Categories
Dear Young Scribes

The Writer’s Palette: How to Write Concise Description to Liven Your Scenes

As writers, we have the power to tear down the boundaries of paper and ink when we craft a description that triggers the imagination of our readers. That’s the power of writing a concise description.

I’m sure you’ve heard it’s best to limit your descriptions. Pretty prose does not equal a pretty story, and ultimately it’s your characters and plot that will push the story along.

So how can you write scenes in a way that accomplishes the job of description — to bring the story to life — without interrupting the flow?

Writing this kind of description is much harder than writing flowery prose that goes on forever — prose that most readers will skim. Instead, writing concise description will enable your scene to become 3D.

And you can do this without having to hit the “pause button” on your scene.

When I wrote my latest novel, UNWRITTEN MELODY, I tried a new technique. I created a “writer’s palette” before each scene I wrote. (This idea came from Susan May Warren’s Book Therapy tools, although she refers to it as a “scene sketch”.)

This writer’s palette is similar to an artist’s palette. Before an artist begins working, they mix their paints to create the colors they want to display on their masterpiece. These paints are arranged on their board. That way, while they paint, they can dip their paintbrush in their assortment of colors and apply it to their canvas. They don’t have to create the colored paint as they work; rather, it’s already prepared beforehand.

Similarly, a writer’s palette is our own assortment of “colors” that we can use to paint our scenes, and we can prepare this before we even put our pen to the page.

Here’s how you can do this:

(Again, I learned how to create a scene sketch through instruction at My Book Therapy.)

             1) Ask yourself, what scene do I want to paint?

Place yourself in an artist’s shoes. A blank canvas stands before you; what scene do you want to paint?

Close your eyes and envision the scene you’re going to write. Let it come to life in your imagination before you try to transcribe it onto the page.

What emotion/mood do you want to portray through this scene?

Now, open your writer’s palette. (This can be a page in your notebook or a new document in Word. While I wrote UNWRITTEN MELODY, I used the “Document Notes” tool in Scrivener to create these scene sketches.)

On this palette, answer the following questions about your scene:

  • Where? Why? Who? When? What? How?
  • What emotion/mood do I want to establish in this scene?

             2) Prepare your paints. What colors do you need to gather and mix?

Pretend you’re the POV character and you’re observing the surroundings through the lens of his/her perspective, worldview, personality, and attitude. What details does he/she notice? What descriptive hues do you need to combine so you can achieve the scene’s specific emotion/mood?

In your writer’s palette, prepare these details:

  • What does your character see? Hear? Touch? Taste? Smell?
  • What is your POV character’s attitude and view of his/her surroundings?
  • How do these sensory details emphasize the emotion of the scene?
  • Is there a metaphor/symbolism you can use to highlight this emotion?

             3) Record the details by choosing specific nouns and active verbs. In other words, gather your props.

While the scene is still in your imagination and you’re viewing it through the lens of your character, write down the scene’s details (keeping the emotion in mind as well). You’ll gather an array of details that you can potentially use as you write the scene.

But instead of writing “candles were lit and burning on the coffee table”, record the specific type of candle and its scent. And instead of writing, “long, draping curtains hung over the windows”, you can use its specific noun, such as, “pinch pleat curtains draped over the windows”.

~ ~ ~

By preparing your writer’s palette beforehand, you’re more likely to write a scene that becomes 3D in your reader’s imagination. You’ll know which details to incorporate (the ones that highlight the mood and POV character’s perspective) and which ones would only get in the way of the story. Your description will ring as authentic, and you may even convince your reader that you have lived through the specific time and place.

If you’d like to see an example of how I used a writer’s palette to write a certain scene in UNWRITTEN MELODYclick here for the scene excerpt and here for the writer’s palette.

~ ~ ~

How do you write description in your scenes? Do you create a writer’s palette or scene sketch to gather your “paints” before you begin to write?

[bctt tweet=”The Writer’s Palette: How to Write Concise Description to Liven Your Scenes #amwriting @TessaEmilyHall” username=””]

Categories
Uncategorized Writer Encouragement

Hawks Seeking Prey

Elaine Marie Cooper

On the way to meet a friend for coffee the other day, my eye caught a site both beautiful and terrifying: A hawk swooping through the air. It came to rest on a pole, which gave me the opportunity to admire the creature’s beautiful feathers. Reddish brown wings and speckles of brown and white across its proud-looking chest were magnificent. What a gorgeous bird I thought. Gorgeous and deadly.

The hawk wasn’t there to preen its feathers; it was looking for prey. Perhaps a rabbit, mouse, or even a small pet left unattended would be snatched in its talons and carried away to experience a horrible death. Suddenly the bird didn’t seem so beautiful; it seemed terrifying.

I put the thought of this bird of prey out of my mind as I met my friend to share coffee. During our conversation she revealed a startling story about a recent discovery in her marriage that left her reeling. I was shocked and listened intently, while offering consolation as best I could. We had sweet fellowship that ended too quickly but we determined to meet again soon.

 

During our conversation, I thought about dinner the previous night with friends of my husband and I. I asked about a mutual friend on Facebook who I hadn’t seen in sometime. “You hadn’t heard? He’s in jail,” my friend informed me. I was so shocked that you could have knocked me out of the restaurant booth with a paper napkin. Especially when my friend shared the reason: child molestation.

Both of these individuals caught in sin were regular churchgoers, masking their sin behind the guise of pseudo-Christianity.

After pondering these back-to-back revelations, I thought of that hawk, looking so gorgeous yet ready to kill and destroy. Just like the evil one who can appear as an angel of light (2 Corinthians 11:13-14). And like the evil one, he seeks out any weakness in our armor. “Be alert and of sober mind. Your enemy the devil prowls around like a roaring lion looking for someone to devour.” (1 Peter 5:8 NIV)

 

As writers for the Lord, we may have a giant target on our backs that encourages the evil one to set his eyes upon us, aiming arrows of deceit that can make us fall for his deception.

 

“It won’t matter if I write erotica under an assumed name. It pays the bills so I can afford to write Christian fiction.”

 

“No one will know if I’m watching this movie. My readers probably wouldn’t care, even if they knew.”

 

“What I do in the privacy of my home is no one’s business. So what if there’s porn on my laptop? It has no impact on my writing whatsoever.”

 

 

It’s easy to lie to ourselves. After all, the evil one is the father of lies (John 8:44)

May I encourage you to clean up your act? And I don’t mean self edit those mistakes in your manuscripts that make an editor cringe.

If you’re dabbling in sin, talk to a pastor or Christian counselor that you trust. Stop pretending that it doesn’t matter. Because if God called you to write, the evil one delights when he sees you fall. He loves that domino effect as we lead others down that slippery slope of sin.

 

Image of hawk courtesy of panuruangjan via freedigitalphotos.net

Image of claw courtesy of Pansa via freedigitalphotos.net

 

 

 

 

 

 

Categories
Fantasy-Sci-Fi

Recycle, Reuse, Rewrite

“A group of underdogs are united through unusual circumstances and are forced to work together using their individual strengths to beat a dominating force.”

Sounds like a familiar storyline, doesn’t it? In fact one could argue that there are no new stories left to be written. Shakespeare took care of covering all the basics a long time ago. So why are stories still interesting to the world if there’s nothing truly ‘new under the sun’? Ultimately, what sets your story apart from others is what you’ve done to make it different.

The basic foundation of your story may be familiar but the setting could be a mix between futuristic Sci-Fi and old-school Fantasy. Or maybe it’s your main character that adds interest—the antagonist is a vampire while the heroine is a Civil War Southern Belle. The possibilities of how to make your story different are endless.

A great example of this is Joss Whedon’s cult-favorite TV show, Firefly. Although it only lasted a single season on-air, the fan-base made it possible for a movie to be made a few years later, and the call for a resurrection of the series has continued since its original airing fifteen years ago.

The year is 2517. The story follows the adventures of a crew of nine on the spaceship Serenity. They run a covert smuggling operation with great success—as long as the ‘evil’ Alliance doesn’t catch up with them. It may sound like every other Space Opera storyline you’ve run across, however, there is one major difference: It’s also a Western Drama.

Whedon was able to meld the two worlds of futuristic space and old-time West, flawlessly. Everything about the world-building is set in the future—an entire star system of planets colonized, boasting futuristic weapons and every form of space travel imaginable. However, much of the culture is stuck in the ‘wild-west’ of the past. Characters dress and speak like you’d expect in a traditional Western and much of the interactions on the planets are western-based—from saloons with bar-fights, to debutante balls with hoop-style skirts.

This difference is what draws the reader into a story that has otherwise already been told. There are plenty of books about Science Fiction available, many of them specifically in the Space Opera genre. And there are even more stories that tell about a rat-tag group of outsiders that come together and use their skills to evade the bad guy. However, the Firefly series was successful not only because it had a great cast and well developed characters, but because Whedon set it apart from anything that had ever been done before.

What sets your story apart? How can you recycle a story that has already been done before and make it better? Sometimes reusing what you already know can make for an unforgettable tale.

Bio: Laura L. Zimmerman is a homeschooling mom to three daughters, and a doting wife to one husband. Besides writing, she is passionate about loving Jesus, singing, drinking coffee and anything Star Wars. You can connect with her through Facebook and Twitter and at her website, www.lauralzimmerman.com

Categories
A Lighter Look at the Writer's Life

Quitting: Not an Option

I quit.

Ever been there?

I’ll admit it: there are times when I think I want to give up writing. This confession will come as no shock to other writers (and to some of my editors).

Many people think writing is the easiest thing in the world, that we just sit down at the keyboard and the words flow effortlessly from our fingertips.

Yeah, right.

Writing is hard. Sitting at a computer, summoning creativity, rewriting. Condensing, expanding (see my last post), self-editing. Sending out query letters, waiting, trying to get published. Not to mention trying to figure out how to pronounce “query” and how to write one. On and on. Sometimes I wonder if it’s all worth it.

God, do you REALLY want me to continue this writing thing?

I recently heard Natalie Grant’s song King of the World, and it rocked my world. I purchased it and have played it too many times to count. The words of this song hit me where I live:

When did I forget that You’ve always been the King of the World? I try to take life back right out of the hands of the King of the World.

Sometimes I second-guess God when it comes to my calling. And why? He’s the King of the World, and He knows what He’s doing when He calls me (or you) to do something. It might be writing, it might be speaking, it might even be cleaning the church toilets. Whatever it is, I need to dive in and do it.

Sure, there are times when the words do come fast and furious, and I appreciate those moments. On the other hand, the times I feel like quitting are the times God’s power can be more evident if I just forge on. I’m living proof He doesn’t always call the equipped but He does equip the called.

Here I go, at the keyboard again. So help me, God.

Categories
The Creative Tool Kit

3 Ways to {Creatively} Fall in Love with Writing All Over Again

“Falling in love in a Christian way is to say, ‘I am excited about your future and I want to be part of getting you there. I’m signing up for the journey with you. Would you sign up for the journey to my true self with me? It’s going to be hard but I want to get there.” -Timothy J. Keller

I can’t tell you the exact day I fell in love with writing. I can tell you, however, that in 2009, journaling in the morning hours began to fall flat in writing satisfaction. Over the years, my love has waned at times but I’ve held tight to the notion that I’m on this journey for the long haul because deep down, I’d be lost without it.

Are you experiencing a season where your love for writing could use a little reshuffling of the kindle fires?

Love writing

3 Ways to Fall in Love with Writing All Over Again:

  1. Write purely for fun. Sounds simple but for diehard purpose-driven people like myself, it’s anything but.  Obviously, there are deadlines to be met but spending a few minutes every day (or week) writing simply for the enjoyment can breathe life into your writing experience.
  2. Implement a date night…with your WIP. What’s your work-in-progress? Invite it to join you for a meal somewhere other than its normal spot. New scenery will heighten your senses and give you a fresh perspective on your project. Your WIP will thank you!
  3. Remember why you fell in love with writing in the first place. Like relationships, there are times when we need to step back, observe, and recall the many reasons we first fell in love with our spouses or significant others. Did we initially pick up the pen to fulfill a calling? To heal emotional wounds? To earn money? To share expertise on a subject? Sometimes simply recalling those early days is enough to woo us back to our first love. And if you need a little more coaxing? Why not write a love letter to your gift of writing? Pour out your heart, your struggles, your desire to move closer to a reconciliation.

Have you signed up for the writing journey? Are you excited about your future and are you willing to be your true self as you pen your story? It’s going to be hard but if you want to get there – wherever “there” is for you – being published, writing stories about your family history, journaling, etc., you will have to re-invest yourself, your time and energy…but it’s worth the effort. Wouldn’t you agree?

What’s one way you’ve fallen in love with writing all over again? Please share in the comment section!

 

 

Categories
Platform and Branding

3 quick and easy steps to review and refresh your writer platform

by Susan Stilwell @susanrstilwell

Busy writers are often consumed with projects. We all have at least one WIP and if we’re disciplined (and sometimes downright lucky), we’re also creating content for our online presence. We rarely take the time to review the basic elements of our writer platform. In ignoring those elements, we miss the opportunity to put our best foot forward with new connections.

Review your writer platform

in 3 quick and easy steps!

Review your About page

Once it’s written, this page falls off the radar of most writers. Statistics show, however, it’s the second most popular page on your site. Be sure to address the 5 Questions Your About Page Must Answer, but also update the page with any new information that will interest your contacts or writing professionals.

Allow me to step out of my professional voice and rant for a minute:

One of my pet peeves is dated headshots. I can’t tell you how many conferences I’ve attended and had someone I don’t recognize come up and introduce themselves to me. There I stand, mentally flipping the fading rolodex in my aging memory. Embarrassed, I finally confess, “Have we met?”

“What?” they gasp, tilting their head like a confused puppy. “I’m SO-AND-SO! You know me!”

Well, yes, I DO know them, but the person in front of me looks nothing like the person on their website!

Ok, rant over. Thank you for your patience.

Don’t neglect your headshot. Is it current? Is the image good quality? Professional headshots are best but smartphone cameras and apps can also produce outstanding images. A few simple tips:

  • Have a friend take the picture and ask them to frame you from the waist up.
  • Wear solid colors,
  • find a simple background,
  • position your body at an angle, and
  • look friendly. Or goofy. SHOCK BROCA!

Find a teenager or a friend who knows a thing or two about image editing and ask them to clean it up for you. Remind them not to go crazy with filters and excessive processing; just make it natural and flattering.

Review your website sidebar

Take a quick look and check for broken links. Be sure these 4 Must-Have Features For Your Blog are in place, and consider adding widgets (WordPress) or gadgets (Blogger) for any awards you’ve won or conferences you’ve attended or plan to attend. If you’re a part of a writing community, add that graphic element as well to connect with other writers.

Review the profiles for your top 3 social media networks

Update your contact information, cover images, headshots, etc. Be sure you’re consistent with your personal branding: the same or similar verbiage, colors, images, calls to action, etc.

Taking a few minutes to review and refresh these areas will keep your platform current and help position you for success with your writing.

Shareables:

review writer platform

[bctt tweet=”Are you a busy #writer? Update these 3 #sm areas to keep your platform current. @a3forme @susanrstilwell” via=”no”]

[bctt tweet=”Neglecting #sm elements can result in missed opportunities for #writers. @a3forme @susanrstilwell” via=”no”]

[bctt tweet=”Keep your #writer platform current and positioned for success. @a3forme @susanrstilwell” via=”no”]

[bctt tweet=”3 quick and easy #sm reviews for #writers. @a3forme @susanrstilwell” via=”no”]

Additional resources:

Hubspot – Professional Headshot Tips For a Budget

Almost An Author – Brand Basics – 2 Considerations For Writers

Categories
Bestsellers

Best Selling Author-Chris Thrall

Can you share a little about your recent book – The Drift, Following the death of his wife and son, Hans Larsson buys a yacht named Future, intending to sail across the Atlantic with his young daughter Jessica. En route they meet Penny, a seasoned English skipper, who joins them as crew, and the larger-than-life Marcel, a Dutch art dealer hiding a secret, along with a stash of drugs on his vintage boat. Battling storms, sharks and pirates, Hans and Jessica experience the adventure of a lifetime, until fate intervenes to leave them fighting for survival on an ocean less perilous than the mind .

Why do you write? Do you have a theme, message, or goal for your books? I enjoy it. I write from a feminist perspective so that everyone can enjoy my work.

How long have you been writing? And how long did it take you to get your first major book contract? 7 years. 5 months – a publisher heard about my crystal meth memoir ‘Eating Smoke’ and approached me.

How long does it take you to write a book? Approx. 1 year

What’s your writing work schedule like? All day every day of the year including Christmas from 4am until 2030hrs when I stop to eat and watch TV

Do you have an interesting writing quirk? If so, what is it? I love chapter icons.

What has been your greatest joy(s) in your writing career? Getting my fiction published

What has been your darkest moment(s)? Too many to name and too many to shame

Which of your books is your favorite? I haven’t written it yet.

Who is your favorite author to read? I don’t really read genre or author – Willard Price has been my lifetime and childhood favorite though.

What advice can you give aspiring writers that you wished you had gotten, or that you wished you would have listened too? Just write, write, write – get it edited, get it on Kindle, then write another – don’t waste too much time on social media. Keep the price cheap until you’re famous.

How many times in your career have you experienced rejection? How did they shape you? Once a bookshop wouldn’t stock my fiction – only my memoir. I don’t care – bookshops are not the way to make money any more.

Do you have a favorite character or scene in one of your books? Nicole, who saved my life in Hong Kong

Where do you get your ideas? A combination of imagination and life experience – oh, and a lifetime of reading.

What are common mistakes you see aspiring writer’s make? Not writing enough. Not getting proofread and putting an awful book out there on Amazon. Too high a priced books. Too much time on social media – like Tweeting to 300 people!

Where/How do you recommend writers try to break into the market Write what makes you happy. Approach lots of other (traditionally published) authors as they know the score and can critique your work. Do anything and speak to anybody to get a publishing deal. If all else fails, buy a block of ISBN numbers and make up a company name and publish yourself.

a3drift

Chris Thrall is a former Royal Marines Commando and author of the bestselling memoir Eating Smoke, his experience of crystal meth addiction while working for the Hong Kong triads. A qualified pilot and skydiver, Chris has backpacked throughout all seven continents, worked with street children in Mozambique, driven aid workers from Norway to India and back by coach, and scuba dived with leopard seals in Antarctica. He lives in Plymouth, England, and plans to continue adventuring, charity work and writing.

https://www.amazon.co.uk/Chris-Thrall/e/B004HC7TOW

www.christhrall.com
www.linkedin.com/in/christhrall
www.twitter.com/chris_thrall

Categories
Writing with a Disability (Different Ability)

Writing With Chronic Fatigue and Fibromyalgia-

This month I’m talking to author Cherrilynn Bisbano. Many of you may know her, she is the Associate Editor of Almost an Author. Cherrilynn writes Christian fiction and non-fiction. She has published articles in various Christian publications.

Cherrilynn knows first-hand what it’s like to be a writer with Chronic Fatigue Syndrome (CFS), and Fibromyalgia. Cherrilynn also deals with ADHD, and homeschools her son, Michael, who is Autistic.

Cherrilynn didn’t start out wanting to be a writer. She accepted a calling from God to spread His message further using her speaking and teaching abilities and the research and notes collected over time.

Cherrilynn transformed these into written words to produce her first book, True Star Quality– Shine in a Dark World. The book is scheduled to be released Fall 2017.

What is Chronic Fatigue Syndrome?

Chronic Fatigue Syndrome is a complicated disorder characterized by extreme fatigue that can’t be explained by any underlying medical condition. The fatigue may worsen with physical or mental activity, but doesn’t improve with rest.

And Fibromyalgia?

Fibromyalgia syndrome is a common and chronic disorder characterized by widespread pain, tender points throughout the body.

Does writing energize or exhaust you?

It exhausts me.  I try to write early in the morning before I go to the gym. However, today, I didn’t get up until six o’clock. I normally get up at five and I try to write for two hours.  Sometimes if I’m feeling alright I’ll write for an hour in the afternoon, but writing usually exhausts me unless I’m writing scripture–I’m energized when I read and write scripture.

What motivated you to write despite the challenges you face?

Obedience to God. I did not want to write. I asked Him to show me beyond any shadow of a doubt that He wanted me to write. He enabled me to attend four writing conferences in a year’s time. I won a book contract. Since I started writing two years ago, my first book is set to be published by Fall of this year [2017]. I acquired an agent for my next two books. God has made it clear that He wants me to write and encourage other writers in the process. I believe wholeheartedly my position at A3 is to help Cyle Young and encourage all our contributors.  We have some amazing writers at A3. I learn from them daily, they motivate me to write.

Tell us about your current and upcoming writing projects.

True Star Quality – Shine in a Dark World is my first book. I’m a speaker and teacher. People would ask me, “where’s the book?” I’d say, “I’m not a writer.” I transformed my writing notes into a book. The process was difficult.

I speak about what God is teaching me through His word and in life.

One morning I needed an attitude change. I read the verses,  Do everything without grumbling or arguing,  so that you may become blameless and pur,…Then you will shine among them like stars in the sky. (Philippians 2:14-15).  The S.T.A.R. Principle developed.  Over the last 20 years of speaking, I found when believers struggle in one or more of these four areas, our light is dimmed 

S-See Yourself As God Sees You

T-Transform Mind With the Word

A-Always Pray

R-Refined to Shine

My prayer is that this book will encourage many.

My next two projects are a devotional titled Defying the Odds – 31 Prophesies Jesus fulfilled

The devotional matches 31 prophecies Jesus fulfilled from the Old Testament, with the NT prophecy.

and a fiction mystery, Accidental Findings:

Shannon’s autistic son, Corban, heals from the loss of his father, her hero. Can she help Corban cope when his new friend, Amanda, goes missing? Will her detective sister find the girl in time? Shannon meets, Mr. Chauvin, a new love interest. He is rich, handsome and loves Corban.  Will he bring stability to her life or be her worse nightmare?  What do Mr. Chauvin and the missing girl have in common? 

How and where do you write? Do you use any special tools for your writing?

I use a laptop to write, and a good office chair! I finally have my own office.

What is your schedule like?

I begin at 5 am and write for about 2 hours. I homeschool my autistic son. He is helping me write my first fiction novel, Accidental Findings.

Has the publishing process from your first book changed your process of writing? Or has your process changed?

It has changed it. I started writing about two years ago.  I’d write at different times of the day. Anxiety would set in if I did not have time to write. I needed to schedule time. Not just say “I gotta do it,” but actually schedule the time to write. I learned from other writers that writing is a job, not a hobby. If I was serious, I would treat writing as a job. Over time I realized that morning was my best time to write. My brain was the clearest.

My writing has improved because I learn from amazing writers like Jerry B Jenkins and Cecil Murphy. I read blogs on writing. I attend writing conferences.  To be a good writer one must continue to learn.

I use my sister Charlene as my writing barometer. My first attempt at a book she said, “I’m sorry, Cherrilynn, this is horrible, I can’t read it. It makes no sense.” She was right. I studied hard.  Two years later my book was edited by Peter Lundell, he also coached me. He was hard on me. I took his advice and did the arduous work to improve the book.  I’m grateful for his honesty, he made me a better writer. Now, my sister can read it and loves the book.

Writers always seem to want to know about the writing habits of other writers. How do you edit and rewrite?

I  get all my ideas on paper and I don’t edit as go along. If a mistake is blatant, I go back and change it. I was taught by other authors to “throw up on the paper and get it all out.” I wait a day or so and go back to read it and edit. I repeat the process until I feel the project is ready.

I pray before I write.  I ask God to help me.  I know I would never think of some of the words God gives me. I praise Him. I often find myself saying,  “whoa, that’s good God, thank you! ” God gets all the credit. I get fearful when I focus on my ability to write, I  think I’m going to fail Him. I know God works in me, using His words, to get His message out with my voice. It’s awesome. I’ve met many Christian writers to have the same experience. As writers, we cannot fail with God on our side.

What advice would you give to aspiring or other writers who live with a disability?

Pace yourself. Schedule time to write. If you cannot write one day, don’t worry. God wants to use you. He will give you the energy, time and ability to get your story out. After all, we write for His glory. Pray over every project. The outcome is in God’s capable hands. My book was ten years in the making. It started as speaking notes.

Is there anything would you give up to become a better writer?

I’m working for a non-profit right now, and I love, love, love the work, but I would give that up to become a full-time writer.  I should stop watching TV and be on my computer, listening to training videos and stuff – that’s what I should give up.

Is there anything else you’d like to share with readers?

Education is vital. Bestselling authors like Jerry B. Jenkins, Cecil Murphy, Liz Curtis Higgs and others still educate themselves. Read writing blogs or listen to podcasts. Also, give back and encourage your fellow writers. Some of the most successful writers help others. God will use you even if you are a beginner like me.

Trust God with your writing. I never thought I would write let alone be an Associate Editor of a writing website. My number one job here at A3 is to encourage writers. I don’t have to be a best-selling author to do that. I know I have much to learn but God is with me every step of the way.

I admire anyone who has written a book. Congratulations. Writing is hard work. Don’t give up, if you are working on a project right now.  You can do it with God at your side.

What is Cherrilynn’s word for this year?

“Excellence.”  I can be lazy. I could use my disability as an excuse, but I would know deep in my heart that I did not rely on God’s power to achieve the goal.  I can be excellent in all I do for the Lord, even if it’s just writing a page a day. Excellence is not perfection. My son says, Excellence is two steps above good enough.” He is a witty kid.

——————–

One of my favorite quotes about the writing process during this interview with Cherrilynn has to be:

“That’s what [they] writers have taught me,”

and

“You need to be real, like talking to someone and having a cup of coffee with them.”

Indeed, talking with Cherrilynn is exactly like this.

Next time we meet, I’ll be interviewing Ann Pietrangelo, an author with Multiple Sclerosis. In the meantime, please check out all the great writing content on Almost An Author!

 Kathryn M. B. Johnson

“I write from the beautiful Shenandoah Valley in Virginia. I feel as if I’ve been writing forever. Making squiggles at age three on pieces of paper I kept in one of my grandma’s black snap-top pocketbooks, chubby fingers holding a big fat pencil, I moved to writing stories in second grade for my teacher to read at rest time. I’ve been scribbling ever since.”

Categories
Guest post archive

Inauguration Day – A Spirit of Unity

Several days have passed, and I was sure that the excitement I felt when my wife and I attended the 45th Presidential Inauguration would have worn off. Boy, was I wrong.

In fact, the more positive things I see President Trump doing, the more excited I am to be an American.

Angie and I had the wonderful privilege to be in Washington D.C. when Trump took the oath of office. We were motivated by many things he said from the podium in front of millions of supporters.

“We will be protected by the great men and women of our military and law enforcement. And most importantly, we will be protected by God,” Trump proclaimed.

Wow – those words were refreshing to hear. To me, the United States has sadly put God on the backburner over the past eight years. The military and police have been portrayed as villains and held to an obvious double standard.

We were thrilled to be in the crowd and to hear unifying words such as — “Whether we are black or brown or white, we all bleed the same red blood of patriots,” Trump echoed to a thunderous applause.

We were also thrilled to meet wonderful people from all over the nation who shared the same unifying spirit Trump boldly spoke about.

We met two young men, both college students from Cooperstown, N.Y., while standing in line the day before the Inauguration at the Longworth House Building to pick up our tickets to the ceremony. Bobby was a young Republican dressed in the typical blue suit and donning a red “Make America Great Again” cap, while MacGuire was a young Democrat dressed in more casual clothing. MacGuuire told me he was disappointed in the outcome of the election, but he wanted to see the peaceful transfer of power. Both young men were excited to be in Washington D.C.

 

They had the spirit of unity.

While riding the Metro into the city, we made friends with a couple from Michigan who were so proud their son was going to march in the Inaugural Parade. They were going to get up the morning of the Inauguration to be on the train at 4 a.m. to get a good spot on the parade route to see their son, who attends Virginia Military Academy.

They had the spirit of unity.

Also on the train, we talked to a couple of ladies who drove from Colorado for one reason – to pray for President Trump.

They had the spirit of unity.

On Inauguration Day, we met Zan and Emily.  Both ladies were from North Carolina and involved in local politics. We stood with them in our place on the lawn of the U.S. Capitol for about five hours the morning of the ceremony. We got to know each other well during that time. Zan was excited because Melania was going to wear a “Carolina” blue dress.

They had the spirit of unity.

After the ceremony, we walked to Chinatown for a bite to eat and became friends with Mike and Marco – two men from Houston, as well as a young married couple, Jordy and Claire, who were expecting their first child.  They were also from Texas.

Marco got on board the “Trump Train” after his candidate dropped out of the primary, while Claire was on board from day one. She is hopeful President Trump will appoint judges to the U.S. Supreme Court who are pro-life and share her values. “I just cannot imagine aborting a child,” she said.

They had the spirit of unity.

Finally, as we made our way to the Metro to head back to the hotel and relax, we spoke to military and national guardsmen and police who were there simply to protect us. They were all professional and polite, and we thanked them for their service.

They had the spirit of unity.

That spirit was everywhere. We did not give credit to those protesting and mocking the system as the winner. They were not going to put a damper on a thrilling experience. They exercised their right, but they were in the minority.

It’s a shame they did not have the spirit of unity.

The spirit most of us had was so evident throughout the weekend. Reflecting back, I can’t help but become more excited.

Trump’s words were long overdue. He praised our military and created a sense of togetherness by declaring America will be first. He placed a high importance on his need for God. That’s what we found so refreshing.

Trump said toward the end of his rally cry, “the Bible tells us how good and pleasant it is when God’s people live together in unity. We must speak our minds openly, debate our disagreements honestly, but always pursue solidarity. When America is united, America is unstoppable.”

America has reclaimed the spirit of unity.

 

Del Duduit is an award-winning writer. His work has been published in Sports Spectrum and Portsmouth Metro Magazine. As a sportswriter, he won AP and statewide awards. He has several years of news writing and broadcast experience. Del blogs on his website, freelances and also guest blogs for Almost an Author. He lives in Lucasville, Ohio with his wife Angie, and they have two adult sons. They attend Rubyville Community Church

Categories
Write Justified

The Common Comma – Part II

 

The comma is one of those punctuation marks that has an outsized impact in relationship to its size. It’s the little but mighty mark of the punctuation world.

One place where a comma can make a big difference is in restrictive and nonrestrictive—or if you prefer—essential and nonessential clauses. Essential/restrictive clauses include necessary information that must not be set off with punctuation, such as these examples:

Jan and Perry bought the clock that chimes on the hour and half hour.

The fabric (that) Jenny needed to finish her project was backordered.

A theater that has served a small southern Missouri town for fifty years will close next month.

Nonrestrictive or nonessential clauses or phrases are set off with commas. Note how a slight change in the wording and punctuation changes the meaning of these sentences:

 The clock, which chimes on the hour and half hour, was Jan and Perry’s anniversary gift.

         Here the description (modifier) of the clock is not essential to the sentence and is set off in commas.)

The fabric, which was backordered, would not arrive before the project deadline.

The Omni Theater, which has served a small southern Missouri town for fifty years, will close next month.

       Making the clause nonrestrictive indicates that the Omni is one of several theaters in the small town. The previous sentence with its restrictive clause limits the closing to the theater that has served the town for fifty years.

Note the use of that and which. That is used for restrictive clauses, which for nonrestrictive. Nonrestrictive clauses could be eliminated without changing the basic meaning of a sentence, thus they are set off with commas.

Similar rules apply to appositives.

An appositive is a word or phrase modifying or describing a noun. A nonrestrictive appositive restates the noun or pronoun without changing the essential meaning of the sentence.

 Peggy’s husband, Robert, is a model train aficionado.

        Since Peggy has only one husband, the appositive Robert is nonessential and is set off in commas.

My brother John is five years younger than me.

I have more than one brother so it is essential to identify which one is younger. Here, John is a restrictive appositive; no comma.

Fredrick Backman’s debut novel, “A Man Called Ove,” is one of my favorite books.

An author can only have one debut novel, so either debut or the book title could be eliminated without changing the basic meaning of the sentence.

Backman’s novel A Man Called Ove has been on the New York Times Best Sellers list for more than forty weeks.

Backman’s debut novel is the only one to have been on the best seller list this long, thus the title restricts the modifier to that book and no comma is required.

Like language itself, punctuation rules are evolving—especially in the age of social media. But the publishing world still adheres to these. Aspiring authors ought to, also.

Categories
Guest post archive

Crimebake Conference-by Linda Shenton Matchett

I will be attending the New England Crimebake  this year for the tenth time.  The first time I attended Crimebake, I felt like a fraud. I was untrained, uncertain, and unpublished. Scribbling my thoughts and stories in notebooks since I was a child, I had only recently begun to give serious thought to publication. I started numerous novels, but always gave up somewhere in the middle. I subscribed to several magazines and purchased countless books by authors who touted their way as the only path to becoming a published author. Nothing seemed to help me make it to “The End.”

I selected Crimebake because it was located within a two-hour drive of my home and offered at a time of year when I could attend, not because I had designs on becoming the next best-selling mystery writer. Terrified the other attendees find out how much of a novice I was, I approached the registration desk with trepidation. Being greeted with a warm smile and an excited welcome because I was a first-time attendee by none other than Hallie Ephron quelled my nerves.

Rubbing shoulders with Hallie and other well-known authors such as Lisa Scottoline, Roberta Isleib, Hank Phillippi Ryan, and James R. Benn was a heady experience. But just as gratifying was interacting with “The Great Unpublished” or Guppies as SistersinCrime calls not-yet-published authors. We shared successes and pitfalls, and dreams and nightmares, but most of all we shared camaraderie.

ViviLnk

I came away from all the workshops and panels with information I could implement. Granted, at that point in my writing career I was a blank page (pun intended) and was soaking up everything I could, but even the experienced writers indicated there was a wealth of knowledge being conveyed. Practical, how-to advice was coupled with lists of resources. I learned effective ways to research, the difference between showing and telling, how to write realistic dialogue, how to evoke setting through description, and how a little backstory can go a long way. I was taught the snowflake method, the three-act method, and the pyramid method. Most importantly, I learned to try them all and use the one that worked best for me.

Questions were not only welcomed, they were encouraged during workshops, meals, or chance encounters in the hallways. Handouts were plentiful, and my souvenir tote bag was soon filled to the brim. Attendees were urged to participate in the Practice Your Pitch session with agents and editors. I was not brave enough that first year or the second, but I eventually took part, and the experience enabled me to hone my plot lines, create my “elevator pitch,” and the dreaded “one sheet.” An added bonus to attending the workshop has been the network of writers of which I am a part.

There are many ways to write a novel, and for a fledging author that can be overwhelming, but Crimebake effectively breaks the process into bite-sized pieces. For me, I would not be a published author if I hadn’t taken that step in 2006 to attend this first-rate, writing conference.

This mystery writers’ conference is co-hosted by SinCNE and MWA and held at the Dedham Hilton outside of Boston. Held over three days, the conference is affordable and offers a combination of workshops, panel discussions, and presentations that cover a wide range of topics. Manuscript critiques, and agent and editor pitches are also available. For an extra fee, participants may choose to attend one or two Master Classes offered prior to the conference. Timekeepers ensure each session starts and ends on time. Books published by the panel members and presenters are available for purchase.

Crimebake sells out within days of registration opening in early May, so you will want to sign up for email alerts. The website is www.crimebake.org, and this year’s Guest of Honor is suspense writer Lisa Gardner.

Born in Baltimore, Maryland, a stone’s throw from Fort McHenry, Linda Shenton Matchett has lived in historical places most of her life-from Edison, New Jersey (named for the famed light bulb inventor) and Washington, DC to Wolfeboro, New Hampshire (reputed to be the oldest summer resort in America). A varied career has included stints as a crisis counselor, human resources professional, bed and breakfast owner, youth center director, and dining services manager. She is a volunteer docent at the Wright Museum of WWII and a trustee for the Wolfeboro Public Library. Linda is the author of Love’s Harvest and Love Found in Sherwood Forest. Under Fire, the first book in her trilogy about WWII War Correspondent/amateur sleuth Ruth Brown, will be released in July 2017. Visit Linda at www.lindashentonmatchett.com.

Categories
Create. Motivate. Inspire.

Focus (Or Lack Thereof)

With an incredible sense of purpose, I opened the window blinds and faced the morning sun.

Today, I thought, I’m going to make something happen. My keyboard will soar in the hands of a skillful writer. I will conquer the screen and many will be blessed because of my courage.

As I completed morning chores, my thoughts ran ahead to the words I wanted to whittle and shape with vision and imagination. A glass of Diet Dr. Pepper close by, I sat at my desk, fingers poised over the keyboard. A pen and legal pad were on standby. Oh, yeah. This was going to be good.

But wait, this screen is dusty. Where’s my super-duper lint-free cloth?

What a lovely day. Maybe I should write outside…

Did the dryer just buzz?

I need some music.

Uh-oh. Need a refill on soda.

This music is annoying.

Okay, here we go. Once upon a time… Brilliant, just brilliant.

Um…Once upon a dark and stormy night

Maybe it’s time for a break.

I would love to say that mornings like these are few and far between. But all too often, the hours can slip by with few words on the page. Good intentions get lost in a lack of self-control and I accomplish very little. I’m guilty of having the attention span of a puppy—my thoughts jumping from one distraction to the next.

The Apostle Paul taught the Corinthian believers of the need for discipline and self-control.  “Do you not know that in a race all the runners run, but only one gets the prize? Run in such a way as to get the prize.  Everyone who competes in the games goes into strict training. They do it to get a crown that will not last, but we do it to get a crown that will last forever.  Therefore I do not run like someone running aimlessly; I do not fight like a boxer beating the air” (1 Cor. 9:24-26).

When we approach our writing time with a careless attitude, we are “running aimlessly” and “beating the air.” Paul knew that ministry without Christ-centered focus would ultimately fail, and his witness would suffer. “No, I strike a blow to my body and make it my slave so that after I have preached to others, I myself will not be disqualified for the prize” (V.27).

A fruitful writing ministry is grounded in discipline and in the relentless seeking of the heart of God.

And the joy from such a ministry will spill over and change the world.

 

Like a city whose walls are broken through is a person who lacks self-control (Prov. 25:28).

 

As we consider our writing life over the past few days, are we plagued by a lack of discipline? How can we be better stewards of our time?

 

[bctt tweet=”How can we be better stewards of our writing time? #amwriting #writertips ” username=”@A3forMe @lthomaswrites”]

[bctt tweet=”A fruitful writing ministry is grounded in discipline and in the relentless seeking of the heart of God. #amwriting #writer” username=”@A3forMe @lthomaswrites”]

Categories
The Writer's PenCase

Seamless Self-Editing––Part VII

This time, we’re continuing our look at self-editing with tips from Self-Editing for Fiction Writers, by Browne and King. We’re going to look at Proportion and Dialogue Mechanics, two chapters from this resource. Because our space is limited, I’ll only summarize a few points from each chapter. [bctt tweet=”Editing our work ourselves will improve our chances at becoming publish-ready.” username=”@A3forme @donnalhsmith”] #amwriting #self-editing

Categories
LifeStyle Untold Stories

The Right Vybe

[vc_row][vc_column][vc_column_text]The steamer which crossed the Pacific from Yokohama to San Francisco made a direct connection with that from Hong Kong, and it could not sail until the latter reached Yokohama; and if Mr. Fogg was twenty-four hours late on reaching Yokohama, this time would no doubt be easily regained in the voyage of twenty-two days across the Pacific. He found himself, then, about twenty-four hours behind-hand, thirty-five days after leaving London.

The Carnatic was announced to leave Hong Kong at five the next morning. Mr. Fogg had sixteen hours in which to attend to his business there, which was to deposit Aouda safely with her wealthy relative.

On landing, he conducted her to a palanquin, in which they repaired to the Club Hotel. A room was engaged for the young woman, and Mr. Fogg, after seeing that she wanted for nothing, set out in search of her cousin Jeejeeh. He instructed Passepartout to remain at the hotel until his return, that Aouda might not be left entirely alone.

Mr. Fogg repaired to the Exchange, where, he did not doubt, every one would know so wealthy and considerable a personage as the Parsee merchant. Meeting a broker, he made the inquiry, to learn that Jeejeeh had left China two years before, and, retiring from business with an immense fortune, had taken up his residence in Europe—in Holland the broker thought, with the merchants of which country he had principally traded. Phileas Fogg returned to the hotel, begged a moment’s conversation with Aouda, and without more ado, apprised her that Jeejeeh was no longer at Hong Kong, but probably in Holland.

[/vc_column_text][vc_row_inner][vc_column_inner width=”1/6″][/vc_column_inner][vc_column_inner width=”2/3″][vc_single_image image=”38″ img_size=”full” add_caption=”yes”][prkwp_spacer size=”12″][/vc_column_inner][vc_column_inner width=”1/6″][/vc_column_inner][/vc_row_inner][vc_column_text]The steamer which crossed the Pacific from Yokohama to San Francisco made a direct connection with that from Hong Kong, and it could not sail until the latter reached Yokohama; and if Mr. Fogg was twenty-four hours late on reaching Yokohama, this time would no doubt be easily regained in the voyage of twenty-two days across the Pacific. He found himself, then, about twenty-four hours behind-hand, thirty-five days after leaving London.

The Carnatic was announced to leave Hong Kong at five the next morning. Mr. Fogg had sixteen hours in which to attend to his business there, which was to deposit Aouda safely with her wealthy relative.

On landing, he conducted her to a palanquin, in which they repaired to the Club Hotel. A room was engaged for the young woman, and Mr. Fogg, after seeing that she wanted for nothing, set out in search of her cousin Jeejeeh. He instructed Passepartout to remain at the hotel until his return, that Aouda might not be left entirely alone.

Mr. Fogg repaired to the Exchange, where, he did not doubt, every one would know so wealthy and considerable a personage as the Parsee merchant. Meeting a broker, he made the inquiry, to learn that Jeejeeh had left China two years before, and, retiring from business with an immense fortune, had taken up his residence in Europe—in Holland the broker thought, with the merchants of which country he had principally traded. Phileas Fogg returned to the hotel, begged a moment’s conversation with Aouda, and without more ado, apprised her that Jeejeeh was no longer at Hong Kong, but probably in Holland.

[/vc_column_text][/vc_column][/vc_row]

Categories
History in the Making

Research’s Unexpected Benefit

By Sandra Merville Hart

It happened again. Somewhere in the middle of writing the novel, the story got stuck and refused to budge.

Stories sometimes stall on page one hundred or two hundred seventeen or any page in between. Writers leave their computers for the day and come back the next morning, certain that today will be a better day. Today we will get past the hump. Today we will write two thousand words.

Reality sets in. Staring at the last written paragraph sparks no ideas. What happens next? We know the ending but how do the characters get there?

A few minutes on social media ought to get the creative juices flowing again but we are more distracted than ever after a half hour on Facebook and Twitter. Now we are worried about a friend’s health issues, wildfires out of control, and the latest political rants. None of this brings us back into our story.

View this as an opportunity.

Historical writers have a great advantage here. Numerous pages of notes taken during research hold nuggets of inspiration just waiting to be rediscovered.

[bctt tweet=”Historical #writers find inspiration from research notes when story stalls. #HistFic #writing” username=”@Sandra_M_Hart”]

Return to those research notes. Begin reading historical facts that fascinated you as a writer when first discovering them. Inspiration may arise an hour or two after reading the notes.

Studying research notes could also spark questions. Some previously unimportant fact catches your attention. Maybe this is what your story needs, but you wrote incomplete data or that particular resource didn’t give enough information.

That has happened to me several times. At first glance an event or newsworthy item in history had nothing to do with my story but I jot it down because it interested me. When scanning the notes later for inspiration, I realize that information takes my characters down a compelling path. Since I had originally deemed it unimportant, I now need to return to my resource material for further research.

If this happens to you, check out the books again that were most helpful for your story or search for additional books to delve into the topic. Reread website articles. Glean any information available about this new avenue. The story takes shape as the writer digs deeper.

Before the novelist knows it, the story comes to life again. Inspiration is back and the writer can’t wait to return to that blank page. Now rereading the last written scene grounds the author. The next scene isn’t difficult to write.

The previously ignored tidbit is actually the bridge that deepens your story. There was a reason the story stalled. We didn’t know all the information yet or we were ignoring something important and had to figure it out.

God cares about our stories. If you ask Him to give you His story and pray while writing, you will see Him work.

Even when your story stalls.

 

Categories
Child's Craft

Goals for the New Year from A to Z

So the new year has come! Did you make resolutions of things to do or not to do? Will you eat less? Eat better? Walk more, work out more, complain less, pray more? Try harder? Spend less?

In searching the internet for why resolutions fail, I found an article on http://www.iwillteachyoutoberich.com/blog that states we would rather continue doing something that doesn’t work rather than try something new that COULD work — but also could fail. He goes on to say that “failing at our resolutions has implications…we start to distrust ourselves. If you’ve set the same resolutions for 5 years, and you never follow through, what makes you think you’ll be different this year?”

He encourages breaking down your goal into steps to improve chances of success. But all of that seems so secular, so ‘me’ oriented. It’s all about what I can do to try to achieve what I want to achieve. I don’t know about you, but I want to be less about me and more about Jesus. I know I can do nothing on my own. I don’t even want to set my own goals this year.  But what if we tried to be more the person God created us to be? To use our gifts wiser, better, to glorify Him? And what if we asked Him to help us achieve this? Maybe as writers, our goals for the year would look something like this: (I had to start with the letters of the alphabet because you know, I’m a writer and like the alphabet.)  Enjoy!

 Appreciate your writing gift.

Believe what God can do.

Count your blessings every day,

Draw closer to him too.

 

Enjoy the ride, the course, the view.

Find peaceful nooks to write,

Go freely where the Lord may lead.

Hold on to His hand tight.

 

Invest in workshops, conferences.

Join writers for critiques.

Keep focusing on Jesus Christ

Listen for when He speaks.

 

Make choices to be well and strong.

Nourish your soul and mind

Opt for healthy food to eat.

Pray for all mankind.

 

Quest for quite times with God.

Rest in His love each day.

Seek His perfect plan for you.

Trust His Perfect Way.

 

Use the gifts He given to you.

Volunteer and walk the walk.

Write what you’ve been inspired to write

X-out all harmful talk.

 

Yell words of kind encouragement.

Zone in with God’s name praised.

Let God direct your life this year.

Stand back and be amazed.

Have a great year! May God have His way with each of us this year and may He be glorified in all of our writing!

Categories
Talking Character

5 Character Development Exercises

Go shopping

This non-writing exercise can help you connect with your character in a tangible way, by interacting with real objects:

What kind of store does your character like to shop at? A home improvement store, hobby shop, department store, consignment shop? Go to one near you and walk the aisles, searching for at least five items your character would buy.

Now head to the grocery store and go through the aisles looking for foods your characters would normally eat. If your courage and budget allow, buy some food and create your character’s favorite dinner.

Describe their personal space

Write a few paragraphs describing your character’s bedroom, study, or some other special place. Include as much detail as possible, including small, ordinary things such as cracked plaster, the creak of the window being opened, and two-week-old crumpled socks. Now read back over the description and circle the details that best relay the character’s personality. Read through it again and refine several details, making them as specific and telling as possible.

Describe someone else’s space

Place your POV character in a setting that belongs to a character they are in conflict with, such as the office of a rival or the house of an estranged parent. Describe the setting through the POV character’s eyes. What details do they notice? What might they not notice, or not care about? What judgments (right or wrong) do they make from visiting the space?

Now bring a different character into the same space and repeat the exercise. Compare the descriptions. Could a reader easily tell which description came from which character?

Craft a bio

If your character works in a professional setting, create a resume, complete with future career goals. If a job setting doesn’t apply, give the character a reason to describe themselves to a stranger and write a one-page bio monologue.

Now write an interior monologue describing what the character really thinks about themselves. How different is it from their public persona? Why?

Immerse yourself in a favorite pastime

All people, real or fictional, do something with their spare time. Real people may waste it binge-watching Netflix, but hopefully your character has a specific hobby or two that helps define their character. Get to know your character better by immersing yourself in one of those activities:

Spend an hour or two listening to their favorite music then do some reading about a few of the important musicians in that genre. Read a few of their favorite books. Find someone who knows about beekeeping or radio-controlled airplanes and spend an afternoon watching them.

For the truly devoted: Is your character into pottery, oil painting, or tai chi? Take a class in that subject. (And remember, the point is to experience it, so it doesn’t matter how embarrassing your skills might be. Pretend you are as good as the instructor and soak it in.)

[bctt tweet=”Five ways to know your characters better. #writetip ” username=””]

[bctt tweet=”Looking for a few simple characterization exercises? #amwriting” username=””]

Categories
Writing with a Disability (Different Ability)

Understanding Disabilities-Statistics and Sources for Writers

Magazines, literary agents, and publishers continue to look for excellent writing in fiction and non-fiction genres which exemplify diversity. The public asks for more inclusion of disabled persons in their reading material, and agents and editors want to grant the desires of their readers.

For writers, research can help you deliver believable content to meet the demand. If you are writing about disability, you need to know some facts, and you need to research.

Writing about disability isn’t new. How we write about disability makes a difference. Disability doesn’t care about your sex, color, race, or religious viewpoint.

This article shares disability statistics and links to additional sources of information so you can write well on this topic. This beginning resource will give you an idea on how to conduct more research based on your writing needs.

Quick Statistics:

  • Approximately 1 in 5 people in the United States currently has a disability.
  • About one-third of 20-year-old workers today will be disabled before they reach retirement.
  • Nearly 15% of the world’s population, have some form of challenge. That’s about a billion people.
  • The number of individuals who have significant difficulties in functioning reaches upward to 190 million.
  • Population numbers, aging, and the increase of chronic health conditions are the primary reasons for these high rates of disabilities. I should mention genetics because many disabilities can occur by being passed down through DNA.

These are staggering statistics. You or a loved one could become one of the disabled. A person in your family may have a disability they were born with, or have one because of accident, injury, or one which evolved over time.

What are these disabilities, and health conditions? While there are too many to list, they fall into several main categories. Disabilities may overlap categories. The descriptions listed here are general.

Categories of Disability:

  • Mobility and Physical Impairments – using a wheelchair, using a cane, limping, visible limb deformities, skin and hair disorders.
  • Head Injuries – Brain Disability – speech, motor coordination, learning disabilities.
  • Vision Disability –blind, wear glasses, use a white cane, a seeing eye dog.
  • Hearing Disability – communicate using sign language, wear a visible cochlear implant, hearing aids.
  • Cognitive or Learning Disabilities – may have behavior problems, difficulty learning to read or write, find learning difficult.
  • Psychological Disorders – may have depression, anxiety, mood disorders, schizophrenia, eating disorders.
  • Invisible Disabilities – Fibromyalgia, Chronic Fatigue Syndrome, Autoimmune Disorders, Chronic Pain.

The Use of Awareness Ribbons, Days, Weeks, Months

An interesting article written by Erin Blakemore, “A Brief History of Awareness Ribbons” on what may be the origination of the iconic explosion explains where the use of the colored ribbons may have originated. Whether these icons are useful for recognition depends on whom you ask. Since anyone can create them, colors can vary. In recent years, colored ribbons for illnesses, disorders, disabilities, and other causes exploded across social and print media. If you choose to use a colored ribbon in your story, make sure you use the correct color.

Use the same advice for ribbons as when using the associated days, weeks, and months. Their sole purpose conveys awareness for the array of disabilities and chronic illnesses assigned. You can find an extensive list of ribbons and dates of awareness at Disabled World and a similar list on Wikipedia.

More Research Links for Writing About Disability and the Disabled:

 

Kathryn M. B. Johnson lives and writes from Staunton, VA. She writes articles, essays, and blogs, and is compiling a book of essays about her time as a Life Skills Instructor for persons with challenges. She is also working on a memoir on learning through adversity, and mulling ideas for a mystery series. Connect with her at kathrynmbjohnson.com on Facebook and Twitter.

 

 

Categories
Grammar and Grace

Presents for the Writer

For this post, I’m suggesting some books that you may want on your bookshelves or your may want to give as gifts to the other writers in your life.

William Strunk’s, The Elements of Style, has been a classic for almost a hundred years. Read it.

THE ELEMENTS OF STYLE (UPDATED 2011 EDITION) by [Strunk, William, Strunk Junior, William, William Strunk, The Elements of Style by]

Self-Editing For Fiction Writers by Renni Browne and Dave King is a must-have for writers. Read it, make notes, then read it again.

Eats, Shoots and Leaves by Lynne Truss shows grammar is necessary, but it can be fun. My copy came with a punctuation repair kit.

And just for fun, Sister Bernadette’s Barking Dog by Kitty Burns Florey is a quirky history of the lost art of diagramming sentences. I always thought diagramming sentences was fun. After reading this book, I know other people like it, too.

Happy writing!

Categories
Storyworld

Anatomy of Grays: Alien Digest

The autopsy window allowed Jim a clear view of the good doctor’s grim work. The gray-skinned corpse had been cut open from neck to … whatever was between its legs, and its internal workings were just as alien as its external ones. Over the speaker, Doctor Stein began commenting on how the ugly fellow might digest its food. Apparently the little gray invaders had multiple stomachs like cows. Jim sighed. So their world was being invaded by bipedal gray-skinned cud-chewers. Great. Just great.

This month we continue our series on alien anatomy, literally delving into the bowels of unusual creatures – specifically their appetites. I’ve already posted an article about food and its necessity to your characters, which are probably vertebrates. That means they ingest their food, break it down, absorb it, and then circulate it to every single living cell in their bodies (which is headache-inducing if you stop to ponder it – don’t). Unused consumables are then disposed of in the same way that publishers typically treat unsolicited manuscripts. But with an alien anatomy, it bears mentioning that exotic creatures might ingest, digest, and circulate food differently.

 

Self-producing

Take for example a typical plant. Its food is self-produced, using a special pigment called chlorophyll, plus sunlight, water, and carbon dioxide. It still needs potassium, nitrogen, and various other nutrients found in the soil, but the energy the plant uses is the sugar it produces for itself. This may not sound extremely interesting as a plot device in a book, but wait until you read John Scalzi’s Old Man’s War. I won’t spoil who the green-skinned creatures are, but suffice to say Scalzi incorporates a creature that uses chlorophyll-infused skin to further enhance its energy (as a hint, they aren’t the Jolly Green Giants).

 

Externally Digesting

Other organisms like fungus and starfish actually digest their food externally. A fungus emits enzymes into the soil (or plant, organism, or whatever the fungus is feeding on), and its “food” breaks down around the root-like hyphae. The nutrients are then absorbed into those little tendrils. Try not to think of that the next time you get athlete’s foot. Arguably more gross is the starfish, which actually spits its entire stomach out of its mouth to digest its food externally. Creatures like this are likely to be pretty alien. Again, the world of Scalzi’s Old Man’s War is populated with interesting characters. Take the Gehaar for example, which are blue, tentacled extraterrestrials that inject their food with acid and slurp up the mostly-digested syrupy mess into their mouths. Yuck. But who knows what your space-faring adventurers or fame-seeking wizards will find in their world?

 

Otherworldly Appetites

But not all creatures need to follow the same rules as those in our own world. The second book in Larry Correia’s Monster Hunter series (incidentally, no relation to the Pokemon craze), includes some creatures called Oni, which feast off of souls to prolong their life. They do this in an almost literal way, because the souls are actually stored in a stomach-like bag inside the creature, where they are processed and provide energy for the evil beings. Apparently such a malevolent metabolism makes a monster very hard to kill too, since an entire section of Alabama interstate was virtually destroyed in the process. You’ll have to read Monster Hunter Vendetta to appreciate it though.

 

Picking up a Monster Manual from Pathfinder or 3rd or 5th edition D&D can also give you some interesting ideas for aliens and fantastic creatures (Note: 4th edition is great to play, but the monsters typically lack back-stories). Examples from these books are Gelatinous cubes and oozes that tend to be mindless blobs of jello that are only semi-aware. If you touch one though, your skin will begin to decompose in their uniform acidic bodies. That’s because their digestive systems are little more than homogenous blobs of acid. Rust monsters are also interesting since they eat metal, including magic weapons. In one of the editions this meant that one of their waste products would sometimes be residuum, a magical substance used to enchant other weapons.

 

That’s all on the menu this month. Next month we’ll talk about alien sex and reproduction, but don’t worry, I’ll keep it PG. Still, you may not want to invite your grandma.

 

Gelatinous Cube Inspirational Photo from http://catsoftindalos.blogspot.com/2016/05/caverns-of-slime.html

Green Giant image from https://www.tellwut.com/surveys/lifestyle/food-drink/91881-jolly-green-giant.html

Categories
Tour

Blog Tour- Norma Gail

a3normagail

Please tell us about your most Recent Book

Land of My Dreams – Contemporary Christian Romance

Alone and betrayed, American professor, Bonny Bryant longs for a haven of peace. She accepts a position at a small Christian college in Fort William, Scotland, craving escape from her painful past. The passionate love which develops when she meets fellow professor and sheep farmer, Kieran MacDonell, is something she never anticipated.

Kieran harbors a deep anger toward God in the face of his own devastating grief. When Bonny’s former fiancé reenters her life, Kieran’s loneliness draws him to a former student.

How will Bonny decide between her rivals? Can they set aside the past to make way for a future, or will it drive them apart?

Land of My Dreams spans the distance between New Mexico’s high desert mountains and the misty Scottish Highlands with a timeless story of overwhelming grief, undying love, and compelling faith.

http://www.amazon.com/Land-My-Dreams-Norma-Gail/dp/1941103170

Why do you write what you do?

I feel called by God to share about the trials and triumphs of life through fiction. I believe Christian fiction is an avenue to reach people who might not be inclined to pick up a Bible or listen to a gospel presentation. It is also an effective method of discipling Christians and showing them how to work through life’s problems putting God first, and that problems result when we fail to put God first in our lives. Christian fiction to shows God’s love in story form with believable characters that readers find much like themselves.

What are you currently working on?

I am currently finishing on the sequel to Land of My Dreams. The working title is The Dream Disrupted. It is a continuation of the main character’s story from the previous book and the challenges they face as they begin married life on a Scottish sheep farm.

I am working on a contemporary Christian romance novella about a girl who eloped with her favorite rock star only to have him divorce her without explanation after 16 months. He shows up at her door ten years after their wedding wanting to reconcile.

Research is under way for a three-book historical series beginning prior to the Civil War and ending around 1922, following a group of families through the trials of frontier living, based on true stories of my ancestors.

How does your work differ from other work in its genre?

Much of today’s writing is fiction-lite. As a Bible study leader of over 21 years, I love to bring depth to fiction, to create hard struggles and characters who are far from perfect. I want my audience to discover that God is present in every moment of life, especially when things seem the most dark. Readers have said that Land of My Dreams makes them “laugh, cry, worry, sigh, smile.” I love to challenge the image of Christian romance by making it show the moments we would never want anyone to see, the times when believers are at their lowest.

How does your writing process work?

I am most definitely a pantster. I only resort to outlining when I get stuck, which is not often. I love to sit down and let the story and characters flow. My characters often surprise me with the twists and turns they throw me into, but they find their way out with prayer and help from the Lord. I typically write in layers, just getting the story out, then getting to know the characters better, filling in the setting details that make my story world come alive, and then rearranging the order of events if necessary. I get lost in my writing enough to occasionally forget that dinner needs cooked and I am sitting my pajamas.

Author bio:

Norma Gail’s debut contemporary Christian romance, Land of My Dreams, winner of the 2016 Bookvana Religious Fiction Award. She is a former Bible Study Fellowship discussion leader who established the first weekly women’s Bible studies in her church in 2003 and continues to lead a weekly small group. Her devotionals, poetry have appeared at ChristianDevotions.us, the Stitches Thru Time blog, and in “The Secret Place.” She is a member of American Christian Fiction Writers, and Romance Writers of America. She is a former RN and homeschool/soccer mom who loves family research, history, and Scotland. Norma lives in the mountains of New Mexico with her husband of 40 years. They have two adult children.

 

Categories
Magazine and Freelance

Can I Write for This Magazine?

 I love print magazines and I take a number of them as a subscriber. When they arrive, frequently I read them cover to cover. While I enjoy many different types of publications, as a writer, I also take a deeper look to see if there is an opportunity for me to write for the magazine.

In this article, I want to give you some of the benchmarks and resources you can use to evaluate your magazines and see if you have an opportunity to write for this publication. As a former magazine editor, I know every editor begins the issue with a blank magazine filling the pages. These empty pages spell opportunities for freelance writers.

First, look at the age of the publication. If a new magazine, often the editor is open to working with new writers because they haven’t built a stable of contributors. If the magazine has been around for years, notice who writes the articles. Are their names listed on the masthead as “contributing writers?” If so, then the magazine may be mostly staff written and does not use much freelance material.

Next use Google to search for the magazine online. Do they have writer’s guidelines? If so, then they are normally open to freelance submissions. Read and follow their instructions. Does their website list themes for forthcoming issues or have a “themes list?” If you pitch an idea related to these themes, then you will get more interest from the editor.

Go to your local library and use the latest Market Guide. Use the index to look up the  entry for the magazine. What percentage of their magazine is freelance? The higher the percentage the more likely there is opportunity for the writer.  Do they pay on acceptance or publication? As a writer, I prefer publications that pay on acceptance. Magazines that pay on publication may hold your article for many months before publishing (and paying).

As in book publishing, the magazine world is constantly changing. For example, I noticed recently Architectural Digest has a new editor because each month the editor writes a little column in the front of the magazine. Change can spell opportunity for the writer because a new editor may be open to new ideas and new pitches for the publication.

If you want to write for magazines, learn how to write a query letter or one page pitch. Then craft appropriate pitches (from the guidelines) to the editor. Yes you may garner rejection but repeated rejection is not necessarily bad. Maybe your article is rejected because someone else pitched a similar article or the magazine has already purchased a similar article. Yes these situations happen and I’ve seen it as an editor. The repeated pitching of appropriate articles also gets you positive attention from the editor. The editor also assigns articles to freelance writers and you want to be one of those people who gets an assignment. To gain an assignment, you have to be on their radar. As a freelance writer, you get on their radar through professional pitching.

Every magazine is looking for dependable, professional writers who can deliver excellent writing on the editor’s deadline.  You will have to prove yourself but as you deliver quality writing repeatedly, then you will gain the editor’s trust and become someone who is a part of their regular writers. The procedure is a process and begins with studying the publication then pitching appropriate articles.

Opportunity is everywhere. Use these tips to begin writing for publication.

  1. Terry Whalin, a writer and acquisitions editor at Morgan James Publishing, lives in Colorado. A former magazine editor, Whalin has written for more than 50 publications including Christianity Today and Writer’s Digest. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams. His latest book is Billy Graham, A Biography of America’s Greatest Evangelist and the book website is at: http://BillyGrahamBio.com Watch the short book trailer for Billy Graham at: http://bit.ly/BillyGrahamBT His website is located at: www.terrywhalin.com. Follow him on Twitter at: https://twitter.com/terrywhalin

 

Categories
Uncategorized

Weave Your Advertising Copy Like a Strand of DNA-by Holland Webb

 

I was one of those early readers your child psychologist warned you about. All my pals lived between the pages of books. My first such friends were a sweet-spirited pig, an ingenious spider, and a rat with an attitude. I read E.B. White’s classic, Charlotte’s Web, when I was … well, really young. I won’t tell you my age. You wouldn’t believe me.

What I remember most wasn’t the events of the story. It was crying for four straight hours when I finished it. I wailed until my grandmother came downstairs and asked my mom, “What’s wrong with him?”

And so for the first, but definitely not the last time, my mother answered that question with the phrase, “His book ended.”

What could be sadder, huh? Humans are story beasts. We consume stories as hungrily as we do steak and potatoes. Despite (because of?) the modern world’s reliance on data, the power of the narrative continues to shape culture – informing us what to buy, what to wear and who to vote for.

Are you a non-profit fundraising writer or an advertising copywriter looking to write compelling text? Choose the narrative. It will accomplish what you set it free to do. A narrative strategy that has worked for me in business and professional writing is one that appears in the Hebrew Bible, the letters of St. Paul, Beowulf and the Harry Potter series – Ring Composition.

          Ring Composition is a form of literary structure that makes your text compelling and readable. It takes two ideas and arranges them into the following pattern: ABBA. Like the Swedish rock group, but I digress.

The first idea (A) introduces and closes the piece. The second idea (B) is repeated twice in succession. The pattern can be recurrent and can be expanded – ABCCBA, or even ABCDCBA with multiple ideas leading to and then away from a central concept. Unlike an essay, your central point falls in the middle of the text not at its culmination. Forget the old line graph model of a text. Think of it as a strand of DNA, circling itself, but headed in one direction.

Ring Composition originated among the ancients when most stories were orally transmitted rather than privately read from a book. Ring Composition gave the story its cadence, which helped the storyteller remember the order of events.

Genesis 26:34 – 29:9, the Jacob marrative, offers an excellent example of Ring Composition with a central theme – deception uncovered – occurring smack in the center before the storyteller wends his back through the events in reverse order. In the beginning, Esau is the son of his father’s favor. The story leads through deception to the climax and then back to its origination point – the father with his son of blessing. Only it’s a different son this time. Now, Jacob has wealth and blessing and Esau has nothing. Rather than putting the crisis at the beginning or the end, the storyteller inserts his crisis, his moment of change, in the middle.

Try it. Put the change point in the middle of the story you tell in your non-profit’s appeal letter or your advertising copy. Wend your way back to the beginning.

Confused about what your crisis moment is in advertising copy? Here it is: when the reader intervened.

          Your story’s hero is your reader. Its crisis is the moment the reader made a decision to give, buy or volunteer.

For non-profit fundraising writers, the lowest emotional point of your story occurred just before your donor arrived on the scene. That means the first half of your thank-you letter retells the exact same story you used in your request. You’ll arrive at the crisis, the incendiary moment, in the middle of the letter. For example, “This is how bad things were for a family living under the bridge. But then YOU came and changed everything.”

When you are writing with Ring Composition, stick the main point in the middle and don’t repeat it. With repetition comes deafness. Make your main point once, and leave it alone.

          Once you create a crisis, echo your plot points from the center back to the beginning; this is the “BA” in “ABBA” or the “CBA” in “ABCCBA.” This last half is when the reader is most engaged, seeing herself as the hero who takes action to change things – whether that’s by donating to your charity and changing a life or buying your product and improving her family’s well-being. The last half of your ring-structured narrative should consistently build your reader’s emotional engagement.

          One warning: Never make yourself, your client or your organization into the story’s hero. You are incidental. Your text is a story about a descent into something bad (for ad copywriters, that might be using rough toilet paper instead of your client’s softer option), a hero’s intervention (which feels like the reader’s own intervention), and a climb back up the same slope they descended with help from the hero-reader.

The Harry Potter story is ring composition in a class by itself. Harry’s crisis moment occurs in the middle of each book and the middle of the series with the story echoing itself from the crisis to the conclusion. It’s a novel instead of advertising copy, so Harry is clearly the hero of each book and of the series, but the plot itself resists moving outside this structural boundary. The story’s Ring Composition gives the reader an unconscious map by which to navigate the magical world.

Your advertising or fundraising copy, using narrative structure, can capture your reader’s imagination and compel her to take action. Let the crisis fall in the middle of your story, build backwards and watch your reader’s interest – and potential investment – grow. You may even follow in the footsteps of that dear old spider Charlotte, an unparalleled advertising writer, whose web-woven work followed a little Ring Composition theory itself. Don’t believe me? Read her words again. Be sure to bring tissues.

About Holland Webb

I love telling the stories that people put down so they go take action. I’m an advertising copywriter by day, an aspiring novelist by night, a parent, a dog-lover, a prison volunteer and a follower of Jesus.

Categories
The Ministry of Writing

Know Your Manual — Seminary in 5: Old Testament Survey

Save money. Learn theology. Become a better writer. Minister more effective. That’s my hope for you. In this second year of my column, The Ministry of Writing, I want to take you to seminary — writing seminary. If you have had the chance to go to seminary, then let this be a refresher. If you haven’t please soak up this tuition free theological education given each month in 5 points. God has called you to write. You want to glorify Him and reach the world, but the problem is that we can easily be false teachers and not know it. Therefore, growing and learning in biblical and theological knowledge is vital to your writing ministry.

One of the beauties of being a Christian writer is that we have a manual for all the instruction we provide and all the stories we tell. This manual is, of course, the Bible. Yet, this beautiful resource should also reign us in. For our, writings should be based on an accurate use of that manual. The manual is authoritative and therefore we are not to manipulate it for our own ideas. Therefore, it vitally important that you know your manual. Even the first half of this manual — the Old Testament.

Knowing this manual begins with reading it — reading it all, but we must also go deeper into an intensive study of the Bible. Even when this deeper study occurs sometimes we tend to jump to the details of particular books, passages, narratives, principles, or persons; and, by doing so we miss the big picture. I urge everyone to take a “survey” class or pick up an Old Testament and New Testament survey book. A survey study gives a bird’s eye-view of the text. It helps see the greater picture of what God is up-to and how each individual book fits together. There are also Bible Studies out there that accomplish this task such as The Story and The Gospel Project. The Story focuses on the greater history narrative in how all of the Bible fits together. The Gospel Project aims to trace salvation history throughout Scripture. I highly recommend Paul House and Eric Mitchell’s survey of the Old Testament book. There may be books that give more details, but this book perfectly pieces the books in the Old Testament together.

Here are five key points that you would learn in a survey of the Old Testament.

 

  1. The Bible (therefore, the Old Testament) is about God.

After reading this point, it’s likely you replied, “duh.” But before you skip to the next point, take a minute to think about how you utilize and approach the Bible. You may know the fact that the Bible is about God, but very few people actually approach this supernatural text in such a way. We read the Bible for inspiration, historic truth, or life principles. All of those things are there, but they are secondary.

First and foremost, the Bible is a revelation of the eternal God to his creation. The common cliché, that “It’s not history, but HIS STORY” is so true. The person and nature of God, along with His interaction with mankind is the purpose of His Word. We shouldn’t read “us” so much into the text, but rather look for God to reveal himself to us.

Throughout, the Bible and especially the Old Testament we learn characteristics of God. In the Old Testament, we learn He is the Creator and is sovereign over that Creation. We learn that He is just and punishes sin, but more than anything He desires to show grace, mercy, and love. The list could go on and on. By following, God’s relationship with Israel presented in this testament we receive a large sampling of how God works. The prophet Malachi instructs that God does not change. Our God is the same today as He was in the past.

 

  1. The Bible (therefore, the Old Testament) is Supernaturally Composed .

This is a reiteration of my posts on bibliology and interpretation of the Bible, the Bible was inspired by God. Throughout, the Old Testament this is revealed in notes on each book’s composition. Often the prophets speak on behalf of the Lord when they say, “Thus says the Lord.” We get insight in how God’s people like Abraham, Moses, Joseph, Daniel, and others communicated with God.

This first testament in God’s Word was penned over 1,000 years by over 30 different authors from different backgrounds and locations. This is a task that is impossible by man alone.

I point out the supernatural nature because biblical scholarship has difficulty accepting the prophecy which has been fulfilled, the miracles, and the scientific knowledge displayed. Various explanations are made to undercut these supernatural aspects, but doing so goes against over a millennium of accepted understanding. Many books on the Old Testament that you might pick up would present ideas and conclusions that does discount its transcendent claims.

 

  1. The Old Testament tells of the Special Calling of Israel.

If you read the Old Testament literally and straight-forwardly, it becomes unarguable that God has a special relationship with the nation of Israel. Drastic changes to how one interprets the Bible has to be made for anyone to believe anything on the contrary. For in the first 11 chapters of Genesis, the foundation of the world and all the nations are presented, but following chapter 12 the rest of the Old Testament zeros in on the descendants of Abraham — Israel.

In Zechariah 2:8 and in other similar passages, God declares directly this special relationship. Zechariah 2:8, “For this is what the Lord Almighty says: ‘After the Glorious One has sent me against the nations that have plundered you—for whoever touches you touches the apple of his eye’.” This is also seen in the calling of Abraham found in Genesis 12. Then in following passages, this special relationship unfolds. The law is given to them, their history is shared, and prophets come to call them back to God and His law.

This special calling does not cease in the Old Testament, but that section of Scripture makes that calling crystal-clear.

 

  1. The Old Testaments Show the Centrality of the Covenants.

 There are many details and different narratives throughout the Old Testament, but this portion of the BIble cannot be understood apart from the covenants God makes with Israel. Three of these stand out. The Abrahamic and Davidic Covenants provide the background for the direction of history and the words of the prophets. The Mosaic Covenant is a thread that stitches each and every facet of the Old Testament together.

The Abrahamic and Davidic Covenants are unconditional promises God makes to both Abraham and David along with their descendants. We find the Abrahamic covenant in Genesis 12:1-3. Paul House and Eric Mitchell write in their survey textbook that God promises three things to Abraham. God promises an heir, land, a relationship. It is promised that Abraham’s name would be made great and he would have many descendants. This would require an heir. Next, God swore to give the land in which he would lead Abraham to find. Lastly, this covenant stated that the people of Abraham would be blessed and those who blessed them would also receive that blessing.

The Davidic Covenant is recorded in 2 Samuel 7. This covenant guarantees the lineage of David to be the rightful kings of the nation of Israel. God promises to establish David’s throne forever. Through this covenant the promises to Abraham are reiterated and connected to David.

These covenants are like a computer app that continually runs in the background while the display on the screen frequently changes. The law taught the Israelites how to live in the land, the history books showed the unfolding of these promises, and the prophets constantly referred to these covenants as a source of hope.

The Mosaic Covenant is the law. This covenant is summarized and formalized in Deuteronomy 26 – 30. This covenant was conditional. If the law was obeyed blessings would follow, but if God’s law was broken there would be curses. In the pages of the Old Testament that follow this Mosaic Covenant is front and center. The history books showed this fleshed out. The wisdom books called the people to follow the law. The prophets preached judgment because the covenant had been broken.

 

  1. The Old Testament Consists of Multiple Genres.

 One of the key principles in interpreting the Bible is to realize the different genres that are used. Each genre has its own set of interpretative rules. The Old Testament is full of multiple genres. There are basically four divisions in this first half of Scripture.

Genesis – Deuteronomy presents the Law.

  • Understanding that these five books make up the Law helps in interpretation. This was the foundation on which Israel’s history was judged, and the basis for which the prophets preached.
  • These books are prose, but feature declarative statements of the actual law mixed with narratives of history.

Joshua – Esther are the history books.

  • These are narrative history of Israel.
  • All those these books are prose, they do contain elements of poetry at times.

Job – Song of Songs are the wisdom or poetry books.

  • These books are forms of poetry and lists of short proverbs.
  • It is important to understand their prominent poetry structure, as well as, the nature of wisdom proverbs.

Isaiah – Malachi are the prophets.

  • These are divided into two sections the major prophets and the minor prophets. The only distinction in this classification is their sizes. The 13 minor prophet books were one book in the Hebrew canon.
  • These books contain prose and poetry. Most of them are divided into “oracles” which were spoken messages by the prophets.

Understanding these different genres is vital for the correct interpretation.

 

Conclusion

These points fall flat in capturing all that needs to be known about the Old Testament, but one of the strongest concepts that needs to be taken to heart is that the Old Testament should not be neglected. The Apostle Paul stressed that he preached the “whole counsel” of God. [bctt tweet=”We need to include the “whole counsel” in our writing.” username=””]

So, first of all used the manual God has given us. Then don’t skip the first half, but know this part of your manual.

Categories
Screenwriting

How Plot Can Kill Your Character

Every story begins at your Initial Stimulus – that spark of an idea that captured your imagination. The thing that got you excited and revved up. That initial flash of creativity you just knew would make for a great movie idea.

Initial Stimulus is also something much deeper though. Simply put, it’s your inspired connection to that basic story idea.

Having an inspired connection to your story idea is significant because inspiration is significant. It’s important to recognize that inspiration comes from passion, whereas motivation does not. When you’re motivated to do something you want to accomplish that objective and then move on.

Inspiration is much more profound than motivation because it stems from passion. As such, it causes you to personally invest in what you’re working on. To connect to it emotionally. In short, motivation can be fleeting, while passion always endures.

TYPES OF INITIAL STIMULUS

The Initial Stimulus can come to us in many different forms. It can be an intriguing character, like the dark side of Tyler Durden in Fight Club. It can be fascinating subject matter or event that interests you, such as the civil rights movement led by Dr. Martin Luther King, Jr. in the film, Selma, or one woman’s inspiring activism portrayed in Erin Brockovich.

Or the Initial Stimulus can just be a simple “what if” that comes from the ether of your own imagination. What if a serial killer used the seven deadly sins as his modus operandi? The “what if” behind the film, Seven with Brad Pitt and Morgan Freeman.

No matter how it comes to you though, it’s important to understand the psychological impact that the Initial Stimulus has on the overall creative process. Having an inspired connection to your story idea is crucial to story development.

Why? Because it’s the driving force behind why you want to tell a particular story. It’s the momentum that will sustain you throughout the lengthy process of developing and writing a feature length screenplay. And it’s also the thing that can cause your story to crash and burn, killing your character in the process.

THE PITFALL OF INITIAL STIMULUS

Having taught Screenwriting at the MFA level for almost two decades, as well as having professionally consulted on north of five-hundred screenplays and films, I can say that a pervasive mistake I see all too often is that the writer gets so excited about their Initial Stimulus, that they instantly jump in and start plotting.

Never stopping to first define the single most important building block of story – character. Character is the narrative cornerstone in building a screenplay with emotional resonance that an audience can connect with.

Jumping right in and plotting your story is the equivalent of eagerly hopping into your car to go somewhere cool and exciting… Only to have no idea where you’re going or how to get there.

It doesn’t make any sense. So why do screenwriters do this then? Two reasons.

One, because plotting a movie is one of the more creatively exciting parts of the entire story development process. It’s one of things that gets the artistic adrenaline pumping. It’s enjoyable to do.

Secondly, as people we tend to be vertical thinkers, so sequencing and creating order (or plotting) is something that is intuitive, it comes natural to us.

Think about it, if a person looks up at the stars at night, the first thing their mind will do is to form shapes and patterns out of the stars.

The reason being is, they’re intuitively trying to make order out of chaos. It’s called, Pareidolia, which is where the mind perceives a familiar pattern of something where none actually exists. This is actually hardwired in us as humans.

THE NEGATIVE EFFECT OF PLOTTING FIRST

This natural instinct of wanting to jump in and instantly create order by plotting our screenplay, well it ends up causing all sorts of narrative repercussions.

Most notably of course, we end up with un-compelling characters that are afterthoughts – ones that lack authenticity. Instead, they become broad characterizations that are devices solely needed to serve our plot. Human chess pieces being moved around in a story in order to oblige a plot’s end result. Which is hands down the quickest way to cut the life of your screenplay short.

Not to mention, by putting the cart (plot) before the horse (character), we often end up losing track of that inspired connection (Initial Stimulus) we originally had with the basic story idea to begin with!

All of this is why there are more unfinished screenplays than finished ones. More first drafts that never see the light of day than do. And more just plain bad spec scripts out there than good ones.

So as you begin to develop your story idea, always remember that once you have your Initial Stimulus in place… Stop!

Resist that urge to jump in and start plotting the story. Fight that feeling of wanting to instantly work on plot. Instead, first develop and define the key building block of all successful stories – character.

In doing so, you’ll be able to better craft a plot that has emotional resonance that an audience can connect with.

ABOUT THE AUTHOR

Tim Long is a produced screenwriter who has sold, optioned, and pitched projects at the studio level and has had original screenplays in development with Academy Award ® winning and nominated producers. Mr. Long is also a nationally recognized screenplay consultant, as well as a former Professor and Head of the MFA Screenwriting Program at FSU’s College of Motion Picture Arts, where he taught for almost two decades. He’s currently Founder of PARABLE, an innovative online screenwriting course.