Several years ago, I portrayed a coal miner in a community play, and it opened my eyes to some things. I live in the coalfields of Eastern Kentucky and have known many coal miners throughout my life, but I gained a new appreciation for their work, as well as some new insights about my role as a writer, through this production.
On a basic level, the equipment coal miners wear was a real eye-opener. A buddy of mine loaned me his uniform, and the mining boots were so heavy I ditched them after one painful dress rehearsal. The producers had procured mining helmets, complete with lights on the front. I got tangled in the cord leading from the battery pack to the helmet numerous times before I finally adjusted.
Our play included a re-creation of a mining disaster, giving me a new perspective of the dangers lurking in this profession. I developed even more respect for the brave men and women who go underground every day to provide for their families.
Another epiphany came as we performed a key scene. Some other “miners” and I made an entrance with our “head-lights” providing the only illumination in the darkened theater. It was a neat effect, and it made me think about my purpose as a Christian and as a writer.
Jesus has called me (and you) to shine His light in this world.
Just like that miner’s light illuminated the way in the theater, my writing (and yours) can shine God’s light in the dark places, helping others navigate the hard circumstances in this life. My name may never appear on a bestseller list, but, with God’s light, my work can penetrate cold, lonely hearts in need of encouragement.
Carlton Hughes, represented by Cyle Young of Hartline Literary, wears many hats. By day, he is a professor of communication. On Wednesday evenings and Sunday mornings, he serves as a children’s pastor. In his “spare time,” he is a freelance writer. Carlton is an empty-nesting dad and devoted husband who likes long walks on the beach, old sitcoms, and chocolate—all the chocolate. His work has been featured in Chicken Soup for the Soul: The Dating Game, The Wonders of Nature, Let the Earth Rejoice, Just Breathe, So God Made a Dog, and Everyday Grace for Men. His latest book is Adventures in Fatherhood, co-authored with Holland Webb.
As an English major in the 90s, I was excited to learn my craft and be creative. However, I was clueless about what to create. Then one day, I bought a book that changed how I viewed my passion for writing.
The late Bob Briner’s classic The Roaring Lambs challenged Christians to use their talents to create positive and redemptive art across the spectrum of entertainment: sports, music, art, television, and film. Briner called Hollywood a “Mission field!”[i]
Recently, I sat down with 30 year Hollywood veteran Brian Bird (The Case for Christ, When Calls The Heart) to talk about how the lambs (the church) can roar in this mission field.
Martin Johnson: I know you are a fan of the Roaring Lambs, how has the film industry changed since it came out in the 90s?
Brian Bird: Oh yes, love the book! Prior to the book, For much of the 20th century, I think Christians working in the arts were few and far between, with the exception of music. There were a handful of believers working in the film industry, but a lot of that activity was specifically on church films, small-time evangelistic church films. But there was not a real attempt to break into the mainstream audience with Christian films; for the most part, evangelicals were M.I.A.
Martin Johnson: You used an interesting word there, evangelicals. As a filmmaker, what does it mean to be an evangelical filmmaker?
Brian Bird: There are filmmakers who are Christians who make sermons on film. There are Christian filmmakers who don’t make specifically evangelistic films, and there are filmmakers who are evangelicals who don’t make Christian films. You can even be a non-believer and make a terrific evangelical film. It’s all about telling great stories.
Martin Johnson: Briner expressed how the church needs writers. What do you hope to accomplish at the end of the day?
Brian Bird: My personal mission is to tell stories that stir up cravings in people’s souls, make them want to know God—to be effective as I can be at communicating my Christian worldview through good story-telling, to tell stories that don’t beat people over the head, but, stir up soul cravings. To me those are the best kind of faith films. Sometimes evangelistic films can be neither good evangelism nor good filmmaking; because their intent from the beginning is propaganda. There are good uses for propaganda. Propaganda in the most generous sense of the world can be put to good use as evangelism. The Jesus films have been effective at that. A good example of that is The Jesus Film—very effective. Those kinds of films are good and effective, but that is not what I’ve been called to do. I’ve been called to just tell great, true, redemptive stories that are not there just to entertain, but to provoke hearts to greater self-reflection and get people talking about the water cooler. In my view, the story of Jesus and his work on the cross needs to be shared between two flesh and blood people having a conversation. Not by a picture on a wall.
Martin Johnson: What is the main roadblock keeping Christian film from being successful at the box office?
Brian Bird: Ourselves. . .the church! If evangelicals are going to make a difference in the giant media conversation going on across the world, we, have to pursue excellence in our crafts of communicating. The church must support the gifts of creative evangelicals when it does the message and the art can soar! During the Renaissance, the church supported all the great artists of that time and people like Michelangelo were able to strive for excellence because of that support. Art in humans is always a reflection of the creativity behind the creation of the universe. The Renaissance artists were trying to bring heaven to earth with their creations, as CS Lewis said… all art from men is an attempt to copy heaven. We are made in the image of our creator; it is in our DNA to create. This was evident in the Renaissance, the Reformation; the church stopped supporting the arts. The theology of the church began to view all art as worldly and considered it sinful. But that is so counterintuitive to the truth in the Bible. The view of art became worldly, it was considered sinful. God was the first writer … in the beginning was the Word (John 1:1–4). The Bible is full of references to the beauty and art in creation, and yet for several hundred years the church left art behind in favor of the “good enough principal.” We need to get back to pursuing excellence in Hollywood and that to me is the biggest obstacle facing us, the good enough principle. That’s where art has been relegated in the church and it has to stop—this attitude that art doesn’t have to be excellent, all it has to be is useful. We need to strive for excellence, not for our own glory—but for the glory of our creator, God. We can trust Him with our talents.
Brian Bird on the set of, “When Calls the Heart”
Martin Johnson: I’m glad you mentioned trusting God, Briner says that the lambs can trust their Shepherd.
Brian Bird: Throughout history, all art has been passed down from one generation to the next through a process called “Copy the Master.” In an art class, for example, the Master, or the teacher, is at the front of the room painting or sculpting, and the students are at their canvass. They copy the Master but bring themselves to the canvass in order to learn our art. Well, we are all in the class with the author of the universe—that’s quite a source to copy from. And we can trust our Master with every creative bone in our bodies.
Martin Johnson: Briner says art is a full-time ministry. What do you think?
Brian Bird: He was absolutely right; it is how we answer our God-given calling. Every person who finds Jesus needs to strive to become a minister out of the skills and talents God has gifted them with, both inside and outside the church.
Martin Johnson: Briner points out that part of our ministry is being the salt of the earth. Thus, for Christians to be roaring lambs in Hollywood we can’t just be just entertaining, we need to be ministers of the gospel.
Brian Bird We should be telling great stories, but they have to stir up soul cravings in people. We need to tell stories that help people realize there is more to life than what this world offers. Great stories have great messages. If they’re not entertaining though, they are not good stories. We have to do both. We have to tell stories that transfix our audiences; you have to keep your audience entertained so they can organically receive the meta-narrative or message, that is at the heart of your story.
Martin Johnson: In closing, what do you see the church doing to become the roaring lambs Briner described in his book?
Brian Bird: I think that is starting to happen. I think there’s a new renaissance beginning. I am witnessing it around me, in younger people that I mentor in filmmaking. I have this film coming out September 14th I executive produced called The Heart of Man and I shepherded a group of incredibly young talented filmmakers. I am so proud of them and proud of what we are making. I think it’s about all of us who are in this business encouraging one another to push for excellence, not to settle for just good enough, to practice the 10,000 -hour rule and to be bold. Some people who are born with a spark of genius need to put in their 10,000 hours in order to get really good at what they do. That’s how genius become experts. All of us are born with that spark because we are made in the image of the author of all things. But if we sit on our hands and don’t put in the time to become experts, we will never be the roaring lambs Bob Briner was hoping for.
[i] Briner, P (1993). The Roaring Lambs. Grand Rapids: Zondervan
Brian Bird “When Calls the Heart Devotion” with Michelle Cox
Martin is a forty-three-year-old award-winning Christian screenwriter who has recently finished his first Christian nonfiction book after three years of researching, editing and remembering.
While majoring in English, he walked away from the Christian faith to experience the grandeur and luster of college life. While dating, he delved into different spiritual beliefs—from Hinduism to Catholicism and Judaism.Martin’s journey took him on a journey for answers.
In March of 1997, Martin received his answer. Albeit, not the answer he wanted. Nearly dying in a severe car accident, he survived with a (T.B.I.) Traumatic brain injury which left him legally blind and partially paralyzed on the left side.
After enduring eleven months of humiliating rehabilitation and therapy, Martin found himself at the foot of the cross with a choice to make. It was then Martin realized to truly live, he had to die. Not physically but in every other area of his life. There could be no compromise.
Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries Martin shares his testimony. Martin explains The Jesus Paradigm and how following Jesus changes what matters most in our lives.
The bulk of my magazine writing is done on assignment. How do you get an assignment? Which magazines do you read on a consistent basis? Your familiarity with these publications and the types of articles that they publish gives you some needed background.
Pull out the magazines that come into your home.
Organize them with several months from the same publication. Then study the contents. What types of articles do they publish? How-to articles? Personal Experience? For example, at Decision, where I used to be an editor, almost every article is a first-person, personal experience story. If you send them a how-to article which is not written in the first person, you are asking for rejection. Or if you write a story about someone else in the third-person, you will again invite rejection.
After you have studied the publications, then write the publication for their writers’ guidelines. Almost every magazine has guidelines for their authors. You can also use google and often find these guidelines online. Write a simple letter asking for guidelines and enclose a self-addressed, stamped envelope for the response. You can find the address for the publication usually on the masthead of the magazine under editorial offices. Or use The Christian Writers Market Guide by Jerry B. Jenkins. This guide is a critical tool if you are going to write for the Christian marketplace. After reading through the guidelines, you will have some additional information. Does the publication accept query letters or prefer full manuscripts? Some magazines have a query only system. This means that you have to write a query letter (one page) and get a letter of request from the editor, before sending the full manuscript. Other publications like Decision do not look at query letters but only completed manuscripts.
What’s a query letter? Entire books have been written on this topic and one of the best is Irresistible Query Letters by Lisa Collier Cool (Writer’s Digest Books). A query is a single-page letter which sells your story idea. It has a four paragraph formula. The first paragraph is a creative beginning for your article. You don’t write the entire article–only the first paragraph which captures the reader’s interest. The purpose of this first paragraph is simply to capture the editor’s attention. I won’t walk you through the day of an editor but since I’ve been one for years, I know they are involved in a multitude of tasks. For editors to read query letters, it is often done at the end of the day, late at night or in a car pool on the way home. It must be interesting.
The second paragraph includes the main points of how you will approach the article. The third paragraph gives your personal qualifications for this topic and your writing credits (if any). It basically answers the question, why should you of all the writers get this assignment? Highlight your own area of expertise in this paragraph.
The final paragraph says how soon you could write the article (give yourself enough time for example, “three weeks from assignment”) and says you are enclosing a self-addressed, stamped envelope and looking forward to their reply. I often send the letter to as many as ten different publications at the same time.
Within the magazine business, there is an on-going discussion about simultaneous submissions (where you send the same finished article to several publications). If you do this, you may end up on the black list of authors. Each publication has a list of people that they will not work with. You don’t want to be on that list. Also each publication has a list of authors they use regularly and call with ideas. Your goal is to get on this particular list of regular contributors.
From my perspective, a simultaneous query is not the same as a finished article. Go ahead and query several magazines at the same time on the same topic if you think you can write several different articles on the same subject. One magazine may ask for 500 words on the topic while another may approach it from an entirely different viewpoint and ask for 2,000 words. Your illustrations and information will be considerably different. If you send it to ten magazines, you may get ten rejections. On the other hand, perhaps you will get an acceptance or two, or at least a request to see the entire article on speculation. “On speculation” means that the editor is not under obligation to purchase your article if it doesn’t meet the periodical’s standards or expectations.
[bctt tweet=”No one gets magazine assignments just by thinking about it” username=”@A3forme @terrywhalin “] As a writer, you have to take action and be regularly pitching your ideas to editors and writing query letters. Then when you get an assignment, write an excellent article and submit it on or ahead of the deadline. As you learn to write a query letter and take consistent action, you will increase your odds of publication and get published in magazines.
Tell us about your latest book, The Things We Knew
When their tragic past begins to resurface, can he help her remember the things she can’t? After her mother’s death twelve years ago, Lynette Carlisle watched her close-knit family unravel. One by one, her four older siblings left their Nantucket home and never returned. All seem to blame their father for their mother’s death, but nobody will talk about that tragic day. And Lynette’s memory only speaks through nightmares. Then Nicholas Cooper returns to Nantucket, bringing the past with him. Once Lynette’s adolescent crush, Nick knows more about her mother’s death than he lets on. The truth could tear apart his own family and destroy his fragile friendship with Lynette, the woman he no longer thinks of as a kid sister. As their father’s failing health and financial concerns bring the Carlisle siblings home, secrets surface that will either restore their shattered relationships or separate the siblings forever. But pulling up anchor on the past propels them into the perfect storm, powerful enough to make them question their faith, their willingness to forgive, and the very truth of all the things they thought they knew.
Why do you write what you do?: I love family drama, so I am drawn to those kinds of stories. I write stories that mirror real life, real problems, sometimes life is messy. But I believe there is always hope to be found, and my stories will always point toward grace and forgiveness.
What are you currently working on?: I’m just finishing up edits on my next release, The Memory of You. This relational family drama takes place on a vineyard in Sonoma, CA, and will be available March 2017.
Thirteen years ago, Natalie lost a part of herself when her twin sister died. Will traveling back to the family winery finally put the memory to rest, or will it completely destroy her?
When Natalie Mitchell learns her beloved grandfather has had a heart attack, she’s forced to return to their family-owned winery in Sonoma, something she never intended to do. She’s avoided her grandparents’ sprawling home and all its memories since the summer her sister died—the awful summer Natalie’s nightmares began. But the winery is failing, and Natalie’s father wants her to shut it down. As the majority shareholder, she has the power to do so. And Natalie never says no to her father. Tanner Collins, the vintner on Maoilios, is trying to salvage a bad season and put the Mitchell family’s winery back in business. When Natalie Mitchell shows up, Tanner sees his future about to be crushed. Natalie intends to close the gates, unless he can convince her otherwise. But the Natalie he remembers from childhood is long gone, and he’s not so sure he likes the woman she’s become. Still, the haunted look she wears hints at secrets he wants to unearth. He soon discovers that on the night her sister died, the real Natalie died too. And Tanner must do whatever it takes to resurrect her. But finding freedom from the past means facing it.
How does your work differ from other work in its genre?: While I write faith-based fiction, I believe in writing stories that will appeal to everyone, not just readers of Christian fiction. You won’t find a heavy spiritual thread in my books, but the faith message is always there, it just may look a little different than other books within the Christian market. I don’t necessarily feel everything needs to be tied up neatly at the end, or everyone’s problems solved. Life doesn’t always work that way, and my fiction mirrors that.
How does your writing process work?: I usually get a story idea first, maybe a location, and then the characters. The story plays like a movie in my mind, and I’ll write as it comes. I am a total seat of the pants writer, although I am trying to get better at plotting, but even if I begin with a skeleton of where I think the story will go, it hardly ever works that way!
Catherine West
INSPY Award-winning author Catherine West writes stories of hope and healing from her island home in Bermuda. When she’s not at the computer working on her next story, you can find her taking her Border Collie for long walks or reading books by her favorite authors. She and her husband have two grown children. Catherine’s novel, Bridge of Faith, won the 2015 Grace Award. Her new novel, The Things We Knew, releases July 12th, 2016, through Harper Collins Christian Publishing.
Catherine loves to connect with her readers and can be reached at
