Categories
Writing for YA

How to Keep Readers Engaged: Interview with Ya Author M.J. Padgett

M. J. Padgett is a YA author and co-owner of Pirate Cat Publishing and I asked her advice about how to keep readers turning pages.

DJS: So much of our time as writers is spent trying to hook a reader, but that’s only part of the task. What do you feel are the most important elements a story needs to keep YA readers engaged?

M.J.: Keeping young adults engaged is a difficult task for anyone, especially a writer. Times change quickly, but the core elements of life pretty much stay the same.

Everyone wants a sense of community, of fitting in, finding people with whom they can create strong, lasting bonds (and maybe some romance.) While slang words and phrases, societal concerns, and social climate might change, those are human needs that rarely disappear.

When writing, I try to remember those things and touch on important topics like family—both good and bad aspects, especially including examples of healthy familial relationships—friendships, and young love. Engaging their thoughts and emotions by putting characters in similar situations they might be experiencing is key, especially in true-to-life books.

In fantasy, a sense of escapism that might help readers see their problems in another light, hopefully one that is positive and aids in growth.

What keeps readers engaged is honest discussion about topics we all face. It’s important to bring a Christian perspective to common concerns, showing teenagers that their feelings are not only understandable but also something we have all faced at some point, then offering them realistic and healthy ways to manage those feelings and situations.

DJS: What are some common pitfalls you’ve seen that can cause a reader of teen fiction to lose interest?

M.J.: Recently, many of my YA readers have voiced the same concerns–YA content has become too adult for their liking. Extensive scenes where teens are sexualized and often exploited, characters that are abusive in one way or another are portrayed as desirable, and too political content turns them off. They want to feel, but they want to do it in a healthy way.

DJS: Some stories for teens and YA readers seem to be long-lived favorites. What are your favorites among older literature, and what do you think makes them so timeless? 

M.J.: The Anne of Green Gables series, Little House on the Prairie, Little Women, and so on are all classics I see resurface among YA readers from time to time. I think, even though they might contain some worrisome topics here and there, they represent a time when literature was more wholesome and realistic. They told tales people related to and in a way that people can still relate to today. I think they survived because their authors knew how to write good stories that would stand the test of time and change.

Writing is M. J. Padgett’s true passion (after raising her daughter, of course), and she writes as often as possible. When it comes to reading, she loves a book that can make her forget where she is no matter the genre. If she can get lost and feel like the characters are her real friends, she’s a happy reader.

M.J.’s latest release is the YA Fantasy, Dark and Devious.

Something dark and devious lurks in the moors around Roisin Dubh’s home, and it’s her duty to stamp it out before it gets its claws into the humans she’s vowed to protect.… even though those humans would kill her on sight if they knew she was Fae.

Roisin is bound by a vow to protect the humans of Gwenlyre from dark Fae at all costs, but now something sinister has entered Gwenlyre, and it will strain Roisin’s vows – and her heart – to their limits.

M. J.’s Website: https://www.mjpadgettbooks.com/

Instagram: @M.J. Padgett

Pirate Cat Publishing is a platform offering clean YA in consumable form along with loads of bonuses.  https://www.piratecatpublishing.com/join

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

How to Write the Opening Scene: Infusing Emotional Connection From Page One

I had a conversation recently with one of my writing friends. She wanted to talk about how to infuse an opening scene with emotional connection.

“Here’s the most important truism about storytelling: readers don’t care what’s happening unless we care who it’s happening to.”

Tiffany Yates Martin, Intuitive Editing: A Creative and Practical Guide to Revising Your Writing

I never want a reader to think, “So what?“ I want them to feel connected to my main character and to be invested in the story’s outcome.

How to do that? First things first. Make the main character relatable, sympathetic, and/or interesting. This is easier said than done!

An author may have to try several different approaches before hitting on the one that works for a particular story. Sometimes I’ve kept the first draft version. Other novels or stories require more rewrites and edits of first pages.

Go Deep

Dive deep into your protagonist’s head, using strong, authentic voice. This can be a tricky concept to understand and master. The reader needs to know what the character is going through, thinking, and feeling, in an immersive way. Readers read to experience the story.

Creating an immersive experience and writing in deep point of view requires a whole set of skills, many of which you probably already have. Don’t try so hard that the prose becomes awkward and unwieldy. Give yourself the freedom to express the characters’ inner and outer life, but try to avoid writing in a way that distances the reader from those experiences.

How to write in deep point of view could take pages of discussion. Gather information from multiple, respected sources when researching how to improve in this area and remember to use what serves your story best.

Set it Up

Provide enough background and scene setting, so that the reader will care, but not so much they become frustrated or bogged down.

One of my story openings did well in contests, but beta reader feedback on the novel as a whole made it obvious I needed more background information early on. My readers couldn’t stay involved in the story and became frustrated with information gaps. The character entered the stage during a dramatic moment and while this was initially intriguing, by chapter four or five the story wasn’t working as well as it could.

I’d started the story in the wrong place.

A snappy opening is useless unless it serves the story.

The same is true for too much backstory, which can stop a story in its tracks and cause readers to lose interest.

Strive for Clarity

Make sure what’s in your head makes it onto the page. Part of my issue turned out to be over editing. Important information got left out of the revised version. (Or sometimes I never included it!)

Another pitfall could be that key information is present, but conveyed in a vague way.

Voice

Ahh, the elusive voice. Writing in deep point of view can help develop a character’s voice, but voice is a combination of things.

Try freewriting, character interviews, or listen to snatches of conversation to capture an authentic voice. I’ve found that the most authentic voice happens when I least expect it, so I keep notebooks handy and scribble down lines of my characters’ internal dialogue whenever they strike me. You can try out first person, third person, past or present tense. Find what works best for your character.

Create a Mood

Use the setting to create a mood that resonates with the reader. You don’t have to be a poet to create a mood with beautiful writing. Try for specific, vivid word choices.

Make a Statement

Start with a strong statement about a universal truth. These are statements that resonate deeply with readers because we recognize them as a fact. Or at least, we recognize that as far as the character is concerned it is a fact in their story world.

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”

Jane Austen, Pride and Prejudice

I Need a Hero

Readers still not connecting with the protagonist? Have your character do something heroic. This doesn’t have to be an earth shattering, out of the ordinary event. If your character shows a small kindness, it will make them more likable. Consider the book Save the Cat. Until that book came out, I didn’t realize how many characters I’d read about in novels had saved a cat or a dog. It works! Revealing the complexity of a character can help readers connect more.

Readers come to your novel intending to enjoy the book. They want to be entertained and to escape into another world. Make them care about your character. Keep them oriented and grounded. Immerse the reader in the story world. Provide enough detail so that the reader is experiencing the story, give them a character that is interesting, make them care, and provide enough clarity so they are never lost and left confused. Make sure what’s in your head is on the page.

If you do these things, readers will stick around to see what happens next.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.