Categories
Book Proposals

Get Connected to Publishing People

Within the publishing community, who you know is almost as important as what you know. Yes, it is important to pitch an excellent book proposal or manuscript to the right publisher. As an editor and an author, I also understand people buy (books or manuscripts) from people they know, like and trust. How can you know more publishing people? From my years in publishing, one of the challenges is keeping track of the moving people.

            As a writer, I’ve written two proposals which earned a six-figure advance. Years ago, one of my six-figure book deals was cancelled because my New York editor had changed companies. When your editor leaves the publishing house, then your book becomes an “orphan” and as an author you lose your internal champion for your book. Through this hard-earned personal experience, I learned how each book needs an editor who is your champion for the book.

            How does a new author with no connections, begin to get connected to publishing people? Everyone can use a social network which has over 66.8 million active monthly users: LinkedIN. This network is primarily business related and publishing is a business.

To get connected, you need to take several actions:

  1. If you aren’t on LinkedIN then join today and fill out your profile including with your photo.
  2. Rework your LinkedIN profile to show your activity in publishing. Do you write for magazines? Have you published books? Or possibly you have some other explicit publishing role such as leading a local writer’s group. If you have these types of qualifications, then add them to your LinkedIN profile.
  3. Begin to send connection requests to different people in publishing. These people could be book editors, literary agents, magazine editors, authors and many other roles. In some cases, you will want to send them a little personalized message with your connection invitation. In other cases, you simply send out the generic invitation that you want to connect with the person.

For many years, I received LinkedIN invitations and ignored them. I had very few connections on LinkedIN and was not connected. Then I began to look at the background of the person and for most people, I accepted their invitation to connect. My number of connections increased and my public profile says the common “over 500 connections.” The real number of my LinkedIN connections, as of this writing, is over 19,400. I understand the upper limit is 30,000. These connections are varied with many different roles (mostly within publishing) Here’s the critical reason you want to be connected: when I need to reach someone that I’ve not emailed or called in a long-time, I check their LinkedIN contact information.

While there is a lot of movement within the publishing community, when they change positions or companies or physical location, everyone takes their LinkedIN account with them. This account belongs to the individual and is a way to consistently keep up and reach them. I’ve gone decades and not connected with some people, then I use their LinkedIN contact information to reconnect with them for a specific purpose such as I have a new book and would like to have their endorsement. I’ve found I can often reach these publishing leaders through LinkedIN.

LinkedIN has a lot of other functions as well but being connected and maintaining those connections is one of the basics and best reasons to consistently use this network. 

Terry Whalin

W. Terry Whalin, a writer and acquisitions editor lives in Colorado. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on Twitter, Facebook, his blog and LinkedIn.

Categories
Mastering Middle Grade

Now What?

Last month I shared three things I’ve learned on my way to becoming a soon-to-be-published middle grade author.

I have about a year between now and my book launch, and there’s a lot that happens between now and then. I thought I’d give you a little glimpse at what’s going on behind the scenes, at least for the next several weeks.

Working on the story

Every publisher is different, but the hopefully the priority remains the same across all of them: make sure the story is as good as it can be. Right now, I’m working with the editorial director on revisions that will help bring our shared vision of the story to life.

I’m working toward a very generous but slightly intimidating deadline (aren’t all deadlines like that?). Throughout this stage I’m editing my story and defining my creative process at the same time.

You might have heard that expression about writing the book you want to read? It’s true, but not for the reasons you might think. It’s true because when you’re editing that book, you’re reading it over and over a gazillion times. If you don’t like it, you won’t enjoy this part of the process at all. #trustme

Growing an audience

The other thing I’m working on – and I’m not working on it as much as I should – is connecting with gatekeepers and influencers. This is tricky, because as we have talked about, middle grade writers really have three audiences. I’ve spent most of my time really focused on one audience as I’ve written the book. That’s the children themselves, the readers. That’s who we write for.

Now I need to shift a little more attention to the other two audiences. One is the primary gatekeepers- the parents/grandparents/aunts/uncles who buy books for the readers they love. And finally, we have the librarians/teachers/bookshop employees who make recommendations.

My book isn’t even on shelves yet, so why do I want to work on this now? Because even the best stories in the world don’t sell themselves. It takes time to grow authentic relationships both in real life and on social media. Even though I should have started working on this a long time ago, the next best time to work on it is today.

Continuous improvement

I’m still eager to learn and grow as a writer, so even though most of my effort is going into polishing the manuscript, I carve out time each week to read writing books/blogs or listen to podcasts. Right now I’m listening to K.M. Weiland’s ‘Helping Writers Become Authors’ podcast and loving it.

Gratitude

Not a day goes by that I’m not immensely grateful that I get to do this. All of it. I have loved every minute of trying, learning, failing, laughing about failing, and trying again. If you take away anything from this post, or this blog, please let it be this: If I can learn to write for children, you can too. Don’t give up.

See you next time.

When Kelli McKinney and her family aren’t exploring national parks, she can be found on the sidelines at her son’s tennis tournaments, brewing a cup of cinnamon spice tea, or chucking a toy across the backyard for her English Mastiff to chase.

She earned her bachelor’s degree in journalism from the University of Oklahoma and her graduate degree in radio/tv/film from the University of North Texas. She enjoyed an eclectic-yet-fulfilling fifteen-year career in corporate marketing before wandering off on her own to be a freelance copywriter.

Now, she is a part-time copywriter, full-time mom, and a children’s author. She lives in Texas but a huge piece of her heart belongs to Oklahoma. Her debut novel, JEFF PENNANT’S FIELD GUIDE TO RAISING HAPPY PARENTS is forthcoming in late 2022 with Chicken Scratch Books.

Kelli loves to hear from readers and writers. She can be reached through her website at www.kellmckinney.com or on Instagram @klmckinneywrites .