Categories
Writer Encouragement

Take Time To Help

We’ve all been there—overwhelmed by our own lives and then someone asks us to take the time to help them. What do you do?

There is no one correct answer. But I’d encourage you to pray and seek the right answer before saying “yes” or “no” to this friend or acquaintance.

Recently, a writer friend who is not as well-known as some (but I know she is a very good word-crafter), asked me if I’d consider reading and possibly endorsing her upcoming release.

My own life is beyond stressful at the moment with multiple family health needs and more work responsibilities added to the mix of what I call, “Cooper Crazy.” In the midst of my craziness, something nudged me in my heart to say “yes.”

She was thrilled and sent me her Advanced Reader Copy (ARC) which I promptly asked Kindle to send to my device. {If you’ve never done that, send the word doc or PDF to your kindle address and in the subject line write, “Please Convert.”}

Her book revealed itself as an engaging and well written historical that kept me up late at night. I couldn’t wait to finish it to find out what happened. I was more than thrilled to endorse it for her.

I sent off the endorsement and in a couple of emails back and forth, I soon discovered what a needed blessing it was for her. She was truly doubting herself as an author and questioning whether or not her book was any good at all. I knew immediately the evil one had been toying with her mind and I assured her the enemy of our souls was lying to her. I could practically feel her tears of relief through her words. My endorsement had validated the many hours of work she’d invested her time and heart into developing this novel.  

Her response touched me deeply. What had seemingly been a split-second decision that made me wonder if I was out of my mind for taking on one more task turned into such a blessing for both myself and my friend. I received the joy of reading her book and she received the encouragement she needed.

Is it always right to say “yes?” I think that would not be wise. We cannot help everyone. But when you feel that tug in your spirit to respond in the affirmative, God will make a way for you to fit in one more task. That “task” may be a delightful surprise for you, and a gift for a writer who needs your reassurance.

Carry on.

Elaine Marie Cooper has two historical fiction books that recently released: War’s Respite (Prequel novella) and Love’s Kindling. Love’s Kindling is available in both e-book and paperback. They are the first two books in the Dawn of America Series set in Revolutionary War Connecticut. Cooper is the award-winning author of Fields of the Fatherless and Bethany’s Calendar. Her 2016 release (Saratoga Letters) was finalist in Historical Romance in both the Selah Awards and Next Generation Indie Book Awards. She penned the three-book Deer Run Saga and has been published in numerous magazines and anthologies. You can visit her website/ blog at www.elainemariecooper.com

Categories
Writer Encouragement

Economy Class Writer?

I recently went to Rhode Island for some book research and flew economy class—of course. I am a writer after all, and my name is not John Grisham. And my checking account is certainly not as full as Stephen King’s.

Really, I don’t mind sitting with the others in “steerage” (remember “Titanic?”), as long as I’m not left to drown in an emergency. The flight was fairly comfortable and I was flown safely to my destination in Providence. But the whole flight I stared at the “class curtain” directly in front of me—the divider between First Class and the rest of us plebeians.

The attendant on this flight was kind enough not to separate the two worlds, which I certainly appreciated. I often look at the pulled curtain as being somewhat ridiculous. After all, you can see through it and if someone really wanted to observe a passenger being given a warm hand cloth, I’m sure their eyes could peek beyond the drape. But frankly, I don’t care. I know what a washcloth looks like.

Separating the classes makes me think about so many areas in our society, even in the writing world. We go to a writer’s conference and our jaws drop at a “famous” author or “agent.” By the time we’ve pulled ourselves together, we missed an opportunity to say hello to a person just like you or me. They have to brush their teeth in the morning, too. 😉

Granted there are some in the literary world who would prefer to close the curtain, as it were, to newbie writers looking for a break in the industry. But those with their heads in the clouds do not represent all of the professionals in the industry. Most are gracious human beings. And if you happen to sit at a table with someone who prefers the First-Class section, just smile and try to interact. If you feel the curtain being closed to you, excuse yourself and go sit where the company is friendlier. 🙂

The truth of the matter is, even well-known authors were once newbies. Most remember where they started. Some of them might even be an introvert like many writers are. Try to give them allowances. Unless they are unbearable company!

Thinking of yourself as an “Economy Class” writer will keep you feeling unworthy and inadequate at best. Not that you should puff yourself up by touting your perfect manuscript that will take the Literary World by storm! But I encourage you to do your best, keep learning the craft, and stop hiding behind the curtain of self-doubt. We are all in this together.

Carry on.

 

Elaine Marie Cooper is the award-winning author of Fields of the Fatherless and Bethany’s Calendar. Her latest release (Saratoga Letters) was finalist in Historical Romance in both the Selah Awards and Next Generation Indie Book Awards. She penned the three-book Deer Run Saga and has been published in numerous magazines and anthologies. She freely admits to being a history geek. Look for her upcoming series set in Revolutionary War Connecticut. The 4-book series is entitled Dawn of America. You can visit her site at www.elainemariecooper.com

 

Categories
History in the Making

Seeing His Words in Print Baffles Mark Twain

by Sandra Merville Hart

Mark Twain’s life was at a pivotal moment in the 1860s.

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He was out of the States and in Nevada Territory where fortunes were made and lost while mining for silver. He ought to know; his part-ownership in a silver mine had made him a millionaire. Through the worst of misfortunes, Twain lost his interest in the mine after ten days.

What was next for him? He had held a variety of positions: grocery clerk, blacksmithing, bookseller’s clerk, drug store clerk, St. Louis and New Orleans pilot, a printer, private secretary, and silver mill miner. He felt that he had mastered none of these professions. What does one do after losing a million dollars?

[bctt tweet=”Mark Twain was at a pivotal moment. What does one do after losing a million dollars? #writing #inspiration” username=”@Sandra_M_Hart”]

He gave in to misery. He had written letters to Virginia’s Daily Territorial Enterprise, the territory’s main newspaper in earlier days; it always surprised him when the letters were published. It made him question the editors’ judgment. His high opinion of them declined because they couldn’t find something better than his literature to print.

A letter came from that same newspaper offering Twain a job as city editor even as he wondered what his future held. Though he had so recently been a millionaire, the job offer with a twenty-five-dollar salary seemed like a fortune. The offer thrilled him.

mark-twain-391112_960_720Then doubts set in. What did he know of editing? He felt unfit for the position. Yet refusing the job meant that he’d soon have to rely on the kindness of others for a meal, and that he had never done.

So necessity forced Twain into taking an editor’s job though he felt ill-equipped. He arrived in Virginia, Nevada Territory, dressed more as a miner than an editor in a blue woolen shirt, pantaloons stuffed into the top of his boots, slouch hat, and a “universal navy revolver slung to his belt.”

The chief editor, Mr. Goodman, took Twain under his wing and trained him to be a reporter. The young man had finally found something he excelled in.

As writers, many of us can relate to Twain’s doubts. A myriad of talented authors have come before us. What do we have to offer?

It is comforting to realize that a young man destined to become one of America’s best-loved authors began with humility. A seasoned and kindly editor taught him the trade; Twain’s talent took him the rest of the way.

What would have happened if Mark Twain hadn’t lost a million dollars? His words may have been lost to us. Such classics as The Adventures of Tom Sawyer, The Adventures of Huckleberry Finn, and The Prince and the Pauper might never have been written.

When we ponder our failures, our rejected works, and lost opportunities, we should remember that situations change. We won’t always feel as we do today. God has the ability to put us in the right place at the right time with the right attitude.

Just like He did with Samuel Clemens, America’s beloved Mark Twain.

 

Sources

Twain, Mark. Roughing It, Penguin Books, 1981.

 

 

 

 

Categories
History in the Making

What Historical Authors Glean from Old Photos

Historical authors can glean a wealth of information from old photos. They give an unintentional glimpse into everyday life of the time period. Authors stumble across these gems as a natural part of research. It’s important not to overlook the value of these snapshots.

Before we dive into some examples, let’s discuss ways to find photographs.

Research leads us to libraries lavishly filled with nonfiction books. Many of these contain photos, sketches, and illustrations. Another source is the Internet, which has an abundance of research sites. Local museums are also excellent sources for these visual aids.

[bctt tweet=”Old photos capture unintentional glimpses of everyday living for #Historical authors. #writing ” username=”@Sandra_M_Hart”]

For instance, while writing novels set during the Civil War, 1861-1865, I found sketches, paintings, and photographs of soldiers, battlefields, and weapons in books and on websites that added depth to my understanding of battles.

Regardless of where the photos are found, they present valuable clues that enrich our stories. Let’s look at some examples.

The main picture on this post is a painting of the signing of the Declaration of Independence. It shows a group of mostly seated men suitably dressed for the 1776 event. A patterned rug covers only that part of the wooden floor where the most important persons in the room sit. A bordered cloth covers the two tables of what is presumably the president and the secretary. Elaborate ceiling molding and curtains indicate the meeting’s likely location is a town�����s public office or a wealthy man’s residence. It would be interesting to research the flags on the wall — colonial or British? What we don’t know from a careful perusal is the year of the work or if the artist witnessed the event. If not, who supplied the descriptions for the artist? If many years passed between the event and the painting, authors may desire to dig through period writings if they intend to use the painting for novel descriptions.

Photo courtesy of Pixabay.com Free Images
Photo courtesy of Pixabay.com Free Images

The second example appears to be a school photo. Churches also snapped similar poses. The children are around the same age, sitting/standing for a group photo in a way that most of us have posed at school. Studying the hairstyles and clothing offers ways to approximate the year this was taken. For example, most girls are wearing anklets or knee socks. When were these worn? All girls wear a dress or skirt but the boys don’t wear suits, at least at this school. This also helps date the picture.

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Authors love to find old Montgomery Ward or Sears, Roebuck catalogs because they show available products for a particular year. Though not from a catalog, the third example is an advertisement. In March 1896, “The Black Cat” cost five cents. The Shortstory Publishing Company in Boston ran the ad so does this mean “The Black Cat” was a book or magazine? It seems likely since the publisher has “shortstory” in its name and the ad references The Marchburn Mystery. Or is it a play? A rabbit and a black cat each play a banjo on the cover to entice customers.

I resisted the urge to research any of these pictures; I wanted to show what can be discovered by studying old pictures, paintings, and advertisements. Were I to use any of these in my story, I’d research further, but notice how much we learned from a photograph.

Photographers have a focal point such as a person or a landmark. Learn to look beyond the main focus of picture when researching. Notice the lantern hanging next to the door or the tire swing on an oak tree in the background. These everyday articles paint the picture we hope to portray to transport our readers back in time.

 

 

 

 

Categories
History in the Making

Don’t Say

I watched a movie set in the 1800s recently where a child said, “Cool!” He didn’t refer to the temperature; something good happened. The comment jolted me out of the scene because it didn’t belong.

I’m currently reading a novel set in the 1600s. I’ve enjoyed learning about everyday living in that time period. However, the novel contains modern phrases that don’t fit the time period, such as read me like a book. This didn’t fit my perception of the vernacular from three hundred years ago and temporarily took me out of the story.

It’s probably a given that all historical authors will sometimes choose familiar words that don’t belong in the setting, but how can we limit these mistakes?

[bctt tweet=”Avoid a common mistake made by #historical #authors by immersing yourself in books set around your novel’s era.” username=”@Sandra_M_Hart”]

The first way is by immersing yourself in books set near the time period of your novel. For example, when researching the American Civil War, I started by reading soldier accounts. These informative transported me to battlefields. Diaries written by slaves, Southern wives, and Northern abolitionists demonstrated beliefs and opinions as well as words used to express themselves. These gave the civilian perspective. Novels such as Uncle Tom’s Cabin, Little Women, and A Man Without a Country are just a few of the books that taught me the faith and values that people held dear.

Become a detective while enjoying novels written during the time period. Read between the lines. For example, contemporary writers rarely describe phones because we all know what one looks like and its function. The same thing is true of books written two hundred years ago; everyday objects such as oil lamps are rarely described so read as if you are a detective searching for clues.

Another great tool at an author’s fingertips is the Online Etymology Dictionary. This dictionary shows the meaning, origin, and the approximate year a particular word began to be used.

For instance, some probably imagine the word cool started to refer to something other than temperature in the 1970s. The link above shows the word started to mean general approval in the 1940s, possibly earlier than expected.

We often say sure in our contemporary novels. This word has actually been in use for a long time. Charles Dickens used the word in A Christmas Carol, making it safe for me to write it in my Civil War novels. Checking the Etymology Dictionary shows that sure as the affirmative yes began around 1803. Sure thing is another term often used in historical novels – this is correct if your novel is set in 1836 or later.

An online source for the origin and meaning of phrases if a great writing tool. This link contains lists for Phrases coined by William Shakespeare, Phrases first found in the Bible, and Famous Last Words – to name a few. These are interesting and fun. While searching for a particular phrase, you may find a different one that fits even better.

I didn’t find the date that read me like a book came into usage. Well-read is surprisingly from the 1590s and reread as a verb began in 1782. This site is such a gift to authors.

When writing a word or phrase in your historical novel that an editor or critique partner questions, click on these links and dig deeper.

Chances are you and your critiquer will both learn something.

 

 

 

Categories
History in the Making

What I Learned from the Author of Charlotte’s Web – Part 2

by Sandra Merville Hart

 

Last month we talked about the author of Charlotte’s Web, E.B. White, and the influence of his writing professor, William Strunk Jr.

Strunk devised and White revised twenty-two Elementary Rules of Usage. The whole list deserves an author’s attention but this article focuses on three rules that most altered my writing.

A writer must first select a design for the piece and adhere to it. I had written several books (unpublished) and many articles before reading this advice. According to White, effective writing follows the author’s thoughts but perhaps not in the same order. Deliberate planning precedes writing.

For instance, certain forms of poetry follow a predetermined frame, but most writings are flexible. Considering the shape of the finished work allows greater chances for success. The intended audience and the message affect this decision.

Make positive statements. This second rule underscored one of my weaknesses that I’ve worked to correct. Avoid indefinite language. Commit to your descriptions.

[bctt tweet=”E.B. White advises #authors to make positive statements and avoid indefinite language when #writing an article or novel. ” username=”@Sandra_M_Hart”]

Writing not very often hesitant to speak is wordy and better stated as usually spoke his mind.

Another part of this second rule is to express negatives positively. Did not go becomes stayed. Not happy is sad. Is your character a little mad or is he frustrated?

A third rule from White deals with loose sentences. These are two clauses joined by a conjunction, common in unskilled writers. His advice is to avoid a string of this type of sentence.

Connectors such as and, but, or which occasionally are fine. A paragraph filled with loose sentences grows monotonous.

Rework these paragraphs. White suggests rewriting enough sentences to relieve the repetitive feel. Replace them with simple sentences. Rewrite entire sentences. Join two clauses with a semicolon. Choose the best way to remain true to the thought.

When I originally read this book about five years ago, I began to apply as many of White’s rules as feasible to a recently completed draft. I discovered the best way to utilize the rules was to take them one at a time.

I hate to mention how many loose sentences were in my manuscript. For someone so unfamiliar with the term I certainly excelled at writing them. Realizing that using too many connectives was considered easy, unskilled writing, I rewrote many sentences to improve the work.

Then I went on to another rule that exposed my weaknesses and began the process all over again.

Though the continuous editing required more time and effort than anticipated, working through each rule solidified the learning impact. Whether or not my manuscript was good at the end of this process, hard work improved it.

This introduction of three of the rules simply scratched the surface of the gems found in The Elements of Style by William Strunk Jr. and E.B. White. Next month we will talk about other helpful writing tips from this book. Stay tuned!


Categories
History in the Making

What Lincoln Teaches Us about Effective Writing in the Gettysburg Address

by Sandra Merville Hart

Gettysburg Address Plaque at Soldiers National Cemetery
Gettysburg Address Plaque at Soldiers National Cemetery

With the celebration of Presidents Day this month, Americans may remember the very famous Gettysburg Address written and delivered by President Abraham Lincoln during our nation’s greatest turmoil.

Lincoln had been invited to give a “few appropriate remarks” at the dedication of a new national cemetery in Gettysburg, Pennsylvania. He pondered the short speech he’d written, rewording phrases until the meaning was clear. Every sentence must count on this significant occasion.

Edward Everett, a well-known orator, spoke for two hours on a pleasant November day in 1863.

Lincoln congratulated Everett. Then the tall president, gaunt with the strain of leading a divided country, stepped in front of the crowd. Perhaps he felt inadequate to address the citizens after listening to such a talented speaker.

Then Lincoln delivered what has become one of the most famous speeches in American History for at least three reasons: an emotional hook; an acknowledgment of the obvious; and the clever use of repetition.

Lincoln hooked his audience with an emotional reminder of their noble roots. “Four score and seven years ago” a nation was born, recent enough that a few listeners might have been living at the time. Eighty-seven years ago our country began with the notion that “all men are created equal.” This reminded soldiers and citizens that the cause of slavery was worth the fight.

Lincoln also acknowledged the obvious. No one could ignore the remnants of a battle that so recently claimed a tragic number of lives. Fresh graves, destroyed fields, and bullet-ridden homes surrounded those in attendance. The dedication of the military cemetery united the mourners.

[bctt tweet=”Lincoln’s clever use of repetition drove home a vital message in the Gettysburg Address. #History #Author”]His clever use of repetition drove home a vital message. “But in a larger sense we can not dedicate — we can not consecrate — we can not hallow this ground.” He arranged meaningful words for maximum impact.

The repetitive phrase so easily recognized by the changing of one word — a preposition — ends the speech with inspirational impact: “that this government of the people, by the people, for the people, shall not perish from the earth.”

President Lincoln took two days from a busy schedule to deliver words he feared “the world will little note nor long remember.”

History remembers, President Lincoln. Your immortal words spoken on sacred ground remind us of the Battle of Gettysburg — considered by many experts to be the turning point of the Civil War — and the national cemetery where many of our heroes lay.