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Best-Selling Author Interview with Johnnie Alexander

Can you share a little about your recent book?

Two of my novellas have released this year.

The first is “Match You Like Crazy,” a contemporary romance in the Resort to Romance Series. The stories take place during Matchmaking Week at an island in the Bahamas. The heroine and hero have everything in common, but their families are business competitors. Will a week on Joy Island spark another feud? Or prove they’re a crazy-perfect match? 

“Journey of the Heart” is a historical romance in Barbour’s The Erie Canal Brides Collection. The heroine writes abolitionist pamphlets under a pen name. When a slave-hunter captures a runaway, she vows to rescue the young girl. But she’ll need to trust the hero with her secret. And also with her heart.

Why do you write? Do you have a theme, message, or goal for your books?

The desire to create stories is so strong within me, I think I’d shrivel up and die if I couldn’t write. I thank God for His gift and pray that readers are blessed—whether simply entertained or deeply touched—by the stories He has given me to share.

How long have you been writing?

I dreamed of writing for so long, it’s hard to pinpoint a starting date. However, I participated in NaNoWriMo (National Novel Writing Month) for the first time about sixteen years ago. That’s when I fell in love with creating characters and imagining a story.

But since I had a full-time job, teenagers at home, and other responsibilities, I didn’t write much for another couple of years. I left my job and went to my first major writers conference about twelve years ago. That was definitely a turning point for me. I learned more about the writing craft and the publishing industry, joined a critique group, and made lifelong friends.

And how long did it take you to get your first major book contract? Or are you published non-traditionally? How did that come about?

My first major contract was for Where Treasure Hides which was published in 2013. So that was about ten years. Here’s a fun bit of trivia–I first wrote the manuscript for my debut novel for NaNoWriMo about five years earlier. Of course, it went through major revisions before I submitted it to a publisher.

How long does it take you to write a book?

That depends on the length and depth of the story. I spent years writing my first two novels, but only had nine months each to write the next two. This month I’m doing the final edits on a historical novel that I first started ages ago.

Now that I’ve gained a bit of experience, though, I can write a contemporary novel of approximately 55,000 words in about four months.

What’s your writing work schedule like?

I set weekly word count goals and usually write in the afternoons and evenings.

Do you have an interesting writing quirk? If so, what is it?

I don’t know that it’s a quirk, but I love to plan, imagine, and dream my stories by scribbling in artist sketchbooks. The thick, unlined pages allow me to write in different directions and sections. I ask “what if” questions, write lists of potential names and characteristics, add interesting research info, brainstorm titles . . . all kinds of fun stuff!

What has been your greatest joy(s) in your writing career?

Signing contracts is fun, and it’s always exciting to open a box of brand-new books with your name on them. I also love encouraging other writers and learning from other writers.

What has been your darkest moment(s)?

When I got my first two-star review, I was devastated. It was one of the first reviews posted on my debut novel, and it truly hurt. But that’s part of the writing life, and I’m happy to say that most reviews are extremely positive. If there’s something to learn from a critical review, I tuck it away. If not, I shrug it off.

Which of your books is your favorite?

Such a tough question! But if I must choose, I’d say Where Treasure Hides. It’s a complex story set during World War II, and the characters experience extremely difficult situations. I love my other novels, too, though!

Who is your favorite author to read?

Another tough question! There are so many great authors. I recently read Erin Bartels’ debut novel, We Hope for Better Things. This compelling novel, set in Detroit, weaves together three different time periods. It’s amazing.

I’m currently reading No Ocean Too Wide by Carrie Turansky, and it’s also amazing!

What advice can you give aspiring writers that you wished you had gotten, or that you wished you would have listened too?

For too many years, I was afraid to pursue the most important dream of my heart because I didn’t want to fail. I wish I hadn’t let fear hinder me the way I did.

So my advice is to be brave and be persistent.

How many times in your career have you experienced rejection? How did they shape you?

Definitely more than I wanted, but I’ve learned that rejection can be a good thing. God knows what’s best for me, and I trust Him to protect me. That doesn’t mean I’m not disappointed—of course, I am. But I rarely dwell on a rejection.

Do you have a favorite character or scene in one of your books?

One of my favorite scenes involves Ian Devlin, the hero of Where Treasure Hides. When this scene takes place, Ian isan officer in the British army who has escaped from a German POW camp. He’s with a group of Jewish refugees trying to get to France when they encounter German soldiers. It’s a very sad scene, and the consequences cause Ian to make a pivotal decision.

Where do you get your ideas?

My first contemporary novel, Where She Belongs, was inspired by my love for a mid-19th century house I lived in as a teen.

Other novels are inspired by heart-tugs. For example, when I was researching World War II, I became fascinated by the efforts of art galleries and museums to protect their cultural treasures from the Nazis. This research inspired Where Treasure Hides.

Settings, interests, and occupations can also inspire ideas for stories. I recently started watching Forged in Fire which is a competition for bladesmiths. I’m so intrigued by the process of making knives and swords that I plan to have a master bladesmith as the hero of a future story.

What are common mistakes you see aspiring writers make?

One common mistake is to give too much background information at the beginning of the story. Instead, it should be sprinkled throughout the story—and only when and if it’s truly needed!

Where/How do you recommend writers try to break into the market?

I think it’s helpful to attend writers conferences to meet agents and editors in person. Entering contests can also be a great way to get feedback on your writing and get the attention of publishing professionals.

Bio

Johnnie Alexander creates characters you want to meet and imagines stories you won’t forget. Her award-winning debut novel, Where Treasure Hides, is a CBA bestseller. She writes contemporaries, historicals, and cozy mysteries, serves on the Serious Writer, Inc. executive board, co-hosts an online show called Writers Chat, and interviews inspirational authors for Novelists Unwind. She also teaches at writers conferences and for Serious Writer Academy. Johnnie lives in Oklahoma with Griff, her happy-go-lucky collie, and Rugby, her raccoon-treeing papillon. Connect with her at www.johnnie-alexander.com and other social media sites via https://linktr.ee/johnniealexndr.

Purchase Links

“Match You Like Crazy” ~ Available only on Amazon

The Erie Canal Brides Collection ~ Bookstore Link

Where Treasure Hides ~ Bookstore Link

Categories
Novelists Unwind

Novelists Unwind Interviews Brenda S. Anderson and Brennan McPherson

Shortly after I interviewed today’s featured authors, I learned they are in the same critique group! Not only that, but the group also includes two other authors I’ve interviewed: Stacy Monson and Michelle Griep. Wow! Such a talented group!

Brenda S. Anderson is drawn to stories that reveal God’s healing of broken families. So it’s no surprise she loves writing family dramas!

I read Pieces of Granite, the prequel to her Coming Home Series, and was caught up in the family dynamics of her characters. The rest of the series is definitely on my TBR (to be read) list.

Brennan McPherson, the author of the Fall of Man Series, writes intriguing stories about ancient events and the people who lived during those mysterious times. God’s mercy is woven throughout his imaginative stories.

I’m currently reading The Flood: The Story of Noah and the Family Who Raised Him. It’s a compelling novel that’s hard to put down.

You can get a free ebook copy of Adam, the prequel in the Fall of Man Series on Brennan’s website.

Giveaway

The next giveaway for an inspirational novel will be announced on Saturday, July 7th on Novelists Unwind.

Meet Johnnie

Award-winning author Johnnie Alexander creates characters you want to meet and imagines stories you won’t forget. This month she is imagining life along the Ohio-Erie Canal in the 1850s as she writes a novella for Barbour’s The Erie Canal Brides Collection to be released in March 2019.

She’s also attending a training class with Griff, her happy-go-lucky collie, and still unpacking from her recent move (okay, it was three months ago!) to Broken Arrow.

Connect with her at johnnie-alexander.com and on other social media sites via Linktree johnniealexndr.

Categories
History in the Making

Dialogue Contractions in Historical Novels

by Sandra Merville Hart

 

Historical novelists research ways of life, events, fashion, and a myriad of other topics. Another aspect of writing to consider is dialogue. Should we use contractions in our characters’ conservations?

Whatever we think, it is also important to consider our editor’s opinion. He or she might believe that the dialogue should be liberally sprinkled with contractions because readers will relate to it. Others may feel contractions weaken the historical authenticity.

I decided to pull a variety of novels written in earlier eras from my bookshelf to verify the use of contractions in dialogue. The results surprised me.

I didn’t find any dialogue contractions when leafing through Jane Austen’s Pride and Prejudice. I didn’t reread the story, but this novel, published in 1813, contains few—if any. [bctt tweet=”Use #dialogue contractions in historical novels to enhance character’s style. #writing #histfic ” username=”@Sandra_M_Hart”] 

Mark Twain published The Innocents Abroad in 1869. This novel is a narrative with little dialogue yet those conversations contain contractions. His book about his adventures in the western territories of the United States, Roughing It, has a lot more dialogue with contractions. Twain’s novels, Huckleberry Finn and Tom Sawyer, utilize contractions. They feel authentic.

Lucy Maud Montgomery’s Anne of Green Gables published in 1908. Montgomery used contractions in conversations.

Great Expectations, the classic novel by Charles Dickens, published in 1861. This master storyteller sprinkled contractions throughout his dialogue.

Ernest Hemingway published The Sun Also Rises in 1926. He also uses contractions in dialogue.

The only author of the five who didn’t use contractions is Jane Austen. Her writing has a formal feel, yet her dialogue still flows naturally.

Writers may be more influenced by Jane Austen’s style, choosing to write dialogue without contractions. Reading conversations aloud will show where to soften and tweak the wording. Writing without contractions may feel more authentic.

Other novelists decide to include contractions for every character.

Perhaps there is a happy medium. Don’t shy away from using contractions in historical novels. Don’t avoid them at all costs.

Instead use dialogue contractions as one more way to differentiate a particular character’s style—to add color and flavor and dimension. Some folks speak in formal language while others never do. The way they communicate reveals clues about who they are.

Dialogue then becomes another tool in a novelist’s arsenal for effective communication.