Categories
Magazine and Freelance

Avoid these Common Article-Writing Mistakes

As the editor of Reach Out, Columbia magazine, I’ve had the pleasure of coaching new (and seasoned) writers for more than ten years. Every month we work together to produce informative, engaging, and inspiring material for our readers. As I review submissions, I often see one or more of these common mistakes:

Common article-writing mistakes

1. Beginning at the beginning

It seems logical, when writing a feature article, to begin at the beginning of someone’s life. That’s where it all began, right? And the details are so fascinating and relevant. Unfortunately a reader doesn’t care about the details until they care about the subject.

We have to hook ‘em first, show them why they should care, then fill in the back story. Twentieth-century filmmaker Billy Wilder described this technique: “You grab them by the throat, their heart is beating, and you never let go.”

Instead of beginning at a subject’s birth, choose the point of highest conflict in their story and dive in. Once you’ve captured your reader’s attention, you can flesh out the details and the back story.

2. Telling not showing.

I find it much easier to rattle off a list of details rather than take the time to set the stage. But whether we’re writing a novel or penning an article, we must create a setting, provide sensory details, and showcase the story.

Dialogue is a great way to inject a reader into the scene by showing. Here’s an example:

“Mom,” Simpson said, raising his eyes and staring deeply into hers, “I’m going to New York to follow my dream.” He swallowed hard, then spoke again. “I hope you’ll give me your blessing.”

Simpson Jackson’s mother knew her response would impact their relationship for the rest of their lives.

3. Omitting description.

In today’s image-driven world, we rely heavily on graphics. We know the art director plans to use photos of our subject in the layout, so we skip the physical description in the story. Why waste precious words on the person’s salt and pepper crew cut or Bambi eyes?

Weaving physical descriptions into our narratives reinforces the graphics and spotlights details we want our readers to notice. Mentioning a subject’s “kind eyes” or “quick smile” also provides welcome description for visually-impaired readers and those listening to an article rather than reading it.

4. Failing to answer the readers’ questions.

Before I submit an article, I run it through the Have I Answered All My Readers’ Questions? test. This is an important step, especially if I’m very familiar with the subject or ministry. Just because I know the vernacular doesn’t mean everyone does.

Set aside your writer perspective and read the article as someone who knows nothing about the topic or person. Make sure you’ve included details that might answer their questions. Some examples might be:

  • How is this project funded?
  • How can I learn more about it?
  • How can I get involved?

5. Failing to define acronyms and jargon.

In recent days we’ve learned about the CDC, PPE, and LMNOP (oops, that was kindergarten). Although terms may be familiar to us, we can’t assume everyone knows what they mean. Unless it’s a universally-understood acronym, spell it out the first time and include the acronym in parenthesis immediately after, i.e. “the Centers for Disease Control (CDC) said recently . . .” or “My WIP (work in progress) is coming along nicely.” Once you’ve defined it, you’re free to use the acronym in place of the complete name.

The next time you write an article, edit your piece with these common article writing mistakes in mind. If your work avoids all five, you’ll provide your editor with an article that’s clear, enjoyable, and RTP (ready to publish)!

Lori Hatcher is the editor of Reach Out, Columbia magazine and the author of several devotional books including Refresh Your Faith – Uncommon Devotions from Every Book of the Bible and Hungry for God … Starving for Time, Five-Minute Devotions for Busy Women, winner of the 2016 Christian Small Publisher Book of the Year award. Her most recent book, A blogger, writing instructor, and inspirational speaker, her goal is to help women connect with God in the craziness of life. You’ll find her pondering the marvelous and the mundane on her blog, Hungry for God. . . Starving for Time. Connect with her on Facebook, Twitter (@LoriHatcher2), or Pinterest (Hungry for God).

Categories
Mystery/Thriller/Suspense

Research: Time-waster or Story-builder?

“I write fiction. Is research really necessary?”

“… a novelist has nearly the same obligation for accuracy as a news writer. Your made-up world must ring true.”

Chuck Sambuchino

How do mystery, suspense, and thriller writers produce an authentic novel and achieve believability?

Consider the seven “R’s”.

Ready an organizational system for the material you gather, whether it be an online file or old-school file folders. Utilize whatever makes sense to you.

Restrain from spending too much time on research.We’re fiction writers, not Ph.D. candidates working on dissertations.

Restrict your focus. Is your setting real or fictional? Is it set in the city or country, suburban or rural, present-day or historical? Determine key locations and the world beyond.

Readers bring no preconceptions to a fictional site. The author breathes life into the narrative by creating everything. Customs, history, climate, natural surroundings, people, food, the hobbies and jobs of the characters, maps, and even language must emerge from your imagination.

If your setting is a real place and you’ve failed to do the work, an agent, editor, or a reader who knows the area may label your book as implausible. Or worse, toss it onto the rejection pile.

“Stories set in real locations, then, demand detailed local knowledge and/or meticulous research of the setting.”

Harvey Chapman

Read magazines, journals, and books on your subject and in your genre. Learn the occupations of your characters. Dig into past events, the natural surroundings, and the latest news from the area. Make your backdrop as familiar as your own living room. Make the details as accurate as an FBI manual.

Utilize the resources of libraries, colleges and universities, museums, or law enforcement. Maps give us direction and perspective, and the placement of landmarks, roads, stores, houses, schools, and cemeteries. Data from contracts, marriage and birth licenses, and census records add authenticity.

Record observations. Watch others who are similar to your characters to see how they talk and behave. Visit places that serve the same food your characters would eat and places they might frequent.

Often a visual image will spark ideas. Watch videos on YouTube, catch documentaries, or even cruise Pinterest for ideas, inspiration, and information.

Road trip. The journey may be as close as the local library, or as far away as a long-distance car ride or flight. If you’ve never been to your novel’s location, consider discovering the area with a hands-on approach.

Notice details as you travel. These can contribute to your characters’ motives and choices.

Once there, talk to the locals. Discover the area’s activities, customs, traditions, where people shop, eat, go to school, and even select where your characters might live.

Walk the area and feel the ambiance. Use your senses. Find out what things taste like, smell like, feel like, sound like.

Research for my latest WIP required an eleven-hour road trip. Even though I was familiar with the area, I hadn’t visited in years. The lonely two-lane highway leading to my destination was now bustling with oil-field trucks, pump-jacks, new refineries and hotels, and clouds of grey haze. But fortunately, my ideal locale was as I remembered–– craggy mountains graced by long stretches of prickly pear cactus and mesquite scrub, remote and raw. Perfect for a mystery or suspense.

Once there, I bee-lined to the local diner and feasted on the house special, green chili burgers and thick-cut fries. I chatted with the owner and her employee. (Yes, just one.) They shared how the clear night sky bursts into sparkles of light, where one gets mail and supplies, and how chili cook-offs and cow patty throwing contests are a ‘thing.’ Of course, Elizabeth and Debbie will find a place in my book’s acknowledgments!

Roadblocks. No one likes a data dump. Weave your discoveries into the novel and never let it rise above the plot, characters, and setting. A bit of true-life flavor goes a long way

Don’t use fact-finding as a means to delay writing.

Complete your searches ahead of time. If you need to add a detail later make a note, but keep the writing flowing.

Let research inform the story, not smother it. Do the work. It may be the difference between a book contract and a rejection letter.

“Though we invent tales that didn’t really happen, we drape them over a framework of real-life facts.”

Chuck Sambuchino

Write well, my friends.

PJ Gover

PJ Gover encourages her readers to live the thrill…one story at a time, whether through her devotionals or thrillers. She has received ten writing awards including first place in American Christian Fiction Writer’s First Impressions contest, the North Carolina Christian Writers, and the Write-to-Publish contest. Her one-year devotional book, Celebrate Thee Date, can be found at 4homestore .

A ranch in Texas serves as home base where she is currently working on a suspense novel. Offer her Mexican food or anything gluten-free and you’ll have a friend for life. Jim Hart of Hartline Literary Agency represents PJ.

Connect with PJ at PJGover.com or facebook.com/pj.gover

Categories
The Intentional Writer

Do You Consume Art Wisely?

Remember that old saying, You are what you eat? Just as the food we consume affects the overall health of our body, so the art we consume affects the overall health of our creative output. We are an amalgam of all we have seen and experienced.

Which means what we consume matters. A lot.

Because, as Solomon so aptly put it, there is nothing new under the sun. The best artists understand that their most original art comes from intentionally borrowing good ideas from other artists and adapting them in their own unique way for their own particular purpose.

“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic.” Jim Jarmusch (as quoted in Steal Like an Artist by Austin Kleon)

How to consume art with purpose

Don’t imbibe indiscriminately

The wise artist of any genre is intentional about what they consume because it will affect their creative efforts, for better or for worse. We need to seek art that will stretch us, inspire us, and make us think. We need to find masters of our genre and spend time with them—not to imitate but to absorb and transform. We need to view the literature and other art around us with the mindset of what is worthy of being borrowed and what is not.

Seek out anything that sparks joy

I have found the question, “does this spark joy?” to be helpful in many areas of my life (not just decluttering my home). You might prefer to rephrase the question to ask what intrigues, what resonates, what stirs your creative soul. When you run across art that sparks interest or appreciation—books, movies, visual arts, music, décor, whatever—take the time to absorb it. Don’t waste brain cells trying to assess the merits or importance of what strikes you. (Even amateur art or hack writing may speak something worthwhile into your subconscious.) Instead of judging, ponder why something struck you. Or simply accept that your subconscious knows what it’s about and trust it to reprocess all the good inputs into something beautiful.

Keep an inspiration file

Don’t allow random bits of inspiration to be lost. Find a way to capture them. Take photos of whatever catches your eye and then transfer them to your inspiration file. Keep pads of paper within arm’s reach so you can jot down sentences, dialogue, or concepts as you come across them. The more intentional we become at collecting whatever inspires us, the more likely those bits of brilliance will end up enhancing our creative thoughts.

Reverse Engineer

“It’s not where you take things from – it’s where you take them to.” Jean-Luc Godard

Study masters in your genre. Take a piece apart and figure out how the parts were put together. Dig into the details and ask questions like:

  • What techniques has the author/artist employed here?
  • Why does this work?
  • What strikes me the most?
  • How is this piece unique?

Can you adapt the same underlying structure or strategies in your work?

I hope I have inspired you to seek out art of all genres. The more you fill your creativity tank wisely, the more creative your writing you will become.

Lisa E. Betz believes that everyone has a story to tell the world. She loves to encourage fellow writers to be intentional about their craft and courageous in sharing their words with others. Lisa shares her words through dramas, Bible studies, historical mysteries, and her blog about intentional living. You can find her on Facebook  LisaEBetzWriter and Twitter @LisaEBetz

Categories
History in the Making

Electrifying Fiction

The dark house looked lonely and foreboding as Ellen pulled the key from her reticule and fumbled with the lock. Pushing open the door, she felt along the wall for the light switch…

Or did she?

Depending on the time period and setting of this story, Ellen might need to grope around a small table for a match to light the kerosene lamp.

Thomas Edison invented an incandescent light bulb in 1879, and by September 1882, he powered up the Pearl Street distribution center and distributed electricity to approximately 82 customers in Manhattan, New York. In 1893, electricity lit up the World’s Fair in Chicago. But it would not be advisable to rely on these tidbits of information to justify whether or not Ellen’s home had electricity.

electric lights

If Ellen lives in a city in the 1920s-30s, there’s a good chance the flick of a wall switch will light up the room. But if Ellen’s story is set in a period prior to the early years of the twentieth century, it is probable that some other source of light scattered the darkness when she arrived home.

Before launching our search, we should also determine a few other things about Ellen.

Does she enjoy the city life or live in a rural area?

Is she rich or poor?

Answers to these questions may make a difference in the type of lighting in Ellen’s home.

Our research list (whether through the Internet, the local library, newspaper archives, or other favorite resources we have developed ) might include:

  • History of the city and surrounding area where Ellen lives. (If the answer is quick and obvious, we can breathe a sigh of relief and get back to writing our story.)
  • History of Electricity, especially a timeline
  • Check out possible light sources:
    • Generators
    • Gas lighting
    • Kerosene lamps
    • Candles
    • Fireplace
  • A trip to the actual city or town can be invaluable overall, though probably not practical if made only to determine when power poles and lines were installed.

Stay focused. Unless we have the mind for it, following the progression of science in this area can be overwhelming and take us on unnecessary detours, robbing us of precious time to pursue our goal: writing.

Wrapping it up, be prepared for the possibility that your exploration will lead you to another research project:

The dark house looked lonely and foreboding as Ellen pulled the key from her reticule and fumbled with the lock. Pushing open the door, she felt around the table for a match…

They did have matches back then, didn’t they?

Jeannine Brummett lives in South Carolina with her husband of nineteen years, Don, who shares his three adult sons and three grandchildren with her. Reading is big on her list of things to do, but she also thrives on TV crime dramas, NBA basketball, and marvels at the critters and fowl life that live at the pond behind their house. She loves to sing praise songs, attend Bible Study, and help at a local food pantry.