Categories
Writing for YA

How to Keep Readers Engaged: Interview with Ya Author M.J. Padgett

M. J. Padgett is a YA author and co-owner of Pirate Cat Publishing and I asked her advice about how to keep readers turning pages.

DJS: So much of our time as writers is spent trying to hook a reader, but that’s only part of the task. What do you feel are the most important elements a story needs to keep YA readers engaged?

M.J.: Keeping young adults engaged is a difficult task for anyone, especially a writer. Times change quickly, but the core elements of life pretty much stay the same.

Everyone wants a sense of community, of fitting in, finding people with whom they can create strong, lasting bonds (and maybe some romance.) While slang words and phrases, societal concerns, and social climate might change, those are human needs that rarely disappear.

When writing, I try to remember those things and touch on important topics like family—both good and bad aspects, especially including examples of healthy familial relationships—friendships, and young love. Engaging their thoughts and emotions by putting characters in similar situations they might be experiencing is key, especially in true-to-life books.

In fantasy, a sense of escapism that might help readers see their problems in another light, hopefully one that is positive and aids in growth.

What keeps readers engaged is honest discussion about topics we all face. It’s important to bring a Christian perspective to common concerns, showing teenagers that their feelings are not only understandable but also something we have all faced at some point, then offering them realistic and healthy ways to manage those feelings and situations.

DJS: What are some common pitfalls you’ve seen that can cause a reader of teen fiction to lose interest?

M.J.: Recently, many of my YA readers have voiced the same concerns–YA content has become too adult for their liking. Extensive scenes where teens are sexualized and often exploited, characters that are abusive in one way or another are portrayed as desirable, and too political content turns them off. They want to feel, but they want to do it in a healthy way.

DJS: Some stories for teens and YA readers seem to be long-lived favorites. What are your favorites among older literature, and what do you think makes them so timeless? 

M.J.: The Anne of Green Gables series, Little House on the Prairie, Little Women, and so on are all classics I see resurface among YA readers from time to time. I think, even though they might contain some worrisome topics here and there, they represent a time when literature was more wholesome and realistic. They told tales people related to and in a way that people can still relate to today. I think they survived because their authors knew how to write good stories that would stand the test of time and change.

Writing is M. J. Padgett’s true passion (after raising her daughter, of course), and she writes as often as possible. When it comes to reading, she loves a book that can make her forget where she is no matter the genre. If she can get lost and feel like the characters are her real friends, she’s a happy reader.

M.J.’s latest release is the YA Fantasy, Dark and Devious.

Something dark and devious lurks in the moors around Roisin Dubh’s home, and it’s her duty to stamp it out before it gets its claws into the humans she’s vowed to protect.… even though those humans would kill her on sight if they knew she was Fae.

Roisin is bound by a vow to protect the humans of Gwenlyre from dark Fae at all costs, but now something sinister has entered Gwenlyre, and it will strain Roisin’s vows – and her heart – to their limits.

M. J.’s Website: https://www.mjpadgettbooks.com/

Instagram: @M.J. Padgett

Pirate Cat Publishing is a platform offering clean YA in consumable form along with loads of bonuses.  https://www.piratecatpublishing.com/join

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Screenwriting

Emotional Storytelling

Last year I let a screenwriting and producer friend with 30 years of experience read the first draft of my latest screenplay. I was both excited and nervous to let him see this passion project. After a week I received his feedback on my latest narrative.

His main comment was to put more emphasis on my protagonist’s disability. My initial concern was I didn’t want to overdramatize or belittle persons that belong to this particular community. I had to walk a tight rope of respecting the disabled community and the audience.

But I understood my friend’s concerns and wanted to respect his time and energy he put in to give me an honest evaluation. So I decided to look back over my experiences with persons in this particular disability group. My ultimate goal is to write a better story that can convey the ideas, imagery, and message I wanted to present in this particular story.

It didn’t take long for me to remember little quirks or traits that are common to persons with unique personalities like my protagonist. Fortunately, these commonalities also allow for me to show more than tell.

One of the best pieces of screenwriting advice I received was, “Let the actors act, don’t make them tell through dialogue.” Keep in mind movies are a visual medium and allow us to engage our audiences’ senses. This has its benefits.

  • Increased storytelling capabilities.
  • More ways to communicate our message.
  • Less room for misunderstandings.
  • More opportunity for subtext.

Another rule most screenwriters know is that we need to hook our audience within the first 10 pages or 10 minutes of the movie. The first 10 pages of any story are prime real estate, this is your chance to get the audience to invest in your movie for the long haul.

Storytellers must use every tool and their toolboxes to hook their readers/audiences as soon as possible. With the character arc in this particular story, I was able to utilize the innate power of human emotions.

 I wanted to create in my audience sympathy for my protagonist. One of the surest ways to get an audience to connect with your story is to tug on their heartstrings. To help them feel for your characters by stirring their emotions through your fictional world. This emotional storytelling.

Emotional Storytelling?

Emotional storytelling is a technique to draw our audience/readers into the world of our story via appealing to their emotions: feelings of love, fear, sadness, or happiness.

Emotional storytelling taps into the heart of life. Robert McKee notes, “To be entertained is to be immersed in the ceremony of story to an intellectually and emotionally satisfying end.”1

Due to the nature of my controlling idea of disabled persons as my protagonist, this approach to storytelling has become an earmark of my screenplays. As I have learned, this technique has benefits:

1. It helps my audience connect with my protagonist quicker.

2. Helps to build conflict.

3. Creates a need in my protagonist.

As we know conflict is king in storytelling and nothing builds conflict better than emotional unrest. Sometimes conflict is external (i.e. man versus nature or man versus society).

But most stories deal with internal conflict (fighting temptations, pride versus humility, or justice/revenge). Most people can relate more to the latter conflict and in the end our stories are more relatable, causing the audience to connect to the story quicker.

Screenwriting teacher and producer David Trotter points out, “Movies thrive on action and emotion. Thus, screenplays usually tell two main stories. Think of them as fraternal twins, dual plotlines, or the two key story tracks. The emotional story derives from a relationship and/or the character’s emotional life and is generally driven by the internal need… It’s the emotional story.”2

As writers, we each have something we want to say, the emotional story is often the best way to say what we want to.

What I Want!

We each go to the movies expecting one thing or another: entertainment, escape, or enlightenment. Emotional storytelling gives us more bang for the buck! Below are a few of my favorite movies that check off all three of the aforementioned incentives for me.

Forest Gump is a particular favorite of mine because it was filmed in Georgia while I was in college and inspired me to become a storyteller, not because it was entertaining, but because it’s premise is emotional storytelling.

Martin Johnson survived a severe car accident with a (T.B.I.) Traumatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at Spiritual Perspectives of Da Single Guy and on Twitter at mtjohnson51.


1   Mckee, R.. (1997). Story, Harper-Collins e-books, Pg. 12.

2  Trotter, D. (2019). Screenwriter’s Bible, Silman-James Press. Pg. 39.

Categories
Screenwriting

Hooked?

I’m excited to say that I am almost finished with the first draft of my new screenplay. Getting the story down, developing the characters, planning plot twists, doing the research has all been relatively easy because I developed my hook before starting.

If you’ve been in the writing profession for a time, you know the importance of a good hook. A hook isn’t exclusive to screenwriting, but its critical to getting your screenplay greenlighted for production. Be sure to keep a few things in mind as you work on your hook.

  • Be sure to get your audiences’ attention.
  • Be sure it will keep them invested in your story for the duration of the film.
  • Be sure it happens as soon as possible to set up the premise of your story.

It is safe to say that we don’t hook our audience as soon as possible, we can’t sell them on our story. What’s the point of writing or telling our story if it isn’t interesting—what’s the hook?

Hooked!

In literature the hook is a literary technique used in the opening of a piece that “hooks” the audiences’ attention. It’s been said that the hook is the most important part of any writing.

The hook has to be strong enough to not just interest the audience, but to convince them them to invest time and money into our stories. Below are a few types of hooks used in literature.

  1. Story or example hooks (antecedents).
  2. Facts/statistics.
  3. Strong statements/declarations.
  4. Metaphors/similes.
  5. Description hooks (visual writing).
  6. Famous quotes hooks.
  7. Interesting question hooks.

In screenwriting there is an additional approach to pitching a screenplay called the “what if” technique. This technique presents an interesting question by using familiar films to give someone a familiar idea to get a studio or producer interested.

Interest?

The age-old adage is true: always make a great first impression. Just like in dating, the first impression is what gets us interested. This is even more so in screenwriting. How many times have you begun watching a movie but failed to get interested in the first few minutes? Did you want to go on the journey with the characters or give up?

Screenwriting legend David Trotter explains it this way:

“the first thing your script should be concerned with is engaging the reader and setting forth the rules or parameters of your story.”1

David Trotter

When I first started writing screenplays almost 20 years ago, the emphasis was placed on the first 10 pages or 10 minutes of screen time to hook an audience.

Nowadays, screenwriters don’t have that luxury. Technology has affected the audiences’ attention span. It is more realistic to plan your hook around 5 to 7 pages in, the sooner the better, but keep in mind the sooner it is, the more interesting it needs to be to keep your audience hooked for the remainder of the script.

 Still unsure? Check out these movies below and see how the hook is interesting enough to keep you following along with your characters through the story’s plot.

  • Independence Day What if aliens invaded the earth and civilization fought for their freedom?
  • Jurassic Park What if scientists used the DNA of dinosaurs to bring them back and then placed them in a park?
  • Back to the Future What if a young teen used a time machine to go back to the past and then got stuck there?

Movies with great hooks take us on an adventure and make us want to follow the heroes’ journey from beginning to end. While working on my latest WIP, I’ve had to do a good bit of research, and the more I’ve researched, the more I wanted to write this inspiring story of adventure. For me, the writing process has gotten me hooked!

Martin Johnson survived a severe car accident with a (T.B.I.) Traumatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at Spiritual Perspectives of Da Single Guy and on Twitter at mtjohnson51.


1  Trotter, D, The Screenwriter’s Bible. Silman-James Press, Los Angeles. (2019) , p11.