Categories
Craft Essentials

You May Be Done, But You’re Not Finished

“Rewriting is the essence of writing well; it’s where the game is won or lost. That idea is hard to accept.”

William Zinsser

Little in the writer’s life is as exhilarating as typing the words, “The End.”

If a celebration was ever in order, this would be our moment.

  • We’ve fought through the brain drain aka writer’s block.
  • Stayed at the keyboard till the wee hours of the night.
  • Surrendered free time to the fickle writing muse.
  • Missed parties, events, and time with friends and family.

But now, greatness is found in those two brief words that conclude the saga. The End. The skeptics, the critics, and those who predicted you’d never finish the book will be eating crow.

Bursting with a sudden rush of energy, (along with some well-deserved pride) you share the final product with a friend, your mom, or a writing buddy. You expect the standard oohs and aahs that attend the birth of greatness. Then somebody (clearly someone uninformed) says, “I don’t get the ending.” Or “I didn’t understand why the hero never showed up.”

The feedback is synonymous with calling your baby ugly.

You rationalize their response with the “I’ll give them the benefit of the doubt since they know nothing about writing,” brand of generosity.

Could They Be Right?

An essential component of writing well is the willingness to consider there might be a few valid points in their assessment. Some authors may not dismiss the critique entirely. They shop for additional feedback with an industry professional or pitch it to a publisher at a writer’s conference.

That can be the hard thump.

“It’s a good first draft,” says the pro. “Interesting storyline. I’d suggest you work with a coach or find a good editor to strengthen the plot and help develop your writing style. You have a promising start. Good luck with the second draft.”

If you believed the work was complete, this is a tough moment. A second draft, maybe even a third might be required. Adding more words is not the typical remedy. Killing off your darlings or discarding the overwrought half-page descriptions of the magnolias in full bloom in the moonlit night might be your road to success.

“We all have an emotional equity in our first draft; we can’t believe that it wasn’t born perfect. But the odds are close to 100 percent that it wasn’t.”

William Zinsser

The completion of a first draft is an epic accomplishment. In that finished work is evidence you have what it takes to be a writer – if you are willing to suck up the disappointment and dive in to refine and rewrite your work.

Don’t let the start stop you. You are not starting from scratch. But you do need to take a long look at your book baby with a more critical eye. The rewrite is inevitable as we learn the craft of writing. Every successful writer knows the first draft is seldom – if ever – the final.

Where Should You Start?

  • Consider the advice of the industry professional. If the feedback is general in nature, ask for specific insight for both strengths and opportunities for improvement in the work. For every “no thanks” to my first book – ten rejections – I asked for feedback that helped strengthen the work. I know their input and my willingness to incorporate it has helped me gain contracts for a total of six published to date.
  • Seek assistance from someone who has a successful track record to help move you forward. A certified writing coach or industry professional can help you accelerate your knowledge and build new skills.
  • Take a course – many are available online or through regional writing groups in your area.
  • Purchase and read books on the craft. The patron saint of this column’s book On Writing Well is a classic.
  • Attend a writing conference and select courses specific to your need.

Above all, refuse to throw in the towel (or throw a tantrum) and remember, you may be done, but you’re not finished!

Deb DeArmond

Deborah DeArmond is a certified writing coach and award-winning author of five books. Her books often focus on family and marriage, covering relationship dynamics, communication, and conflict resolution. Her most recent wok is We May Be Done But We’re Not Finished (2021).

Deb’s published more than 200 articles in print and online, including a monthly column, for Lifeway Magazine. 200+ print and online articles published.

Deb helps writing clients achieve success using inquiry, humor, and a straightforward approach. Her clients describe Deb as “candid but kind” and skilled at helping “guide others to discover their answers and solutions to success.”

Website: debdearmod.com

Facebook Author Deb DeArmond

Categories
Writing for YA

Five Must Have Editing Resources for Writers

Congratulations! You finished your book or fiction piece. You’ve made sure to develop your characters and nailed your GMC. Now comes editing.

There are different levels of editing. During the first round of edits, it’s best to focus on the major things first and then gradually continue editing until you reach the proofreading stage.

A book goes through editing many times before it is ready to be published or submitted.


Luckily, there are resources out there to help authors along the writing journey. You could hire a full service editor from the get go, or tackle some or all of the editing tasks on your own.

Join a Critique Group

One of the best ways to develop writing skills is to join a critique group. Consistently working with other writers helps to develop their craft. I recommend groups that meet weekly over monthly groups, simply because you get to know each other better and are able to spur each other on. These should not be random writers, but people with goals similar to yours. Ideally, they should be at or above your skill level.

I prefer to find critique partners through the better known, large writing groups or by referral from other authors. Many writing organizations offer small critique groups.

Not every group will be a perfect fit. If that happens, don’t give up. It can take time to find the right match. If all else fails, you can form your own.

Enlist Beta Readers

Another option is to find a few beta readers, which I have written about before. That article is here.

Editing Books

One of my regular critique partners recommended a book titled Intuitive Editing: A Creative and Practical Guide to Revising Your Writing by Tiffany Yates Martin. I’ve studied many books on craft and a few on editing, but this book changed the way I approached writing. It is chock-full of solid advice, all neatly organized and presented in an easy to understand manner. I didn’t just read this book, I took notes in a separate notebook, color coding as I went along. On my first read, I discovered plenty of helpful tips for my specific projects. Good stuff!

Editing Software

The second resource I always recommend is ProWritingAid. This program can be used online or installed on your computer. Anyone can try it out for free. It analyzes writing and makes suggestions for corrections.

ProWritingAid is for the final stages of editing. There’s no need to wait until you’re completely finished with your work, though. This program will help you learn how to craft effective sentences and possibly reduce the amount of editing needed in the first place. It’s a powerful tool that goes way beyond grammar or spellcheck. There are similar programs available, but PWA is the one I am most familiar with.

AuthorTube has numerous videos and writers offering advice.

The young adult author and popular YouTuber Alexa Donne has two excellent videos for novelists about how to correct overwriting and underwriting. Many unpolished novels have a little of both, even when the total word count of the manuscript doesn’t seem problematic at first glance. The videos are well worth the time it takes to watch them.

Using these suggestions may smooth out a manuscript, but it’s still recommended to hire an editor if you plan to self-publish. But that’s a post for another day.

Do you have any resources you’d like to share? Know of a great editing book, software, or program? Drop a comment below.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Mastering Middle Grade

Now What?

Last month I shared three things I’ve learned on my way to becoming a soon-to-be-published middle grade author.

I have about a year between now and my book launch, and there’s a lot that happens between now and then. I thought I’d give you a little glimpse at what’s going on behind the scenes, at least for the next several weeks.

Working on the story

Every publisher is different, but the hopefully the priority remains the same across all of them: make sure the story is as good as it can be. Right now, I’m working with the editorial director on revisions that will help bring our shared vision of the story to life.

I’m working toward a very generous but slightly intimidating deadline (aren’t all deadlines like that?). Throughout this stage I’m editing my story and defining my creative process at the same time.

You might have heard that expression about writing the book you want to read? It’s true, but not for the reasons you might think. It’s true because when you’re editing that book, you’re reading it over and over a gazillion times. If you don’t like it, you won’t enjoy this part of the process at all. #trustme

Growing an audience

The other thing I’m working on – and I’m not working on it as much as I should – is connecting with gatekeepers and influencers. This is tricky, because as we have talked about, middle grade writers really have three audiences. I’ve spent most of my time really focused on one audience as I’ve written the book. That’s the children themselves, the readers. That’s who we write for.

Now I need to shift a little more attention to the other two audiences. One is the primary gatekeepers- the parents/grandparents/aunts/uncles who buy books for the readers they love. And finally, we have the librarians/teachers/bookshop employees who make recommendations.

My book isn’t even on shelves yet, so why do I want to work on this now? Because even the best stories in the world don’t sell themselves. It takes time to grow authentic relationships both in real life and on social media. Even though I should have started working on this a long time ago, the next best time to work on it is today.

Continuous improvement

I’m still eager to learn and grow as a writer, so even though most of my effort is going into polishing the manuscript, I carve out time each week to read writing books/blogs or listen to podcasts. Right now I’m listening to K.M. Weiland’s ‘Helping Writers Become Authors’ podcast and loving it.

Gratitude

Not a day goes by that I’m not immensely grateful that I get to do this. All of it. I have loved every minute of trying, learning, failing, laughing about failing, and trying again. If you take away anything from this post, or this blog, please let it be this: If I can learn to write for children, you can too. Don’t give up.

See you next time.

When Kelli McKinney and her family aren’t exploring national parks, she can be found on the sidelines at her son’s tennis tournaments, brewing a cup of cinnamon spice tea, or chucking a toy across the backyard for her English Mastiff to chase.

She earned her bachelor’s degree in journalism from the University of Oklahoma and her graduate degree in radio/tv/film from the University of North Texas. She enjoyed an eclectic-yet-fulfilling fifteen-year career in corporate marketing before wandering off on her own to be a freelance copywriter.

Now, she is a part-time copywriter, full-time mom, and a children’s author. She lives in Texas but a huge piece of her heart belongs to Oklahoma. Her debut novel, JEFF PENNANT’S FIELD GUIDE TO RAISING HAPPY PARENTS is forthcoming in late 2022 with Chicken Scratch Books.

Kelli loves to hear from readers and writers. She can be reached through her website at www.kellmckinney.com or on Instagram @klmckinneywrites .

Categories
Guest post archive

Editing Tip: Have Your Computer Read Your Work Aloud

Published authors are often asked what their number one piece of writing advice is. Well, I’m not published yet, but I’m already beginning to form my answer to the question.

My top piece of writing advice is:

Have your computer read your manuscript aloud. This is an option offered in both Pages and Word.

Though I can’t remember where I first heard the advice to read my work aloud, it’s one of the most valuable tips I know. I tend to feel self-conscious when I read my stories aloud to myself, so I made the switch to having my computer perform the task. While the robot-like voice may grate on my nerves at times, having my computer read to me is a great way to catch typos and awkward wording.

This is also a nice way to smooth out dialogue. Sometimes I’ll be listening to my manuscript and a few lines of dialogue will appear. While I listen, I’ll find it’s hard to keep track of who said what. I then add or adjust my dialogue tags to add clarity.

Sometimes I find descriptions that sound great in my head but just stand out strangely when read aloud. Therefore, I switch out some words for less strange ones or rewrite/cut the description all together.

Another thing I do is read along with my computer. Sometimes there will be words that sound similar , but have different meanings. For example, my computer read the word “decent” allowed when I had meant “descent”. I almost missed the difference, but scrolled back to double check and found the typo.

What about you? What’s your top piece of writing or editing advice? Or, what is one piece of editing or writing advice you want to try?

Ashlee Schaller enjoys reading about reckless, headstrong heroes, prefers tea over coffee, and loves dollhouse miniatures. When not writing, she can often be found curled up with a book.

You can find out more about Ashley and what she writers here:

https://ashleyschaller.wordpress.com