Categories
History in the Making

What Historical Authors Glean from Old Photos

Historical authors can glean a wealth of information from old photos. They give an unintentional glimpse into everyday life of the time period. Authors stumble across these gems as a natural part of research. It’s important not to overlook the value of these snapshots.

Before we dive into some examples, let’s discuss ways to find photographs.

Research leads us to libraries lavishly filled with nonfiction books. Many of these contain photos, sketches, and illustrations. Another source is the Internet, which has an abundance of research sites. Local museums are also excellent sources for these visual aids.

[bctt tweet=”Old photos capture unintentional glimpses of everyday living for #Historical authors. #writing ” username=”@Sandra_M_Hart”]

For instance, while writing novels set during the Civil War, 1861-1865, I found sketches, paintings, and photographs of soldiers, battlefields, and weapons in books and on websites that added depth to my understanding of battles.

Regardless of where the photos are found, they present valuable clues that enrich our stories. Let’s look at some examples.

The main picture on this post is a painting of the signing of the Declaration of Independence. It shows a group of mostly seated men suitably dressed for the 1776 event. A patterned rug covers only that part of the wooden floor where the most important persons in the room sit. A bordered cloth covers the two tables of what is presumably the president and the secretary. Elaborate ceiling molding and curtains indicate the meeting’s likely location is a town�����s public office or a wealthy man’s residence. It would be interesting to research the flags on the wall — colonial or British? What we don’t know from a careful perusal is the year of the work or if the artist witnessed the event. If not, who supplied the descriptions for the artist? If many years passed between the event and the painting, authors may desire to dig through period writings if they intend to use the painting for novel descriptions.

Photo courtesy of Pixabay.com Free Images
Photo courtesy of Pixabay.com Free Images

The second example appears to be a school photo. Churches also snapped similar poses. The children are around the same age, sitting/standing for a group photo in a way that most of us have posed at school. Studying the hairstyles and clothing offers ways to approximate the year this was taken. For example, most girls are wearing anklets or knee socks. When were these worn? All girls wear a dress or skirt but the boys don’t wear suits, at least at this school. This also helps date the picture.

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Authors love to find old Montgomery Ward or Sears, Roebuck catalogs because they show available products for a particular year. Though not from a catalog, the third example is an advertisement. In March 1896, “The Black Cat” cost five cents. The Shortstory Publishing Company in Boston ran the ad so does this mean “The Black Cat” was a book or magazine? It seems likely since the publisher has “shortstory” in its name and the ad references The Marchburn Mystery. Or is it a play? A rabbit and a black cat each play a banjo on the cover to entice customers.

I resisted the urge to research any of these pictures; I wanted to show what can be discovered by studying old pictures, paintings, and advertisements. Were I to use any of these in my story, I’d research further, but notice how much we learned from a photograph.

Photographers have a focal point such as a person or a landmark. Learn to look beyond the main focus of picture when researching. Notice the lantern hanging next to the door or the tire swing on an oak tree in the background. These everyday articles paint the picture we hope to portray to transport our readers back in time.

 

 

 

 

Categories
Talking Character

Different Temperaments, Different Fears

The heroine of the mystery novel I am working on needs certain qualities to be a good sleuth. Things like nosiness, an outgoing personality, the ability to talk people into helping her, and the willingness to risk dangerous situations in order to get the information she needs.

In other words, her temperament needs to be very different than mine. I am a reserved, logical, non-assertive person who doesn’t like taking risks and stays out of other people’s business. (Most of the time, anyway.)

Therefore, I cannot rely solely on my own instincts to predict how my character will react. No writer can, because we all need a variety of characters who think and act in different ways. That’s where utilizing temperament classifications can be useful. (See below for information on three different temperament classification systems. You can also search for free assessment tools online.)

Temperaments as a writing tool

Understanding temperaments is especially important when writers are considering the deep inner issues that their characters must face, because one person’s worst fear is something another personality type might take in stride. For example, some people hate being in the spotlight while others thrive in it. Some people find their purpose upholding rules, while others consider rules stifling.

Identifying a character’s temperament type can guide us to the issues that would most challenge their personality. (And it might be something very different from what would most challenge you or me.) Alternately, if you know the kind of trauma and embarrassment you have planned for your hero, you might find that a particular temperament’s worst nightmare or most significant fear fits your concept. Voila, you have identified the perfect temperament.

Browsing through some of the other posts on best/worst ___ for each temperament type can give you additional useful insights. For example, I stumbled across the advice that a pet would be the worst kind of gift for my heroine, because her personality doesn’t do well at long-term relationship maintenance, so a pet would end up either being ignored or becoming a hindrance. (Hmm, strike the pet cat.)

WWJD – What Would Jane Do?

If you are like me, all this temperament info is fascinating, but difficult to put into practice when writing. What are we poor writers who never took a Psych class to do?

You might try assigning a person you know as a temperament model for your character. This does not mean you are basing your whole character on this person, only that your model’s temperament fits nicely into one of the standard types, which helps you understand what that kind of personality would do in a given situation. A temperament model can help you avoid inadvertently overlaying your own personality on your character.

How else have you found temperament classifications to be helpful? I’d love to hear your advice.

[bctt tweet=”Do you use personality profiles as a writing tool? #writetips” username=””]

[bctt tweet=”Do you understand your character’s temperaments? #amwriting” username=””]

Information on three common temperament classification systems:

The Myers-Briggs Type Indicator divides temperaments into sixteen types with four-letter designations like INFP or ESTJ.

The Kiersey Temperament Sorter, which basically uses the same sixteen types as the Myers- Briggs but approaches them in a different way that might make more sense to some writers.

The Enneagram System, which takes a different approach to understanding temperaments and divides people into nine personality types. If you feel like you never fit into any of the Myers-Briggs types, the Enneagram system might make more sense.

Categories
Grammar and Grace

How to Pluralize Names for Christmas Cards–Re-Mix

We’re still a few days away from Thanksgiving, but we sometimes receive Christmas cards a few days after celebrating with turkey and dressing. For all the super organized people who like to get things done early, I’m re-posting  the following blog from last year–and because I’m still seeing names with apostrophes in all the wrong places.

Happy Thanksgiving and Merry Christmas!

I love Christmas. I especially love sending and receiving Christmas cards. We send out a lot from our house, and we receive a lot in return. We always include a picture of the whole family. The pictures we receive from our friends find a place on our refrigerator and adorn it all year.

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I don’t, however, love the envelopes addressed to The Dougherty’s or closings that read, Love from the Jones’. Ack!! I’m happy to hear from old friends, but I can’t stop my toes from curling when I see those errant apostrophes.

Here are some simple rules to follow so that you can write names correctly and make sure your cards convey the happy messages you intend.

  1. Add an s to a proper noun that doesn’t end in s to make it plural.

Langston = Langstons
Maurer = Maurers
Tate = Tates

  1. Don’t change the spelling of a proper noun to make the plural.

Dougherty = Doughertys (not Dougherties)

3.  Add es to a name that ends in s, x, z, ch, or sh to make it plural.

Capps = Cappses ( I know it looks strange, but trust me.)
Edwards = Edwardses
Fox = Foxes
Rakiewicz = Rakiewiczes

Notice that at no time have I used an apostrophe. I haven’t used one because I’m making the names plural, not possessive.

Three rules.

That’s all you need to write your Christmas cards correctly. If you can’t bring yourself to add the es to someone’s name or you can’t bring yourself to leave off the apostrophe, there’s always an easy fallback…Love from The Dougherty Family.

Categories
Flash Fiction-Splickety

No Intimidation Necessary

Let’s face it, for most people flash fiction stories of one thousand words or less is intimidating. You have to get characters, setting, and plot all in there without any unnecessary words.

How do you do it?

Start with an idea, a glimpse, a piece of a whole. Find the beginning and know the end, and then bring point A to point B.

Your story can be about a character, a setting, or a situation. The setting might not be important, but the people are. Maybe it’s a situation that’s important. It could be that your setting is the shining star in your story. Whatever your story is about, focus on that, then bring the other details in.

Pick a mood. Entice your reader with the four senses. Taste, feel, smell, and hear the emotions in every description, every interaction. Humor can be a connecting force in your piece, as well. Even dark stories need a little levity in the form of irony. And it may get the reader on your character’s side.

Make your words have double meaning for a stronger impact. There’s no time for flowery script, and long descriptions. Brief images, quick action, and snappy dialogue will move your story along. We’re not talking weather here, unless that is the driving force of why your characters are thrown together.

Is there backstory? It should be peppered in using as few words as possible. Let the story reside in the here and now. If your characters knew each other before, a couple of words of remembrance will do. A flicker of recognition or a distinct movement that brings back a memory. Make it powerful and make it matter.

Give it a twist. Reveal something that changes the game after you’ve established the beginning of the story. Tug at the reader’s heartstrings, clench the reader’s gut, grab the reader by their pupils and don’t let them go until the last word of the story is read.

Don’t make it cliché or your readers will roll their eyes and scream bloody murder. Don’t bore your readers, but make your story succinct and exciting. Write the first draft without worrying how many words you’re getting down. Go back and take out unnecessary words, redundant phrases, or adjectives and adverbs. Cut it down until all you have left is the heart of the story. The very essence that creates life, and love, and being. And then practice until you get it right.

No intimidation necessary.

dawn-headshot

Dawn Ford is Operations Manager at Splickety Publishing Group. She writes YA and fantasy fiction. Dawn shares a blog with eight other Christian women at www.inkspirationalmessages.com. Find her on Facebook (https://www.facebook.com/DawnFordAuthor/) and on Twitter (https://twitter.com/Rubytuzdae)

Categories
Tour

Blog Tour- Lisa Godfrees

lisa-godfrees-lr-4

Please tell us about your most Recent Book
Mind Writer is a science fiction thriller involving clones, genetic engineering, a corrupt government on the brink of war, and a secret facility where everyone must wear gloves. The novel is currently free on Kindle Unlimited.

Why do you write what you do?
I’m a lover of speculative fiction (science fiction and fantasy). My tastes run more towards fantasy, but I have a background in science so it tends to slip into my writing—I just can’t help it. I’m also a sucker for dystopian stories because they ask such interesting questions. I primarily write for young adults and middle-grade students because I don’t see a lot of speculative fiction from a Christian worldview for these audiences.

What are you currently working on?
Two things – a middle-grade portal fantasy series featuring American folklore from different US regions. These are fun books written for my daughters. I’m also finishing a manuscript I started a few years ago that is a fantasy retelling of the book of Ruth.

How does your work differ from other work in its genre?
Mind Writer is interesting because it explores the boundaries of medicine and the soul without taking a stand on either side. My other works, the fantasy ones, are a spinoff of the current trend of fairy tale retellings, with two major exceptions. One incorporates US folklore, and the other is a reimagining of a Bible story. I do so love a good retelling, especially if I don’t know that’s what it is at first.

How does your writing process work?
I’m a combination plotster/pantster. I like to have a loose outline of where I want the story to go, but I fill in the details as I write. To me, that’s when the magic happens. I know I want to get from point A to point B, but I’m not sure how it happens. Then, when I get near the end of a story, I look forward to sitting down at the computer each day because I’m dying to know what happens next. If I can make myself laugh while I’m writing, so much the better.
Now, I have no writing process for getting words down on a page in any systematic manner. That’s an area I need to work on—the discipline of writing every day instead of when I find the time. We all have to strive for something, right? 

mindwriter

Amazon: http://amzn.to/2dlKkSL
LISA GODFREES worked over a decade in a crime lab. Tired of technical writing, she hung up her lab coat to pen speculative fiction. Her short stories have appeared in anthologies and online. Mind Writer (Elk Lake Publishing) co-authored with Mike Lynch, is her first novel. Lisa is a member of ACFW, SCBWI, the Houston Writers Guild, and serves as the Production Manager for Splickety Prime. She currently resides in Houston with one dog, two cats, two girls, and a husband.
Website: www.lisagodfrees.com
Social Media Links:
www.facebook.com/LisaGodfrees
www.twitter.com/LisaGodfrees
https://plus.google.com/u/0/+LisaGodfrees
www.instagram.com/fictionmom

Categories
Writing for Transformation: Bible Studies and Devotions

How to Organize Your Illustrations (So You Can Find them When You Need Them)

You’re reading the newspaper when a story grabs your attention. It would be a great illustration or lead in for a devotional, but you don’t need it for a project right now. How are you going to keep track of that story so you can find it when you need it? Here are a few simple tools I use to keep illustrations at my fingertips.

  1. Evernote. This web clipping tool is useful for saving interesting stories, facts, and blog posts. I use the free plan, though there are premium options available. Evernote allows you to easily clip and save articles from web browsing and organize them in binders. You can also assign tags to notes. This helps me narrow down topics and allows me to track when I last used a particular story or fact in an article. You can also save Kindle highlights into Evernote, which makes it a useful way to keep track of quotes you may want to reference later. Evernote syncs across devices, which makes it easy to save interesting material from whatever device I’m on.
  2. Tickle File. Sometimes when I’m reading something “tickles” my imagination. It reminds me of a Scripture passage, gets my thoughts moving, or simply seems especially poignant or meaningful. I keep those clippings in a tickle file—just a simple file folder on the shelf next to my desk. Before putting something in the tickle file, I make sure I’ve labeled it with the date and source so I have the information necessary to cite it later. This is not a high level of organization—it’s just a collection of random copies and clippings. But when I’m working on a project and something is nagging at the back of my mind that I can’t quite remember, flipping through my tickle file often brings it back to the surface.
  3. Idea Journal. I carry a small notebook with me to jot down thoughts, people watching observations, or funny encounters I want to be sure to remember later. Sometimes those pages get torn out and placed in my tickle file. Sometimes they just stay in my journal. Either way, the act of writing it down seems to cement the thoughts in my mind so I can pull them back out when I need them.

Using these tools keeps illustrations at my fingertips—and keeps me from hours of racking my brain trying to remember where I read that story that would be perfect to use if only I could find the source. A few minutes of diligence each day saves time in the long run. What tools do you use to keep your ideas and illustrations organized?

Categories
Magazine and Freelance

Writing Your Magazine Article: The Details

 
How do you write your magazine article? Let’s explore the details in this article. As a long-time journalist writing for different publications and a former magazine editor, I’m intimately acquainted with the elements for these articles.

[bctt tweet=”If you’ve written a query letter, then you’ve already written the opening for your article.” username=”@terrywhalin @A3forme”] Otherwise, the first step in the writing is to create a motivating opening story. The key phrase is to make it motivating. The opening has to propel the reader into the rest of the article so they can’t stop reading.

Here’s one example from my own personal story: “I’ve gone to church most of my life but I lived off my parent’s faith until half way through my sophomore year in college.” How is that? Would it propel you to keep reading? Probably not.

Here’s the way my story began in a published article, “I slapped the snooze alarm for the third time and finally opened my eyes at Chi Phi, my fraternity house. Last night had been a late one. After covering an evening speech and interview for the school paper, I worked frantically on the story until just before midnight, when I dropped it into the hands of a waiting editor.”

Compare these two examples. Notice the detail in the second version. I am not telling you about the experience, I am showing you. Repeatedly the writing books and teachers say, “Show don’t tell.” They are saying to include dialogue and the type of detail for a story which will propel the reader into the article.

After writing the opening for the article, how do you continue? If you’ve done your research for the article, you will not write 2,000 words for a publication that only takes 500 word articles. Because you have a target length for your article, this word count helps give definition for your plan.

Also if you’ve done your research, you’ve thought about the article and focused it. Can you summarize the point of the article into a single sentence? Complete the sentence: My article is about _____. After you’ve written this sentence, never wander away from this goal. Sometimes in articles, I saw at Decision, the author would begin well then wander around and finally conclude. The articles lacked focus and the sentence statement will help you keep the article on track.

For each magazine piece, I write from an outline. Normally my article will have a number of points or illustrations. A standard outline would be: the problem, the possible solutions and your solution. If you’re writing about a person, your outline might include different aspects of the person’s life such as childhood, life before Christ and life after Christ. Write out the different points for your outline. When I write a short story, I use the same approach. What is the beginning, middle and ending? An outline keeps the writer focused on the goal of the article.

[bctt tweet=”Also be realistic with yourself and your writing life.” username=””] Can you only write for thirty minutes a day or maybe it is only ten minutes? Are you motivated to write the entire article in one session? Possibly you write only one point from your outline during aeach session. Whatever your writing goal, the point is to write consistently and keep moving the article toward completion.

After you’ve written the article, put it away for a period of time. If you are on a tight deadline, that might involve eating lunch and then returning to it. If you have the time, you might want several days or a week. When you return to your article, read it out loud. The ear is less forgiving than the eye. Reading it out loud, will point out areas for you to revise and rewrite.

The focus of your entire article will be that single sentence and keep your article in a tightly written story. It is just what the reader (and editor) needs.

 

________________________________________

  1. Terry Whalin, a writer and acquisitions editor at Morgan James Publishing, lives in Colorado. A former magazine editor, Whalin has written for more than 50 publications including Christianity Today and Writer’s Digest. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams. His latest book is Billy Graham, A Biography of America’s Greatest Evangelist and the book website is at: http://BillyGrahamBio.com Watch the short book trailer for Billy Graham at: http://bit.ly/BillyGrahamBT His website is located at: www.terrywhalin.com. Follow him on Twitter at: https://twitter.com/terrywhalin
Categories
A Pinch of Poetry

Learn to Write Poetry From the Bible

learntowritepoetrydarlo

The Bible is the perfect place to learn poetry. Hebrew poetry makes up approximately one-half (depending on the translation) of the Old Testament. We think of the book of Psalms when we think of poetry in the Bible, but it is very common in the prophetical writings except for Haggai and Malachi. The major poetical books are Psalms, Proverbs, Ecclesiastes, Song of Solomon, and Lamentations. These books are written entirely in poetry.

Themes in the Poetic Books

  1. Psalms – Prayer
  2. Proverbs – Prudence
  3. Ecclesiastes – Vanity
  4. Song of Solomon – Bliss
  5. Lamentations – Dirge

Let’s start by looking at the general characteristics of poetry. It’s very compact (a good way to learn to write tight), expresses truth through imagery, and it’s highly structured.

Hebrew poetry is different from Greek and Latin poetry which is based on sound. Hebrew is more thought-based with balanced parallel lines. Poetry often rhymes sounds, but Hebrew poetry rhymes ideas. Therefore, the rhythm is logical rather than phonetic.

Hebrew poetry also has lines of varying length. Rather than having two lines ending in the same sound, it has a pair of lines where the second pair repeats the idea of the first pair, or it presents a contrasting idea.  Sometimes there are three, four, and five lines parallel throughout.

O Lord, rebuke me not in thine anger,

neither chasten me in thy hot displeasure. (Psalm 6:1)

The first line uses the word, “rebuke” and the second line uses “chasten.” In other words, the two lines are synonymous. Another form of parallelism is when the second expands the meaning of the first.

Synonymous – both lines express the same thought in different words.

Lord, how are they increased that trouble me!

many are they that rise up against me. (Psalm 3:1)

 

A false witness shall not be unpunished,

and he that speaketh lies shall not escape. (Proverbs 19:5)

 

But let judgment run down as waters,

and righteousness as a mighty stream. (Amos 5:24)

 

Antithetical – the lines express opposite thoughts.

In the morning it flourisheth, and growth up;

in the evening it is cut down and withereth. (Psalm 90:60)

 

A soft answer turneth away wrath;

but grievous words stir up anger. (Proverbs 15:1)

 

Synthetic – two or three lines in a row develop the thought.

The law of the Lord is perfect, converting the soul;

the testimony of the Lord is sure, making wise the simple.

The statutes of the Lord are right, rejoicing the heart:

the commandment of the Lord is pure, enlightening the eyes.

The fear of the Lord is clean, enduring for ever;

the judgments of the Lord are true and righteous altogether.

(Psalm 19:7-9)

Chasm – thoughts are in descending order with the main point in the middle, an hour glass shape. (a,b,x,b,a; a,b,c,c,b,a)

No one can serve two masters;

for either he will hate the one

and love the other,

or he will be devoted to one

and despise the other.

You cannot serve God and wealth

Matthew 6:24, NASB)  ABCCBA

We must not forget Lyric Poetry. The book of Psalms and the Song of Solomon were set to music. The Psalms are broken down into laments, thanksgiving, praise, and wisdom.

Remember when interpreting Hebrew poetry to look for the central truth, identify the figurative language, and the historical setting. Then attempt to identify what type of parallelism is in the passage. Try writing your own poems using these styles. And if you’d like to share, I’d be happy to take a look at them.

Next time we will look at the literary forms in the Bible that relate to poetry.

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All Bible references are from the KJV unless noted.

Adams, A. D. (1996). 4000 questions & answers on the Bible (p.  150). Nashville, TN: Broadman & Holman Publishers.

Introduction to Hebrew Poetry/Bible.org

darlo

Darlo Gemeinhardt writes MG novels and the occasional poem.

She spends a good portion if each day taking care

of twenty-five dogs. That’s why she believes, “There’s

a Story in Every Dog.”

www.fromthedogpen.com

Categories
Fantasy-Sci-Fi Storyworld

World-building From the Eyes of a Character

The carbine was still jammed and Jim couldn’t do anything to fix it. He finally tossed it aside and cursed the shoddy Adronni weapon manufacturers – maybe their world would be next on the alien invasion tour. A shrill whine filled the air, and Jim pressed himself tighter against the debris-covered groundcar. A scant thirty feet away the earth erupted in blue smoke. As the remains of a prefab shelter rained harmlessly over his powersuit, Jim took inventory. A Gilgamesh repeater pistol, a single frag, and a suit of armor with a busted rebreather. As long as the reptilians didn’t gas him first, he’d probably live long enough for one of their walker units to plasma-blast him in the chest. He sighed. No, there was one last thing he possessed – the souls of his charred comrades pushing him on to avenge them. Jim unholstered the pistol and peered around the corner. Time to move – vengeance would be his!

On the surface, the above paragraph looks like an action scene. It’s dripping with tension, and Jim’s fate looks pretty bleak. But even an action-packed paragraph can be used to build your world. In fact, study it a minute and try to identify some of the foreign storyworld elements.

We’re not sure what kind of weaponry Jim has (laser? projectile?), but his attackers clearly have plasma weapons that explode in puffs of blue gas. And we can guess based on the grisly state of his allies that either the plasma weapons burned them alive or that the aliens have some other kind of burning weapon.

Let’s look at some of the subtler elements though. Take the use of the word “groundcar.” What is the implication there? Obviously a “groundcar” is a type of vehicle distinguished from some other type. An aircar? A hover car? We don’t know specifics, but use of that word reveals that methods other than ground-based vehicles are used for transportation in this world.

We also get a glimpse into the intergalactic relations. First of all, these reptilians are not only invading Jim’s planet but have apparently been on “tour,” invading many planets. We don’t know if “Adronni” is a company or a race of aliens, but we do know that either Jim or his military outfit purchased firearms from otherworldly suppliers. This establishes that the storyworld has interplanetary trade.

All of this could be done from a detached, third-person omniscient perspective, but the story is told from a deep, although third-person, POV. This not only conveys the gobs of storyworld information above, but it also does two other things: 1) it gives the action emotional impact. Sure, the battle scene is only a paragraph long, but you’re emotionally involved in the character. It inspires you to read onward and learn Jim’s fate, even as your imagination processes the alien elements. And 2) the world is shown with Jim’s particular biases. A comment like “shoddy Adronni weapon manufacturers” shows us Jim has preferences in firearms and the Adronni-supplied weapons are apparently not among them. This doesn’t mean his preferences are necessarily right, and a different character’s POV may reveal a different perspective on the carbine and its manufacturer. Your storyworld’s inhabitants, like those in the real world, won’t always agree on things.

This isn’t to say that every paragraph in your 90,000-word manuscript must be packed with exotic storyworld elements, but the first few chapters should do so as much as possible. And if you’re trying to get your audience attached to your characters in that same timeframe, doing so from a close, ground-level perspective can really help.

mhi1-posterLast year, my favorite novel was Monster Hunter International written by Larry Correia. A contemporary fantasy novel like this doesn’t need as much storyworld explanation as a distant-future sci-fi novel, but the author does equally amazing jobs at world-building and deep character exploration. I’ve also just started Marc Turner’s When the Heavens Fall, an epic novel with some well-developed fantasy elements and several great POVs. A final verdict will have to wait since I haven’t finished it yet, but thus far it’s a great read and exemplifies some of what we’ve discussed here.

That’s all for now. Next month we’ll kick off a series on alien and fantastic biology. Until then, let me know if there are any other storyworld elements you’d like me to explore in this space. Thanks for reading!

Categories
Dear Young Scribes

Journaling Prompt Questions to Ask Your Protagonist

Sometimes, we writers can become so focused on writing an enticing, hard-to-put-down plot that we neglect one of the main building blocks of storytelling: Characterization. Without three-dimensional characters, our story falls apart, and our readers won’t have any motivation to follow the protagonist’s journey.

 

Another reason it’s important to craft well-developed characters is because the direction your plot takes is a direct result of characterization. Your protagonist’s personality, desires/goals, and backstory will influence his/her motivations; his motivations will influence the decisions he makes; and these decisions result in conflict. Thus, a plot is born.

 

To summarize: Without strong, believable, and authentic characterization, there is no story.

 

So how can we create well-rounded characters that dictate our plot? Is it possible to know our protagonist so well that, in a way, it’s almost as though we’ve become them?

 

Of course, filling out a character chart is a great way to figure out your characters’ basics. But sometimes, our characters don’t reveal their depth unless we ask specific questions that forces them to dig down deep. These questions reveal who they are truly are — not just the surface-level questions that character charts often present.

 

Interviewing your character — or asking them journaling prompt questions — will allow you to discover your protagonist at their very core. You’ll discover their unique voice, their heart, motivation, backstory, personality, etc.

 

Not sure of what to ask your protagonist? Here are some journaling prompt ideas to help you get started:

 

  1. When you were little, what did you want to be when you grew up? Why?
  2. Where do you hope to be in ten years? Why?
  3. What do you wish you could tell your sixteen-year-old self? (Or if the character is a teen: What do you wish you could tell your twelve-year-old self?) Why?
  4. If you could change anything about your life, what would it be? Why?
  5. If you could change anything about your personality and appearance, what would it be? Why?
  6. How would you describe your style? Be specific. Why do you prefer to wear these types of clothes?
  7. How do you cope with anger? Disappointment? Depression?
  8. Who is your best friend and why? What is your greatest memory with them?
  9. What’s your biggest regret? Why?
  10. In what ways do you like to express your creativity?
  11. What’s a secret that you hope never gets out? Why?
  12. What are you looking forward to the most? Why?
  13. Why did you choose the type of car that you drive? If you don’t have one yet, what is your dream vehicle and why?
  14. How have you changed within the past three years? How has your life changed within the past three years?
  15.  Are you right-brained or left-brained?
  16. What’s your happiest childhood memory? Why?
  17. What’s your worst childhood memory? Why?
  18. How have your parents influenced who you are, your worldview, and the decisions that you make today? How is your relationship with them? Do you resent the way they raised you?
  19. Who is the person you admire the most? Why?
  20. What’s your most prized possession? Why?

 

Questions for you …

How do you develop your characters? Do you prefer character charts or interview questions?

 

 

[bctt tweet=”Journaling Prompt Questions to Ask Your Protagonist @TessaEmilyHall #amwriting #writingprompts” username=””]

Categories
Dear Young Scribes

5 Qualities Every Serious Writer Needs to Possess

The writing journey is not a smooth, easy ride. There will be setbacks, failures, doubts, and frustrations along the way to achieving your dream. Yet I believe that, with the right attitude and right approach, this journey can not only become bearable, but enjoyable for the aspiring author.

Here are five qualities every serious writer should possess before heading out on their journey:

           

            1. Humility

This is the single most important trait a writer should have. Why? Because it’s the foundation to all of the other qualities on this list. You can’t maintain the right attitude throughout your writing journey if you lack humility.

Writers need this trait for the following reasons . . .

  • So we can accept criticism and make our manuscript stronger
  • So we can understand that there will always be room to prove
  • So we can support other authors and give them the help they need in their own journey
  • So we can be an easy client for agents and editors to work with
  • So our head doesn’t swell when we receive positive feedback and reviews

            2.  Patience

One of the reasons why I wanted to begin my writing journey at 16-years-old was because I knew the publication process wouldn’t be quick. Every stage of the journey takes time — writing the manuscript, growing as a writer, building a platform, revision/editing, submission process, contract process, publication process, marketing, etc. And when there’s a dream that’s heavy on your heart, each stage seems much longer than it actually is.

The writing journey is just that: A journey. Although there are milestones along the way, I don’t truly believe the career novelist should have a “finish line”. Every milestone is an opportunity for celebration and a reminder that you’re closer to your Publication Dream. Aspiring authors especially need this trait so they don’t enter the journey with false expectations and give up when the process takes longer than they imagined.

            3. Generosity

Which writer do you believe leaves the best impression — the arrogant, haughty writer who is only in the business to achieve his/her own dreams? Or the writer who seeks to serve readers and fellow writers? The writing community is close-knit, and most of us are more than willing to share knowledge that we believe will help other writers. (This is why there are so many writing-related blog and books on the craft.) Don’t be that one writer who hoards their knowledge and seeks to gain help and info without ever giving back to the writing community. Most authors do not publish a book without the help of multiple other people (that’s why there are acknowledgements in the backs of books!). If you’ve reached where you are today because someone took the time to help you, don’t forget to return the favor — even if it’s not to the same person who helped you. What goes around will certainly come around!

            4. Selflessness

How can you be generous if you’re only focused on your own growth as a writer? Or how can you remain humble if your Ultimate Goal as an author has to do with “me, me, me”? It’s possible for the aspiring author to chase their dream (publication) and remain selfless in the process.

I advise re-evaluating the reason(s) you write and the Ultimate Goal for your writing journey. Is it to gain success and see your name in print? Or do you hope to offer stories that will provide entertainment for readers, shed light on a certain topic, minister to readers, etc.?

Again: The author who makes a lasting impression and gains the most popularity amongst readers is the one who not only writes great stories, but one who stays focused on others as well. This is the author who wants to connect with their readers. This is the author who will promote other books within their genre because in doing they’ll support their Ultimate Goal as an author: To introduce entertaining stories to readers.

            5. Self-confidence

(No, being selfless and having self-confidence is not an oxymoron!) I’ve noticed that, if a writer neglects to have confidence in their ability to write, they don’t get far in this journey. They’ll quit as soon as someone criticizes their work. If you truly want to reach publication, you’re going to have to start believing in yourself — and that will involve believing in your potential even if no one else does. Just because your writing isn’t perfect now doesn’t mean it can’t improve. And just because your story might have plot-holes doesn’t mean it’s too late to fix them. These are only obstacles to overcome, not Dead End signs. Every published author, I’m sure, has struggled with self-doubt at one point or another. But just because you don’t write in the same style as your favorite author doesn’t mean you can’t write.

Every writer has a unique style. Every writer has a unique calling for their publication journey. Focus on your own strengths, accomplishments, and purpose as a writer, and don’t allow yourself to compare yourself to others. Those writers have already been taken! Instead, be the best version of yourself that you can be. Keep growing in your craft, and write stories that you feel called to write and in the best way you know how.

Your future readers will some day thank you for not giving up!

[bctt tweet=”5 Qualities Every Serious Writer Needs to Possess #writerslife #amwriting @TessaEmilyHall” username=””]

– – –

Which quality on this list is hardest for you to attain? Are there any you’d like to add to this list? Let me know in the comments! 

Categories
Writer Encouragement

What’s Your Perspective?

Elaine Marie Cooper

With six simple words, a writer friend completely changed my perspective: “You have had a great year.”

A great year? I almost balked. Yes, it was so great that I had an infection that destroyed some of the bone in my leg, underwent two surgeries to repair the damage, spent six weeks in daily IV antibiotic infusions, spent days and weeks fighting anxiety, depression, and pain, and had to cancel three trips—one a much-anticipated book tour for my latest release. I fretted over numerous bills and an inability to work for weeks at a time. Great year?

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But then I paused. What was she seeing that I was not? I began to reflect on my year

I watched with joy as my younger son married his precious wife. I was able to spend my grandchildren’s birthday with them before I discovered I needed surgery. I had two books release (one a re-release) and now look forward to the re-release of the third and final book in a trilogy. I obtained an agent. I grew closer with my social media friends as well as friends at church with whom I shared my struggles. When not on pain meds, I was able to write more deeply. I accomplished edits on three books. I had the elders at my church pray for me before my last surgery and I came through amazingly well. I graduated from physical therapy in less than a month.

In short…I not just survived…I thrived. With God’s help and the prayers of His people, it truly has been a great year.

So what about your year so far? Has it been all “gloom and doom” as I was viewing the events of this past year? Are you doing as I was and focusing on the negative?

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Are you a writer who sees all of your inadequacies and perceived failures in the last year? Or have you tried to focus on your writing successes, however small you may think they are?

If there is one thing I’ve learned first hand this year as I’ve watched so many friends deal with so many struggles, we all have something—days we’d rather forget, pain that may or may not heal, disappointments that leave a void in our hearts. Yet if that is all we focus on, then we are missing the full story—the part that God wants us to dwell upon.

“Finally, brothers and sisters, whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable—if anything is excellent or praiseworthy—think about such things. Whatever you have learned or received or heard from me, or seen in me—put it into practice. And the God of peace will be with you.” Philippians 4:8-9

The God of peace has been with me. That deems it a great year.

Anxiety/ Fear sign courtesy of Stuart Miles, via freedigitalphotos.net

Peace card courtesy of digitalart, via freedigitalphotos.net

Categories
Fantasy-Sci-Fi

Magic and Miracles in the Fantasy World

“Mama, today I learned that Jesus used magic to heal the lame man!” My five-year-old daughter bounced on her toes, eager to relay all she’d learned in Sunday School that day.

I chuckled to myself. Until that moment, it hadn’t occurred to me that the miracles Jesus performed might be seen as ‘magic’ to a young child. But this line of thinking is just what Fantasy writers often apply to their own writing.

As Fantasy and Science Fiction writers, our work might not necessarily involve Christians or traditional religion. However, that does not mean our Christian worldview does not bleed into the fiction we create. The fact that we have a relationship with Jesus may subconsciously direct our thoughts as we write our words.

There have been times when I’ve written a fictional scene, only to realize the two main characters are perfect reflections of the character of God and Jesus, and their relationship to one another. Linking my faith with my fiction hadn’t been my main intention, but it had shone through, regardless. Because that is how God works—His goodness shines through each area of our life, even when we don’t realize it. His truth is eternal.

Likewise, we can use the way we portray ‘magic’ within our story to lead others to a relationship with Christ. Seeing a reflection of the Father’s love for us within the written word is a powerful tool that can be used to glorify Him.

A popular literary example of this would be C.S. Lewis’s “Chronicles of Narnia” series, which has fantastical creatures and characters, as well as magic. His literary work that tells the story of God and our relationships with one another as believers, has gained an audience much wider than just the Christian community. Other popular examples that hold strong Biblical ties—whether intended or not—are J.R.R. Tolkien’s “Lord of the Rings” trilogy, and even the secular movie series, “Star Wars.”

Regardless if your approach is intentional, it is possible to create fiction that uses magic to reflect the character of God, and to bring new believers into the Kingdom.What about you? Do you use ‘magic’ in your writing as a tool to direct others to see God? How have you used magic to illustrate your faith? Feel free to leave a comment below!

Laura L. Zimmerman is a homeschooling mom to three daughters, and a doting wife to one husband. Besides writing, she is passionate about loving JLaura L Zimmermanesus, singing, drinking coffee and anything Star Wars. You can connect with her through Facebook and Twitter and at her website,www.lauralzimmerman.com

 

 

 

 

 

Categories
A Lighter Look at the Writer's Life

Coming Up Next . . .

When I watch a talk show or news program, I appreciate a good transition.

That’s all the time we have for weather, but stay tuned: sports is up next!

We’d like to thank Gallagher for joining us here on the Tonight Show Starring Johnny Carson. Coming up next: Shields and Yarnell!

(If you get that last reference, I guess you’re SEASONED like me.)

Recently, in my day job as a public speaking professor, I was explaining the importance of transitions, which ease the change from one major part of the speech to another. The discussion got me thinking about life transitions. After all, they have been a theme lately.

Earlier in the fall, my wife and I moved our sons away to college, causing us to transition to the “empty nester” life. We miss the boys terribly, but we CAN slip off to eat or shop without thinking about picking someone up from a practice.

My work schedule has changed, with an extra class at a different site added this semester. This change has forced me to adjust to an earlier time slot and to increase my daily caffeine intake.

As for my writing life, I have received several assignments recently for a type of writing that I never thought I would do. These assignments are a blessing, for sure, but they’ve been a challenge, forcing me out of my comfort zone. That’s a good thing, and it feels like God is opening doors and transitioning me into a new phase.

I think the main thing about life transitions is trust. When I hear that transition on the news, I trust that sports is really the next segment. When I watched Johnny Carson back in the day, I believed him when he promised me some groovy mimes after the commercial break.

And I trust that God knows what He’s doing and will see me through all of life’s changes, including new, different writing projects.

 

Categories
A3 Contributor Book Release

A New Novelist’s Dream Come True

edie-melson

I’ve been part of the publishing industry for many years, but today is a dream come true for me. It’s release day for my very first novel. Even though it’s my debut novel, I have seven other nonfiction books out.

This novel is special because it’s the story that propelled me onto God’s path as a professional writer and author.

How it Began

The year was 1990, and one particular night I had an unusual dream. It was different in that it had a beginning, middle and an end—most of my dreams don’t end, I just wake up. That dream was the basis for this novel.

I knew—even then—that I didn’t have the knowledge base to write that book and do it well. So I accepted God’s call to learn what I needed to make that dream a reality.

My path wasn’t a straight line, but no matter the twists and turns of my journey, that one story burned in my heart. Finally, one day I took my notes and begin writing the book. It took me several years to get it into the shape I wanted, but between freelance writing gigs, nonfiction book projects, and the busyness of life, I got it finished.

I began making appointments with agents and publishers, handing out one sheets, and sending off proposals. One by one, the answers came back. Christian science fiction is just too small a niche for us. Every single publisher I sent it to said no.

When All the Doors Closed

I was broken-hearted. I had always believed God has given me this story for publication, so I began to pray. I finally came to the realization that my part in this process was obedience. I had done what God asked. I had written the story and the rest was up to Him. I accepted the fact that if God’s only purpose in this story was to give me the push to become a writer then that was okay with me.

I carefully laid my proposal and one sheets in a file and left the rest up to God.

Fast forward a couple of years and the writing landscape had begun to change. Now there were more options for authors because small presses were filling the gaps in the publishing world. One last time I carried my proposal to a conference, and there a publisher expressed interest. I emailed the full manuscript with a wing and a prayer.

This time God said yes.

Today is release day for my dream come true.

Bottom Line

Here are several things I learned and practiced that kept me from getting derailed when what I thought would happen, didn’t.

  1. Obedience is what we’re called to do. We are responsible to do the work God gives us and must leave the results up to Him.
  2. Things don’t always turn out the way we expect. My writing career looks nothing like I anticipated when I answered the call to follow God’s path. BUT—and this is important—it is much better than I could ever have imagined!
  3. It’s our responsibility to keep moving forward, even if an individual project appears to be stalled. There is lots of work to do in the field of Christian writing and not enough people willing to do the work.

If you’re struggling with God’s purpose for your writing, I hope this post encourages you. Share your own experience in the comments below.

ALONE

Bethany has grown up expecting to die for her faith, but when her world is invaded by a race of giants she must decide if she’s willing to live for it.

After her family is killed in the cleansing, Bethany’s purpose in life has changed. No longer will she be allowed to work to save her dying planet. As a slave, endurance is her goal as she marks each day as one moment closer to an eternity spent reunited with those she loved. But when her planet is invaded, everything changes. Now she must decide either to align herself with those from her planet who condemned her faith and killed her family, or with the warriors who have conquered her world. Ultimately her choice will mean life or death for more than just her planet’s ecosystem. She alone holds the key to a powerful secret, and the fate of the entire galaxy depends on her decision and how she carries it out.

alone

Amazon: https://www.amazon.com/Alone-Edie-Melson-ebook/dp/B01LWSJ7X3/

Barnes & Noble: http://www.barnesandnoble.com/w/alone-edie-melson/1124986935?ean=2940153793771

 

Edie Melson

Find your voice, live your story…is the foundation of Edie Melson’s message, no matter if she’s addressing parents, military families, readers of fiction or writers. As an author, blogger, and speaker she’s encouraged and challenged audiences across the country and around the world. She’s the Director of the Blue Ridge Mountains Christian Writers Conference, Social Media Director for Southern Writers Magazine, and Social Media Mentor for My Book Therapy. She’s a member of the Advanced Writers and Speakers Association. Connect with her on her blog, The Write Conversation, Twitter and Facebook

 

 

Categories
The Creative Tool Kit

15 Inspiring + Unique Settings to Write

One particular corner in our home will be missed once we move to the country. That would be my beloved upstairs writing nook. A well-loved writing spot is nice but there’s something to be said for venturing out to discover fresh and inspiring places to write. Not only does it awaken the senses, it also infuses the mind with new plots twists and settings for our stories. So pack your common sense (be careful), laptop, and/or writing pad/pen, along with a fold-up chair.

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Now, let’s get started!

  • A construction site (in this case you may want to also pack a hard hat).
  • A vacant old house or home place where only the chimney still stands.
  • A local walking bridge.
  • Beside a local river.
  • In the mall.
  • In your local airport. Either go inside or park where you can watch the planes land.
  • On a dock overlooking a quiet lake.
  • Hop on a local bus and make a round trip.
  • Find a beautiful local garden and ask permission to write there for awhile.
  • Your local cemetery. (This isn’t as creepy as it sounds.)
  • Go to your favorite hotel, order a cup of coffee, and observe your surroundings.
  • Forget the cafe — go to your favorite restaurant, sit in the corner, order your favorite meal, and savor the moment.
  • A room or area in your home you’ve never written in – the kitchen, back porch, front porch, backyard, etc.?
  • Tour a local museum, drink it in, and then find a shady tree not far away, park and write down every detail you remember.
  • A high school stadium.

Do you have an inspiring or unique place where you write?  Please share, if so.

Categories
A Word in Season

Eyes Wide Open

Writers can walk through life with our eyes wide open.

Poet Robert Frost said, “How many things have to happen to you before something occurs to you?”

The experiences of our lives provide rich fodder for our writing endeavors. The people we meet, the hurts we endure, and the occasional victories we enjoy offer material worth pondering.

If we write fiction, relationships through the years offer inspiration for potential characters in our works. That weird habit of a co-worker, the unusual personality of a cousin, or the favorite pastime of a parent may resurface in people we create in our writing years later.

As we write nonfiction, a wealth of experiences can present valuable jewels to help our readers. Maybe we worked with a person with a deep rejection issue. That experience helps us write to people dealing with rejection. We may remember the pain of losing a pet as a child and be able to communicate that in an article to help children. Perhaps we moved several times as young adults and can produce copy with practical suggestions on how to prepare for a move.

Here are five ways to mine the experiences of our lives and keep our eyes wide open:

1. Make a list of at least thirty people from your life. Write one to three specific qualities about them – positive or negative. Maybe your uncle Joe always chewed Juicy Fruit, or your first grade teacher was always sad because she was going through a divorce, or your grandfather listened to Billy Graham at night on his alarm clock radio?

2. Write down the ten most enjoyable experiences of your life and the ten hardest ones. What did you learn from each one?

3. What are the ten most significant books that have changed your life? Write down one sentence for each one about what you learned.

4. Consider what are the ten most life-changing conversations you ever had. Where were you? Why did it change you? It may be when your father took you out to lunch alone and told you that he and your mother were getting a divorce. Or you talked with a college professor in his office, and endless avenues seemed to open up in your brain about possible careers to pursue. Or a friend affirmed something very deep inside of you over coffee one day.

5. Remember seven distinct places that had seven distinct smells. What comes to mind as you remember those places and smells. Your college dorm room? Your grandmother’s kitchen? Your father’s workshop? Your favorite restaurant as a teenager?

As you answer these questions, hopefully new wine will start pouring forth to inspire possibilities for writing. What can you learn from these people, places, and memories?

Henry Ford said, “The only real mistake is the one from which we learn nothing.”

Categories
Guest post archive

Who Chose November?- NaNoWriMo

judith

by Judith Robl

National Novel Writing Month has always been a dilemma for me. I would love to be able to participate in NaNoWriMo. But it’s in November!

Who choose November? 

To make the goal, I would need to write 1667 words a day each of the 30 days in the month. For me that month is rife with interruptions.

We live in a rural area with acreage that is fit for hunting upland game birds, so naturally all the city people we know want to come and hunt. There’s one weekend shot to pot in a handbasket.

So I have 28 days left to write which increases my needed word count to 1786.

Thanksgiving preparation takes a minimum of 36 to 48 hours preparation, effectively leaving me 26 days to write.

Now my needed word count has gone up to 1924.

Then the actual weekend of  Thanksgiving – Thursday through Sunday – is filled with guests and traveling. I’m down another four days to 22.

Needed word count has gone up to 2273 words every writing day I have left.

At the same time, we’re preparing for Christmas which entails shopping, planning, and logistics for family coming in from various and sundry places. This loses me another couple of day, so I have essentially 20 days in which to write 50,000 words of a novel.

Obviously this is not an activity in which I can participate effectively at 2500 words per day.

But wait!  Several years ago, I decided to participate – at least to try to participate. Midway in the month I lost two weeks. Never mind.

I had already outlined a series of novels that I wanted to write, but I didn’t want to work on any of those for NaNoWritMo.

Therefore, I created a throw-away character and totally independent plot for this novel. But my heroine, Lynne, wouldn’t mind her own business.

Before I knew it, she had been to the library to research the history of the house she had just bought. That led her into genealogy. With those discoveries, she decided to be the pivot on which my novel series turned.

Moral of the story is that NaNoWriMo can trigger things, even if you don’t complete it.

And will someone please change the month to something other than November?

 

Judith Robl founded Reflected Light Ministries after some life changing events made her re-assess her place in God’s plan.

Focusing on faith, forgiveness, and developing a closer relationship with God, her presentations challenge and inspire as well as entertain.

http://www.judithrobl.com

http://www.praisegarment.wordpress.com
Categories
Screenwriting

THE EMOTIONAL GLUE THAT BINDS US TO STORY

Almost an Author welcomes Tim Long to the A3 family. He is the new columnist for Screenwriting.  There is a special offer for A3 readers at the end of this article.  Welcome, Tim!

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With over twenty-five years of professional story development and screenwriting experience, and nearly two decades of teaching screenwriting at the MFA level, I’ve had the opportunity to collaborate on hundreds of screenplays and films.

During my career, hands down the most common problem I see in screenplays is that they lack an emotional core, or what I call…

Heart.

[bctt tweet=”I define Heart as what the audience gets out of your screenplay, the emotional takeaway that moves them #screenplay ” username=””]

Think of Heart as being what the story is really about. Not the plot. But the universal experience that all people can relate to. One that moves the reader on an emotional level.

Take losing a loved-one for example. Go to any country in the world, from the biggest city to the smallest village, and the people there will relate to losing a loved-one. The reason being is that losing a loved-one is a universal emotion and shared human experience.

As humans, in one form or another, we’ve all experienced losing someone we love. It’s part of our collective conscience. It’s an emotion that transcends cultural barriers by being universal. And that universality touches on the larger human experience. That’s why it’s so relatable to us.

Research has shown that people, consciously and unconsciously, watch movies to feel something. That’s what makes screenplays and films so powerful, their ability to move an audience. Whether it’s to laugh, or cry, or be afraid, they want… the experience of emotion.

[bctt tweet=”Professional writers and directors know that human beings instinctively connect to emotion. #screenplay #amwriting” username=””] (And not to a sequence of events, which is plot.) And that’s the visceral effect that Heart has on story. It’s what makes the audience relate and feel. It’s what the audiences gets out of your screenplay or film. It’s their emotional takeaway from the experience of story.

Think about the film, About a Boy with Hugh Grant. The plot of the film is; a thirty-eight-year-old wealthy slacker passes himself off as a single father as a way to date single moms so he can fulfill his selfish sexual needs.

That’s the plot of the movie, the external ride that the audience goes on.

But the Heart of the story, the emotional core of the film is; a selfish, immature man is taught how to act like a grown-up by a little boy. The boy helped Hugh Grant’s character realize over the course of the film that other people are necessary in his life, and that caring about other people gives his life genuine meaning.

That’s what the audience internally got out of the external ride they went on. It’s what they relate to and feel. It’s the emotional glue that binds them to the plot.

And to find your story’s Heart, you need only look to your main character. While there are certainly exceptions, Heart is almost always a direct result of your main character’s growth, or lack there of, throughout the story.

Growth is defined as the internal change your character goes through during the course of the narrative. It’s the personal difficulty they undergo, during which they struggle with and overcome, or not overcome, some type of internal issue.

These can come in a myriad of different forms and amalgams. They can be emotional, intellectual, psychological, spiritual, an inadequacy, or just some internal wound that needs to be healed.

Think about it, the films that move us most, I’m talking about the ones that stay with us for years, the ones we can watch over and over again, are those inhabited by people who can rise above their own weaknesses. As well as those who can’t.

That’s what makes them so intriguing as characters. The personal difficulties they struggle with, and the resulting growth (or lack thereof) from it, is what makes them so memorable to us as an audience.

Character growth can be a positive change, usually coming in the form of an uplifting ending. Or a negative change, usually in the form of a tragedy.

In the film Good Will Hunting, Matt Damon’s character went from being a cocky, troubled kid living an emotionally safe existence – one where he pushed people away before they ever had a chance to leave him, and in doing so he could avoid being in a situation where he himself might get hurt first. He went from being like that… to a young man able to abandon that identity, trust others, and commit to a new life in a new city with the girl he loved.

This formed the Heart of the story. It’s what we as an audience internally got out of the ride we went on. It was the emotional takeaway that moved us. And in came in the form of a positive change and an uplifting ending.

Now let’s take the film, One Flew Over the Cuckoo’s Nest. Jack Nicholson’s character went from being a happy-go-lucky guy trying to game the prison system by pretending to be crazy… to a man capable of nearly murdering Nurse Ratched, which ultimately led to his lobotomy and death. A Heart that was a negative change and tragic ending.

It’s important to point out here that while a character’s growth can be hugely transformational; Like Schindler in Schinlder’s List going from being a greedy war profiteer indifferent to the plight of the Jewish people… to a man who risked his own life to save thousands of people from certain death. Growth, however, can also come in much more subtle forms. Especially in genre films.

Take Jodie Foster’s character in the film Panic Room. She goes from being a vulnerable, fragile divorcee on her own for the first time in her life… to a woman who takes charge and fights to save her family. That was her growth as a character. One that came in a subtle yet still relatable form.

Whichever the case, transformational or subtle, remember that a character’s growth will usually lead you to the Heart of your screenplay. That proverbial emotional glue that binds us all to story.

timlongTim Long is a produced screenwriter who has sold, optioned, and pitched projects at the studio level and has had original screenplays in development with Academy Award ® winning and nominated producers. Mr. Long is also a nationally recognized screenplay consultant, as well as a former Professor and Head of the MFA Screenwriting Program at FSU’s College of Motion Picture Arts. He’s currently Founder of PARABLE, an innovative interactive screenwriting course. Follow him on Twitter @ScreenplayStory

 OFFER for A3 readers only  PARABLE for $249 ($50 off the regular price) with promo code a3discount

Website: https://ScreenplayStory.com/

Twitter:  https://twitter.com/ScreenplayStory

Categories
Bestsellers

Best Selling Author-Robert Whitlow

robertwhitlow

Can you share a little about your recent book

Young lawyer Parker House’s career is on the rise – until his grandfather’s mysterious past puts both of their lives in danger. The fresh faced North Carolina attorney shares his grandfather’s uncanny ability to see future events in his mind’s eye, a gift that has haunted 82-year-old Frank House over the decades since WWII.

Why do you write? Do you have a theme, message, or goal for your books?

I’ve always enjoyed listening to other people tell their life stories. In creating a novel, I have the opportunity to do this for them!  All of my novels involve the legal system and spiritual themes that surface in the lives of the characters.  My goal is to write a story that is both entertaining and inspiring.

How long have you been writing? And how long did it take you to get your first major book contract?

I have been writing since September, 1996. I finished my first novel in late 1998 and received a contract offer about three months later.  (Three months later the first publishing company that reviewed my novel, The List, offered me a contract).  This was a miracle.

How long does it take you to write a book?

It takes me a year to write a book. This includes nine months for the first draft and three months of editing.

What’s your writing work schedule like?

Because I still practice law, I try to write 1-2 hours per day, mostly in the evenings with a couple of sessions on Saturday.

Do you have an interesting writing quirk? If so, what is it?

I’m not sure I have any interesting writing quirks. For most of us, our quirks seem normal to us, if not to the rest of the world!  For many years I would play a game of FreeCell before writing.

What has been your greatest joy(s) in your writing career?

As with many writers, the greatest joy in my writing career is receiving positive feedback from readers who have enjoyed one of the novels and been blessed by it.

What has been your darkest moment(s)?

My darkest moment as a writer has been the challenge of maintaining a disciplined writing schedule in the face of several personal tragedies that have occurred in our family. Looking back, it’s hard to believe I was able to escape the pain of the present to enter the fictional world of my characters.  Ultimately, most of the tragedies of life are a redemptive way to respond to them have found their way into my stories.

Which of your books is your favorite?

I have four favorite books: The List, Jimmy, The Choice, and A House Divided.

Who is your favorite author to read?

I enjoy reading classic authors such as Hemingway, Steinbeck, W. Somerset Maugham, Twain and many others.

What advice can you give aspiring writers that you wished you had gotten, or that you wished you would have listened too?

I encourage most aspiring writers to read Self-editing for Fiction Writers by Browne and King. This particular book really helped me understand the craft of writing a novel and avoid many of the mistakes that separate an amateur from a professional writer.  These include proper ways to handle point of view, interspersing dialogue with action, resisting the urge to explain everything and avoiding excessive narrative/back story.  I also benefitted a great deal from a seminar taught by Donald Maass about microtension – the need to have elements of suspense even at subtle levels on every page.  I also encourage writers to embrace the opportunity to edit their work.  Editing is your chance to make what you’ve written better.  Without a deadline for submission of my first novel, I edited it multiple times.  This proved very crucial because the version furnished to the publisher had many of the wants (not all!) removed.

I read books about writing and grammar books for pleasure!  If I break the rules I want to do so on purpose, not out of ignorance.

How many times in your career have you experienced rejection? How did they shape you?

As you can tell from my response to General Question 1, I have not experienced a lot of rejection in my career. I’m an encourager by natural temperament and try to do this for other writers.

Do you have a favorite character or scene in one of your books?

One of my favorite characters is a mentally challenged young boy named Jimmy Mitchell who is the title character for my novel of the same name. Jimmy is a coming of age story and portrays the ability of a young teenage boy with a pure heart to affect an entire community.  I found multiple scenes in the novel personally satisfying, albeit challenging to write since I was utilizing Jimmy’s point of view.

Where do you get your ideas?

I get ideas from stories in dreams, brief waking visions, and the newspaper.

What are the most common mistakes you see aspiring writers make?

One of the most common mistakes I see aspiring writers make is overwriting. The desire to make sure a reader “gets” what the writer wants to communicate can result in wordiness that causes readers to skim.  We all work hard on our stories and don’t want readers to skim them (see resist the urge to explain comment above).  Also, many first time writers try to ease into a story instead of beginning with a bang and then explaining things as the story unfolds (see reference to microtension above).

Where/How do you recommend writers try to break into the market?

There are obviously multiple avenues for publishing today through traditional and self-publication platforms. My experience has been with the traditional model; however, I know many writers who have experienced success following the self-publication route.

witness

Robert Whitlow is the best-selling author of legal novels set in the South and winner of the prestigious Christy Award for Contemporary Fiction. A Furman University graduate, Whitlow received his J.D. with honors from the University of Georgia School of Law where he served on the staff of the Georgia Law Review. A practicing attorney, Whitlow and his wife, Kathy, have four children. They make their home in North Carolina.

Website: http://www.robertwhitlow.com/

Facebook: https://www.facebook.com/profile.php?id=547787746 

Twitter: https: https://twitter.com/whitlowwriter @whitlowwriter

Amazon: http://amzn.to/2bVJkXc

Categories
Book Reviews

Book Review-The Witness by Robert Whitlow

witness

In The Witnesses, Robert Whitlow masterfully weaves an intriguing and suspenseful tale of two men bound both by blood and a special gift.

The book opens with Franz Haus, a young officer in the German Wehrmacht, whose premonitions give him insights that are valuable to his superior, General Berg, and to the Nazi forces. Sixty-four years later, Frank (as he is now called) is a retired fisherman living in New Bern, North Carolina. His grandson Parker, orphaned at age 17, has recently returned home to New Bern and is an associate attorney who, because of his own hunches, is able to provide key information to the two attorneys for whom he works.

Whitlow’s characters are well-drawn, complex, and realistic. His characterization of Frank, a character whose war-time activities make him susceptible to the reader’s contempt, is especially impressive. Whitlow doesn’t ignore or even attempt to whitewash Franz/Frank’s wartime activities; instead, he paints them clearly. He goes on, then, to deftly portray the troubled young man who grows to become a grandfather haunted by regrets concerning what were, at the time, well-intentioned acts.

Parker is equally well-developed and believable. His struggles to overcome workplace frustrations and to come to grips with the gift he is just now beginning to recognize are compelling. Added to that are his fledgling romance with photographer Layla Donovan and his handling of the flattering attentions of her powerful attorney father, Tom Blocker.

The author transitions smoothly between the dual settings of WWII Germany and 2003 New Bern, and the various subplots are are knit together seamlessly. Additionally, the drama of Frank’s story and of Parker’s professional life are nicely balanced with Frank’s friendship with Lenny and Parker’s relationship with Layla. The various elements work together to create a plot that is complex but clear and that culminates in a dramatic and satisfying finish.

The Witnesses, published by Thomas Nelson (July 2016), examines issues of faith and of how it intersects with daily life. Partly in response to the urging of his best friend Lenny, Frank returns to the church; the resurgence of his faith in God is framed against Parker’s indifference toward spiritual matters. Both men come to their own understanding of God and spirituality, as well as of how their gift of premonitions is connected to the two.

Whitlow is a gifted storyteller, and The Witnesses is a testament to that fact. However, this novel is more than just an extremely well-written thriller connecting Nazi Germany and early 21st-century America. It also points to God’s forgiveness of man, to man’s acceptance of that forgiveness, and, finally, to man’s ability to forgive himself.

In short, The Witnesses is a page-turner that will capture the reader’s attention and refuse to relinquish it, even after the last page has been read.

 pattimiinch

Book Review by Patti Miinch: Patti Miinch, a widow and mother of two adult children, lives in Southeast Missouri. Her lifelong passion — as both a writer and a reader

— for the written word led her to pursue a career as an English professor. Her hobbies include watching college and professional sports, spending time with her family, knitting, spending time outdoors, and traveling.

 

 

 

 

 

 

Categories
Write Justified

It’s All a Matter of Perspective

railroad-1-1463187-639x852

Twice in the last year, my husband and I have made the trip from Denver to Grand Junction, Colorado. Once by car, once by train. The train trip takes twice as long, but the views are even more spectacular than the scenic I-70 route. From the train we saw mountain streams and rock formations, nearly deserted towns and remote homesteads that are not visible from the highway. We made the same trip, but the perspective was different. If we had chosen to hike even part of the journey, we would have had an even different point of view.

As writers, we make choices about how to tell a story. One of the most important is point of view. From whose perspective will we tell a tale? Like our journey across a portion of the Rocky Mountains, we have options available—each with their advantages and unique style.

You may have learned in grammar class that point of view is tied to pronoun usage—and that’s true. However, it’s more helpful to think of point of view as character. Which character is telling the story? Here are the most common approaches:

  • First person: First person narration uses the personal pronouns I, we, my, our, etc. The narrator tells the story from his or her perspective. This is a personal, intimate approach. Readers feel like they really get to know the narrator because they are inside her head. As a writer, however, it is challenging to stay in that point of view for the entire novel. The temptation is to tell rather than show what the narrator sees, feels, tastes, etc. You’ll most often find short stories, YA and literary fiction, romances and Goth written from this point of view.

If I were to write about hiking a portion of the Denver-Grand Junction train trip or rafting a section of the Colorado River I would choose first person POV. This would allow me to describe the sights, sounds, and smells I experienced and it would give the reader the most up close and personal glimpse into my experience.

Examples of authors successfully sustaining first person point of view include Harper Lee—To Kill a Mockingbird, J.D.Salinger—Catcher in the Rye, and F. Scott Fitzgerald—The Great Gatsby.

  • Second person: Very little fiction is written in second person point of view. But nonfiction and self-help books often are. Using the pronouns you and your the narrator addresses the reader or audience and draws them into the story or process. The reader becomes the protagonist, but perhaps not willingly. The narrator assumes you will see and feel things the way he or she does and that may be uncomfortable or annoying.

Second person POV would be an effective way for me to write a travel piece about our recent train trip. I could tell you the best way to make connections between the airport and train station, what to pack for an eight-hour trip, sights to look for along the way, not to mention the best strategy for securing a seat in the viewing car.

Though most readers wouldn’t consider Dr. Suess’s Oh, the Places You’ll Go a self-help book, he did succeed in writing a delightful second person POV verse that’s inspired thousands as they transition into a new season of life:

You have brains in your head. You have feet in your shoes. You can steer yourself any direction you choose. You’re on your own. And you know what you know. And YOU are the guy who’ll decide where to go.”

  • Third person: The most common POV in nearly every genre is third person. There are several variations on third person, which I’ll cover in next month’s post. For now, it’s enough to know that third person POV uses the pronouns he, she, they. And this caveat: POV errors are the most frequent mistakes editors uncover.

Til next time. What POV is your current read written in?

 

Categories
Craft The Writer's PenCase

Seamless Self-Editing––Part IV

Writer's PenCase-2Getting published traditionally is difficult. Small publishers are more likely to accept a manuscript from a previously unpublished author, yet they are the ones who require “publish-ready” submissions. [bctt tweet=”Self-editing is a challenge to improve our own writing. ” username=”@a3forme @donnalhsmith”]#amwriting #selfediting

Categories
5 For Writing

What’s Wrong With Escapist Stories?

I had a chance to see the desk where J.R.R. Tolkien wrote “The Lord of the Rings.” You can find it at the Wade Center in Wheaton, Illinois.

I still remember the day my fiction-writing teacher made it clear that he was not happy with me. However, he wasn’t unhappy about my writing. He was unhappy about what I was reading.

At the time, I was an undergraduate at the University of Illinois, so this was a long time ago. Having arrived early, I slipped a copy of the Lord of the Rings out of my backpack and began to read, minding my own business. But as I read, I sensed the eyes of my teacher boring down on me. It wasn’t exactly the evil eye of Sauron, but I could sense the teacher’s disapproval. I cannot remember the exact words that my fiction teacher used, but he essentially asked why in the world I was wasting my time reading fantasy trash.

This attitude is as old as Middle Earth. As Joseph Pearce says in the book, Tolkien: Man and Myth, many people in the literary community were scandalized when a 1997 survey of 25,000 people in Great Britain voted J.R.R. Tolkien’s Lord of the Rings the greatest book of the 20th Century.

“Personally,” wrote one columnist in the London Sunday Times, “I won’t keep the thing in the house…With its awful runes and maps and tedious indexes, the sight of it filled me with depression…A depressing thought that the votes for the world’s best 20th-century book should come from those burrowing an escape into a nonexistent world.”

So there it is—the word that is often flung at literature that is actually fun to read. Escapist.

Tolkien had heard the same old complaint when he was alive. In his landmark essay, “On Fairy-Stories,” he confronted the accusation head-on by saying, “I have claimed that Escape is one of the main functions of fairy-stories.” He then went on to add, “Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if, when he cannot do so, he thinks and talks about other topics than jailers and prison-walls?”

In other words, what’s so bad about escaping? He argues that fairy-stories (they didn’t call it fantasy writing back then) should aim for Escape with a capital E.

We all seek escape in one way or another. And that’s all right, depending on what you’re using to escape and what you’re escaping from. Some forms of escape actually become an even more horrendous prisons. For example, people use drugs to escape, and they become slaves to their addiction.

But reading a rip-roaring book with heroic values? I heartily approve of that form of escape. In his essay, Tolkien talks about many positive forms of escape in fairy-stories—escape from hunger, thirst, pain, sorrow, and injustice. He even includes escape from machines such as the internal combustion engine, as fairy-stories offer an escape into a land of trees, rivers, and lakes. He also touches on the escape of archaism, into a world of dragons, knights, horses, sailing ship, elves, kings, and priests.

Our desire for escape may stem from the built-in sense that we are all strangers in a strange land, that we were created for another world—a world where pain and suffering will be no more. I love life, but I realize that this existence is not my true Home. Stories such as the Lord of the Rings remind us that there is another world, and it’s not too far away.

This built-in desire to escape is perhaps why The Great Escape, with Steve McQueen, remains my favorite war movie of all time. And perhaps this is why two of the first novels that I ever wrote were real-life escape stories. The Disappearing Man tells the true story of Henry “Box” Brown, a slave who escaped slavery in 1849 by shipping himself from Richmond to Philadelphia in a box. Another of my novels, The Vanishing Woman, is about Ellen Craft, who escaped slavery in 1848 by pretending to be a white man, while her husband posed as her slave.

As the lyrics of the popular Christian song say, “There is power in the name of Jesus to break every chain.”

If you have a chain around your ankles, what could be so wrong about breaking those chains and escaping? But maybe the critics who fling around the word “escapism” are just being sloppy in their criticism; maybe they simply mean that they think the book is poorly written.

Maybe.

I think part of the reason they use this term so freely is that some people are afraid to recognize that we all need to be freed by Someone greater than ourselves. In that sense, they actually fear the idea of escape. And as Tolkien’s good friend, C.S. Lewis, author of The Chronicles of Narnia, once observed, “The only class of people who fear escape are jailers.”

Of course, the greatest escape story of them all is the granddaddy of breakouts: the Resurrection. The authorities put Jesus in a tomb, rolled a massive rock before the entrance, and posted a contingent of well-trained guards in front. But on the third day, He escaped. He didn’t tunnel his way out, and He didn’t crawl through the sewer. He conquered Death and rolled the stone aside.

Escapist? Sure, it’s an escape. But it’s what we all desire, and it’s the only thing that will ultimately satisfy us. As Lewis also said, “If we find ourselves with a desire that nothing in this world can satisfy, the most probable explanation is that we were made for another world.”

* * *

5 for Writing

  • Get writing. Find the time to write. Then do it.
  • Learn by listening—and doing. Solicit feedback, discern what helps you.
  • Finish your story. Edit and rewrite, but don’t tinker forever. Reach the finish line.
  • Thrive on rejection. Get your story out there. Be fearless. Accept rejection.
  • Become a juggler. After one story is finished, be ready to start another. Consider writing two at once.

 

Categories
Support

THIS IS WAR!

Tackling a writing project can be a battle—a hard-fought conflict with procrastination, fear, insecurity, and self-discipline.

We’ve all authored projects that took a toll mentally and physically (like being run over by a truck).

But what is the root of these issues?

For a Christian writer, our struggle is not against flesh and blood (Eph. 6:12). As we submit articles, stories, devotions, and novels with a Christ-centered worldview, we are threatening the forces of evil. Satan is not happy.

Check out verse 12 in context: For our struggle is not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the spiritual forces of evil in the heavenly realms.

If we write for Christ, we are a threat to the powers of darkness. These powers of evil can attack and overwhelm us on every side. They whisper sour nothings in our ears: Who do you think you are? You’re not a writer! Why even try when you’ll be rejected? Don’t worry about that opportunity—do it tomorrow…

What’s a beleaguered writer to do?

Our answer is found in verses 13-17: Therefore put on the full armor of God, so that when the day of evil comes, you may be able to stand your ground, and after you have done everything, to stand. Stand firm then, with the belt of truth buckled around your waist, with the breastplate of righteousness in place, and with your feet fitted with the readiness that comes from the gospel of peace. In addition to all this, take up the shield of faith, with which you can extinguish all the flaming arrows of the evil one. Take the helmet of salvation and the sword of the Spirit, which is the word of God.

Are we ready to take a stand?

Belt of truth: In my writing, am I staying true to the Word of God? Do I water-down the Gospel to achieve publication?

Breastplate of righteousness: Am I tempted to compromise biblical values in my work?

Shoes of readiness: Do I walk in obedience to my Lord, ready to follow His voice?

Shield of faith: Do I believe God when He says He has called me to write? Do I trust Him to guide me in my work?

Helmet of Salvation: Does Christ control my thought-life?

Sword of the Spirit: Do I live in the Word so that my life reflects His strength and glory?

Let’s not leave our armor in a drawer or leaning by the back door. It’s time to suit up and get busy.

The time is now!

 

Which piece(s) of God’s armor are you prone to neglect? Does it make a difference in your writing?

[bctt tweet=”In my writing, am I staying true to the Word of God? ” username=”@a3forme @lthomaswrites”]

[bctt tweet=”Am I tempted to compromise biblical values in my work?” username=”@a3forme @lthomaswrites”]