Categories
Storyworld

Governance II: Politicians and Demons (no, they’re not the same thing)

Last month, we looked at governance by law first, and people second. If the characters in your book find themselves in such a country, they should count themselves fortunate, because that hasn’t traditionally been the case. This is because, as I said before, governments exist to ensure the interests of the governing bodies, not the governed.

Bad Governance (or Typical Governance)

Governments have traditionally ruled in the form of dictators like kings or oligarchies where rule is exerted by a limited few. In these cases, the principle of self-interested governing bodies applies more directly than those with constitutions. Taxes are collected to enrich the king’s lifestyle, wars are fought to increase the galactic empire’s influence, and laws change on a whim to suit the elven nobility’s political games. This form of government isn’t inherently evil, but it allows a limited few to do as they want in an unrestrained manner. Contrary to popular belief, power doesn’t corrupt, but it does reveal the heart condition of those in charge.

[bctt tweet=”Contrary to popular belief, power doesn’t corrupt, but it does reveal the heart #truth #philosophy”]

This doesn’t mean that the ruler can act however he wants, whenever he wants. A wise dictator knows that if he crushes his people too hard, he’ll have a rebellion on his hands. A foolish dictator on the other hand … well, unlucky for King George III, but God bless the USA. If the people suffer long enough under the fictional governing bodies in your novel, at least someone will consider seceding from the empire or overthrowing its authority all together. Christians in such a setting are in a quandary though, since they are called to submit themselves to all authority (even bad ones like Nero, yikes!).

As a note, if your society is ruled by unrestrained power, the characters in your world will feel tangible governmental effects. Simply put, this is because their freedom is much more limited. Even still, bad governance is better than nothing. A lack of any stability produces anarchy and unrestrained violence. It is the reason many suspect God calls Christians to submit to kings, even evil ones.

Inhuman Governance

You are crafting another world, so the possibility exists that aliens, robots, halflings or some combination could rule the land. If this is the case, you need determine the tendencies of these entities. Specifically: Do governing members of that race have the same power-hungry nature as mankind’s own politicians?

[bctt tweet=”Does a fictitious race have the same power-hungry nature as mankind’s own politicians? #philosophy #scifi”]

If not, a charter of limited authority may not be necessary to ensure peace, but you’ll have to work hard to make such an alien species believable. C.S. Lewis did a fantastic job of this in Out of the Silent Planet, and Orson Scott Card’s Formics had a very alien form of governance in Ender’s Game (of course, a real sci-fi reader knows the original idea came from Heinlein’s Starship Troopers novel from the 50’s).

However, if evil nonhumans run the country, it could be a very sinister land. Even the worst of humans have consciences, no matter how hardened. Historically, God has worked miracles on some truly evil men, so no one is completely without hope. But I shudder to think of a land run by callous dragons or heartless androids. It might be interesting, and if well-written, it could be though-provoking. But the Christian should be very careful with monolithic evil. When C.S. Lewis wrote the Screwtape Letters, he said it was a fatiguing experience. I’m not forbidding you to write about demonic governance, I only warn you so you know what you might be getting yourself into.

 

On that cheerful note, I hope that you’ll consider some form of government for your novel. Generally speaking, the political structure should be paired to the extent of government influence you want to see in your character’s lives. Any governing body restrained by the rule of law (e.g. constitutional monarchy, democratic republic, etc.) is going to be less intrusive than a government subservient to the whims of an individual or a group of individuals (e.g. traditional monarchy, communism in practice, etc.).

But if you’re feeling that “analysis paralysis” I spoke of months ago, just read the conclusion of my prior government article, take a deep breath, relax, and write on.

Categories
The Ministry of Writing

Improve Your Writing With Your Spiritual Gift

If you are a born again follower of Christ then you have been given a spiritual gift or gifts. Scripture tells us that our gift is for building up the body of Christ. There is no doubt that ministering with our gifts gives God glory and enhances our witness.

The benefits of our gift — building up the body, glorifying God, and reaching the lost —probably steal lines from your personal writing mission statement. Those things are the reasons we write. They are our purpose. Therefore understanding our spiritual gift is essential to our ministry of writing.

There is a hiccup though.

Writing is not listed as a spiritual gift in the Bible.

So does that mean our writing is not important or a tool for ministry? NO WAY! We know better. I will only provide one example — the Bible was written, right? Definitely God has blessed you with a gift of writing, but I believe spiritual gifts should be understood that they are more about the message rather than the method.

Spiritual gift lists are found in Romans 12:1-8, 1 Corinthian 12:1-31, Ephesians 4:1-16, and 1 Peter 4:10-11. Read a complete list [here]. There are methods of ministry listed like preaching, service, encouragement, and others. But even with those the emphasis is on the thought process and the message. There are gifted writers throughout the spectrum of spiritual gifts. We are tempted to stop short of expressing our spiritual gift because we do not look past out writing, but it is our spiritual gift that shapes our writing. Writing is a tool to exercise that gift so it is important to know your area of gifting because out of that gift comes what you like to write, as well as the writing you despise.

We can find writers gifted with encouragement, preaching/prophecy, shepherding, encouragement, evangelism, mercy, teaching, and faith. And to find them we wouldn’t even need to receive the results of their spiritual gift inventory or receive special revelation from God to know their gift for their writing reveals it.

The writer gifted with encouragement (exhortation) writes positive, encouraging, and uplifting pieces.

The writer gifted with evangelism seeks to win souls with everything they write.

The writer gifted with shepherding will write with people at the center of their work, while the writer gifted with prophecy focuses on doctrinal truths and tends to be harsh towards their reader.

The writer gifted with teaching is always going to have a lesson in their books.

I’m sure you get the idea by now. [bctt tweet=”Our spiritual gift is more about the message rather than method.”]

Within the biblical teaching of spiritual gifts we are told that we are all parts of one body and  have different roles within that body. Therefore, we need to fulfill our role and support others in their roles.

Knowing your spiritual gift(s) can help you focus your strengths, but the greatest value is that it shows how we fit into the body. Through understanding our gift we can see our writing in the context of other authors. Along with providing us with strengths our divine gifts also have a negative side. I feel my gift is teaching. So my focus tends to be on discipleship and spiritual growth. So when I run across a writer who is always putting out peppy uplifting devotions — I get frustrated. I condemn them for presenting everything in rose-covered glasses, but I am sure when they read my work they complain that I am discouraging and negative. The reality is that we are on the same team. That writer has the gift of encouragement which the body of Christ needs and I am writing from a teaching prospective that the body of Christ also needs. There is a place for both of our writings. I have many times been blessed by a writer spiritually gifted with the gift of encouragement when I googled “encouragement for writers” or “encouragement for pastors”.

I have had writers who are gifted with evangelism criticize me because I don’t present salvation enough in my writings. On the other hand I feel they need to focus more on making disciples not just “soul-winning”. Again we are both on the same team just gifted differently, but both providing what the body needs.

Christian writer it is important to seek out your spiritual gift and to recognize gifts in others. We are all on the same team. Some are feet, some hands, some a nose, some an eye, and I guess someone has to be a butt.

Regardless of your role in the body [bctt tweet=”improve your writing with your spiritual gift.”]

 

For more information on recognizing your spiritual gift or taking a spiritual gift inventory check out my blog…www.graytotebox.com

 

Categories
A Little Red Ink Editing

Choosing a Freelance Editor

Choosing a freelance editor can be daunting. So many choices, so many possibilities. And if we’re honest? Many people claiming to be editors wouldn’t be good for you OR your book. Anyone who spots typos easily can say they’re an editor.

So how do you find one to work with who will come alongside you, champion you and your writing, and help you make it your best?

Get comfortable asking questions. Here are four that will save you a lot of headache and heartache:

  • Ask for recommendations.
  • Ask for references.
  • Ask for a sample.
  • Ask for a contract.

First, ask for recommendations.

Do you have writer friends who rave about their fabulous editors? Who trust their editor completely? Ask them why. What is the working relationship like? How long has the editor been editing? Is there a fast turnaround? Are there mistakes in the completed manuscripts? What are the editors’ greatest strengths?  Weaknesses? Who are the editor’s other clients? What are his or her credentials? Does he have professional licenses and degrees? Street cred? Does that matter to you? (It should.)

Don’t be afraid to ask other authors who write in your genre. Authors should find an editor who is comfortable editing what they write. First, there’s a unique skill set and nuances within each genre that can make a major difference. Second, don’t you want someone who’s passionate about what you write? Third, experience counts.

At some levels of editing, genre might not matter. But if you’re looking for a macro (big-picture, plotline, themes, character arcs) edit, genre experience is key. The difference between Science Fiction and bonnet fiction is usually vast. There’s Kerry Nietz, but he’s a worthy exception. At the very least, be sure that you’re working with a fiction editor if you write fiction and non-fiction if that’s your thing.

Silence in the Library
If you appreciate this, I might be the editor for you.

Look in the acknowledgements of your favorite books. Or use an author-editor “matchmaking” service like the Christian Editor Connection or the Editorial Freelancers Association. Those will help you get connected with serious editors who will bid on your work, and you’ll have the power to choose who’s the best fit. For free.

cec-square (2)

 

Once you’ve contacted the editors, ask them for references.

Many editors will have an endorsements page on their site.

A service like Kathy Ide’s Christian Editor Connection has vetted the editors in its database. Editors must pass tests for the various levels of editing and even some genre-specific tests.

Indie and hybrid authors, Susan Kaye Quinn’s Indie Author Survival Guide has a list of freelance editors, in addition to cover designers, formatters, and more. She’s even marked the ones she’s used and personally recommends.

And if you find an editor you think you’d like to work with but your schedules don’t line up, ask them for a recommendation. We editors network ourselves, and there are a few editors I’d be happy to recommend (and trust with my own work).

You can also ask for a sample.

Samples will give you an idea of the editor’s styles and strengths. Some editors (like me) will do a free three-page sample for any project over 25 pages. Some will ask you to pay up front, but why not pay for an hour’s worth of work and learn their editing style? Or pay for an edit on a piece of flash fiction. It’s short, but you’ll learn how the editor works, whether they add a little sugar with their constructive criticism, and whether they’ll definitely focus on the areas you think are the weakest.

The important thing is this: Editing is a professional relationship. As such, you need to be able to work well together, and the editor needs to sharpen you. They need to—not only tell you what isn’t working—but be able to suggest how to fix it. A sample edit shows whether the editor will truly improve your work.

Listen. Writing is art. You’ve heard of the fiction “rules.” There are many tried and true industry standards that do make writing stronger; there are also ways to bend and push those boundaries to powerful effect.

Lastly, ask the editor for a contract. Bare minimum, get a quote and clear expectations in writing.

contract signature

Having things in writing will keep the relationship professional. Expectations for the timeline and the level of editing are clear. If you’re hiring someone to finish the work by August 30th, and they take until October with no communication or explanation, you’ll have proof that you were wronged. There are people out there masquerading as editors who will take your money and never send you anything. (This is another reason a word-of-mouth recommendation is a wonderful thing). You have a right to protect your work.

A contract can protect the editor, too. If you agree to send someone a manuscript for a macro edit, and then you make major revisions and send it back for another, they’ll get paid for that work as well. Clear expectations, on both sides, are a must.

The bottom line is this: Do your research, and find an editor who does both what you’re looking for and what you need. You just might find a champion.

Is there anything you’d add?

A big shout out to MikeedesignPascal, Kathy Ide, and Juli for the images.

Categories
Contests Fresh Voices Writing Contest

Fresh Voices Writing Contest – Open for Submissions (Opens for Entries Oct. 1st 2016)

FRESH VOICES WRITING CONTEST

[box type=”shadow” align=”” class=”” width=””]UPDATE: 10/27/15 – Lighthouse Publishing of the Carolinas has committed to read a full proposal and a three chapter sample of the contest of some winners in novel and book length nonfiction! [/box]

[box type=”shadow” align=”” class=”” width=””]UPDATE: 10/4/15 – WhiteFire Publishing has committed to read a full proposal and a three chapter sample of the contest winners in novel and book length nonfiction! [/box]

[box type=”shadow” align=”” class=”” width=””]UPDATE: 10/5/15 – A3 Publishers has committed to include top short story and flash fiction submissions in a 2016 anthology![/box]

Almost An Author (A3) is excited to announce The Fresh Voices Writing Contest

We are offering multiple contests across every genre in Fiction, Non-Fiction, Children’s, and Poetry.

Contest open for submission on Oct. 1st, 2015.

Contest submission deadline Dec. 31st, 2015.

About the Award:

The Certified Fresh Voice Award recognizes excellent writing in each genre. Almost An Author desires to recognize important and powerful writing crafted by new and/or aspiring authors.

How To Enter:

To enter, please:

1) Attach your submission here or below in .doc/.docx or .pdf file types
submit

2) If you have a Facebook and/or Twitter account “like” or “follow” Almost An Author’s accounts.

  1. https://www.facebook.com/AlmostAnAuthor
  2. www.twitter.com/a3forme

3) Please submit your entry through the submission button located at the bottom of the page. You may also may your check and entry. (Information located below)

4) Format entries in 12pt font, double spaced, proper manuscript formatting. Exceptions, picture books and poetry.

5) Entries must be received by December 31st, 2015.

6) Finalists and Winners will be announced by February 1st, 2016.

7) Winners will be announced by February 15th, 2016.

8) All entries will be subscribed to our newsletter/subscriber lists, but you may unsubscribe at any time.

9) Any questions? Ask Editor at editor@almostanauthor.com

Fresh Voices Contest 

Prizes

Top entries will receive the Certified Fresh Voices Awards. Gold for 1st, Silver for 2nd, and Bronze for 3rd.

  1. Award will come as a .png/.jpeg medal which you may display on your blog, book cover, etc.
  2. Finalists will be given the opportunity to become a regular contributor at www.almostanauthor.com
  3. Select winners will be offered an opportunity to be included in the next volume of A3’s Devote book.
  4. Overall Winners will receive a A3 t-shirt.

Contest Categories:

IMPORTANT – READ FIRST: Contest categories are in bold. Sub-categories contests will be initiated, if a large number of entries are received in a category. For example, if we receive 50 Novel entries, we will subdivide the contest into the subcategories. Once a contest is subdivided, there will be an overall winner and finalist for the main category, and a winner and finalists for the subcategory. Please list BOTH your category and sub-category for each of your entries. You may list more than one subcategory for your entry, if you choose to do so, we will determine which category to place your entry in.

You may enter the same category multiple times, but only your highest scoring entry will qualify for a chance to win an award. You may also enter a piece in multiple categories, but each one requires an additional entry fee.

UPDATE (12/02/15) – Non-award winning previously published works are welcome.

  • Inspirational – Submit entire work
    • Devotion
    • Bible Study
  • Non-fiction – Submit first three chapters.
    • Self-Help
    • Parenting
    • Business/Leadership
    • Religion
    • Other
  • Memoirs/Personal Essay – Submit first three chapters and synopsis.
  • Magazine Feature Article – under 1,500 words –  Submit entire work
  • Flash Fiction – under 1,000 words – – Submit entire work
    • Under 500 words
    • Under 1000 words
  • Short Story – 1,000-5,000 words – Submit entire work
    • Romance
    • Fantasy
    • Science Fiction
    • Suspense/Thriller
    • Mystery/Detective/Crime
    • Western/Historical
    • Inspiration
  • Novel – 45,000-100,000+ words – Submit first three chapters.
    • Romance
    • Fantasy
    • Science Fiction
    • Suspense/Thriller
    • Mystery/Detective/Crime
    • Western/Historical
    • Inspiration
  • Novella – 15,000-45,000 words – Submit first three chapters.
  • Poetry – No more than 32 lines. Three poems is one entry.
    • Non-rhyming Poetry
    • Rhyming Poetry
  • Scripts – Submit entire work
    • Television
    • Movie
    • Stage Play
  • Children’s and Youth – Submit entire work
    • Picture Books
    • Easy Readers
    • YA Fiction
    • YA Non-fiction
    • Middle Grade
    • Chapter Books
  • Self-Published Books – Submit entire work
    • Novel
    • Non-fiction
    • Children’s Book

Mailed Entries:

  • Enter online or submit your entry via regular mail. If you are mailing your entry, please include a check with the $10 entry fee for each entry. You can mail entires to 1731 E. Main St. Springfield, OH 45505. Checks made out to Almost An Author. Please do not send cash.
  •  If you are entering more than one manuscript, you may mail all entries in the same envelope and write one check for the total entry fee; however, each manuscript must have its category indicated in the upper left-hand corner. You may enter online even if you are paying with a check. All checks will be cashed within 60 days of the competition final deadline. Entry fees are non-refundable.
  • BE SURE OF YOUR WORD COUNT! Entries exceeding the word or page limits will be disqualified. Type the exact word count (counting every single word, except the title and contact information) at the top of the manuscript.
  • Mailed entries that are more than one page in length must be stapled.

[bctt tweet=”Fresh Voices Writing Contest #blogcontest #blogger #writecontest #writingcontest” via=”no”]

Fresh Voices Contest Entries


submit

Categories
Bestsellers

Bestseller Interview – Michelle Medlock Adams

[author title=”Michelle Medlock Adams” image=”http://www.almostanauthor.com/wp-content/uploads/2015/09/Michelle_2966.jpg”]Michelle Medlock Adams is an award-winning journalist and best-selling author, earning top honors from the Associated Press, the Society of Professional Journalists and the Hoosier State Press Association. Author of over 70 books and a regular blogger for Guideposts, Michelle has written more than 1,000 articles for newspapers and magazines since graduating with a journalism degree from Indiana University. In October 2014, her book Encouraging Words for Mothers (Barbour) won the Award of Excellence for Nonfiction Books from CLASS Christian Writers Conference Book Contest. And, her book God Knows You won “The SELAH Award” for Best Children’s Book in 2014, as well as “Book of the Year.” Also, her children’s book, My Big Book of Prayers, claimed “The SELAH Award” for Best Children’s Book in 2012. [/author]

Can you share a little about your recent book?

My latest book is “When Chocolate Isn’t Enough: An Inspirational Survival Guide for Moms” (Worthy) which debuted in March 2015?

It’s a devotional for mamas, (especially mamas who love chocolate) filled with encouragement, humor and even various yummy chocolate dessert recipes. I love writing for moms. I have written several books just for moms including, “Little Blessings from a Big God” (Whitestone), “Daily Wisdom for Mothers” and “Encouraging Words for Mothers” (Barbour Books).

Why do you write? Do you have a theme, message, or goal for your books?

I write because I feel called to write. If there is a thread running through my books, I’d say it’s encouragement. Whether I’m writing a children’s book or a book for women, I always infuse it with hope and encouragement. My goal? I pray that my work always brings people to Jesus.

How long have you been writing? And how long did it take you to get your first major book contract?

I have been writing since I was in first grade. I always knew I wanted to be a writer. While my friends were playing football and tag at recess in elementary school, I was curled up under a tree with my notebook and pencil, jotting down silly poems. I’ve always loved to write. I became the editor of my elementary school newspaper, “The Panther Paw” in 6th grade, and that’s when I began really taking writing seriously. I think I realized it was something I was truly good at, and I wanted to explore it with more passion at that point. I graduated with a journalism degree from Indiana University in 1991 and I’ve been “a professional writer” ever since.

I went to my first Christian writers’ conference (The Glorieta Christian Writers Conference in New Mexico) in the fall of 1999, and everything changed for me. I sold my first two children’s books at that conference—“Sister For Sale” and “Why I Love You, God” to two different publishing houses, Zonderkidz and Concordia. That’s why I always encourage writers to attend conferences where they can meet with editors and publishers face to face and pitch their work.

How long does it take you to write a book?

Well, it depends on the length of the book. I wrote “What Is Easter?” during a lunch hour. But, when I wrote “Daily Wisdom for Mothers” which is a 365 day devotional, it took four months. I once turned around a 45,000 word non-fiction book for a ghostwriting client in five weeks. That wasn’t ideal, but I made it work because she had a deadline and her other writer had dropped the ball.

What’s your writing work schedule like? I always have more than one thing on my plate at a time so I write what’s “hot” first, meaning whatever is due first. I’m not a morning person so I typically don’t write much of anything before 10 a.m., other than returning Email and doing a little marketing work. My best writing time is from 10 p.m. to about 2 a.m. I’m definitely a night owl.

Do you have an interesting writing quirk? If so, what is it?

I like to write while I “watch” Doris Day movies. (I don’t really watch them; I listen to them, because I already know every scene and every word from seeing them so many times.) You’ll usually find “Pillow Talk” or “That Touch of Mink” playing in the background while I work. But, if I’m not at home writing, I love to write in a place of beauty, particularly the beach. I love to sit on a beach somewhere and listen to the ocean and get inspired. It’s so peaceful, and the sounds of the sea make me become more creative.

What has been your greatest joy(s) in your writing career?

My greatest joy is whenever I get emails from readers who say, “I read your devotional today and actually felt closer to God. Thank you for bringing me back to God…” When I get those messages, it makes what I do day in and day out worthwhile. I truly feel called to do this, and I’m honored that God chose me to write for Him. But I think my favorite experience was getting to interview many of the Hollywood stars and sports celebrities associated with the Paramount movie, “Blue Chips.” I was paid by Paramount to play a sports photographer in the movie (as an extra) and that gave me access to interview many celebrities such as noted college basketball coach Bob Knight, celebrated basketball coaches Rick Pitino and Jerry Tarkanian; actress Mary McDonnell and many more. It was a total blast to be on the movie set every day for two weeks. I loved every minute of that process.

What has been your darkest moment(s)?

When my mother died of cancer, it really shook me and my faith. You see, I had interviewed many people in my career, people who had been healed of cancer and had glorious testimonies of supernatural health. So, I truly believed that my Mom would receive her healing and that I would write her story of how God took the impossible and made it possible. But, Mom’s story didn’t end that way. She joined my father in heaven in May 2006. At that point, I had to decide if I was going to believe and trust God and continue writing for Him, or if I even believed anything I was writing anymore. I was mad at God. I was mad that my Mom had died. And, I didn’t know if I wanted to serve God anymore, let alone write about His goodness. It was a turning point in my life and in my career the night that I said, “I don’t understand all of this God, but I still love You and I trust You.” God met me right where I was, and He loved me through it. I have written many stories about my mother, her faith-filled life, and her death, and I’ve found that the lessons I learned going through that dark time couldn’t have been learned any other way.

Which of your books is your favorite?

“I Will Not Be Afraid” is probably my favorite book because I know how many children have been impacted by its simple message of facing fear and saying, “I Will Not Be Afraid!” This book is about a little girl who faces her fears, realizing that she doesn’t have to be afraid because God is with her. You know, I actually got the idea to write a children’s book dealing with fear right after 9-11. My girls were very young when that transpired, and they had so many questions and very real fears. My husband and I did our best to assure them that they were safe and that God was still on the throne, but it was still a very difficult time for them and everyone in our country. That’s what prompted me to write this book, but I wanted to address more than just the fear of war and tragedy. I wanted to address common childhood fears like being afraid of the dark and fear of scary storms and meeting new people. I had no idea how God would use that book over and over again. Whenever there is a tragedy in the world, such as the Newtown, Connecticut shootings at that elementary school or the tornado in Moore, Oklahoma that tore through that elementary school and killed seven children, Concordia sends lots of copies of “I Will Not Be Afraid” to distribute to the fearful children in the area. I am humbled every time I hear how God continues to use that book.

Who is your favorite author to read?

I love to read non-fiction—especially biographies and self-help/improvement titles. I love Joel Osteen’s books. I am currently reading “John Adams” by David McCullough, as well as a romance called “One Wish” by Robyn Carr. As for a favorite children’s author—I love funny, quirky poetry so Shel Silverstein is still my fave.

What advice can you give aspiring writers that you wished you had gotten, or that you wished you would have listened to?

I attended the Write to Publish Conference early in my career, and the man teaching that particular continuing class said, “Split your time 50 percent between marketing yourself and your writing, and 50 percent actually writing.” I remember thinking he was crazy…how could I limit my writing time to only 50 percent? I thought, I’m a writer not a marketer. I later learned the value of his advice when I neglected marketing myself to gain other assignments for four whole months because I was too busy writing a 365 day devotional and had no extra time for marketing. Then, at the end of those four months, I turned in that devotional and had no work waiting for me, which is important when you’re a fulltime freelance writer. It was like I had to start all over and reestablish all of those editorial contacts that I’d neglected while writing non-stop for those four months. I’ve never made that mistake again. Now, I always split my time pretty evenly between marketing myself and my work, and actually producing copy for my existing assignments.

What is the single greatest tool you believe a writer should have in his or her toolbox?

Practically speaking, a laptop computer so you can write anywhere at any time. But spiritually speaking, a promise or a theme verse to stand on that reminds you why you do what you do. My life verse is Jeremiah 29:11…it reminds me that God has a good plan for my life. So even on the days when I get four rejection letters or find out that the Pub board has passed on my latest book proposal, I can look to that verse and confidently know that God loves me and that He has a good plan for my life. It sort of puts everything into perspective for me.

How many times in your career have you experienced rejection? How did they shape you?

Too many times to list. I even teach a workshop called, “From Rejection to Publication.” You have to know that sometimes a rejection letter is simply a no thank you. It doesn’t mean that you’re a bad writer or that your idea wasn’t a good one; it could just mean that the particular publishing house you queried just bought a similar project. There’s no way you could’ve known that! I always tell writers that you have to love what you do and believe that you’re called to write on the day you get a big fat publishing contract and on the day you receive four rejection letters. Don’t get discouraged. Keep on submitting! Keep on working! And, keep on seeking the Father for direction. And, hold on for an amazing (though sometimes bumpy) ride.

Do you have a favorite character or scene in one of your books?

I have a favorite story in my latest Chocolate book…it’s about the time when Allyson, my youngest daughter, chose to dress up like our wiener dog instead of me on her preschool’s “Dress Up Like the Person You Most Admire” day. I lost out to a dachshund! The story is called, “It’s a Dog Eat Dog World.”

Where do you get your ideas?

From lots of places. I actually teach a workshop about this, too, called, “Become an Idea Machine” where I share all of the ways/places I find ideas: newspapers, magazines, the Internet, my journal, conversations, my pastor’s sermons, nature, movies, etc. When you begin thinking like a writer, ideas will appear everywhere you go. It just happens that way.

What are common mistakes you see aspiring writer’s make?

The most common mistake I see? They give up too easily. You have to be persistent in the quest to be published. You have to believe in yourself and your writing and keep on keeping on until you find your voice and the right place to showcase your work. I see too many writers give up after only a few rejection letters. That makes me sad.

Where/How do you recommend writers try to break into the market?

The best way to jumpstart your writing career is to attend writers’ conferences. You’ll not only learn more about the craft of writing and how to market your work, but also you’ll be able to pitch your work to editors and publishers in person! If you’re a children’s writer, you should attend a Society of Children’s Book Writers & Illustrators (SCBWI) workshop, as well as a Christian writers’ conference like the Blue Ridge Mountains Christian Writers Conference. You can find a listing of various conferences in every genre at shawguides.com online.

 

 

 

Categories
Child's Craft

Picture Book Submissions – The Great Cover Letter

You might be asking what you actually submit to a publisher when you submit a picture book manuscript. I submit three items. This may be debatable, and many of you may submit items differently. I’d love to hear what the rest of you submit, but I’m going to share with you what I learned at one of my first conferences and therefore, what I submit. I’d especially love to hear from you if you’re an editor and like to receive submissions in a different manner. Please comment below.

The three items I submit are a cover letter, proposal and formatted manuscript. We’ll cover each item in separate blogs.

Today we’ll talk about the killer, knock the socks of an editor cover letter. If a publisher requests query letters first, before full submission of the manuscript, then this will be your query letter. The Market Guides relay which method the publishers prefer. Send in what they prefer. Don’t stuff your whole proposal into an envelope if the publisher prefers queries initially.

A query letter is a single letter asking for permission to submit your full proposal.  A cover letter accompanies your proposal and briefly describes your proposal. Both may be the only item an editor reads, unless it’s good. This letter should do more than pique an editor’s interest. It should reflect your great writing skills and make them want to keep reading and ask for more. Both letters serve the same purposes of highlighting your book and making it something an editor will want to pursue.

It’s nice to start with a name of an editor as opposed to Dear Editor. If you can find the name of the editor, by all means, use it. If you have met the editor at a conference, make that the first item mentioned.

“It was a pleasure meeting you at the XXX conference on (state the date). I enjoyed dining with you that evening and discussing possible book titles with you, (or whatever you discussed to bring who you are to their mind). I have a manuscript I thought you might be interested in reading.”

Then start with a bang, a hook, a question, something to tap an editor’s interest and touch on the main idea of your book. If your book is about a girl who loves purses and can’t get enough, you might start with something like this:

What’s not to love about purses? What if you had one in every shape and size to match every pair of shoes you owned but didn’t have room enough to put them all? What would you do? I’ve written a story about a girl who can’t get enough purses…

I know you could make it stronger. Spend time on your hook. Make it playful, fun, interesting.

State the audience for whom you wrote it and get as specific as possible. Elementary age children is a bit general. Tell which age group and if there’s a specific market, highlight it here. Say for example, it’s a book for children having surgery, or a bed time story for preschool children, or for young girls 4-6 who love purses. Tell specifics, but not too specific to make your market too small.

Briefly state any special ideas in your book that will make yours stand out. Have you included an easy how-to-make-your-own purse template or an easy how to stack and store your purses chart? Mention this here.

Note the word count, projected page count, and a brief bio about yourself, especially if it would help shine on why you’re the right one to write that particular book. I wrote a book once for children to ease the stress and fear of surgery and mentioned that I’m a Nurse Anesthetist. It relayed the fact that I’m a professional and might know a little about the topic. (I still don’t have a contract on the book, but hopefully it’s not because I’m not qualified to write it…)

Mention why you think this is the perfect publisher for your book, why you chose them. Why you think your book might complement other books they’ve published. If you’re sending it to more than one publisher, mention that it is a simultaneous submission.

Keep your cover/query letter one page or less. Keep your writing tight. This is not a letter to your best friend, so keep it short, simple, to the point, but enticing.

End with something like, Thank you for your time. I look forward to hearing from you soon. Sincerely, XXX and sign it.

Before you send it, make it perfect. This letter reflects your writing skills. Don’t let them find grammatical errors, typos, wrong use of commas, etc. or they may not pursue your book further, even if the idea sounds great. Spend time on your query/cover letter and make it shine.

Categories
Lesson's From the Editor's Desk Uncategorized

Lessons from the Editor’s Desk – Editors Are Real Live People

Hi new friends. My name is Dina Sleiman. In addition to being a published author myself, I’m an acquisitions editor with WhiteFire Publishing, and I will be a regular guest here on A3. First let me applaud you for being involved with this blog. A teachable spirit is probably the most important ingredient to becoming a published author. You have to learn the craft and the industry, and this is an excellent starting place. To help you in this endeavor, I plan to offer some insider information that will give you a leg up when dealing with editors. As someone who sits on both sides of the desk, I think I have a unique perspective on this issue.

My first tip is this: editors are real live people just like you! That might sound a little silly, but it’s surprisingly easy to forget. Today I’m going to focus primarily on meeting editors in person, and I would venture to say that most of this is true of agents as well. Here are some things to keep in mind.

Editors Want to Have a Good Conference Experience. While editors come in a variety of personality types, they want to have a pleasant conference experience just like you. They might be shy and new to the conference and just as nervous about who to sit with at lunch as you are. Or they might be a fun-loving individual looking for someone to bounce their jokes off of. If you treat them like a person, ask them about their families and interests, you might just gain an actual friend who happens to be influential in the publishing industry. As is always the case in life, you will probably connect easily with some of them, and not so easily with others. That’s okay. Chances are the ones who like you will also like your writing.

Editors Want to Have Good Meetings with Conferees. Generally, editors don’t like being pressured, being given sob stories, or being told that God has mandated them to publish your book. They don’t like being chased or handed manuscripts under bathroom stalls. Beyond that, it’s a good idea to do some research on the editor and learn their preferences. Personally, I have a pet peeve about conferees who don’t answer my questions but instead push on with their sales pitch. On the other hand, I find nervous conferees kind of endearing. I think most editors like it when conferees are a nice balance of prepared yet casual. They enjoy a relaxed meeting. They like to have a conversation and not just listen to a speech. They like to see that you are excited about your project and that you’ve done your work to be ready for publication.

Editors Talk to Other Editors. Going to writers conferences and meeting with editors is an awesome idea…unless you have a pushy, annoying, or otherwise abrasive personality. In which case, you might want to think twice. Editors talk to other editors, and you don’t want to get a bad reputation in the industry. If you discover that you’ve committed a serious faux pas (I‘m not talking about passing manuscripts under stalls or using the wrong font here, we’re used to that stuff), it might be wise to offer a sincere and heartfelt apology.

Editors Have Preferences about Submissions. For starters, most editors only want submissions from agents these days. You will not do yourself any favors by disregarding their wishes. If they do take submissions, shockingly (note the sarcasm) they put their guidelines right on their website, and they expect you to follow them. What if they just say something general like “a query letter” or “a proposal”? That should indicate two things to you, 1) They aren’t terribly particular, but 2) they do expect you to do your own homework and to provide these documents to a general industry standard. Don’t know what that is? I repeat—do your homework.

Editors Represent Companies. Editors might seem like all-powerful gods to authors, but they have to answer to their employers just like anyone else, and they also have to win the approval of their publication committee and marketing department. If an editor chooses your book and it does poorly, it could negatively impact them. They have an obligation to represent their company’s lines and needs, and part of your homework is to make sure you are sending your work to the right companies. You could have an awesome book that the editor loves, but whether or not you get a contract will still be largely based on the company’s specific needs and available slots at that moment. Editors want to please their employers and keep their jobs just like anyone else, which is why being stubborn or pushy about a book that doesn’t fit their line will only put you on their naughty list.

Editors Have Personal Taste. In addition to representing their companies, editors also have their own taste. You might find that within a given publishing house one editor prefers plot driven fiction, another deep characters, and a third is a sucker for a great voice. That’s why you can’t take rejection too personally, and you must keep trying and trying. It’s entirely possible that you might send an editor an awesome novel, but they have read two similar bad ones recently that negatively color their perception. Or worse yet, they might have just read an off the charts awesome book in your genre, and therefore yours seems lackluster in comparison. It happens, and there’s nothing you can do about it but persevere.

Editors Care about People They Know. And so that pretty much bring us back to the first point. Let me be clear. I’m not talking about nepotism. However, I think it is simple human nature that editors will give more time and attention to submissions by people that they know and like. They’ll feel more confident about publishing a book by someone they trust. It’s easy for me to send a simple, “no thank you” to people I haven’t met. Whereas someone I know in person is more likely to get suggestions for improvement with an invitation to resubmit. At the end of the day, publishers are only going to publish books they love and feel confident about. But given two books of equal merit, do you think an editor will push for the one by a friend or a stranger???

Yep, editors are people too. Don’t tick them off. Don’t annoy them. But if you can invest time into getting to know them as individuals, it just might bode well for your future.

Can you share any funny stories, cautionary tales, or suggestions about meeting with editors?

~~~~~~~~~~~~~~~~~~~~~~~~~

Dina Sleiman writes stories of passion and grace. Most of the time you will find this Virginia Beach resident reading, biking, dancing, or hanging out with her husband and three children, preferably at the oceanfront. She serves as an acquisitions and content editor for WhiteFire Publishing. Check out her novels Dance from Deep Within, Dance of the Dandelion, and Love in Three-Quarter Time, and look for her Valiant Hearts adventure/romance books, Dauntless and Chivalrous, with Bethany House PublishersFor more info visit her at http://dinasleiman.com/

 

 

Categories
Truth Be Told

What If?

We rarely know what someone else is going through. People don’t usually wear signs announcing their need.

Do you realize you could be the favor, the blessing, the encouragement, the hope, the answer to someone’s prayers?

How many times, in desperation or despair, have we pleaded with God for one thing to sustain our faith? One blessing to whet our weary soul? One encouraging word? And there it was.

A meme pops up on Facebook. A card comes in the mail. A coffee invitation is extended out of the blue with a friend.

Does it change our day? Of course. And most of the time we are grateful beyond words.

But what if the individual who extended that gift had ignored the nudge to reach out?

What about as a writer, ever ignored the Spirit’s nudge? Opted not to put pen to the thought?

Bought into the thinking, “Why bother?”

Maybe we hold back from sharing because in our mind we don’t see it as a whole article or devotion. Maybe it feels like an unfinished thought.

Really. What difference can it make?

What if when the leper approached Jesus and declared both his need and faith by telling Jesus he could heal him if was willing, and Jesus opted not to say those two amazing words: I’m willing.

What if when God told Anannias to go meet with Paul, he had opted to believe the negative opinion about the Christian killer and stayed home?

What if Paul had taken the easy road instead of the road to Rome that led to his death?

Truth be told: the difference we can make is worth the effort, and then some.

What if you keep that word of inspiration to yourself?

Categories
Heart Lift

One Very Important Lesson Dorothy Taught Me – Remember Your Why

Can’t you give me brains?” asked the Scarecrow.
“You don’t need them. You are learning something every day. A baby has brains, but it doesn’t know much. Experience is the only thing that brings knowledge, and the longer you are on earth the more experience you are sure to get.”
L. Frank Baum, The Wonderful Wizard of Oz

Janell Rardon Heart Lift

At the Onset of Dorothy’s Journey to Oz.

When Dorothy set off on the yellow brick road, she had one intention: get to Oz in order to get back home. As we all know, the journey was anything but easy. Dorothy met huge obstacles like flying monkeys, scathing evildoers, poisonous poppies and talking trees, yet her purpose remained very clear: Dorothy wanted to get back to Kansas and nothing was going to stop her.

[bctt tweet=”Every journey will have its obstacles. Be ready!”]

At the Onset of Our Journey to Being an Author

At the onset of any journey, spirits are high, aren’t they? Even if the odds are stacked against us, we feel a certain indomitable spirit fueling us. As “almost authors,” our Oz is clear: We are going to get published.  Yet it doesn’t take long before we, too, face obstacles dressed like rejection letters, negative feedback, restless nights and lonely days.

[bctt tweet=”Writers face the obstacles of rejection letters, negative feedback and often, long days and lonely nights. Don’t quit. “]

Remembering Our Whys.

“If you only have brains on your head you would be as good a man as any of them, and a better man than some of them. Brains are the only things worth having in this world, no matter whether one is a crow or a man.”
L. Frank Baum, The Wonderful Wizard of Oz

One Very Important Lesson Dorothy Taught Me

Why, then, do we so easily lose heart? The fact of the matter is clear: the obstacles in our way become fear-producing hindrances instead of courage-filled hurdles.

Hindrances stop any and all forward motion.

Hurdles might stall us, but ultimately, we will figure out how to jump over them.

Sometimes, like Dorothy, we need a little help along the way.

Dorothy meets a seemingly silly scarecrow who longs to have a brain.

Without skipping a beat, Dorothy invites the Scarecrow to join her on her journey to Oz. She realized they are better together than alone.

One Very Important Lesson Dorothy Taught Me

Thank you, Dorothy, for exemplifying the power of relationship and community.

We need each other. When one of us falls apart and loses the straw stuffing of our being, the other can pick us up and help put us back together again.

[bctt tweet=”Hurdles might stall us, but ultimately, we will figure out how to jump over them.”]

That is why we are here. To help your hindrances become hurdles. To help you train for the marathon of authoring and publishing.

To help you reach your very own Oz, where you, too, can see your dreams come true.

Signature

 

Categories
Editing The Critical Reader

Why Did My Favorite Character Have to Die?

by Alycia W. Morales

When I started reading the Divergent series by Veronica Roth, friends were conflicted over the ending of the final book in the series, Allegiant. Some said to read Divergent and Insurgent and stop there, as their disappointment with the third book was great.

How dare she kill that character?[bctt tweet=”Why would an author kill a reader’s favorite character? #amreading #amwriting”]

A character everyone – obviously – loved.

Here are three reasons I could see why Ms. Roth killed off her character:

1. Someone had to die an unselfish death in order to preserve the lives of those around them. To give those left behind a better future – a hopeful one.

2. The ending for the other main character would not have been the same had the other character lived.

3. There was no riding-off-into-the-sunset-happily-ever-after alternative ending for this series. At least not that I could see.

If you’ve been a writer for more than … oh … a few months, you’ve heard that every now and then someone must die. It’s what gets you out of a writing rut. It’s what moves the story forward. It’s what gets the action going again.[bctt tweet=”#Writers, sometimes you need to kill your favorite characters. “]

And if you’ve read enough books, you already know that not every story has a happy ending. Life doesn’t. Why should every book? Yes, happy endings are nice. Yes, we want to see the bad guy die and the good guy survive, but sometimes the good guy has to die in order for the bad guy to get the appropriate judgment.

At least in the case of Allegiant, the death leaves us with a satisfying ending. It would absolutely have driven me crazy if the ending had been stilted or left hanging. I applaud Ms. Roth for leaving me in tears but with the knowledge that it was worth every word.

So, Writer, is there a character in your novel that needs to die? Could you twist your ending in such a way that your readers mourn the loss of their favorite character yet recognize the deep need for someone so brave and selfless to die?

 

Categories
Writer Encouragement

Just A Writer

Do you ever feel like “just a writer?” “Just” a wannabe author? “Just” a wordsmith who spends hours inventing characters and hoping someone will read your work?

I encourage you to throw out the word “just” from your thinking. Treat it like yesterday’s trash that’s contaminating your mind. You are not “just” a writer. You are “A WRITER!”

So why are writers—especially Christian writers—important? Because when you feel that niggling urge to create words that are meaningful, then being a writer is “A CALLING.”

There are billions of folks in this world with numerous callings on their life. Some are called to heal, some to organize, some to preach God’s Word, some to be leaders, some to be helpers. The list can go on. But to be called to write is unique in that you can reach people around the world without so much as a passport.

ID-100279343

I know many writers with debilitating illnesses. Many who have difficulty traveling for one reason or another. Some with responsibilities that anchor them to their homes. Yet the message in their words can reach hundreds, thousands, even millions, without so much as using a gallon of gasoline.

“But all I write is fiction. How is that a calling?”

There are thousands of folks around the world who would never think of picking up a Christian non-fiction book. You could find them running away from a Max Lucado book as though rabid dogs were on their heels. Fiction is less threatening, more entertaining, and, if a writer is good, they can slip in the gospel message without scaring off the reader. Christian fiction might be the only Gospel message they’ve ever heard. Who knows where those seeds might sprout?

Another blessing about writing is that you can create a variety of messages, and not just in your usual genre. Most writers have blogs. These allow writers to create words that can fulfill promptings that the Holy Spirit places on your mind and heart. While some in the writing field encourage writers to always stay within the expected theme (such as historical fiction), I choose to believe that God wants to use our words to minister and enlighten the audience He has created for our writing.

These last few weeks have revealed horrifying videos about abortion taking place in our country. Although I write historicals, I felt the prompting of the Holy Spirit to create words that will hopefully open people’s eyes in a new way to the atrocities taking place in contemporary America. If you wish to read that blog, you can click here.

So the next time you think you are “just” a writer, praise God for the calling He has placed in your heart. And get writing!

 

Vintage Typewriter courtesy of: Just2shutter through freedigitalphotos.net

Photo of man writing courtesy of: tiramisustudio through freedigitalphotos.net

 

 

Categories
Publishing Perspectives

Defining traditional vs indie publishing

Printing Press
Printing Press

The world of book publishing has been changing rapidly for a few years, and lots of vocabulary is changing too. What is the difference between being “traditionally published” and “independently published”?

This is where we can start a huge brawl about the definitions of these terms.

Many would say that “traditionally published” means that the book is produced by one of the Big Five publishers: Penguin Random House, Macmillan, HarperCollins, Hachette, and Simon & Schuster (and all the brands they own).

Thus, independently published means the book is produced by anyone else. But ‘anyone else’ can cover a lot of ground, including: small press, micro press, vanity press, and self-publisher.

“Indie publishing includes small/micro/vanity press & self-pub” [tweet this]

Traditional Publisher: Purchases the right to publish and sell a manuscript; highly selective about which submissions will be selected for publication. Large presses pay an advance on royalties, smaller presses often don’t.

Small Press: A publisher with annual sales below $50 million and/or publish an average of fewer than 10 titles per year. May or may not offer an advance.

Micro Press: Even smaller (in terms of sales and published titles per year) than a small press. May offer an advance, but probably doesn’t.

Vanity Press or Subsidy Press: Any publisher where the author is required to buy something as a condition of publication.

Self-Publisher: a publisher that publishes the work of exactly one author (the author and the publisher are the same person). The author bears the entire cost of publication and marketing. The self-published author may do all publishing tasks themselves, or may buy services for some or all of the tasks. However, if an author buys *all* services from a single source, that author might be involved with a vanity press.

Self-Publishing Services: Sell authors *some* of the services needed to publish, but not an all-inclusive package.

What do you think of these definitions? Do you have different definitions?

Categories
Uncategorized

The Power of One

Jesus Christ described the incredible power of one.

Studying for a sermon series recently called The Power of One, the repetition in Jesus’ teachings of the word “one” amazed me.

And if anyone gives even a cup of cold water to ONE of these little ones who is my disciple, truly I tell you, that person will certainly not lose their reward. – Matthew 10:42

 And whoever welcomes ONE such child in my name welcomes me. – Matthew 18:5

 The King will reply, ‘Truly I tell you, whatever you did for ONE of the least of these brothers and sisters of mine, you did for me.’ Matthew 25:40

 Reading Christ’s words at face-value, I see that Jesus’ perspective is different than mine. And His perspective is all that ultimately matters.

Our world values numbers. Musicians want their albums to sell millions of copies and thus receive awards. Artists want their works to be sold to myriad people. Authors want their books to include on the cover, “More than 100,000 copies sold!” In the world of church growth, success is often measured by a quantitative amount of money and people: “nickels and noses.” Society now values worth or impact based on how many social media friends, connections, and “likes” received.

Jesus stuns me with his emphasis on one. Reward comes from welcoming one child. Recognition begins with doing a small task for one person in Jesus’ name. Doing low-profile acts of service like visiting a sick person, spending time with a prisoner, feeding or clothing a poor person, or welcoming a stranger, rank high on the important list of the King of all the earth.

Medical doctor and futurist Richard Swenson writes that Jesus “wasn’t in a speed race: He was in a love race. It is good news that we can return sovereignty back to the Almighty and resume our servant’s role of simply loving the person He places in front of us.” (A Minute of Margin by Navpress)

Ministry to Jesus was the person standing in front of Him. He understood the incredible power of one.

According to the Scriptures, God is honored when one person lives by faith and invests in one person at a time.

When we minister to one person, Jesus credits it to our account.

What if God’s purpose for your writing is not to sell thousands of copies, nor hit a best-seller list, nor have oodles and oodles of social media hits, nor win numerous awards? What if He created you, gave you lots of wisdom and discernment from spiritual truth and life experiences, and taught you how to write so that you could make a difference in a small group of readers?

What if He takes your article, devotion, or book, and uses it deeply in the life of one person?

Maybe today Jesus would say to you, If your writing touches one lonely grandmother in a nursing home, one single mom in a doctor’s office, or one struggling student in a university, than you have done that unto Me.  Well done.

 According to Jesus, there is an incredible power and reward in one.

Categories
Have Words, Will Travel....Travel Writing 101

Why This Travel Writing Site Rocks!

work-791437_640“Great travel writing consists of equal parts curiosity, vulnerability and vocabulary. It is not a terrain for know-it-alls or the indecisive. The best of the genre can simply be an elegant natural history essay, a nicely writ sports piece, or a well-turned profile of a bar band and its music. A well-grounded sense of place is the challenge for the writer. We observe, we calculate, we inquire, we look for a link between what we already know and what we’re about to learn. The finest travel writing describes what’s going on when nobody’s looking.” -Tom Miller

Regardless if you’re a weekend warrior with a camera and waterproof notepad in hand, or a full-press travel writer utilizing all the apps shared in last month’s post, you’re sure to savor every moment spent perusing Wanderful World…For the Curious, the Creative, and the Inspired. (Pour a mega cup of cold brew coffee because you’re gonna want it!)

While Wanderful World offers a plethora of relevant information I’d like to share one post you’re sure to appreciate:  The Different Types of Travel Writing Jobs Out There. Lizzie doesn’t disappoint!

So, hop over to her site, choose your type of writing job(s) and then, would you consider sharing it here?  I chose Product Description. Okay, so it’s not a featured article for The National Geographic but writing hotel descriptions and text for tour guides? That’s right up my proverbial alley!

I look forward to reading your choice.

Categories
A Lighter Look at the Writer's Life

The Wonder of the Deadline

Over the summer, I got my biggest freelance contract ever. It’s contract work for an educational company, so my name isn’t going to appear on the bestseller lists any time soon. It’s good work, however, and it has taught me one thing that I had forgotten over the years—the importance of a deadline.

It is ironic that, in my day job as a teacher, I impose deadlines all the time. Now it’s me under a tight deadline, with my writing life kicked into overdrive.

With this project, I’ve had to write when I didn’t feel like it. I’ve had to write nearly every evening and every weekend. I’ve had to write on beautiful, sunny days when other people were at the pool or at the park. Talk about “B-I-C” time!

The main thing about this deadline-based work: I’ve learned how to stifle my habit of procrastination. Here was the typical writing day for me in the past:

  1. Sit down to write. Write a title and a great first sentence.
  2. Remember that laundry needs to be done. Get up, load laundry into washer.
  3. Return to computer. Stare at the screen, willing words to come up.
  4. Realize, “I’m hungry . . . starving, actually!” Go to the kitchen and whip something up.
  5. Finish eating. See that the washer has kicked off. Put the clothes in the dryer.
  6. Return to computer. Type another sentence.
  7. Play a game of Solitaire to clear my head.
  8. Remember that the “Laverne and Shirley” marathon is on. Watch one or two or five episodes.
  9. Return to computer. Type another sentence.
  10. Dryer has kicked off. Fold and put away clothes.
  11. Return to computer. Type another sentence. Hate it. Delete it. Decide to come back to project tomorrow.
  12. Realize, “I’m hungry . . . again!”

I can’t say that I’m totally cured of procrastination, but having a deadline has certainly helped. My ultimate deadline is looming, so I’ve pressed on despite laundry, hunger, and the “Laverne and Shirley” DVD set I got for my birthday.

And in the middle of my writing marathon yesterday, what did I get? A social media notification from the creator of this very website. Sure enough, it was a reminder that my deadline for this post was only a day away.

Need a boost in your writing life? Get a deadline . . . or impose one on yourself. You’ll be surprised at how productive you can be.

Categories
A Word in Season

You Have a Work to Do

We all sometimes wonder why we write.

Nagging doubts and questions invade our minds:

“No one wants to read what you write. You are a nobody.”

“You will never be as good as John Grisham, or Jerry Jenkins, or Alton Gansky.”

“The time you spend writing and learning to write could be spent in more beneficial ways.”

Similar thoughts bombarded Susan about her singing. Bullied as a child and called “Susie Simple” at school, she knew the sting of rejection. Her homely appearance and humble beginnings caused many people to question her worthiness. But Susan knew that she could sing.  She dreamed one day of singing for the Pope and the Queen of England.

For years, she practiced her scales, took singing lessons, and sang at local Scottish pubs and her local church’s choir. She repeatedly and unsuccessfully auditioned for radio and television gigs. Thinking she was too old to begin a public singing career, she almost gave up.

Thankfully, she did not.

In April 2009, at age 47, Susan Boyle shocked the world on the television show Britain’s Got Talent by opening her mouth and singing I Dreamed a Dream from the Broadway hit Les Miserables. With the first line of the song, the world knew this woman could sing. Applause and cheers erupted throughout the aria, resulting in a standing ovation before Susan finished singing.

An overnight world-sensation, Susan’s world changed. Her debut album I Dreamed a Dream sold over 3 million copies — more than any CD in the world in 2009. Since then, Boyle performed for the Pope, the Queen of England, and numerous venues around the globe.

What if this never-married and never-kissed woman who lived with her cat in a small Scottish village listened to the negative voices? What if she believed, “Susan, you are a nobody. You will never be as good as Elaine Paige. You are wasting your time chasing pipe dreams.”

The world would have missed a phenomenal reminder that God uses faithful people hidden in obscurity.  He finds and selects normal folks who dutifully prepared themselves for their moments of opportunity.

The Bible says that “we are God’s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do” (Ephesians 2:10).

The word “workmanship” comes from the Greek word poeima, which gives us our English words poem and poetry. In essence, you are God’s poem. You are special. He has gifted you with talents and experiences unique to you.

Susan Boyle may have felt many times like just another homely woman. But God had a different plan. She embraced her God-given gifts, developed her skills, and refused to quit trying. And it finally paid off.

So can you. When the voices of doubt and fear come knocking, remind yourself that you are God’s poem. You have a work to do.

Get busy honing those skills and learning how to write.

One day, the world may be waiting.

 

Categories
A Word in Season

You Have a Work to Do

We all sometimes wonder why we write.

Nagging doubts and questions invade our minds:

“No one wants to read what you write. You are a nobody.”

“You will never be as good as John Grisham, or Jerry Jenkins, or Alton Gansky.”

“The time you spend writing and learning to write could be spent in more beneficial ways.”

Similar thoughts probably bombarded Susan about her singing. Bullied as a child and called “Susie Simple” at school, she knew the sting of rejection. Her homely appearance and humble beginnings caused many people to question her worthiness. But Susan knew that she could sing.

For years, she practiced her scales, took singing lessons, and sang at local pubs in Scotland and her local church’s choir. She repeatedly and unsuccessfully auditioned for radio and television gigs. Thinking she was too old to begin a public singing career, she almost gave up.

Thankfully, she did not.

florida-state-university-86197__180In April 2009, at age 47, Susan Boyle shocked the world on the television show Britain’s Got Talent by opening her mouth and singing I Dreamed a Dream from the Broadway hit Les Miserables. With the first line of the song, the world knew this woman could sing. Applause and cheers erupted throughout the aria, resulting in a standing ovation before Susan finished singing.

Susan was an overnight world-sensation. Her debut album I Dreamed a Dream sold over 3 million copies. It sold more copies than any CD in the world in 2009. Since then, Boyle performed for the Pope, the Queen of England, and numerous venues around the globe.

What if this never-married and never-kissed woman who lived with her cat in a small Scottish village listened to the negative voices? What if she believed, “Susan, you are a nobody. You will never be as good as Elaine Paige. You are wasting your time chasing pipe dreams.”

The world would have missed a blessing.

The Bible says that “we are God’s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do” (Ephesians 2:10).

The word “workmanship” comes from the Greek word poeima, which gives us our English words poem and poetry. In essence, you are God’s poem. You are special. He has gifted you with talents and experiences unique to you.  You have a work to do.

Susan Boyle may have felt many times like just another homely woman. But God had a different plan. She embraced her God-given gifts, developed her skills, and refused to quit trying. And it finally paid off.

So can you. When the voices of doubt and fear come knocking, remind yourself that you are God’s poem. He has good works for you.

Get busy honing those skills and learning how to write.  You have a work to do.

One day, the world may be waiting.

 

Categories
Grammar and Grace

How to Choose the Correct Pronoun

What’s wrong with this sentence? Me and Cam finished the Army Ten-Miler. Me should be I, right? Easy. Most people agree pretty quickly on that sentence structure.

How about this one? Mrs. Powell invited Sara and I to lunch.  Anything wrong? Yes. I should be me in this sentence. Although me is the correct pronoun, more and more professional people today (including print reporters as well as newscasters) use the wrong pronoun.

Does it sound tricky? Sometimes I is correct. Sometimes me is correct. How do you choose the correct pronoun?

Here’s a simple way to check:

Mrs. Powell invited Sara and ______ to lunch.

How would you say it if the invitation included only the speaker?

Mrs. Powell invited I to lunch. No.
Mrs. Powell invited me to lunch. Yes.
So—Mrs. Powell invited Sara and me to lunch. Yes.

I in the above sentence is a direct object.

*Pronouns that work as direct objects, indirect objects, or objects of prepositions must be objective pronouns.

Here’s a list of objective pronouns:

me                      us                     whom
you                     you                  whomever
him, her, it      them

A direct object tells who or what receives the action done by the subject.

Irene Hannon has written many books.|
The Steelers will beat the Patriots this year.
The children’s librarian read them a story.

An indirect object tells for whom or for what an action is done.

The blogger wrote his authors an email.
Bailey and I sent the seniors an invitation.
Zac Brown could sing me a song any time.

Here’s a list of prepositions:

About             along               before             between          during             in
above              amid                behind            beyond            except             including
across             among             below              by                    excluding        inside
after                as                     beneath           despite           following        into
against           at                      beside              down               from                like

 

near                through          until                within                as to                    with regard to
of                     to                       up                    without             except for           because of
on                    toward            upon               according to    in addition to    by means of
over                under               via                   along with        in case of            in regard to
since               underneath   with                apart from       instead of            in spite of

 

Use the simple test above, and you shouldn’t have any problem choosing the correct pronoun.

Happy writing!

Hope Toler Dougherty holds a Master’s degree in English and taught at East Carolina University and York Technical College. Her publications include three novels Irish Encounter and Mars…With Venus Rising, and Rescued Hearts as well as nonfiction articles. A member of ACFW, RWA, and SinC, she writes for SeriousWriter.com. She and her husband live in North Carolina and enjoy visits with their two daughters and twin sons.

Author of Rescued Hearts
               Irish Encounter
              Mars…With Venus Rising
Visit Hope at www.hopetolerdougherty.com

 

 

 

 

 

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Categories
Magazine and Freelance

Query Letter Basics

When I first heard the phrase, “Query letter” I was confused and embarrassed.  I did not know what a query was or even how to pronounce it.  The correct pronunciation is (kweer-ee).   I referred to my friend “Google” for information.

The definition of query from Dictionary.com

 An inquiry from a writer to an editor of a magazine, newspaper, etc., regarding the acceptability of or  interest in an idea for an article, news story, or the like: usually presented in the form of a letter that outlines or describes the projected piece.

The query is your calling card; it is also called a pitch.   It is your sales letter that includes the subject of the article, who you are, and why you are qualified to write the article.

There are necessary steps to take before you write your query letter.

  • Read 3-5 issues of the magazine to get familiar with the voice and audience of that magazine. Many magazines can be read online or at your local library.
  • Go to website or call the magazine to get the name of the correct editor before you send the query letter. Make sure the name of editor, magazine and address are spelled correctly.
  • Gather all the research and education that makes you the expert on this topic.
  • Always check the website or call the magazine for guidelines.

General guidelines for formatting your letter.

  • Times New Roman and 10- or 12-point type.
  • One-inch margins.
  • Single-spaced page.
  • Block paragraph format (no indentations).
  • Include your name, address, phone number, e-mail address and web site, if possible.

The body of the query should:

  • Hook the reader -Grab the editor’s attention with the first line. It is a great idea to begin the query exactly how you will begin the article.
  • Be specific. – The topic should be precise. Note where the information will come from.
  • State your qualifications – This is your biography. Why you know what you know; why you are the one to write about this topic.  Be yourself.  Don’t compare your writing to others.
  • Thank the editor for considering your query.
  • Exclude the discussion of rates in the query letter.

Include self-addressed, stamped envelope when sending query by mail.

There are many informative web sites with examples of a good query.  To avoid reinventing the wheel, my friend Vonda Skelton has allowed me to share her blogs on query letters.   Please check out her bio while you are at the page.  She is one amazing woman.

taking the question out of query letters part 1

When it comes to your query letter, don’t over think it. Sell it.

I would love to hear your stories.  Please connect with me here or email me at

godsfruit@juno.com.

Categories
Child's Craft

Picture Book Manuscript Layout

Let’s take a look at the layout of Picture Books. Most books, including picture books are produced in pages divisible by eight. Board books may contain as few as 8-16 pages, picture books 24-48 and chapter books 64 and up. However, not all the pages contain text.

The first few pages are the front matter. This includes the title page, dedication page if there is one, copyright page, chapter page, and anything that occurs before the first page of text. Pick up picture books and look at these pages. The text may not start until page 5 or 6. If this is the case, a 32 page book would contain 26 or 27 pages of text or about 13 spreads. A spread is the two facing pages when a book is open. Two pages make a spread.

Back matter is the pages following the end of the story. There may not be any in picture books, but in non-fiction it may contain a bibliography, appendix, or glossary.

The first spread is your introduction. Here, the reader should be able to get an idea of the story ahead. The introduction may occur on the single right page or on a full spread of two pages. Either way, the introduction must grab the reader, entice them, and lure them into the book. This first page must contain just enough words to make the reader wonder what’s in the story and want to turn the page for more. Pique their interest in this introduction.

Think about the pictures that will accompany your text. Your text should be full of action on each page, brilliant colorful scenes, or asks questions to keep the pages turning. If much of your story occurs in conversation around a dinner table, what will the various pictures relay on each page? Children will tire of the same dinner table setting on each page. Think of your story in terms of pictures.

Are cliffhangers written into your story to make the reader want to turn the page? This is where the page needs to turn. Look at picture books and notice where pages turn. Add more action, mystery, or reason for the readers to turn the pages of your book.

If you submit your picture book in paragraph form and the publisher loves it she’ll need to break it down into a 16, 24, or 32-page format. She may decide it’s too much work and reject it. Make her life easier, reduce your chance of a rejection, and break it down for her. This will help you stand out as a professional. She may ultimately change the page layout from what you’ve submitted, but it will make her job easier.

There are many ways to lay out picture books, but I learned to break my story down into spreads, so this is the way I submit. This gets me thinking about the pictures on each page and what the illustrator has to work with to come up with the pictures. Are there too many words for a single page? Maybe I need to shorten the text or add more excitement in some way. So, look at your story in terms of pages and pictures now. We’ll look at formatting this for submission in a later post.

Categories
Have Words, Will Travel....Travel Writing 101 Uncategorized

Making Your Travel Writing More Memorable

glasses-431376_640Andrew McCarthy, guest editor of The Best American Travel Writing 2015, says that the best travel writing is “the anonymous and solitary traveler capturing a moment in time and place, giving meaning to his or her travels.”

Capturing a moment in time—and sharing it in a way that captures the very imagination of the reader—is the goal of every writer. Below are four tips to consider in making your next project a memorable one:

  • Make your prose sing. Read a little poetry every day. Yes, poetry! Read it aloud. Feel the cadence and you’re sure to gain a new understanding, as well as a fresh appreciation, for the value poetry can bring to your prose.
  • Make it impossible for readers to turn away. Engage a person’s five senses and you’ll go straight for the emotional jugular. Include as many of the senses as your piece will sensibly allow—especially where the sensory of scent is concerned. It’s a powerhouse player on the sensory team and unfortunately, often overlooked.
  • Make your point. If you don’t know the focal point of your travel story, chances are your reader won’t either and who wants to ride a merry-go-round of endless details? Most of us enjoy the scenery but we all expect to land at a particular destination.
  • Make continual learning a must. Howard Hendricks once said, “I’d rather have my students drink from a running stream than a stagnant pool.” When we as writers hone our skills by furthering our education through classes, increasing our time between the pages of quality travel books, or joining a local or online writer’s group, our readers will drink from a running stream, leaving them refreshed… and wanting more.

Is there one tip, either from above or from another source, that you plan to integrate into your writing to make it more memorable?

 

 

photo credit: <a href=”http://www.flickr.com/photos/35740357@N03/4727573694″>Tricycle Club of the Century Village Retirement Community Meets Each Morning.</a> via <a href=”http://photopin.com”>photopin</a> <a href=”https://www.flickr.com/commons/usage/”>(license)</a>

Categories
Uncategorized

Lightning in a Bottle: Finding the Right Voice for Your Novel

On the Raft

“The sky looks ever so deep when you lay down on your back in the moonshine; I never knowed it before. And how far a body can hear on the water such nights! I heard people talking at the ferry landing. I heard what they said, too—every word of it.”

This passage comes from Huckleberry Finn, one of the greatest novels of all time. It’s also one of the greatest uses of the first person perspective. In Huckleberry Finn, Mark Twain got into the head of his main character like no other writer.

One of the most important decisions that any writer can make is choosing the novel’s point of view. Will you tell your story through first person, as Twain did with Huck Finn, or will it be third person or any of the many variations?

I have heard it said that that there are as many as 26 different kinds of point of view, although I can’t begin to guess how they came up with so many. Even more importantly, why would anyone want to break it down into so many different sub-categories?

Such people probably have very organized sock drawers.

For the purposes of this blog, let’s keep it simple. Let’s just stick with three points of view:

  • Third Person Omniscient
  • Third Person Limited
  • First Person

In the third person voice, of course, the viewpoint character is referred to as “he” or “she,” but never as “I” because that would put you in first person. But there are different types of third-person viewpoints, the most common being omniscient and limited.

In my last blog, The Perils of Head-Hopping, I talked about how my editor banned me (for good reason) from using the third person omniscient voice when I wrote my first novel. Omniscient is when the writer puts the reader in the thoughts of any character at any time. In one paragraph, you might be in one character’s head and the next paragraph you’re in another character’s head.

I argued in my last blog that the omniscient view makes it more difficult to attach to any one character because you’re constantly bouncing from head to head, rather than remaining focused on the interior thoughts and feelings of one character at a time. If you want to find out more details about why my editor discouraged me (to put it mildly) from using the omniscient voice, check out my last blog.

So if I scrapped third person omniscient, that leaves first person and third person limited, and I chose third person limited. Why?

Third person limited is a nice compromise between first person and omniscient. Third person limited provides more intimacy with your characters than the omniscient voice, and it provides more flexibility in the plot than first person.

With first person, you can create the greatest intimacy between your character and reader because everything is from the “I” perspective. Just as in Huckleberry Finn, you climb into the head of the character and see everything through that person’s eyes. You can’t get more intimate than that.

However, by locking your story into one character’s viewpoint, you also don’t have much flexibility. Every scene is from one person’s perspective, so that character has to be in every single scene of the book.

When I had to switch to a new point of view for my first novel, The Disappearing Man, I knew immediately that first person wouldn’t work. The Disappearing Man is based on the true story of Henry “Box” Brown, a slave who mailed himself to freedom in 1849 by shipping himself in a box from Richmond to Philadelphia. If I had written this novel in first person, I would have been writing myself into a box, you might say. Once Henry was sealed inside the box, everything would have to be from his viewpoint inside the box. That would have made for a very boring story, although in the hands of a great writer I suppose it might have made a fascinating experimental novel—an entire book told from the perspective of a man inside a box.

But it wasn’t for me.

I wanted to be able to follow other storylines, particularly the attempt of John Allen (the villain) to track him down. I couldn’t very well follow John Allen’s pursuit if I’m stuck inside the box, writing from Henry’s perspective.

So for me it was an easy decision: third person limited.

Third person limited enabled me to switch among several different viewpoint characters. One scene would be from Henry’s third person perspective inside the box, and then another scene would be from John Allen’s perspective as he tries to capture the escaped slave. Yet another scene would be from the perspective of Samuel Smith, the white man who helped Henry escape.

In other words, I could get into the head of only one character (the viewpoint character) in each scene. That’s why it’s called third person “limited.”

I had to be careful not to have too many viewpoint characters. If you switch among too many, you once again lose the intimacy between the reader and the character. So I rotated the viewpoint among four primary characters in The Disappearing Man.

Some books start a new chapter whenever they switch from one character’s point of view to another character’s. I prefer to make the switch at a scene break, rather than a chapter break. As a result, I might have a single chapter with three different scenes, each one presented from a different character’s viewpoint.

In sum, here is my run-down on the three voices:

  • Third person omniscient: Very High Plot Flexibility, Very Low Intimacy
  • Third person limited: High Plot Flexibility, High Intimacy
  • First person: Very Low Plot Flexibility, Very High Intimacy

Mark Twain once said, “The difference between the right word and the almost right word is the difference between lightning and a lightning bug.” The same is true about choosing the right voice. When you find the right voice for your story, it’s like capturing lightning in a bottle.

 

5 for Writing

  1. Get writing. Find the time to write. Then do it.
  2. Learn by listening—and doing. Solicit feedback, discern what helps you.
  3. Finish your story. Edit and rewrite, but don’t tinker forever. Reach the finish line.
  4. Thrive on rejection. Get your story out there. Be fearless. Accept rejection.
  5. Become a juggler. After one story is finished, be ready to start another. Consider writing two at once.
Categories
Talking Character

Why Won’t My Main Characters Cooperate?

Do your characters sometimes refuse to cooperate in the middle of a scene?

Why is that? You know your characters inside and out. You created them. You determined their temperament, their abilities, their fears. After all that work, they should at least have the decency to cooperate.

But sometimes they don’t.

When characters get ornery, try not to get frustrated. It isn’t because you’re a bad writer. In fact, it’s a sign your doing things right, that your characters are coming to life and standing up for themselves.

Call it your muse, your subconscious, or whatever, but trust the process. Your story will be better for it.

What to do when your main character threatens to rebel:

See if they really mean it. Sometimes characters do random stuff on the spur of the moment, just like real people. Allow them to wander down a rabbit trail, but if you discover their path will cause unnecessary complications, stop them.  Back up, return to your plot and see what happens. If they cooperate then put their crazy idea down to a bit of indigestion and stick to your original ideas.

If they refuse to cooperate, it’s time to listen to them. …

Have faith in your characters. Characters are like children: We see they have certain talents and temperaments and we decide they would be well-suited for certain professions, or ought to love certain hobbies. However, children have a way of surprising their parents with the vocations  and activities they choose to pursue. So it is with our fictional characters. No matter how well we think we know their personalities and preferences, when we push them into tough situations they may surprise us. The wise writer knows that if we allow our characters to be true to themselves rather than forcing them to comply with our outlines, our stories will feel more authentic. Trust them.

First find out what your hero wants. Then just follow him. Ray Bradbury

Follow their lead. When they insist on forging their own path, follow them and see where they want to go. Spend a day or two daydreaming or free-writing scenes until you get a sense of where this new path is leading and how everyone feels about it.

Ask the character why. Once you’ve explored this new path, you need to understand why they want to do it that way. Interrogate your character. Talk to them out loud, envision yourself and the character chatting over tea, write a list of questions—do whatever works for you, but get to the bottom of why the character is at odds with your ideas. Why do they refuse to go out with Maddie? Why do they insist on saying such nasty things about the postmistress? Why aren’t they excited about the prize that was supposed to be the main motivation?  Push until you understand why they choose plan B over plan A, and then figure out how plan B can make a stronger story—even if it means a lot more work for you.

If we are brave enough to let our characters disrupt our plot ideas, and clever enough to figure out how to make their ideas work instead, we have the ingredients for a great story.

[bctt tweet=”Are you brave enough to allow your characters disrupt your plot? #amwriting”]

Categories
Uncategorized

Brother, Lend Me Your Ear

133146861_775d613447At a writer’s conference, a contest judge once shared with me that he could pick my voice out of numerous entries. “You write like you are talking to a friend,” he said.

If you are searching for your writer’s voice and are feeling the search will never end, I have a couple of suggestions that might simplify your quest based on the contest judge’s comment to me.

Imagine your best friend is listening to you as your story pours from your heart onto paper. With this technique your passion will flow with ease. Friends share both their happy times and seasons of sorrow without reservation.

After I shared this advice at a workshop, I received an email from an attendee.

“I pulled a comfortable chair in front of my desk and imagined my best friend was sitting there, waiting for my every word. As I wrote the beginning of my novel I would glance at the chair and speak a few words of novel dialogue to the ghost-image. The dialogue came easy and I was able to write the first chapter in record time.”

Another tip: I often ask other writers to listen as I read a passage from my work-in-progress to see if my voice is coming through loud and clear and if they can hear my heart.

“Always listen to your heart, because even though it’s on your left side, it’s always right.” – Nicholas Sparks

When reading my work out loud to others I often catch mistakes such as which sentences are awkward, repetitiveness or if the tone is incorrect.

Still searching for your writer’s voice? Try giving the friend-in-chair technique and reading your work aloud to others a try.

Do you have a suggestion for finding the writer’s voice? If so, please share in the comments section.

Categories
The Ministry of Writing

Accomplish This One Daily Writing Task

As a Christian writer I imagine you are like me and are driven with an overwhelming conviction and fire to accomplish the task the Lord has placed on your heart. With each moment I find to write I attack it like a mad scientist. I zone in and try to shut out everything else as I give myself to that project. I will be absolutely heaven-bent to complete the mission I have been given.

Obedience to the Spirit is a good thing, right?  We should bust our butts for the glory of God by attacking that project, but beyond whatever that project may be there is one thing we must accomplish first.

As a pastor I feel like there is not enough time in the day or a enough of myself to go around. Something is always going to get left undone, at least that is my experience. I have tried everything I can think of to get in all the study, preparation, administration, discipleship, evangelism, pastoral care, visits, counseling, funerals, weddings, vision casting, leader training, community involvement, denomination involvement, writing etc. No matter how well I follow the tips of John Maxwell or Stephen Covey I end up letting myself and others down.

This January I decided there was one thing I was going to make sure I accomplished daily. No matter what the fall-out would be or what piled up undone — each day I was going to spend adequate time with the Lord. I was going to read in His Word and pray over everything. I was going to let the Holy Spirit guide my to-do list.

I wish I can tell you that by making that decision I have gone on to accomplish more than I ever imagined each day.  I have at times, but not every day. There are things that still fall through the cracks, but I at least I know that what I do is not in my own strength rather it is in God’s strength.

As a Christian writer our tasks may seem just as impossible. There is so much that we feel called to write — so many ideas, opportunities, and revisions. It always takes longer than we plan. And everything else in life seeks to steal our writing time.

We stay in a constant squeeze.

But with all you have on your plate, with all that God has called you to write, with all the doors He is opening for you there is one thing you must accomplish first every day. Even if you’re writing goes undone. Even if you don’t accomplish all that you want to accomplish. Accomplish this one daily writing task — spend time with the Lord. Pray. Walk in the Spirit.

[bctt tweet=”Write in the Spirit.”]

Mark Batterson wrote in his Draw the Circle devotional book, “If you establish a prayer routine, your life will be anything but routine. You will go to places, do things, and meet people you have no business going to, doing, or meeting. You don’t need to seek opportunity. All you have to do is seek God. And if you seek God, opportunity will seek you.”

In an all-time bestselling book, another writer the disciple Matthew wrote and quoted Jesus saying, “seek first the kingdom and his righteousness and all these things will be given to you as well.”