Categories
The Intentional Writer

My Best Tool for Describing My Characters’ Emotions

Do you struggle to find the right words to describe your characters’ emotions? I certainly do. Description and portraying emotions are not my strong suit. Since I know this is a weakness, I’ve looked for tools that help me improve this skill.

My best writer’s tool for helping me over this hurdle is The Emotion Thesaurus: A Writer’s Guide To Character Expression by Angela Ackerman & Becca Puglisi.

What is an emotion thesaurus, and why do you need one?

The blurb on the back cover reads:

One of the biggest problem areas for writers is conveying emotion to the reader in a unique, compelling way. When showing our characters’ feelings, we often grab onto the first idea that comes to mind, and out characters end up smiling, shrugging, nodding, and frowning far too much.

Guilty as charged!

My first drafts contain far too many instances where characters are shrugging, smiling, nodding and frowning. That is why the emotion thesaurus is so helpful.

What does The Emotional Thesaurus offer?

This extremely practical book provides an alphabetical listing of 75 emotions from Adoration to Worry. Each emotion provides a two-page spread listing the following information:

  • A definition of this emotion
  • Physical signals (bouncing a foot, fanning oneself, a scathing tone…)
  • Internal sensations (fatigue, heat rising behind the eyelids, grinding one’s teeth)
  • Mental responses (irrational reactions, self-loathing, a lack of concentration)
  • Cues that this emotion is acute or long-term (an inability to move on, failing grades)
  • Cues this emotion is being suppressed (sitting unnaturally still, smoothing one’s clothing)
  • A list of emotions this emotion might escalate to (For example, disgust could move to scorn, fear, or anger.)
  • A writer’s tip related to the emotion.

That’s a lot of very useful information packed into two pages!

How can The Emotion Thesaurus help you?

One of the basic writing mantras is “Show, Don’t Tell.” The Emotion Thesaurus helps us do exactly that, giving us words to show a person’s anger with actions like sharp gestures, cutting people off when they speak, or flaring nostrils.

In addition, the authors point out that majority of communication between people occurs with nonverbal signals. Therefore, dialogue alone can’t portray all a reader needs to know to experience a scene. It’s critical to include emotional details in our writing via descriptive language and action.

Learning to describe character emotions in specific and compelling ways will also help us avoid writing pitfalls such as reliance on cliches (mad as a hornet, steam coming out his ears, quivering knees that knock together).

And with 75 emotions to choose from, the book helps us select emotions of the proper intensity for the scene, thus avoiding melodrama (emotions that feel too intense) or monotony (where all emotions remain the same intensity instead of rising and falling like real life).

I hope I’ve convinced you how useful this book can be. Now, excuse me while I follow my own advice and replace some of the smiling, nodding, shrugging and frowning with more interesting and compelling descriptions.

But wait, there’s more!

The Emotion Thesaurus concept proved so popular that the authors have adapted it to cover other subjects, such as:

  • Positive and negative traits
  • Conflicts and wounds
  • Setting

You can find more about The Emotional Thesaurus and all the companion products at the authors’ website, Writers Helping Writers.

If you want to take your emotional descriptions to the next level, I suggest you get a copy of The Emotional Thesaurus today.

Lisa E Betz

Lisa E. Betz is an engineer-turned-mystery-writer, entertaining speaker, and unconventional soul. She inspires others to become their best selves, living with authenticity, and purpose, and she infuses her novels with unconventional characters who thrive on solving tricky problems. Her Livia Aemilia Mysteries, set in first-century Rome, have won several awards, including the Golden Scroll Novel of the Year (2021).

She and her husband reside outside Philadelphia, Pennsylvania, with Scallywag, their rambunctious cat—the inspiration for Nemesis, resident mischief maker in her novels. Lisa directs church dramas, hikes the beautiful Pennsylvania woods, eats too much chocolate, and experiments with ancient Roman recipes. Visit lisaebetz.com.

Categories
Child's Craft

Crafting Characters Readers Will Love Part 1 by Jean Hall

According to Elaine Marie Alphin (Creating Characters Kids Will Love p. 2)

“Kids read because a magical closeness springs up between them and the characters in books and stories—the same magical closeness I felt as a child. They read because a writer has brought a character to life on the page for them.”

Every great children’s story pivots around a character who has a problem, a desire or a need. Through the events and conflicts of the story this character, by personal investment and volition, solves that problem, gains that desire (or loses it) or meets that need. In doing so, that character changes, grows or learns something.

Here we have the elements that define “story.”

A memorable character

A problem or need

Crises that compel the character to make choices and to act

Resolution of the problem or need

Change and growth in the character

Every element involves the main character. That’s why we must create characters that kids love and admire, or like and root for, or detest and enjoy their demise.

So, how do we do that?

Here’s my take.

For me, every story begins with the main character. I’ll be thinking “what ifs” and a character will parachute into my head. This usually gets me pretty excited! I get a rough idea of what’s going to happen to this character and how they are going to react.

Next, I get to know that character really well. Some people fill out complicated character charts or profiles, some sketch pictures of the character. Some writers find a magazine image that looks like their character and post it above their desk or on their desktop. I chat with my character in my head. I get an image of the character physically. Then I hear them talk. I imagine their home, their parents, their friends. I imagine what the kid likes and hates. What kind of personality do they have? I guess I’m creating my own character profile—just not in print. Each of us as writers has to get that character fully imagined in our own heads before we start putting them into a story. We have to get to know that character inside and out.

As I write the first few drafts of the story I fine-tune my character’s actions and reactions. I refer to experts for this like PscheWriter and The Emotion Thesaurus: A Writer’s Guide to Character Expression by Angela Ackerman & Becca Puglisi.

I also try to keep the following in mind as I develop the characters. In Part 2 of this post I’ll expand on this list.

  • Is this really how a kid this age would think? Talk? Act? If not, fix it.
  • Is this really how a kid would react in this type of situation?
  • Does this character have flaws?
  • Does this bad guy have at least one redeeming trait? How else will we love to hate them?
  • Have I created enough CONFLICT in this kid’s life or situation?
  • Have I created a character readers can feel for? Connect with?
  • Is this character bigger-than-life? EXAGGERATION well done makes readers laugh, cry and shriek with your character.
  • Do I SHOW how the character thinks? Acts? Feels? Speaks?
  • Are each of my characters distinctive?
  • Does my main character have one primary trait that the story focuses on?
  • Have I built motivation into this character? Is their need, desire or problem big enough to push them through the story?

Then, I put my character to the test by getting feedback from other writers, and sometimes, readers. They always help me smooth out the wrinkles. Or, sometimes, create more!

Please join me next month for a lot more detail about these bullet points.

Just Wondering…

How do YOU create memorable characters?

Need a little free advice about one of your characters?

Just leave a comment and I’ll respond with great joy!

Scroll to the top of the page and click on CRAFT, then CHARACTER to find other helpful A3 blog posts about creating characters.

 

BIO

Jean Hall lives in Louisville, Kentucky. She is represented by Cyle Young of Hartline Literary. Her premier picture book Four Seasons series was recently signed by Little Lamb Books. Jean is a member of the SCBWI, Word Weavers International, and the Kentucky Christian Writers. Visit Jean at www.jeanmatthewhall.com, on Face Book at Jean Matthew Hall, and on Twitter as @Jean_Hall.