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The Afterword

How Diverse Books Support Empathy

In a time of divisive discourse, empathy appears to be a missing element in the fabric of some of our conversations. Join us for a timely chat about stepping into the shoes of others as we welcome poet Glenis Redmond and behavior specialist Tyson Wright to our table. We talk about diverse literary works and how they can influence our mindsets, which creates space for empathy. 

Glenis is a traveling poet who teaches the creative process of writing and presenting poetry. Her books include: What My Hand Say, Monumental, & Under The Sun. 

Tyson has been a police officer and a classroom teacher and is currently a behavior interventionist. He is also a football coach and is married with four daughters. 

Listen to Part One

Listen to Part Two

Meet the hosts

Holland Webb is a full-time freelance writer and editor. He spends his days writing about higher education, B2B technology, and nonprofit organizations. His clients have let him write for U.S. News & World Report, The Learning House, The Red Lantern, and Sweet Fish Media. Holland’s favorite writers are Malcolm Gladwell, Olive Ann Burns, and Flannery O’Connor. In his spare time … are you kidding, what spare time? You can reach him through www.theafterwordpodcast.com or on Twitter at @WebbHollandLyle.

Amy Bowlin is a veteran teacher. She works with 6-year-olds in literacy intervention and shares with college seniors the art of teaching literacy. Balancing both worlds involves commuting which allows her to listen to her favorite podcasts, “Wait Wait … Don’t Tell Me,” “This American Life” and “Revisionist History.” When she is not traveling to Greece to work with refugees, she likes to write, hike, kayak and spend time with family and friends. You can reach her through www.theafterwordpodcast.com or on Twitter at @albowlin1.

Categories
Fantasy-Sci-Fi

Why Your Villain Demands Empathy

Hitler didn’t wake up one day and decide to become one of the most infamous murderers in history. He didn’t get dressed deciding to slaughter Jews. He didn’t eat breakfast one day as a soldier without education or career prospects and the next day become a dictator.

Like any historical enemy, Adolf Hitler experienced a journey in becoming the Hitler history remembers.

Recently a friend and I went to the theater. At the beginning of the movie I was subconsciously rooting for the hero. He’d been presented as the hero after all. We learned his backstory. We empathized.

But then the villain came onscreen. For two hours we watched a grown man devote his entire career to earning his mother’s love. Character-building, engaging stories of the hero interspersed these scenes and drove the plot.

By the time the hero and villain met at the climax my friend and I didn’t know who to root for. Both had strong, heart-wrenching backstories. Both were fighting for their families.

When We Write an Empathetic Villain, We Understand the Hero

Heroes are the crux of a story. They hold the plot together and tie the beginning to the end. The better the hero is written the more engaged the reader will be. As writers, it’s our goal to keep the reader turning pages. The better they understand the villain the hero is fighting, the better they will understand the hero and root for him.

If we want readers to engage at a heart level, we must write villains with hearts the reader can at least understand. With understanding comes further curiosity, and when readers are curious, they turn pages.

Empathetic Villains Put A Spotlight on The Hero

We’ve probably all heard of round versus flat characters. Round characters have a history. A future. A present we care about. When our hero is round, but our villain is flat it makes our hero look weak.

No one cares about a hero who’s fighting a shadow of a person. Readers want a hero who must use every fiber in them to come out victorious. Empathetic villains demand we write heroes worth the title.

Empathetic Villains Help Us Remember the Hero’s Sacrifice

The heroes I remember most are the ones who sacrificed most. The ones who risked everything because of the slim hope they could defeat their villain. When we understand the villain, we understand the cost it took for the hero to defeat him.

That’s a hero worth remembering. That’s a book worth reading again.

I walked away from the theater realizing that for a villain to lead the tension in a story he demands empathy on multiple levels. If readers are to truly engage with the hero, they must empathize with the villain he fights.

As a writer it’s my job to create lasting heroes.

If we can write empathetic villains, we can write truly heroic heroes.

Happy writing!

Sarah Rexford is a Marketing Content Writer, working with brands to grow their audience reach. She studied Strategic Communications at Cornerstone University and focused on writing during her time there, completing two full-length manuscripts while a full-time student. Currently she trains under best-selling author Jerry Jenkins in his Your Novel Blueprint course and is actively seeking publication for two books.

Instagram: @sarahjrexford
Twitter: @sarahjrexford
Web: itssarahrexford.com