Categories
A3 Contributor Book Release Guest Posts

Embarking on a Fool’s Errand?

We’re all familiar with phrases that warn us of danger lurking ahead.

  • Look before you leap.
  • You can’t be too careful . . .
  • I’d think twice about that if I were you.

All of these idioms are meant to ward off an ill-conceived project or advising someone to think carefully before tackling what might be considered an ill-fated trip.

But my favorite is: Every dark cloud has a silver lining.

I recently published a compilation book with twenty-two additional authors. I considered the idea a long time before I pulled the trigger. I wanted to “pay forward” the support and assistance I received when I began to write 10 years ago. I’m confident had I not engaged a writing coach and joined a professional writing community for women I might never have become the author of five books. Coupled with a certification as a writing coach, I felt confident in tackling this task.

We May Be Done But We’re Not Finished was a title I stumbled on nine years earlier. I used it as a tagline for my first website, My Purpose Now. The audience? Women 50+ who were struggling to discover their purpose once the nest emptied. They’d been all in, clear about their calling, and engaged in their families. With that no longer in demand (and rebuffed if offered) they were uncertain as to whether their best years were behind them. No. Absolutely not. God had so much more in store; they simply needed an assist to find that path.

I wanted to feature stories of ordinary women 50+ who had done extraordinary things: accomplished a long-ago dream, goal, or vision. Completed a degree. Travel. Quit the job to build a business or develop a non-profit. Serve in a homeless shelter. Dare to dance, paint, act on the stage that called them for 30 years. Some stories centered on loss – a loved one, an unexpected divorce, health issues or financial adversity. But no matter the theme, God was the hero in each story.

A friend asked, “why not write this yourself? Just interview them and tell their story. This is going to be a lot of work.” I insisted each woman’s voice was vital to the telling.

I turned to social media sites to invite those who’d been writing for at least two years. Most blogged, some wrote for local publications. But most lacked their first professional book publishing credit. I selected 25 individuals – most of whom were strangers – from a total of 80 submissions. I would write 50% of the content. I tacked on a few longtime writing friends to write a chapter—and to talk me off the ledge if needed.

I had no clue the time it would require and the effort it would demand. None. Zip. Nada.

I discovered an interested publisher and sent a proposal and sample chapters. I signed the contract two days later. I was officially the managing editor.

No turning back.

The contributing authors signed an agreement for their participation. It included their commitment to write on the specific theme, follow editorial guidelines, write to the allotted word count, adhere to deadlines, and help market the book upon release. I had the final say if an issue arose regarding “artistic license.”

As the managing editor, I did two rounds of editing and coached those who needed assistance. Some were strong writers from a technical standpoint and had good stories but needed help to make the story sing. Others brought a compelling experience but needed support to strengthen the quality of the writing itself.

It was exciting, exhilarating, and exhausting. The journey was never boring.

  • I had divas. “My mom and my friends told me; it was perfect – don’t change a word.”
  • I had debaters: “I’m not using lower case for he, him, and his in reference to Christ. It’s wrong. It’s dishonoring.”
  • I had deniers “I don’t care about the publisher’s requirements; I’m writing it like God told me to.” 

We started with 25; we concluded with 22. We parted on good terms.

From the concept development to the search for authors, from what felt like a thousand emails to release of the book – six months. We worked with a stellar traditional publisher who knows speed to market and excellence in all they do are keys to success.

And now the avalanche of advantages kicks in: I have 22 partners to help market and promote the book.

Some are teaching our group tips and tools on our private Facebook page where our primary communication exists. Many have a writing-related side-hustle: Podcasting, blogging, vlogging, or websites of their own. I was stunned by the number of social media gurus, and valuable contacts they brought with them. Our goal is to create community.

And I thought I was doing this for them.

I’ve been contacted by three writers who are interested in my coaching services. Two additional experienced writers have reached out to ask if I might be interested in teaching a workshop on this collaborative writing approach. I’m thinking that’s one to consider. I never saw that silver sliver peeking through the dark cloud on occasion.

The vision that some regarded as a fool’s errand, has been realized. Our writers are encouraging readers to resist the rocking chair brigade and press ahead to make the rest of their life the best of their life. That is a good outcome.

Nobody promised it would be easy. But then, achievement never is.

Deborah DeArmond is a recognized leader in the fields of performance development, facilitation. She is a certified writing coach as well as an executive business coach. She is also an award-winning author.

Deb’s the author of Related by Chance, Family by Choice, I Choose You Today, and Don’t Go to Bed Angry. Stay Up and Fight! All three books focus on relationship dynamics, communication, and conflict resolution. Her humorous devotional entitled Bumper Sticker Be-Attitudes was published in late 2019. Her newest release, We May Be Done But We’re Not Finished: Making the Rest of Your Life the Best of Your Life was released in July. She has published more than 200 articles in print and online, including a monthly column, now in her 7th year for Lifeway Magazine with an international circulation of 300,000.

Deb helps clients achieve success in becoming the coach others desire to work through through her engaging inquiry, humor, and straightforward approach. Her clients have described Deb as “candid but kind” and skilled at asking the questions that help “guide others to discover their answers and solutions to success.”

Categories
Writing for YA

Why Your Beta Stopped Reading Your Manuscript

Finding a reliable and dependable beta reader can be a challenge. They often bail on you. Why? This topic comes up regularly on beta read groups.

First, let me point out the reasons why a beta reader may never start reading a manuscript.

  • The author ignores formatting requests. I ask writers to put their manuscript in standard submission format. Not everyone wants this, but if your reader asks for a certain format, then try to be respectful and accommodate. Try to avoid tiny print, colored font, weird formatting, or other issues that may be an obstacle to easy reading.
  • Ten chapters landing in their mailbox when they asked for one. 
  • A manuscript with the chapter numbers removed and several chapters squished together when they asked for one chapter.
  • The author makes unreasonable demands, such as fast turnaround, free line editing, and/or free proofreading.

Why a beta reader may stop reading a manuscript after one, two, three, or four chapters. Or pages.

  • Materials are vastly different from the description. If a book is listed as PG-13, graphic sex scenes or violence shouldn’t be in the book. If it’s pitched as a cozy, blood and gore on page one can be a shock. The novel also needs to fit within the expected market guidelines for content. A YA novel, even if self-published, still needs to follow certain standards.
  • Often, I will stop reading after a few chapters. This is because at this point of a beta read, the big picture problems are apparent. If the author consistently has the same issues in the first four chapters, I begin to repeat myself and my advice becomes repetitive. There’s no reason to continue until the writer has reworked the rest of the manuscript. To carry on is frustrating for both reader and author.
  • If a submission is too rough and has editing mistakes in every line, a reader may stop after a page.
  • Nonproductive dialogue with the author can ruin the reader-author relationship. Some writers desire affirmation rather than feedback. Encouragement is helpful to a certain degree, but beta readers primarily provide feedback to assist a writer find the flaws so they can improve. That does not mean writer must take all, or any, of their reader’s suggestions. But the author should expect suggestions rather than only praise. The beta should point out what works and what doesn’t.

Other reasons your beta stopped reading.

  • They got sick.
  • There was a family emergency. 
  • An unexpected work situation came up.

In other words, life happened.

It’s not always about the manuscript.  A reader can have many reasons for not finishing your book.

Beta reading is hard work and time consuming. Volunteer beta readers don’t owe anyone an explanation if they find they can’t or don’t want to finish reading a manuscript. 

Remember, your beta readers are doing you a service and should be treated with respect.

Always be kind if it doesn’t work out, and move on.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.