the number of pages by 300.

Tagline

A one-line pitch of your book. This is optional for fiction at some agencies. It’s also called a catchphrase. The tagline should be brief, catchy, and true to the story.

Back book cover paragraph-

Is not the synopsis. It is about 200 words that will hook the reader and convince them they need to buy your book. Read the back covers of the best sellers in your genre to get an idea. Think of your back cover paragraph as a sales pitch. If your book is part of a series, mention it here.

Abbreviated bio with author photo- 

Keep the bio brief. Annotate how many years you’ve been writing along with some recent publications. The proposal has another section to expound on your bio. Please use a recent photo. I’ve been surprised when I met an author in person and they look nothing like the headshot on their proposal.

Remember, it’s one page.

Also remember, you can do this!

You accomplished something many people aspire to do. You wrote a book.

Creating your one sheet is nothing compared to all the time and energy you invest in your characters, research, and editing.

If you have any questions, I’m here for you.  No question is silly or insignificant.

Contact me at  editor@thewriteproposal.com.

 

Cherrilynn Bisbano is an award-winning writer and the founder of The Write Proposal book proposal services.  Cherrilynn spent two years as Managing editor of Serious Writer’s, Almost an Author, Top 100 writing websites. She is managing editor of Stand Firm-Reasons column.

She hosts Genre Chat where she’s privileged to interview expert writers. Cherrilynn co-hosts Fulfilled Prophecy Friday with well-known prophecy speaker Jake McCandless.

She is a two-time winner of Flash Fiction Weekly. She’s published in many online magazines and contributes to Blue Ridge Mountain Christian Writers blog. Contributor to Chicken Soup for the Soul- Miracles, Breaking the Chains and Heart Reno books.

Cherrilynn proudly served in the Navy and Air National Guard; earning the John Levitow Military leadership award.  She lives with her sixteen-year-old son, Michael, Jr., and husband of 19 years, Michael, Sr.

Categories
Romancing Your Story

Crafting the Hero––Part III by Donna L.H. Smith

Nobody’s perfect, right? True. Neither can your romantic hero be perfect. Choose a character flaw that will irritate your heroine to the point where in order to love him, she’ll have to overlook it. Click to Tweet #amwriting #RomancingYourStory #AlmostAnAuthor #CraftingTheHeroine

Categories
The Picky Pen

Editing the Plot

Okay. Most of you (myself included) admit it’s challenging and exciting to plan the next book. It must be simple, right? Think of an idea. Create characters and compelling scenes. Write a few hundred pages. And you’re done. Right?

Wrong. Not. That. Simple.

You’ve got to think of a plot that works. A plot that includes a beginning, middle, and end. You may not think plotting a book is part of editing, but it is, my friend. What I’m going to say next is vital to the life and breath of your story. If we don’t analyze how our story flows at the macro level we won’t have a solid story to edit at the micro level.

What? There’s a structure to tying it all together? I’m afraid so. A story isn’t Friday Mish Mash. (Although some writers have successfully pulled off a great mish mash story . . . that’s another conversation for another day.)

  • Beginning. Introduce your characters, bring in a conflict or desire between your main character and an antagonist (can be an animate or inanimate object), and set up how the main character is going to achieve their goal.
  • Middle. Continue story with riveting twists and turns for the character to achieve the solution to the problem or desire. You can even introduce subplot, which is often more exciting than the main plot.
  • End. Begin to wrap up the solution to the problem, but not before your character is forced to choose between good and evil in order to obtain their goal. This is the most exciting part in your story because you’ll hook your readers even more and keep them reading late into the night. (A very good thing!) Your conclusion should be satisfying and solve the problem your character faced in the beginning of the story.

Remember. Readers who have a reason to care about the characters you’ve created will be hooked from beginning to end.

Here’s an example of my own WWII story:

Beginning
Clara must babysit her little sister while their mother goes shopping. In addition to babysitting, Clara has to put up the tomatoes (goal). Little sister Bevy proceeds to wreck Clara’s work (problem). Clara tries to work with Bevy to no avail (aggravated problem.)

Middle
Clara is frustrated that Bevy is squashing all of the tomatoes and reacts angrily toward Bevy. Bevy runs outside (climax).

End
While cleaning up the tomato mess, Clara sees Beverly running toward the tractor where their dad is harvesting crops (unexpected climax that causes reader to care). Clara realizes the importance of her attitude toward Bevy (resolution to the problem).

The instructions might sound simple. But it takes practice to grasp the concept of beginning, middle, and end structure and then to execute it. Grasping the concepts are also determined by editing the plot to make sure it sings like a canary rather than a crow. Then. It. Will. Be. Simple.

Join in the discussion!

What part of the novel do you struggle with and what resources help you conquer the struggle part(s)?

Tisha Martin writes historical fiction and nonfiction but also edits and proofreads for beginning and best-selling writers, professional editing agencies, and publishing houses. She has a BA in Professional Writing, an MS in English Education, and an editing certificate from the PEN Institute, affordable continuing education for editors. Active in American Christian Fiction Writers and The PEN, she appreciates the writing and editing communities. As Assistant Director of PENCON, a conference for editors, she enjoys travel marketing and updating PENCON’s Facebook Page. Connect with Tisha on her website www.tishamartin.com and engage in the conversation.

 

Categories
Child's Craft

Revealing Your Character’s Character

In her book The Art of Characterization Fay Lamb proposes that writers “use the other elements of storytelling to cast your novel with unforgettable characters.” (page 5) She includes the following in her list of elements: deep point of view, actions, thoughts, experiences and dialogue.

How can I use these elements of storytelling to create complex characters as Lamb suggests?

I’ve been chewing on her suggestions and have customized them a bit for myself.

Lamb tells us to develop or reveal characters first of all by using what she calls Deep Point of View. I must admit I’m always intimidated by the many explanations of point of view. It’s like trying to remember the 50 states and their capital cities 50 years after high school!

Lamb says that Deep Point of View “immerses the reader into the head of the lead character through that character’s actions, reaction, thoughts, experiences and dialogue.” Okay.

Let’s take those elements one at a time.

I can reveal the body and mind, the heart and soul of a character through their ACTIONS. Makes sense. I must SHOW the reader what the character does, and how they do it sometimes, as a means of revealing a bit about that character with each scene.

This is especially true about their reactions, I think. How a character relates to other characters in the story can definitely reveal secrets or truths about them.

Revealing a character through THOUGHTS can be trickier. The most difficult thing for beginners is to resist the urge to have too much introspection or thought life. That slows the pace down and makes readers misinterpret that character’s psyche, I think. For the same reasons I also avoid characters talking aloud to themselves very much.

EXPERIENCES, on the other hand, are the stuff plots are made of. Action, reaction, escapades, accidents. The character going places, doing things, meeting people, learning, loving, hating, fearing and their reactions to these experiences show me bit-by-bit who my character really is, or who they are becoming.

Last on Lamb’s list is dialogue.

DIALOGUE is a fun puzzle to me as a writer. I’m still learning, but I love the game of creating realistic, effective dialogue. Accurate, effective dialogue reveals a character’s culture, era, education, place of origin or residence, profession, personality, age and more. Peppering dialogue with a few clues helps the reader figure out who this character is.

Lastly, in my opinion dialogue must always do double duty. It must move the plot along getting me from one scene to another, AND, it must reveal something about the people who are talking—something about them personally, or about their plans or problems or hopes.

Each conversation may show only tiny specks of these things, but, for me, if a piece of dialogue can’t do both of those things to some degree I eliminate that conversation from my manuscript.

I believe that character drives story. So, it’s only natural that I, as a writer, would follow Lamb’s method of using the elements of storytelling as a vehicle to parade my characters before the readers.

To me one of the clearest books about writing dialogue is Renni Browne’s and Dave King’s Self-Editing for Fiction Writers: How to Edit Yourself into Print. They devote a chapter to writing convincing dialogue and another to writing natural beats. I’ve read the book three times and refer to it often.

“That book’ll help you, I bet,” I said.

“Think so?”

“Yep. Bet you this 1939 genuine copper penny it will!” I flipped it over in my palm to show off the shine.

“Thanks! I’ll just mosey on over to Amazon and order one of those books for myself.”

I gave you a thumbs-up.

And you were gone.

Jean Hall lives in Louisville, Kentucky. She is represented by Cyle Young of Hartline Literary. Her premier picture book series Four Seasons was recently signed by Little Lamb Books. Jean is a member of the SCBWI, Word Weavers International, and the Kentucky Christian Writers. Visit Jean at www.jeanmatthewhall.com, on Facebook at Jean Matthew Hall, and on Twitter as @Jean_Hall.

Categories
Writers Chat

Making It Legal: An Intro into Writers’ Trademarks

It’s a rude awakening to discover your dream of becoming a writer has bloomed into a minefield of legal conundrums. In this valuable episode of Writers Chat, attorney Tamsen Horton shares must-know information every writer needs to know. This is one episode you’ll want to keep in your favorites for future reference!

Just like you, there is no shortage of the different roles that Tamsen takes on in any given day. She has seamlessly blended her roles as a mother, business executive, and lawyer to give her the unique perspective and platform to not simply talk about ideas and how to create them but also how to make sure that what you are working so hard to build is safely protected: personally and professionally. Most recently, she released her debut book, Easy As PB&J, with her husband Chris where they use their stories to help you learn how to share what you know and make money doing it. She truly enjoys connecting with like-minded and inspired individuals, so please feel free to reach out through social media or via email and let her know how she can serve you.

JOIN US!

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. Participants mute their audio and video during the filming, then we open up
the room for anyone who wishes to participate with our guests. The “After Party” is a
fifteen-minutes of off-the-record sharing and conversation.

Additionally, you can grow your network and add to the conversation by joining our
Facebook Group.

Categories
Write for His Glory

Do You Live Your Message?

Yesterday I was pondering on the way to work – nothing specific, just talking to God and thinking. A very old song came to mind by Peter Scholtes, They’ll Know We Are Christians (listen here for a remake by Jars of Clay). It was written during the 1960’s Jesus movement so the musical style may be outdated but the lyrics are spot on for today’s culture.

Got me thinking about my writing, and my life, and are the two in sync (so to speak). Do I live – day in and day out – what I write about?

I write and share on Facebook Live things the Lord shows me – what He teaches me, how He changes me, and lessons I’ve learned. Like many of you, my writing and teaching comes directly from life experiences.

Soooooo….what about when I’m not in a teaching moment? What about when I am just out and about, woman on the streets? Or when I’m at home with my family?

Like when someone cuts me off in traffic, or drives 10 miles under the speed limit? Do I growl at them and make faces and say a few choice words in their direction?

What about work, how do I respond or react to gossip, or to badmouthing the boss, or to any sort of complaining and negative talk? Do I listen in and nod in agreement, or maybe even join in?

Oh, and yes, and when someone takes that last parking spot by pulling right in front of me? Do I honk the horn and show my best mad face?

Or waiting in long lines to check out, and maybe the sales clerk makes a mistake that makes my wait that much longer. Am I  impatient, self-righteous, and borderline rude?

And last but not least, how do I treat those closest to me, especially my husband, when they do something I don’t like?

I’m sure you can think of many times when people just push.your.buttons!

When they do, do they get light or darkness?

If someone met you anywhere in public, then saw you at church, would they be surprised to see you were a Christian? Will they know you’re a Christian by your love no matter where they may meet you? Do you live your message, day in and day out?

I remember hearing a famous speaker talk about trying to get the last table in a diner. She put her competitive shoes on and raced to the door, gloating as she reached it before the other person. Yes! (fist bump) She got her table!

Then someone in the restaurant recognized her, “Hey, aren’t you Polly Popular Speaker?” Heads turned toward her as her head bowed in shame at what they just witnessed.

I’ve been there. I’m not famous, but I’ve been in a snit, so to speak, and treated someone abruptly. Then I ran into them at church, or had them tell me they read my blog and enjoyed it. It’s very humbling, to say the least.

What about you? Would you embrace seeing someone at a conference or a book signing who remembered you from running into you somewhere else? Or would you have to jog your memory to see what they might remember about you?

[bctt tweet=”We can’t write for His glory unless we first *live* for His glory.” username=”@marygscro”]

You never know who may be watching you. But you know Who is always watching: your loving Creator who gifted you and created you to shine! Live for His glory and love others, and the message from your heart will reflect His glory.

“You are the light of the world. A town built on a hill cannot be hidden. Neither do people light a lamp and put it under a bowl. Instead they put it on its stand, and it gives light to everyone in the house.  In the same way, let your light shine before others, that they may see your good deeds and glorify your Father in heaven.  (Matthew 5:14-16 NIV, emphasis mine)

 

Mary Graziano Scro, a graduate of Christian Communicators Conference, is an inspirational author, speaker, and blogger who intuitively weaves analogies and personal testimony with practical biblical teaching. Whether “live” or at the keyboard, Mary loves sharing what God has done in her life to encourage others about the awesome life God has planned for us, IF we are willing to choose wisely in our everyday lives (John 8:31-32). And it’s not about us – the more we invest in our own unique relationship with Jesus, the more visible He is to a world that desperately needs Him. You can reach Mary on:

Facebook: Mary Graziano Scro https://www.facebook.com/don.mary.scro

Twitter: @marygscro

LinkedIn: Mary Graziano Scro  https://www.linkedin.com/pub/mary-scro/11/600/a4b

Blogs: Life Is Not A Formula at www.marygscro.com

 

Categories
Talking Character

Use Setting to Define Character

You can learn a lot about a person by visiting their house or office. A writer can use that to her advantage.

Let’s assume your POV character is visiting the office of Mr. Smith, who they are meeting for the first time. You could simply describe the office as tidy or messy and give a hint of Mr. Smith’s character, or you could create a setting that painted a vivid picture of the occupant.

Four office setting examples that paint a picture of their occupants:

Office # 1

Mr. Smith’s office was extremely tidy. Two walls were taken up by bookcases, organized by subject. A third wall was filled by a row of identical filing cabinets, each drawer marked with a color-coded label. The stack of in-boxes was labeled with similar color-coded cards, and the squares on the desk-sized calendar were divided into numbered slices using colored ink. Next to the calendar lay a blank legal pad and a row of colored pens, each aligned perfectly with the edge of the desk.

Office # 2

Mr. Smith’s office was extremely tidy. Two walls were taken up by bookcases, filled with row after row of old books in matching bindings. A white mini blind covered the window, which was flanked by identical gray filing cabinets. A gray desk filled the center of the room, bare except for a pad of white paper, a single black pen and an empty in-box. Behind the desk, in place of the typical swivel desk chair stood a metal folding chair. The unpadded kind.

Two tidy offices. Two very different occupants. The same goes for these two messy offices…

Office # 3

Mr. Smith’s office was a chaotic wreck. Two walls were taken up by bookcases crammed with books, many of which had bits of paper marking various pages. More books were lying open on the desk amidst a jumble of papers. Behind the desk was a white board covered in rectangles filled with compact writing. The blocks of text were connected by arrows and peppered with sticky notes and occasional doodles. A stack of papers at least a foot high filled the in-box, occasional colored sticky notes jutting from the stack.

Office # 4

Mr. Smith’s office was a chaotic wreck. Two walls were taken up by bookcases filled with books, lumps of rock, lab equipment, and a variety of hats. Larger pieces of lab equipment sat on the floor behind the desk, under a pile of lab aprons. A flashlight and a single work boot balanced atop the pile. The desk was covered in a jumble of dented three-ring binders, crumpled napkins, empty coffee mugs, a handful of mechanical pencils, and a large box of jumbo-sized paperclips that had tipped over and spilled its contents across the mess and onto the floor.

As these examples show, before Mr. Smith enters the scene, we have a pretty good idea of his personality based solely on the description of his office.

One descriptive paragraph performing double duty—setting the scene and introducing a character at the same time.

Four suggestions for using setting to enhance your characters:

  • Create a personal space. Does your character have a space he has some control over, such as an office or bedroom. As in the examples above, those spaces can be filled with possessions and decor that communicate his personality.
  • Introduce a passion. What kinds of setting best define your character’s passions? A sewing room? The garage? An empty-lot-turned-garden? The local fitness club? A mountain path? Can you find a way to introduce the character in that space?
  • Define a sanctuary. What kinds of setting does your character go to when they desire peace and quiet, or when they need comfort or safety? A tree house in the backyard? A friend’s apartment? The local library? The attic? Show the details that make the space a sanctuary for your character.
  • Use character to fine-tune the setting. List words that describe your character. Does the list bring a specific setting to mind? Use it. Does the list include words like messy, colorful, or stylish that could be applied to a multitude of settings? Let those words inform the setting details.

Make your setting do double duty by painting a vivid picture of the characters who belong there.

[bctt tweet=”How can you tweak your settings to bring your characters to life? #writetips #amwriting” username=””]

Lisa E. Betz believes that everyone has a story to tell the world. She loves to encourage fellow writers to be intentional about their craft and courageous in sharing their words with others. Lisa shares her words through dramas, Bible studies, historical mysteries, and her blog about intentional living. You can find her on Facebook  LisaEBetzWriter and Twitter @LisaEBetz

Categories
Mastering Middle Grade

Preachy or Peachy

My critique group says my MG fiction is preachy. Now what?

First let me say that I love my critique group. I’m not writing about y’all. We’re solid.

Getting productive feedback on your work is a lifeline. It’s critical to have fresh eyes to review your words and point out where things are working, where they can be improved, and what should be thrown out.

Now, unless you’re a pastor, you probably don’t want people to react with “that chapter/section/story is a bit preachy.

If your first response to this kind of criticism is like mine (i.e., hackles raised and shields up), may I share with you something I’ve learned that might ease the sting?

Many people feel a calling to write for kids because they want to share their love of Christ. As one of my sisters would say, “ain’t no shame in that.” It’s only natural for that love and enthusiasm with sharing the message seep into our writing (okay, maybe for some of us it’s less of a seep and more of a flood).

At the Blue Ridge Christian Writers Conference Children’s workshop, one of the faculty reminded us that our primary target audience is between eight and twelve years old. Our audience is soaked in a learning environment six to eight hours a day, five days a week.

This means they can smell a lesson from 500 yards away. If you come at them with teaching wrapped in a cute main character, they will put your book down.

Like us, kids read fiction to be entertained, escape their troubles, and explore the world. Who can blame them?

Do you have a lesson or a story?

Ask yourself – and honestly answer – if you are trying to impart a lesson or tell a story. Knowing your objective is half the battle. If your heart is telling you to teach children about Christ’s love, as important as that is – it’s not a story.  If your heart has named a character who has a unique adventure, you have a story.

If you have a story, go back through your manuscript and find ways to let the story shine. Bring it to life with realistic characters, imperfect allies, obstacles to overcome and plenty of excitement.  Doubt that it will be “Christian” enough? Don’t. Because you’re you and you love Christ, your world view will show up in the telling of it, I promise. And you never know how God is going to use your words.

Maybe you feel like you have less of a story and more of a lesson.  That’s a great thing to know. If this is the case, writing a nonfiction book may bring you more success. In nonfiction, you still have freedom to use more direct language, cite more Scripture, conduct interviews and collect data that will bring your lesson home in a very real and accessible way for kids. Instead of trying to force a tale around a message, just bring the message.

Most importantly, when you receive feedback that shakes your gut a little bit, know that you’re not alone. We’ve all been there (multiple times, probably) and lived to tell the tale. Use it for good and know your Father sees you and is working for your benefit.

Oh- and if this post comes off a little preachy, know that I hear you and I’m working on it.

Kell McKinney earned a B.A. in journalism from the University of Oklahoma and an M.S. in documentary studies from the University of North Texas. She’s a part-time copywriter, double-time mom and wife, and spends every free minute writing and/or hunting for her car keys. Connect with her on Twitter @Kell_McK or kellmckinney.com.