Categories
Becoming an Author

Acting Techniques to Deepen Your Writing – Part 4: Career

As an actress, I’ve always been fascinated with the many ways in which the craft of acting can compare to the craft of writing. There is much that writers can learn from actors that can help us deepen characterization, tap into emotion, and break down scenes and plot.

In the previous post of this series, I shared about other ways in which writers can glean from actors apart from the craft—specifically when it comes to the approach to the writing process. Today, I’d like to share a few realizations I’ve discovered about the career of acting that writers can benefit from as well.

On Career…

1. Your style will add a spark of uniqueness to your story in a way that only you can. When casting directors receive auditions for a particular role, they don’t necessarily make their casting decisions based upon who is the “best actor” (although acting ability is certainly vital, of course); rather, they choose the actor who brings a certain life to the character. Different actors will perform the same role various ways. Because of this, actors need to focus on what they specifically can bring to the character that others cannot. Let’s learn how to apply this to our writing as well. There is a unique voice, a “life,” that only you can bring to the page. Allow that to show forth in your writing.

2. Don’t underestimate the value of training. Actors understand this value; after all, they must include this in their resumes when they submit to casting directors! It’s impressive for a casting director to see that an actor has studied with professional acting coaches. Similarly, it’s impressive for agents and editors to see that writers have devoted time (and money) into sharpening their craft. This proves that the writer is serious about the profession and helps them come across as professional rather than amateur.

3. Rejections aren’t a sign that you’re a bad writer. Serious actors must face rejection nearly every day. With the overwhelming amount of competition, it’s impossible for an actor to land every role he/she auditions for. In the writing industry, publishers and agents have no choice but to be selective, too, as they have limited available slots in their roster to fill. Let’s view rejections as an inevitable byproduct to being a professional rather than a personal offense to our craft.

4. When we detach ourselves to our writing, we leave room to grow. Actors must get accustomed with following the direction given by a director, even if this requires performing a scene in a way that differs from how they had originally rehearsed. But if the actor refuses to follow direction and sticks with the original performance, he will likely come across as both amateur and prideful. Let’s apply this same lesson to our writing. The process of receiving feedback from an editor can be painful—but let’s not cling to our words so tightly that we refuse to change and listen to constructive feedback. It’s in this process of change that we grow as a writer.

5. Great art can never be rushed. It’s crazy how, in the filmmaking industry, the shortest scenes often take the longest to film! Yet it’s often those “small moments” that make for the biggest impact. When we write, let’s not rush those small moments either. Instead, let’s take the time necessary that will allow that scene to deliver the intended response.

6. When we approach writing, let’s not aim for perfection. Rather, let’s learn as much as we can about the craft, and when it’s actually time to write that first draft, we can let go and trust our inner artist. This is what I’ve been instructed to do from my acting coach, too, and it has really helped me to avoid perfectionist paralysis and deliver my best work.

7. Don’t be afraid to be vulnerable. How horrible would it be if actors thought about all of their friends and family members who would someday watch their emotional scenes? They’d probably refuse to allow themselves to “go there.” As writers, we, too, must be vulnerable. Don’t worry about who may someday read your book. Stay in the moment, remembering that vulnerability is often what connects most with our audience.

That concludes our series on acting techniques! What have you learned from actors, the acting process, or the career of acting that has most served to be beneficial for you as a writer? Let me know in the comments!

Tessa Emily Hall is an award-winning author who writes inspirational yet authentic books for teens to remind them they’re not alone. She writes both fiction and devotionals for teens, including her upcoming release, LOVE YOUR SELFIE (October 2020, Ellie Claire). Her latest devotional, COFFEE SHOP DEVOS, encourages teens to pursue a personal relationship with Christ. Tessa’s passion for shedding light on clean entertainment and media for teens led her to a career as a Literary Agent at Cyle Young Literary Elite, YA Acquisitions Editor for Illuminate YA (LPC Imprint), and Founder/Editor of PursueMagazine.net. She’s guilty of making way too many lattes and never finishing her to-read list. When her fingers aren’t flying 128 WPM across the keyboard, she can be found speaking to teens, decorating art journals, and acting in Christian films. Her favorite way to procrastinate is through connecting with readers on her blog, mailing list, social media (@tessaemilyhall), and website: tessaemilyhall.com.

Categories
The Intentional Writer

How to be a Helpful Critique Partner

Last month I talked about how useful critiques are for writers, because they provide important feedback that helps us improve our craft and clarify our message.

Writers must learn how to accept critiques. We must also learn how to critique the work of others in a way that is loving and helpful. These principles can help you become a better critique partner.

Principles to help you give helpful critiques

  • Be encouraging. The ancient oath for physicians included the promise, “First, do no harm.” It is a useful reminder for critiquing the precious work of a fellow angst-filled writer. Always find something positive to say! It’s easy to focus on what is wrong, or what needs to be improved. Make the effort to note what is working, what you like, what made you laugh, and the insights that touched you.
  • Ask what kind of feedback the writer is looking for. This will vary depending on where the piece is in the process. In a first draft the writer may be testing out a character or plot idea. In a later draft she may be more concerned with getting a description just right. It’s easier to give useful feedback when you know what to look for, so ask.
  • Be fair and reasonable. Don’t compare the work being critiqued with your favorite author. Teachers don’t expect a third-grader to write a story as well as a tenth-grader. In the same vein, you should try to give feedback in keeping with the level of the writer, not expect them to attain standards that are beyond their current skill. Consider what criticism will help them take the next small step toward better writer. Look for a key area where they might grow and suggest how they could improve in that area.  
  • Don’t focus solely on the obvious. Typos, grammar, and incorrect facts are easy to catch. Try to look beyond them to what else is there, such as structure, characterization, motives, world-building, theme, etc.
  • Notice what isn’t clear or what doesn’t make sense. A piece of writing is only effective it if communicates what it’s meant to communicate. All writers need feedback to ensure they are getting their message across.
  • Notice what is missing. We all have some aspects of writing we tend to skip. For example, my critique partner is always asking me, “How does he feel when that happened?” She helps me remember to include the emotions I would otherwise ignore.
  • Notice what doesn’t feel right. Is the heroine acting out of character in this scene? Does the action seem unbelievable? Does the voice not come through like it did in the last scene?
  • Notice how the writing makes you feel. What emotions does the piece evoke? Do you like the characters or not? Are you intrigued or tempted to skim over stuff? Do you sense something ominous? This may be helpful feedback, so pay attention as you read.
  • Whenever possible, read through the piece more than once. That gives you a chance to focus on different facets of the writing with each pass.
  • Finally, remember your ultimate goal is to inspire, encourage, and enable growth. Be kind. Be encouraging. But also provide honest and constructive input that can help the writer take their piece to the next level.

Award-winning writer Lisa E. Betz believes that everyone has a unique story to tell the world. She loves inspiring fellow writers to be more intentional about developing their craft and courageous in sharing their words. Lisa shares her words through speaking, leading Bible studies, writing historical mysteries, and blogging about living intentionally.

You can find her on Facebook  LisaEBetzWriter Twitter @LisaEBetz and Pinterest Lisa E Betz Intentional Living.