Categories
History in the Making

Three Reasons I Cry When Reading Louisa May Alcott’s Classic Novel

by Sandra Merville Hart

I was a teenager the first time I read Louisa May Alcott’s Little Women. A childhood friend came in just as I sobbed over a tragic part of the story. I’ve read the novel at least a dozen times since that summer day.

Characters in the novel were inspired by Louisa’s own family and friends. Knowing her characters so well deepened the portrayal of them, evoking an emotional response in her readers.

*** Spoiler alert *** If you haven’t read the novel and intend to, you may want to read this post afterward as there are a few spoilers.

There are three reasons that I cry every time I read Little Women: believable family relationships; unexpected romances; and twists that mirror life.

Loving family relationships blanket the story. The reality of the Civil War touches the family. Jo’s father serves as a Union chaplain and is away at war. Jo and her sister, Meg, take jobs to support the family. When the story opens, another sister, Beth, helps the mother at home while the youngest, Amy, attends school.

But life gives them a terrible twist—Beth helps a family where three children suffer from scarlet fever and falls ill herself. She recovers from scarlet fever but her health is never the same. Eventually readers realize that she will die.[bctt tweet=”The twists and turns of Alcott’s classic novel mirror life. #writing” username=”@Sandra_M_Hart”]

The second reason I cry when reading this classic novel is the unexpected romances. We watch Laurie, the family’s neighbor, fall in love with Jo and really want them to marry.

Though readers believe that Jo and Laurie are made for each other, a twist comes. Jo accepts a position as governess to a family in New York City. Professor Bhaer, who resides at the same boarding house, teaches German to Jo. He also critiques her writing. His disappointment in her stories cuts deeply. He encourages her to write stories with a moral.

What writer can’t relate to her pain?

Jo spends six months in New York before returning home to care for her gravely ill sister. Laurie finally proposes as anticipated, but Jo rejects him. Sad and angry, he travels to Europe. Neither of these events is what readers expect.

Another twist is coming. Jo’s youngest sister, Amy, is in Europe where she’s being courted by Laurie’s rich school friend, Fred. Readers are surprised to watch Amy fall in love with Laurie. Fred seems to be the better choice for Amy at first because Laurie is an angry, bitter man. He wakes up in time to realize Amy is the woman for him. They marry while in Europe.

What! Readers believed that Laurie was intended for Jo.

Meanwhile, Jo has all the sorrow she can handle. She tends to Beth as her little sister loses strength to even lift a needle to sew. Jo’s heart breaks—and ours with hers—when Beth dies.

As the family celebrates Amy’s marriage, Professor Bhaer arrives. In yet another twist to the story, he proposes and Jo happily accepts.

This leads to the third reason I always cry when reading Little Women: the twists and turns of the novel mirror life. The changes, the heartaches, and the bumps in the road feel realistic to readers—after we recover from shock and disappointment. Can’t we all relate to choosing a path leading one place and then ended up on completely different road?

Louisa’s publisher approached her in 1868 with a request to write a book about girls. She initially resisted. She finally gave in to urging from her publisher and her father. Then she set her novel in a house modeled after her home with characters inspired by family and friends.

The novel she didn’t want to write became a beloved classic and brought her financial independence.

Readers through the ages have reason to rejoice that Louisa listened to the urging of her publisher.

 

Sources

“Little Women,” Wikipedia, 2017/03/25 https://en.wikipedia.org/wiki/Little_Women.

“Louisa May Alcott,” Biography.com, 2017/03/25 http://www.biography.com/people/louisa-may-alcott-9179520.

Categories
History in the Making

Historical Writing Requires Attention to Details

By Sandra Merville Hart

When it comes to research, contemporary writers have it so easy, right? I am teasing, because these novelists definitely research their topics. However, it is true that everyday objects don’t have to be described in great detail in those genres.

For instance, when a character answers a phone in a contemporary novel, writers don’t have to mention that they hold the object to their ear to hear the conversation. The ringtone isn’t described unless it says something about the character’s personality or holds meaning in the story.

On the other hand, historical writers pay attention to those details as they paint a picture from days gone by. For example, novelists add descriptions of landaus, a four-wheeled carriage, for readers who want to see the vehicle in their imagination. These carriages contained two seats that faced each other to accommodate four adults comfortably. The driver sat on an elevated seat while guiding a team of four horses.

Landaus are no longer common so writers realize the need to describe these modes of transportation. Many objects fall into this category and enhance reader’s pleasure to learn a bit about the past.

However, there are other familiar objects that we, as writers, simply assume have been around for generations. I discovered this while writing a novel set in 1877.[bctt tweet=”Historical novelists can’t trust assumptions. Verify with research. #histfic #writer ” username=”@Sandra_M_Hart”]

My character sat on a front porch swing enjoying a conversation with her niece and new stepdaughter. The scene almost wrote itself. It didn’t occur to me until editing to wonder when porch swings came into use. I swung on them during childhood visits to older relatives’ homes, making me assume that they had been gracing front porches for years.

Assumptions have to be verified, requiring additional research.

In another novel, I wanted to show a character’s brothers playing tricks on her for April Fool’s Day. When did such shenanigans begin? Research showed this tradition began in 1700, making it safe to include in my 1904 novel.

How about the celebration of Mother’s Day and Father’s Day? These are relatively new holidays honoring parents.

I wanted to include a scene where fourteen-year-old twins (not yet called teenagers in 1877) decorated a Christmas tree at their boarding house with ribbons. They strung popcorn to arrange across the evergreen branches. Including these activities in my story required researching when Americans began to chop down evergreen trees to bring into their homes for Christmas. Did they decorate with ribbons, hang presents on the tree, pop corn for the occasion? These nostalgic details, once verified, bring richness to stories.

A wonderful aspect of research is that it often reveals traditions that are no longer followed. Including long-forgotten details deepens both your story and your reader’s delight.

We are often fairly certain of our facts, such as the date an event took place, but it’s always worth checking if there is any doubt. An abundance of Internet sites often makes this a quick process.

 

Sources

“April Fools Tradition Popularized,” History.com, 2017/02/24 http://www.history.com/this-day-in-history/april-fools-tradition-popularized.

“Landau,” Encyclopeadia Brittanica, Inc., 2017/02/24 https://www.britannica.com/technology/landau-carriage.