Categories
Magazine, Freelance, and Copywriting

How To Overcome Creative Burnout as a Freelance Writer

While the life of a writer may seem easy to the outsider, in reality, it is not for the faint of heart. It takes hours of dedication and a big imagination in order to develop new characters, create a pleasing format, and come up with the hundreds to thousands of words that you need to complete an assignment or turn in a draft. Sometimes, the effort necessary to succeed can get the best of us, and we may encounter writer’s block or burnout.

If you are a writer who has ever struggled to stay awake long enough to write a draft, or you wake up dreading the idea of turning on your computer to fill your word quota for the day, then you may be experiencing burnout. Let’s talk about this phenomenon and what you can do to get your mojo back.

What Is Burnout?

While it may not technically be an official medical condition, for a writer, burnout can be very real. It is often defined by feelings of chronic stress, trouble sleeping, endless anxiety, and a general feeling of tiredness or a lack of inspiration that makes it hard to work or be creative. Burnout can also lead to physical ailments, such as headaches, weight fluctuations, and gastrointestinal disturbances.

There can be many reasons why you may experience burnout or a lack of ambition. One of the more common reasons is that you are pushing yourself too hard, and after working long hours every day to complete your tasks, you could become so tired and uninspired that you do not want to continue. If you believe that is the culprit, then set working hours in stone and stick to a strict schedule.

Sometimes, there can be a combination of factors that lead to your creative burnout. You might have writer’s block, and it is causing you to stay up all night fretting about the issue. That sleeplessness can make you feel even more anxious during the day, and it can make your feelings of burnout even worse. It can be an endless cycle, so you need to regain control and get your life and career back on track.

Create A More Productive Workspace

If you are experiencing burnout or extreme writer’s block, then you may need to change your environment and create a more productive workspace.

Start by finding the proper chair and desk combination. Your desk chair should be comfortable while keeping you upright and attentive without allowing you to slouch. Your desk should be at the right height so that the top of your computer monitors are at your eye level to avoid strain and discomfort. Even better, consider a standing desk that will allow you to stay energized and alert so you can get more work done.

Next, you need to create a more inspiring workspace by opening the blinds and putting your desk closer to the window so you can let in the natural light. It is an important step because natural light has been found to increase productivity, and you’ll also save money on the monthly utilities.

Along with natural light, you should fill the space with plants. It is said that being surrounded by plants can create a more calming and mood-lifting effect. That is because greenery reminds us of being a part of nature, and it may lead to some great inspiration. Make these changes and see if you feel a little bit better about your work.

Find Inspiration Elsewhere

If you find that mixing up your work environment is still not getting you out of your funk, then you may have to find inspiration elsewhere. For instance, if you are not feeling creative with your writing, then consider picking up a new hobby like art or music. That way, you will still be creating something with your imagination, and that newfound energy could transfer over into your writing.

Another idea is to get out of the house and join a critique group. By doing so, you can share your work with other writers and even find a personal critique partner who you can use to bounce ideas off and see if you get out of your writing jam. Consider meeting with several different writers from diverse backgrounds and see if you can get your creative juices flowing again.

If nothing seems to be working, then it may be time to get up and step away for a while. Consider taking time off to enjoy a vacation or a weekend out of the house where you do other activities that you enjoy that have nothing to do with writing.

In the end, if you believe that you are experiencing burnout, then you are not alone. Consider the tips and advice mentioned here, and you will get back into your groove.

Amanda Winstead is a writer from the Portland area with a background in communications and a passion for telling stories. Along with writing she enjoys traveling, reading, working out, and going to concerts. If you want to follow her writing journey, or even just say hi you can find her on Twitter.

Categories
Devotions for Writers

Investing in Prayer Power

A man from the crowd answered, “Master, I brought my son to you because he has a dumb spirit. Wherever he is, it gets hold of him, throws him down on the ground and there he foams at the mouth and grinds his teeth. It’s simply wearing him out. I did speak to your disciples to get them to drive it out, but they hadn’t the power to do it.”

Mark 9:17-18 (PHILLIPS)

In desperation, a man brought his convulsing son to the disciples for healing. The boy suffered from seizures and was unable to speak. But, the disciples were unable to heal him. Mark chapter 9 tells us Peter, James and John were with Jesus at the time, and had just witnessed Jesus’ transfiguration on the mountaintop. When they arrived on the scene, the teachers of the law were arguing with the disciples.

Have you ever had a mountaintop experience (maybe a writers conference or an article accepted), and then hit the valley of disbelief? Have you desperately scrambled to finish an assignment, while your brain argued about your ability to do so?

The boy’s father pleaded with Jesus to do what the disciples couldn’t. Jesus said, “Everything is possible for him who believes.” (1)

The boy’s father exclaimed, “I do believe; help me overcome my unbelief!” (2)

Have you moaned in frustration at the blank page in front of you, saying, “I am a writer, Lord, help me believe!”?

Later, when the disciples asked Jesus why they couldn’t heal the boy, He said, “Prayer is the path to power.” (3)

I’ve heard many Christian writers affirm that statement. They credited their prayer path with ideas for works in progress and new projects launched. I admit, at times I’ve felt my words were too trivial to bother God. But, I’ve learned the hard way to stop being self-sufficient in my writing and instead ask the Lord for help.

How has prayer powered your writing life?

Exercise:

  • Make a list of your idea bank.
  • Make a deposit into that bank by praying over each idea.
  • Jot down notes while you’re praying.
  • Does one gain your “interest?”
  • Look in The Christian Writer’s Market Guide for a potential investor.
  • Make a withdrawal by shaping it into an article and sending it to that editor.

But if any of you needs wisdom, you should ask God for it. He is generous to everyone and will give you wisdom without criticizing you.

James 1:5 (NCV)
Sally Ferguson

Over 140 of Sally Ferguson’s devotionals have been published in Pathways to God (Warner Press). She’s also written for Light From The Word, Chautauqua Mirror, Just Between Us, Adult Span Curriculum, Thriving Family, Upgrade with Dawn and ezinearticles.com. Prose Contest Winner at 2017 Greater Philly Christian Writers Conference.

Sally loves organizing retreats and seeing relationships blossom in time away from the daily routine. Her ebook, How to Plan a Women’s Retreat is available on Amazon.

Sally Ferguson lives in the beautiful countryside of Jamestown, NY with her husband and her dad.

Visit Sally’s blog at www.sallyferguson.net


References:

1. “Everything is possible for him who believes.” Mark 9:23

2. “I do believe; help me overcome my unbelief!” Mark 9:24

3. “Prayer is the path to power.” NIV Disciples Study Bible, footnotes, p. 1244

Categories
Fantasy-Sci-Fi

advances in rocket propulsion to inspire your science fiction

There’s an important difference between Science Fiction and Scient Fantasy. Scient Fiction is based on real world science, even if that science is theoretical. Science Fantasy looks and reads like Science Fiction, but it’s not based on real world science. Science Fiction spends more time explaining how the technology in their created world works, while Science Fantasy treats it as akin to a magic system. The classic delineation is Star Trek is Science Fiction, while Star Wars is Science Fantasy.

Known and mundane

Chemical rockets have been powering human spaceflight for decades. Every rocket used this type of propulsion. Whether the fuel is liquid or solid, it’s burned with an oxidizer to create rapidly expanding gas. The design of the rocket gives the gas only the rocket’s nozzle as an outlet and thanks to Newton’s Third Law of Motion, all the force going out causes a reactive force pushing the rocket to the stratosphere and beyond.

SpaceX, one of the leading innovators in space travel, has begun tests on The Raptor, a full flow staged combustion (FFSC) engine. It’s still a chemical reaction, but it’s more fuel efficient and generates more power.

Are you telling me that this sucker is NUCLEAR?

Nuclear fission reactions recall visions of mushroom clouds and destruction, but much like how we can use fire or electricity for both destructive and constructive purposes, this potent reaction is being tested as a possible propulsion source. It works like a chemical rocket. Gases are heated and given the nozzle as their only escape.

The problem with fission engines is size. The current fission reactors are too large for a space faring vehicle, but research and experimentation continue. The other issues is launch failure. It’s one thing when a chemical rocket explodes, but a nuclear rocket could spread radioactive material over a large area. That is not ideal.

It’s electric

There are few sounds more iconic than the Twin Ion Engines of a Sienar Fleet Systems T.I.E fighter. This technology is getting some real application. The drives ionize particles and fire them out a thruster. They are fuel efficient and can even be solar powered. Real-world applications include Esa’s SMART-1 mission to the Moon and Bepi-Colombo mission headed to Mercury.

The major issue with ion drives is speed. They are too slow for any manned mission, but NASA is working on more powerful versions for a proposed moon mission.

Solar sails

Versions have of Solar sails have appeared in popular Science Fiction and Science Fantasy. The real-world versions rely on catching photons emitted by the Sun. They propel the sail through space. There is an inverse relationship between distance from the Sun and speed. The Japanese IKAROS spacecraft and the Planetary Society Lightsail-2 project have both employed this technology. Unfortunately for solar sail enthusiasts, these engines make the ion engines look fast.

Scientist continue to push the boundaries of our technology, chasing the dreams birth in them by writers of great science fiction. The writers inspire the scientist to reach new heights and the discovers the scientist make inspire greater and more fantastical stories from the writers. It’s a beautiful, symbiotic relationship.

Ted Atchley is a freelance writer and professional computer programmer. Whether it’s words or code, he’s always writing. Ted’s love for speculative fiction started early on with Lewis’ Chronicles of Narnia, and the Star Wars movies. This led to reading Marvel comics and eventually losing himself in Asimov’s Apprentice Adept and the world of Krynn (Dragonlance Chronicles). 

After blogging on his own for several years, Blizzard Watch (blizzardwatch.com) hired Ted to be a regular columnist in 2016. When the site dropped many of its columns two years later, they retained Ted as a staff writer. 

He lives in beautiful Charleston, SC with his wife and children. When not writing, you’ll find him spending time with his family, and cheering on his beloved Carolina Panthers. He’s currently revising his work-in-progress portal fantasy novel before preparing to query. 

Ted has a montly newsletter which you can join here. It’s a roundup of links about writing, Star Wars, and/or Marvel with brief commentary from him.

  • Twitter: @tedatchley3
  • Twitter: @honorshammer (gaming / Blizzard Watch)
Categories
Becoming an Author

12 Quotes for Writers on Persevering in Publication

The writing journey is not for the faint of heart. The rejections, critiques, and setbacks provide plenty of opportunities for the aspiring author to call it quits—and perhaps you’ve been there. Maybe, in 2020, you found yourself facing disappointments that have tempted you to give up.

For those of you who are beginning this year with a lack of motivation, you’re not alone. In fact, these obstacles are a necessary part of every writer’s journey. But it’s only those who find a way to move forward despite these setbacks who reach their version of success.

So if you need a fresh dose of motivation from those who have gone before you, check out the following quotes for writers on how to persevere in the publication journey.

“This manuscript of yours that has just come back from another editor is a precious package. Don’t consider it rejected. Consider that you’ve addressed it ‘to the editor who can appreciate my work’ and it has simply come back stamped ‘Not at this address’. Just keep looking for the right address.” 

Barbara Kingsolver

“Publication is a marathon, not a sprint. Writing the book is only the start.”

Jo Linsdell

“I finished my first book seventy-six years ago. I offered it to every publisher on the English-speaking earth I had ever heard of. Their refusals were unanimous: and it did not get into print until, fifty years later; publishers would publish anything that had my name on it.”

George Bernard Shaw

“I wrote a book. It sucked. I wrote nine more books. They sucked, too. Meanwhile, I read every single thing I could find on publishing and writing, went to conferences, joined professional organizations, hooked up with fellow writers in critique groups, and didn’t give up. Then I wrote one more book.”

Beth Revis

“I love my rejection slips. They show me I try.” 

Sylvia Plath

“Don’t give up, and don’t lose your stubborn belief that you have a story worth telling. I’ve had so many people tell me over so many years that I didn’t have the qualities needed to be a writer. All of my writer friends and I have one thing in common: We didn’t listen to the naysayers. We kept writing. And eventually we have all been published.”

Devi S. Laskar

“The writer’s life is one filled with creativity, sure, but there are so many other skill sets you need to practice before bringing your books to your readers (or literary agents and publishers). Keep going. Keep writing. Keep learning.”

Kris Spisak

“I’ve found most authors have the wrong mental picture of the process. Instead of a sprint, publishing is more like a marathon. Slow, steady and consistent action will get you your audience and success.”

W. Terry Whalin

“I still encourage anyone who feels at all compelled to write to do so. I just try to warn people who hope to get published that publication is not all that it is cracked up to be. But writing is. Writing has so much to give, so much to teach, so many surprises. That thing you had to force yourself to do — the actual act of writing — turns out to be the best part. It’s like discovering that while you thought you needed the tea ceremony for the caffeine, what you really needed was the tea ceremony. The act of writing turns out to be its own reward.”

Anne Lamott

“To ward off a feeling of failure, she joked that she could wallpaper her bathroom with rejection slips, which she chose not to see as messages to stop, but rather as tickets to the game.”

Anita Shreve 

“Often, you have to fail as a writer before you write that bestselling novel or ground-breaking memoir. If you’re failing as a writer – which it definitely feels like when you’re struggling to write regularly or can’t seem to earn a living as a freelance writer – maybe you need to take a long-term perspective.” 

J.K. Rowling

“From my 25+ years in publishing, I’ve observed that selling books does not occur without the author taking action.”

W. Terry Whalin

What is your favorite quote on this list and why? Let me know in the comments!

Tessa Emily Hall is an award-winning author who wrote her debut novel when she was sixteen. She is now a multi-published author of both fiction and non-fiction inspirational yet authentic books for teens, including her upcoming release, LOVE YOUR SELFIE (October 2020, Ellie Claire). Her passion for shedding light on clean entertainment and media for teens led her to a career as a Literary Agent at Cyle Young Literary Elite, YA Acquisitions Editor for Illuminate YA (LPC Imprint), and Founder/Editor of PursueMagazine.net. Tessa is guilty of making way too many lattes and never finishing her to-read list. When her fingers aren’t flying 128 WPM across the keyboard, she can be found speaking to teens, teaching at writing conferences, coaching young writers, and acting in Christian films. Her favorite way to procrastinate is to connect with readers is on her mailing list, social media (@tessaemilyhall), and website: www.tessaemilyhall.com.

Categories
A Lighter Look at the Writer's Life

What to Write?

It was Sunday. I woke up fairly early (that’s 8 or 8:30 for me) and looked at the date. January 24.

What a minute—what? I was shaken fully awake by the realization that the next day, January 25, was Almost An Author Blog Post Deadline Day.

Cue the music . . . duh-duh-duh!

What am I going to do? What I am going to write about? Will they fire me by ending a sentence with preposition?

I got up and wrote a thrilling, deep post.

Okay, that’s not true. I got up, got dressed, ate breakfast, headed off to church. The mysterious, “what’s it gonna be” post was in the back of my mind, but I concentrated on the worship and the message. The thought that I had a blog post due in 24 hours drifted away.

I came home, ate lunch, and settled in my recliner. That’s when the thought came back.

Oh, no, A3 deadline next day. WHAT AM I GOING TO WRITE ABOUT?

I didn’t grab my laptop to punch out perfect prose. I did what I usually do when I am at a loss for words and ideas: I took a walk. As I strolled down my country road, I felt led to look up.

Some background: I live in the mountains of Eastern Kentucky, one of the most beautiful places on earth, but I often take it for granted. On this particular day, it was a bit chilly and overcast, not ideal for scenery with the barren winter, but I looked up.

That’s when I saw it, a glimpse of God’s amazing beauty. The mountains were there above me in all their majesty, still snowcapped from a weather system earlier in the week. The scene was framed by  pine trees that were full along with some of the bare trees mixed in, intertwining to highlight the artistry.

I drank in the scene for a few minutes, and, of course, took a picture with my phone (Yes, I am THAT person). I continued my walk and felt a catch in my spirit—something to write about (There’s that preposition thing again).

My advice to you, writer stuck for words and ideas, is to look up. Sometimes, stepping away from the work and looking up to see the beauty around us are what we need. For many of us that can be hard to do, but the reward is great.

God’s beauty is there if we seek it, making it possible to share with others, whether it be through a painting, a photo, or words on the page.

It may even be through a blog post that was almost late.

Editor’s Note: Wonderful advice, but I’ll be watching for those prepositions! (Actually, it’s perfectly acceptable grammar to end a sentence with a preposition. So don’t worry.)

Carlton Hughes, represented by Cyle Young of Hartline Literary, wears many hats. By day, he is a professor of communication. On Wednesday evenings and Sunday mornings, he serves as a children’s pastor. In his “spare time,” he is a freelance writer. Carlton is an empty-nesting dad and devoted husband who likes long walks on the beach, old sitcoms, and chocolate—all the chocolate. His work has been featured in Chicken Soup for the Soul: The Dating Game, The Wonders of Nature, Let the Earth Rejoice, Just Breathe, So God Made a Dog, and Everyday Grace for Men. His latest book is Adventures in Fatherhood, co-authored with Holland Webb.

Categories
Courting the Muse

How Academic Articles Can Help You Craft Your Frame Stories

Pilgrims travel to a martyr’s shrine, swapping stories on their journey to pass the time.

The freshly installed tenant of a rundown estate asks his housekeeper about the history of his troubled new home.

A sea captain writes to his sister about a disturbing encounter he had en route to the North Pole.

If you’ve got a taste for classic literature, you might recognize — in broad strokes, at least — the openings to some of English literature’s most notable works: The Canterbury Tales, Wuthering Heights, and Frankenstein. respectively.

All three of these classics show the power of frame stories at work. Also known as frame narratives, these introductory tales enclose another story (or set of stories), supporting and emphasizing them like gilded wood embracing a painting.

As you might have gathered from the examples above, a good frame story isn’t just a throat-clearing before the author begins to speak in earnest — a preamble to the story they really want to write.

For one thing, frame stories help orient the reader. Their protagonists are often as lost as we are, stumbling into astounding situations they don’t yet have the context to parse. The tenant arrives in the aftermath of Heathcliff and Cathy’s ruinous love; the sea captain rescues Dr. Frankenstein from the cold, long after the monster has already escaped his custody. As strangers to the scene, these baffled observers allow us to nestle into their curiosity and bewilderment, giving us a perspective to latch onto as we ease ourselves into the book.

Done right, frame narratives offer a way into the plots and characters they frame. But beyond that, they also offer occasions for storytelling — justification for each word that follows. Why am I reading this? What makes this important? These are the questions a good frame story will answer.

These days, I often find frame narratives in mystery novels and ghost stories, where they depict a naive outsider’s first encounters with the enigma at the heart of the work. But actually, I tend to stumble on my favorite frame narratives in a less intuitive genre: academic articles.

At its core, academic research isn’t unlike the plotting of mystery novels. The scholar-sleuth, encountering an ambiguity, undertakes an investigation. They work methodically through clues, subjecting them to rigorous analyses and synthesizing them through flashes of insight.

In my field of history, researchers don’t tend to present their findings in the form of conventional frame stories — that is, by narrating the discovery of their sources. However, historians often do deploy a rhetorical strategy that reminds me of the frame narrative at its best. In some of my favorite scholarly articles, the researcher begins with a punchy anecdote, a narrative that orients me to the concepts they’re working with and eases me into the analysis to come.

The book historian Susan Cherniack, for example, uses this technique with spare, elegant style in a classic 1994 study of textual transmission in Song China. The 120-page article opens on the striking story of “five [Song] woodblock-engravers who were struck by lightning after changing the texts of prescriptions in a medical book they had been engraving”. This startling one-liner gets right to the center of Cherniack’s inquiry: how texts change as they’re copied and circulated; which changes are “allowed” and which forbidden.

When Cherniack pulls this anecdote and places it at the beginning of her article, she’s crafting a narrative frame for her ideas, much like Mary Shelley opening Frankenstein on a sea captain’s rescue of a scientist. Cherniack doesn’t belabor her point — she moves on from this opening salvo quickly enough. But she does offer us a striking, narratively rich indication of why we should care about her study.

As fiction writers, we use our frame stories to introduce narrative, not argumentation. But examining how historians contextualize their arguments through storytelling can make us better storytellers too, by keeping frame stories compelling and tight.

Lucia Tang is a writer for Reedsy, a marketplace that connects self-publishing authors with the book industry’s best editors, designers, and marketers. To work on the site’s free historical character name generators, she draws on her knowledge of Chinese, Latin, and Old Irish —  learned as a PhD candidate in history at UC Berkeley. You can read more of her work on the Reedsy Discovery blog, or follow her on Twitter at @lqtang.

Categories
Courting the Muse

Why Your “Bad” Writing Holds the Key to Curing Writer’s Block

Long before the pandemic began, I used to drop into the occasional adult beginner ballet class. There, I’d stretch out vertebrae accustomed to being crunched together over a laptop, and curl fingers stiff from typing around a wooden barre. I stopped going after a while, but the monotony of sheltering in place made me want to dance again. With the studios shuttered by COVID, I turned to YouTube. Now, I tendu and plié at home in my yoga pants, clumsily mirroring the dancers I call up on my TV screen.

One Youtube dance teacher, the Miami City Ballet soloist Kathryn Morgan, posts follow-along stretching routines alongside her virtual barre classes. In one such video, Morgan stretches her legs long-wise on a Tiffany blue yoga mat. She rounds her back, hunching over with her spine forming a C-shape.

She says, “We’re doing this first” — with the curved spine — “so that when we do the normal head-to-knee stretch, the back doesn’t take over.” Then she straightens and hinges over, reaching for her feet. At home, stretching on a hardwood floor, I copy the curves and flats of her spine.

Morgan teaches us to sit in the “wrong” position first, releasing the distracting muscles in our back so we won’t be held taut by their tension. Doing the stretch badly, sinking into your comfort, allows you to do it well the next time.

I’ve written in the past about the virtues of bad prose, how reading ungainly sentences or ill-plotted stories can teach us to spot the flaws in our own writing. But, stretching with Morgan, I can’t help but think about how writing badly can sometimes be helpful too.

We all have questionable habits as writers. For me, it’s a shapelessness to my plotting, an overuse of metaphor, and a tendency to let my stories sort of… peter out instead of ending them with intention. For the most part, it makes sense to guard against these impulses toward sloppiness. But sometimes, thinking too hard about how not to write makes it hard to write at all.

I think, again, of ballet. Sometimes, the impossibility of turning out at the hip and pointing the toes and straightening the knee and tucking the pelvis, all at the same time, can freeze me in place before I even begin to move. To start dancing at all, I have to give myself permission to do it badly. Sometimes, I’ll even move in a deliberately off-kilter fashion, allowing my knees to knock together and my feet to flex. I’m letting my body have its way, before I subject it to balletic discipline.

When I find myself blocked by writerly perfectionism, I’ve found it helpful to give my “bad” impulses free rein too. But instead of doing this in the text of whatever I’m working on, I use a “fake” story as a scratchpad, deliberately staying away from the setting, characters, and even themes of my “real” project.

In this new document, which resembles an actual story only in the loosest sense of the term, I force myself to write thoughtlessly and without shame. I let my metaphors starburst into absurdity, my sentences tangle up in one another, my characters run off and disappear without reason. Instead of worrying about endings at all, I keep plowing ahead, rarely even reading over what I’ve typed.

Like releasing all the tension in my stiffened spine, writing with abandon like this lets me get my bad habits out of my system. Only then can I approach my “real” project unselfconsciously. It’s the writerly equivalent of dancing alone with your eyes closed, not even looking at your own clumsy, joyful shape in the mirror. In my opinion, there’s no better way to get over writer’s block.

Lucia Tang is a writer for Reedsy, a marketplace that connects self-publishing authors with the book industry’s best editors, designers, and marketers. To work on the site’s free historical character name generators, she draws on her knowledge of Chinese, Latin, and Old Irish —  learned as a PhD candidate in history at UC Berkeley. You can read more of her work on the Reedsy Discovery blog, or follow her on Twitter at @lqtang.

Categories
Courting the Muse

Why Advice Columns Might Just Give You Your Next Story Idea

These days, anyone who wants to write short stories of an unconventional bent has their pick of quirky venues to showcase their work.

By way of example, just look at Taco Bell Quarterly, a self-professed rival of the storied Paris Review. One of the hottest literary magazines to emerge in the past year, it only accepts work related to America’s favorite fast-food purveyor of Crunchwrap Supremes. Microverses, an even newer journal of speculative flash fiction, limits itself to “tweet-length work” — minute narratives of no more than 280 characters.

Then there’s r/relationships, a wildly popular advice forum on the social media giant Reddit. Frequented by some 3 million visitors worldwide, it’s come under fire recently for being filled with lies. As it turns out, many of those posting on the forum aren’t actually lovelorn sufferers in genuine need of advice — they’re fiction writers, flexing their skills in an unusual form.

That brings me to my favorite source of narratively rich and formally intriguing short fiction: the old-fashioned advice column. That’s not to say that everyone corresponding with the likes of Dear Prudence and Ask Polly is a fabulist, honing their craft in the inbox of an agony aunt (though readers have made a sport out of spotting the fake letters for years). Even if most letter-writers are seeking advice in earnest, this oddball genre remains fertile ground for literary inspiration.

Directly adapting a letter into a story might raise some eyebrows — especially if you assume the mind behind it belongs to a genuine advice-seeker, not a fellow fiction writer. But even if turning a stranger’s vulnerability into a literary project, detail for detail, doesn’t strike you as the right move, advice columns can still inspire good writing.

Glance at any given advice column, and you’ll find a treasure trove of emotionally resonant stories, from the heartrending to the absurd. For me, these accounts aren’t just intriguing because of their wealth of hyper-specific detail: the exact infractions committed by an overzealous homeowner’s association, the strange scent clinging to an adulterous spouse’s clothes. The little narratives they encapsulate are valuable to writers primarily because of their nuanced — even outright messy — depictions of human feeling.

Advice columnists, and the people who write to them, acknowledge that we don’t always react to emotional stimuli in ways that make sense. Betrayal can evoke relief as well as heartbreak, and the most passionate love can be complicated by mutual resentment.

When it comes to crafting complicated, true-to-life emotional arcs for your stories, there’s almost no better source of inspiration than the advice letter. If you find one that touches a nerve, consider exploring its palette of emotions through an analogous — but distinct — scenario of your own invention. All you need to do is meld the letter-writer’s narrative with your own experience, adding dash of imagination and empathy for good measure. You just might find yourself looking at your next short story.

When you try to turn that initial spark into a well-executed work, you might try seeking inspiration from the advice column in terms of form as well as content. While we don’t typically think of advice letters as high art, they have a lot to teach short story writers about style and presentation.

Advice column letters are perfectly crafted for communication, clueing readers in on the emotional stakes of a situation with maximal efficiency. As such, they deploy unpretentious language and tight plotting to get readers invested in the most bizarre scenarios. Next time you write a story, try channeling their economy of expression for a narrative that packs a punch.

Lucia Tang is a writer for Reedsy, a marketplace that connects self-publishing authors with the book industry’s best editors, designers, and marketers. To work on the site’s free historical character name generators, she draws on her knowledge of Chinese, Latin, and Old Irish —  learned as a PhD candidate in history at UC Berkeley. You can read more of her work on the Reedsy Discovery blog, or follow her on Twitter at @lqtang.

Categories
The Intentional Writer

The Importance of Taking Breaks

Writing is hard work. It may not look like writers expend much energy, but we are. Writing saps our mental, emotional, and spiritual energy reserves. If you’ve ever felt drained after a writing session you know what I mean.

In order to be effective in our writing career, we need to intentional about taking breaks to restore our creative energy. We need time to rest, refuel, and find new inspiration. Here are some ideas:

Five types of breaks to boost writing success

Give your project a rest

Sometimes the best thing we can do with a writing project is set it aside for a time. When we get deep into a story we lose the ability to look at it objectively, plus we tend to get stuck on certain details, scenes, or sentences. When we set the project aside and work on a different piece of writing for a time, we allow our brains to do a reset.

Taking a break between one draft and the next enables our conscious and unconscious brains to return to the project with clearer thinking. We can more easily spot problems and think up more creative solutions for solving them. If you feel stuck with a piece of writing, try locking it in a drawer (real or virtual) for at least a week, or perhaps a few months.

Take short breaks to enhance efficiency

When we’re in the middle of a busy day, taking a break may feel highly unproductive, but productivity experts have shown that taking short breaks actually enhances our ability to think and perform. They suggest stopping every two hours or so to take a short break.

All breaks are not created equally, however. To make the most of short breaks, walk away from your desk, turn your brain to a completely unrelated subject, and connect with either nature or other humans. Limit the break to about fifteen minutes. Above all, resist the temptation to check social media or email! Those activities are not restorative.

Refill your empty tank

When we push ourselves to keep going after our inner energy tank is on empty, our creativity suffers. If we want to do our best work, we must be intentional about taking refueling breaks. What refreshes and restores your heart and soul? Taking a walk along the seashore? Paining a picture? Gardening? Reading? Talking with a friend over coffee? Do yourself and your future readers a favor by making a point to refuel yourself regularly by spending time in activities that restore your body and psyche.

Seek out inspiration

Along with refueling our inner energy tank, we occasionally need to resupply our stock of inspiration. Now and then we need to take a break from writing to seek other kinds of experiences that will fill our store of ideas and spark creativity. The more varied the activities, the better. Vacations, nature walks, art classes, dancing lessons, or a visit to an art museum are all great ways to refill our cache of inspiration. So is reading a book outside our preferred genres or watching a TED talk on something we know nothing about. It may feel like wasted time, but all positive input is fodder for out subconscious. What new things can you learn or experience this week?

Meditate and pray

Our words reflect the state of our spirit. If we hope to communicate truth and hope to our readers we need to remain connected to our Lord. He is the one who gifted us with imagination and called us to write. He is the one who can inspire, guide, and clarify our thoughts. He is the one who enables us to write with efficiency and purpose. Taking spiritual breaks to pray and meditate will help us stay true to our calling and enable us to communicate the truths in our hearts.

I hope these tips help you avoid burnout and enhance your creative output.

Happy writing!

Award-winning writer Lisa E. Betz believes that everyone has a unique story to tell the world. She loves inspiring fellow writers to be more intentional about developing their craft and courageous in sharing their words. Lisa shares her words through speaking, leading Bible studies, writing historical mysteries, and blogging about living intentionally.

You can find her on Facebook LisaEBetzWriter Twitter @LisaEBetz and Pinterest Lisa E Betz Intentional Living.

Categories
Courting the Muse

How Personality Quizzes Can Help You With Character Development

Have you ever taken the MBTI? Short for Myers Briggs Type Indicator, this classic personality test promises to divine your essential nature from a series of thought-provoking questions. A favorite of career counselors and online quiz junkies alike, it’s basically a Muggle’s multiple-choice Sorting Hat. But instead of Hogwarts’s four houses, the MBTI divides up all test-takers into sixteen personality types, from The Commander (assertive, far-sighted, prone to stubbornness) to The Artist (practical, detail-oriented, gun-shy in the face of conflict).

When I first took the MBTI over a decade ago, its chain of probing questions led me to an identification with The Thinker, a somewhat kooky theoretician prone to spells of self-doubt. I saw quite a bit of myself in the description of my type, from my dreaminess to my insecurity. And so my MBTI has hovered around the edges of my self-concept ever since.

A little while ago, I finished reading journalist and critic Merve Emre’s The Personality Brokers, which offers a deep dive into the twisty history of the indicator — turns out, its creators were adamant about not calling it a test, since there are no wrong answers. Merve’s research reveals a certain amount of fuzziness in MBTI’s inner workings: the scoring was constantly being tinkered with, and it was never proven to be scientifically valid at all.

At the same time, however, The Personality Brokers shines a light on MBTI’s usefulness as a storytelling tool. It may be far removed from the objective precision of a blood test. But when it comes to providing writing inspiration, no test — sorry, indicator — can do better.

The history of MBTI is also the story of two extraordinary women, Isabel Briggs Meyers and her mother Katharine Briggs, the “M” and the “B” of the initialism. Both of them, of course, were keen-eyed observers of personality. But perhaps more intriguingly, they were also writers.

Isabel even won a high-profile mystery writing contest with her debut novel, Murder Yet to Come. This thriller featured a team of idiosyncratic, finely drawn detectives whose “working relationships were always invigorated by their personality differences.” (Though the novel topped both the American and British bestseller lists, Isabel invested her earnings in the stock market and tragically lost everything in the 1929 crash.)

Katharine, meanwhile, bore a near-religious fascination with the work of pioneering psychologist Carl Jung. As she worked her way through his research as an autodidact, she processed what she learned by writing slow-moving, character-driven fiction about her idol. Though her Jung novel, The Man from Zurich, was never published, it bore witness to how closely psychology and storytelling were intertwined in her mind.

The MBTI might not have the scientific grounding to tell you who you are or what you should do with your life. But as Myers’s and Briggs’s own creative work suggests, it can certainly help you develop your characters. Read through a description of any MBTI type — say, Isabel’s own type, The Mediator — and you’ll find a comprehensive overview of how they relate to others, look at the world, and how they make decisions.

In other words, you’ll find the makings of a fantastically thorough character profile, detailing how a certain type of protagonist (or antagonist, or bit player) might react to anything your plot can throw at them.

If you ever find yourself stuck on a point of characterization, try using MBTI to write your way out. You can even take the test (or rather, indicator) “in character” and see if the result resonates with the fictional figure you had in mind. Who knows? You just might learn something new about one of your characters.

Lucia Tang is a writer for Reedsy, a marketplace that connects self-publishing authors with the book industry’s best editors, designers, and marketers. To work on the site’s free historical character name generators, she draws on her knowledge of Chinese, Latin, and Old Irish —  learned as a PhD candidate in history at UC Berkeley. You can read more of her work on the Reedsy Discovery blog, or follow her on Twitter at @lqtang.

Categories
Courting the Muse

Why Stealing Characters from History Isn’t Just for Historical Fiction

As writers, we’re generally in the business of creating our own inspiration. When it does strike us unbidden, we know it’s a rare gift that can’t be squandered.

The problem is, even when our muses turn suddenly, spontaneously generous, they rarely shower us with all the inspiration we need to produce a complete work. Some fragment of a story might flare lightning across our minds — a striking premise or a single, unforgettable scene. But in that same Eureka moment, we don’t always get the setting, the conflict, or the characters we need to turn that inner prompt into a rich and powerful story.

If you’re in need of characters to anchor a compelling concept and give it a human touch, you can always opt for the stereotypical solution — writing what you know and transforming all your friends and loved ones into thinly veiled fiction. But if you want a wider, wilder range of characters to play with, why not turn to historical figures?

As a PhD student in history, I got into the discipline for the characters I encountered in textbooks. There was the mystic who wept her way through the Holy Land, disturbing her fellow pilgrims. The historian who chose castration over death, so he could finish the work his father started. The emperor who turned rulership into theater, demanding his subjects applaud him when he sang.

Any of these real-life figures would add depth and color to a novel or short story — whether or not it’s set in their native time and place. In my opinion, writers who don’t specialize in historical fiction can steal characters from history to tremendous effect. They’re not beholden to the strictures of fact, and they can even mix and match — welding, for instance, a famous painter’s precocious childhood to a rakish scientist’s turbulent marriage. Think of this as an act of narrative collage: piecing together, from a rich store of existing materials, the perfect character for your narrative needs.

Some of my favorite, non-historical novels have leaned on characters inspired by history — plucked from our past and transported to new worlds of the author’s creation. Ken Liu’s Nebula-nominated fantasy novel The Grace of Kings, for instance, rewrites material I studied extensively in grad school: an early Chinese historical account of the turbulent transition between the Qin and Han dynasties. (The author of the source text? The castrato-historian I mentioned earlier!)

In Liu’s vivid, imaginative retelling, Liu Bang — the brash and charismatic man who would become the first Han emperor — becomes Kuni Garu. He’s a hard-drinking, fast-talking charmer who shares the historical Liu’s contradictions: beneath each man’s loutish, workaday exterior lurks the potential for majesty.

As my example suggests, historically inspired character development works especially well for speculative fiction — we’ve seen plenty of sci-fi novels in recent years with settings modeled on, say, imperial Rome or the Byzantine Empire. Still, this technique should work just as well for other genres. Can you imagine a contemporary novel that transposes Virginia Woolf onto the world of digital media? Or a mystery series where the sleuth is based on Tanaquil LeClercq, the ballerina whose stage career was cut short by polio — and who reinvented herself as a dance teacher, demonstrating combinations with her arms and hands?

In the end, the figures you’ll encounter in history are more than lists of dates. They were human beings, with formative influences and inner conflicts, immortal longings and deferred dreams. Let them into the world of your story, and they just might surprise you with what they do.

Lucia Tang is a writer for Reedsy, a marketplace that connects self-publishing authors with the book industry’s best editors, designers, and marketers. To work on the site’s free historical character name generators, she draws on her knowledge of Chinese, Latin, and Old Irish —  learned as a PhD candidate in history at UC Berkeley. You can read more of her work on the Reedsy Discovery blog, or follow her on Twitter at @lqtang.

Categories
Courting the Muse

Why Reading Bad Prose Can Make You a Better Writer

A quarantine isn’t a writing retreat. Sure, some of the greats managed to transmute epidemiological panic into excellent prose (and poetry). Shakespeare — as I’m sure we’ve all heard — may have taken advantage of the Globe Theater’s shuttering to pen King Lear as the plague ravaged London. Now, panic sweeps through our own communities while government orders shutter our doors. Should we channel the Bard and try to write our way out of alienation and anxiety?

For some, that’s easier said than done. Maybe you’re spending this time caring for loved ones, looking out for vulnerable neighbors, or even just learning how to navigate this new normal: urgent and necessary tasks that push your latest writing project to the wayside. That’s no reason for guilt. After all, you’re a human being before you’re a writer, and practicing compassion — for yourself and your community — will only make you a more sensitive storyteller in the long run.

That said, if you do have the bandwidth to craft a paragraph or fashion a plot, creating through the uncertainty can help you feel less adrift. It’ll stimulate your mind with something other than the news and give you a reason to reach out to like-minded writers — crucial at a time when we could all stand to feel less alone.

Just don’t put undue pressure on yourself by trying to write the next King Lear. Instead of force-fitting yourself into a Shakespearean mold, try looking to a counterintuitive source for authorial inspiration: bad writing. Not only will it give you a much-needed laugh, but studying shoddy prose will actually help you sharpen your craft. Here are three reasons why.

1. Learning how not to write can be easier than learning how to write

Think back to your standardized test-taking days. Remember using the process of elimination to puzzle out a question that might have otherwise stumped you?

Studying bad writing — a plodding novel, a disjointed short story, even a muddled and misshapen sentence — can improve your craft in the same way. Read enough problematic prose, and you’ll quickly build up a checklist of things to look for as you revise. Speaking of which….

2. Honing your editorial judgment is easier when you’re reading someone else’s prose

As writers, we can be blind to our own stylistic quirks, letting our gaze slide over major bobbles because we got inured to seeing them. On the other hand, we might be oversensitive to our faults. Without a firm sense of our own writerly strengths, we end up second-guessing everything and finding fault with perfectly sound passages.

When you read bad prose produced by another writer, these emotional hang ups aren’t in play: you can read the passage for what it is and critique it with a cool head. Over time, you’ll develop sound editorial instincts — and be able to draw on them when you return to your own writing.

3. Seeing the greats falter is a great reminder of your own potential

Maybe you’re worried that this particular form of writing inspiration leads to a mean-spirited exercise in punching down. After all, does anyone turn out terrible prose except for newbie writers — the very people we should be showering with support and encouragement?

Luckily, that’s not quite true — you can find plenty of models for how not to write among the oeuvres of literary giants. Just look at the hordes of Booker Prize winners who have earned nods from the infamous Bad Sex in Fiction Award and the fearless book reviewers who savage the bibliosphere’s stars. Even Shakespeare himself doesn’t always hit a home run: Titus Andronicus has garnered its share of thumbs downs over the years.

You should absolutely read celebrated writers at their best. But don’t be afraid to read them at their worst as well. It’s a much-needed reminder that every literary luminary was once like you — a writer intent on improving their craft.

Lucia Tang is a writer for Reedsy, a marketplace that connects self-publishing authors with the book industry’s best editors, designers, and marketers. To work on the site’s free historical character name generators, she draws on her knowledge of Chinese, Latin, and Old Irish —  learned as a PhD candidate in history at UC Berkeley. You can read more of her work on the Reedsy Discovery blog, or follow her on Twitter at @lqtang.

Categories
Devotions for Writers

What Shall I Write?

“Comfort, comfort my people, says your God.”

Isaiah 40:1 (NIV)

Do you feel compelled to write, but don’t know where to start? The prophet Isaiah could relate. He was so overwhelmed by the frailty of life he didn’t know what to say (Isaiah 40:6-9). The Lord told him to proclaim from the mountaintops, “God is here!”

Could you affirm ways you’ve seen the Lord’s hand at work in your life? There’s someone who needs to know they’ve not been forgotten.

Isaiah 40 provides great subject matter to prod your creativity. God is portrayed as a comforter who speaks tenderly (Isaiah 40:1-2). Could you tell a story of a nurturing moment with your Mom or Dad, your child, or grandchildren? Could you show how that reminded you God is a caring Father?

John the Baptist was foretold in Isaiah 40:3-5. Could you tell of your pregnancy announcement and the parenting instinct that arose in the ensuing months? What emotions of anticipation built as you waited? How has the expectation of a heavenly home created hope for you?

Isaiah 40:11 reminds us of the Good Shepherd. Do you have stories of farm life, your pet, or when you observed someone caring for another? How can that translate to action toward someone who needs care?

God’s authority, power and caring are displayed in this chapter. You can share examples of good leaders and how they’ve influenced you. What steps can someone take to become an effective pacesetter?

I love the reminder in Isaiah 40 that God is bigger than any crisis we face. In times of tranquility or turmoil, the writer has the responsibility to bring comfort and hope. Your pen wields the fires for a pandemic or peace. How will you respond?

Exercise:

  1. Read the whole chapter of Isaiah 40. Note verses that stand out to you. Journal your thoughts.
  2. Create a meme or post of hope. Include your blog or social media link.
  3. Come back and post it here to share with us.
  4. Spread abroad the memes others post here, and scatter kindness.

Does life feel overwhelming? God determined where and when you would be born (Acts 17:26-27). He has a plan for you and will walk with you through each step. Whether your address is rural or urban, you have an audience to inspire. Let the courage you find in God’s Word seep into your writing. Seize the opportunity to pen His words for such a time as this (Esther 4:14)!

Over 140 of Sally Ferguson’s devotionals have been published in Pathways to God (Warner Press). She’s also written for Light From The Word, Chautauqua Mirror, Just Between Us, Adult Span Curriculum, Thriving Family, Upgrade with Dawn and ezinearticles.com. Prose Contest Winner at 2017 Greater Philly Christian Writers Conference.

Sally loves organizing retreats and seeing relationships blossom in time away from the daily routine. Her ebook, How to Plan a Women’s Retreat is available on Amazon

Sally Ferguson lives in the beautiful countryside of Jamestown, NY with her husband and her dad.

Visit Sally’s blog at www.sallyferguson.net

Categories
Courting the Muse

When Watching TV Doesn’t Mean Procrastinating on Your Manuscript

During my last semester of undergrad, I spent a lot of time watching 30 Rock.

Like many graduating seniors, I suffered from a mild-to-moderate case of senioritis: a heaviness that periodically gripped my limbs at the very thought of academic work. But the time I spent riveted on Tina Fey and Alec Baldwin as they traded repartees? That didn’t count as a symptom. My steady diet of sitcom wit wasn’t procrastination — it was research.

That was the semester I signed up for a workshop on literary translation, taught by a celebrated translator of Hebrew and Arabic. Over the course of fifteen weeks, the class chipped away at individual projects, wrestling with texts in languages that — for the most part — neither our classmates nor our professor could understand. Then we’d read each other’s work as a group. As the term wore on, we sampled a dizzying array of translations: Russian realism, Greek philosophy and, in my case, classical Chinese domestic farce.

Of course, we couldn’t offer notes on how accurately each translator treated the languages we didn’t know how to read. What we could critique was the quality of the English that came out the other side: the flow of the sentences, the music of the syllables, the feelings that arose as we read each line. That was when I realized literary translation was as much about writing as it was about understanding a text: it was creative, as well as critical, work.

Now, what exactly did translating classical Chinese have to do with 30 Rock? Not a lot at first, as you’d probably assumed. But that changed as the semester progressed and my project started to develop in a new direction. 

The piece I’d chosen to translate was earthy, irreverent, and dialogue-rich: lively with farcical liaisons, domestic squabbles, and pretentious characters who’d misquote the classics to justify their jealousy and lust. It was also literally full of holes — and not the plot variety. Part of a cache of excavated texts from the Western Han, the rhapsody dated back to the second century BC, and the bamboo it was inked on had been badly damaged, gnawed away by time. In the transcription I worked from, typed out by a Peking University professor, brackets and ellipses stood in where the original characters could no longer be read.

My first pass through this fragmentary text left me with a tortuous translation, pocked by footnotes and straining toward literalism. The other workshop participants gamely picked their way through the frustrated tangle of my English, asking insightful questions. But I could tell from their reactions: all I’d manage to get across was the text’s brokenness and difficulty, not the wit and soul that drew me to it in the first place.

So for my second draft, I decided to cut loose a little. Instead of bowing under the tyranny of the corrupt original, I’d turn this fragmentary story into a play, letting the sharp humor of the dialogue speak for itself. I wanted to spotlight what was still there, not the parts that were lost forever. 

When I told the workshop about this new approach, I couldn’t resist ending with a joke: “I’m thinking about watching a lot of sitcoms to make sure the dialogue sounds right.” But my classmates — and our professor — took me seriously, encouraging me to study TV writing as I learned to craft dialogue. So Liz Lemon and I started spending quite a bit of time together.

As it turns out, a tightly scripted sitcom really is a masterclass in writing conversations. Break it down, and you’ll learn more than the art of a snappy one-liner: you’ll get a sense of how to write dialogue that sounds natural without being pulled from real life, with all its pauses, mumbles, and wasted air. 

The next time you’re stuck on a bit of dialogue, try taking inspiration from your favorite Netflix show. Whether you’re writing a novel or turning a 2,000-year-old text into a play, the characters you’re trying to coax into conversation will thank you. Best of all, you’ll get to watch TV — guilt-free.

Lucia Tang is a writer for Reedsy, a marketplace that connects self-publishing authors with the book industry’s best editors, designers, and marketers. To work on the site’s free historical character name generators, she draws on her knowledge of Chinese, Latin, and Old Irish —  learned as a PhD candidate in history at UC Berkeley. You can read more of her work on the Reedsy Discovery blog, or follow her on Twitter at @lqtang.

Categories
Romancing Your Story

When Romance Writers Read and Create

In my opinion, anyone who says they don’t have time to read might as well say they don’t have time to breathe. Reading is as necessary to my well-being as food, water, and sleep are. It can be argued that writers must be readers. Most romance writers are also romance readers.

I also think it’s necessary to read outside of the genre you write in. I’m not saying that if you write sweet or Christian or inspirational romance, that you should read erotica or gay romance. But I am saying that if you write historical romance, maybe pick up a romantic suspense. If you write Amish, try a romantic comedy. You’ll be surprised at how the conventions of the other genre will inspire and inform your own writing.

For instance, I was working on a sweet, contemporary romance but was stuck on a plot point. I was using the secret baby trope, which I know lots of readers hate, so I needed a really, really compelling reason for the heroine to keep this pregnancy and baby from the father.

I story mapped. I brainstormed with my critique group. I tried free associating ideas. Finally, I gave up. I told my subconscious to work on it and I picked up a thriller to read. A couple of hours later, I put the book down and I knew exactly why the heroine didn’t tell the father. She couldn’t tell him. Telling him would ruin his life, and she would never do that. Something in the thriller—a turning point in the story—jogged my subconscious which had been laboring feverishly while my conscious mind had been otherwise occupied. Steven King calls this the “boys in the basement,” at work. My girls in the basement, once I set them loose on the problem, came up with the solution while I read about spies running around Rome, trying to stop a terrorist plot to kill the Pope.

Reading in another genre also helps keep you open to new ways to twist a phrase or expression. Some genres have specific vocabularies and reading unfamiliar idioms will help your brain follow new pathways and make new connections. That all helps keep your writing fresh and unexpected.

If you normally read hard copy books, try an ebook, or an audio book. Something about shaking up your normal routine also shakes up your creativity. Speaking of creativity, let’s touch on the importance of filling up that creative well. Reading outside your usual genre is part of that. But also take time for other creative endeavors. Get outside into nature. Visit museums and art galleries. Even if you live in a rural area, far from a museum, many offer virtual tours online. With the Internet at our fingertips, we can learn Scottish history as easily as we can examine the Sistine Chapel up close and personal.

If there’s a popular romance author that you’ve never gotten around to reading (because, let’s face it: so many books, so little time), seek out a title by that writer and move it to the top of your To-Be-Read stack.

Be purposeful in your reading, yes. But also read for the sheer pleasure of it. Read because you must. Read because without stories, your brain would shrivel up and crumble to dust. Read to make your own stories stronger and better.

Carrie Padgett lives in Central California, close to Yosemite, but far from Hollywood, the beach, and the Golden Gate Bridge. She believes in faith, families, fun, and happily ever after. She writes contemporary fiction with romance. Carrie and her Stud Muffin live in Central California with their cat and dog and within driving distance of their six grandchildren.

You can find her online at:

Twitter: CarriePadgett

Instagram: carpadwriter

Facebook: WriterCarriePadgett

Amazon Author Page: Carrie Padgett

Categories
Courting the Muse

Why Your Contemporary Fiction Needs Worldbuilding Too

If you’re like most writers, worldbuilding feels like the province of sci-fi and fantasy authors alone. Sure, it’s crucial if you’re populating a distant planet with intelligent life, or piecing together the history of a kingdom ruled by fire mages. But it’s less useful if you’re writing about a town full of ordinary people. Right?

Actually, crafting contemporary fiction with a worldbuilder’s mindset can take your storytelling to the next level, no matter how seemingly ordinary your setting. At the end of the day, every book is a world unto itself, set apart from real life by boundary lines drawn by the author’s imagination.

When you write your book, you’re creating a space for your readers to linger. If you want them to relish spending time in the world of your story, try taking inspiration from sci-fi and fantasy writers. Here are three reasons to follow their lead.

1. It forces you not to take everything for granted

When we write contemporary fiction, it’s hard not to fall back on conceptual shorthands to draw the reader into your story. Think about a signifier like “high school” and all the images it brings to mind, from lunchtime cliques to the disorientation of standing on the cusp of adulthood.

If your story takes place at a high school, it’s fine to tap into these ready-made associations. But rely on them too much, and you risk ending up with a story that feels mass-produced.

If you find yourself leaning into conventions, take a look at how settings work in strong, original sci-fi and fantasy. The best of them remix genre mainstays — say, the telepathic alien species or the faux-medieval kingdom — with original details you won’t find anywhere else.

That’s a worldbuilding trick you can use contemporary fiction to create memorable, immersive settings. Just think: how is your high school different from other fictional high schools? Which details make your story recognizable as a high school story, and which ones make it unique?

2. It helps you flesh out your characters

If a work of speculative fiction takes place in a setting that’s markedly not our world, its characterization should reflect that. Everyone, from the hero to the villain’s stepmom, will share a baseline set of assumptions. And these might look very different from what we’re familiar with.

For instance, picture a fantasy world where meddling gods regularly show their faces. Atheism might be common in our world, but it makes no sense for someone in that world to be atheist — how can they be, when they saw the water god the last time they went fishing?

If you’re writing contemporary fiction, you should still consider the influence of setting on characterization. Think through that, and it’ll help you make sure there’s nothing about your characters that strains plausibility.

For example, say your story takes place in a densely populated city: high-rises stacked together, and no green space in sight. Would it make sense to give your protagonist hobbies like horseback riding and apple-picking? Probably not, unless you have a good explanation in-story — say, summers spent at grandparent’s house in the country.

3. It will make sure your writing isn’t all over the map

I started this post by alluding to the maps you so often see at the beginning of fantasy books. But in speculative fiction, worldbuilding isn’t just about deciding on the location of a fictional continent’s highest mountain or biggest seaport. It’s also about defining a sensibility, an emotional texture for the story.

That’s why the Harry Potter series, full of wonder and whimsy, gives us a magic system filled with punny spells. The highly cynical Song of Ice and Fire books, meanwhile, offer a darker take on the enchantment, where the dead stand up to fight and mystical swords are forged with blood. The tenor of the setting fits the tone of the story — you won’t find bumbling House-elves or goofy Boggarts in the chill of Westeros.

Take inspiration from JKR and GRRM: make sure the world of your story works with its sensibility, whether that’s somber or silly, hopeful or grim. After all the work you’ve put into your writing, the last thing you want is to make your readers laugh when they should be crying. Approach your storytelling with a worldbuilder’s sensitivity to setting, and you can rest assured they won’t.

Lucia Tang is a writer for Reedsy, a marketplace that connects self-publishing authors with the book industry’s best editors, designers, and marketers. To work on the site’s free historical character name generators, she draws on her knowledge of Chinese, Latin, and Old Irish —  learned as a PhD candidate in history at UC Berkeley. You can read more of her work on the Reedsy Discovery blog, or follow her on Twitter at @lqtang.

Categories
History in the Making

Unexpected Treasures

As both a reader and a writer, I enjoy spending time in book stores and libraries. This year some of my reader/writer friends and I went on two Used Book Store Tours. If you haven’t been on a Used Book Store Tour, I encourage you to take one. We spent an entire day in a specific area exploring all of the Used Book Stores in that area. It was a fun and exciting adventure.

used book store tour

The store, where I took the above photo, had four floors of books. As we explored each floor, we found the history section and one of my friends asked me, “Are you still interested in the Old West time period?”

I replied, “I certainly am.”

So, he showed me a book he had discovered, and I quickly asked if I could take a look at it. He handed it to me and I sat in an old wooden rocking chair to peruse the pages. Not only did I find the book fascinating, but the illustrations were unique, and the most exciting thing was that there were two newspaper clippings tucked inside the front cover.

The book is about Virginia City in the 1860s and 1870s. The newspaper clippings were also about Virginia City – one from 1997 and the other from 2004. I was so excited as my mind started to consider the treasure I held in my hands.

At the checkout counter, I feared the clerk may confiscate the newspaper clippings, but to my joy and relief, he didn’t.

Now, I eagerly await the opportunity to sit down and read this book and these clippings, as I know a story idea will form in my mind. I will learn of interesting characters from history, a city I don’t know anything about, the history about that city – not just Old West history, but even a bit of more recent history, thanks to those newspaper clippings, and who knows what kind of story will begin to form in my head.

In another used book store on that same day, I found a book about a particular group of military men from a period in history, and as I read the inside of the dust jacket, the idea for a story pricked my brain.

This delightful experience taught me something I hadn’t considered before – a book store isn’t just a place for the reader in me. It’s also a wonderful place for the writer in me to find treasures that will lead me to my next story.

In the past, I have always gravitated to the historical fiction section of a book store or library. Now, I know to also check out the nonfiction history section. Not only can I learn something about history, but I may find my next story idea in a history book upon those shelves.

We plan to do more Used Book Store Tours in 2020 and I can’t wait to see what treasures I find on those tours.

Kelly F. Barr lives in Lancaster County, Pennsylvania. She is married and has three sons. She writes historical romance. She has also been a blogger for ten years, and every Friday, you can find her Flash Fiction stories posted for your reading pleasure. She loves her family, including the family dog, books, walks, and chai lattes.

You can find her online at:

Website: https://kellyfbarr.com/

Twitter: https://twitter.com/kellyb_26

Facebook: Kelly F. Barr, Writer

Categories
Devotions for Writers

Allegiance to the Call

“I have done as you have commanded.”

Ezekiel 9:11 (NIV)

In our passage, the man with the writing kit at his side returns to the Lord with his mission accomplished. He knew his assignment and the terms to complete it.

Have you ever felt convicted to write a piece that an editor didn’t feel convicted to publish? You worked and reworked to make sure it was ready. But, what you submitted wasn’t what the editor needed.

Maybe success is not measured by reward, but by faithfulness to what God has called you to do.

How does inspiration strike you? Whether an idea niggles at you for weeks, or pops up instantaneously, it can take you by surprise when fleshed out. What an awesome opportunity to watch an idea form. It has the power to inspire, intrigue, and inspect your audience. Best of all, work done for the Lord may impact someone for eternity.

I remember reading an article about doorways that convinced me that they are welcoming agents and first impressions. Now, I notice doorways when in unfamiliar neighborhoods. Who would have thought writing about a doorway would be important? But that author found an angle to made it compelling, and it did affect me!

Let’s link arms in obedience to write for God! He put writers on earth for a purpose, and as we fulfill that design, we too will experience the satisfaction of telling the Lord, “I have done as You have commanded!”

Exercise:

You have been writing. You have been mailing in work to editors. You are learning to discipline yourself to keep office hours. You are seeing the efforts of your hard work adding up to a nice list of queries.

But, what if it’s been months with no response from your query? General response time is six to eight weeks! Your mission today, should you choose to accept it, is to follow up on that long-lost piece. It could be buried on an editor’s desk. It could have fallen through the gap when the publication changed hands. But you need to politely inquire as to the status of that piece!

Go in obedience to God, to follow up on something He inspired. You obeyed Him by writing it in the first place, now obey Him by following up on what He orchestrated. 

Refresh the memory of your editor and sell the advantage to printing your piece. You can do it!

Over 140 of Sally Ferguson’s devotionals have been published in Pathways to God (Warner Press). She’s also written for Light From The Word, Chautauqua Mirror, Just Between Us, Adult Span Curriculum, Thriving Family, Upgrade with Dawn and ezinearticles.com. Prose Contest Winner at 2017 Greater Philly Christian Writers Conference.

Sally loves organizing retreats and seeing relationships blossom in time away from the daily routine. Her ebook, How to Plan a Women’s Retreat is available on Amazon

Sally Ferguson lives in the beautiful countryside of Jamestown, NY with her husband and her dad.

Visit Sally’s blog at www.sallyferguson.net

Categories
Guest Posts

How to Use Music as a Writing Inspiration

As a writer, one thing that almost everyone will agree and accept is the fact that without inspiration, it is very difficult to go ahead with your work. You need to have a push and shove, especially when you feel your artistic part of the mind has abandoned you. Many people look for inspiration through different avenues. Some people take time off from writing and engage in other hobbies. Some go for a trip while some simply read other books.

Another potent method many writers engage in to find inspiration in writing is music. Music is the elixir of life for many. It can provide the necessary jog down the memory lane and get you on the right gear soon. If you are stuck in a rut as a writer and are looking at music for help to get out of it, this article might do the job for you.

What can music do for your writing?

There are different types of music which are extremely soothing to the mind. They can light up the creative hemisphere of the brain, which is incidentally also the hemisphere responsible for writing ability. Thus, there is a sort of synergistic connection between both. It also releases the feel-good hormone, serotonin, which can spark your writing skills again.

Music is also associated with certain moments and memories and can act as a recollection aid which will provide you the spark required. Last but not least, there is a certain groove or beat associated with different types of music which is also beneficial for inspiring you to write better. You can also take music lessons from an expert to create your music and make the creative experience more enriching.

Music helps you reach your writing goals

When you are starting or stuck in between, making a plan to move forward and setting writing goals becomes very important. These goals are mainly time-centric, and music can act as a good yardstick to measure time. For example, you can tell yourself that you will finish a certain portion until a playlist finishes, and then go about your writing accordingly.

Strategies for choosing your music

Music that relates to what you are writing

It is always better to choose music which is relatable to your writing for best results. If you are writing about love, grief, any emotion under the sun, corresponding music with the same emotion can do wonders.

Songs you can sing along

Some songs get stuck to your head, and the lyrics come out from your subconscious. These types of music—where you can sing along without much effort—can also be helpful.

Songs that remind you of a special day or someone

If you are looking for inspiration from a day or a person, the best way to remind yourself of them is to play the music that connects and associates with them. It will take you to a trip down memory lane and might be enough to give you the much-needed inspiration.

Music that gives you peace of mind

If your mind is disturbed, it will hamper your writing skills automatically. Therefore, always choose music that can provide you with the necessary peace of mind.

Inspirational tunes

Everyone has certain tunes that inspire them. Look for yours and utilize them to your advantage.

Types of music will help you focus while you write

Soundtrack for your novel

When you are writing a novel, certain soundtracks that go with the writing can help your writing.

Instrumentals like jazz or classical

This is for the people who are a purist in their writing. Their music choice also portrays that, and it is mainly in the form of classical music and jazz.

Electronic music

This is one of the best forms of music to get into the groove as advocated by many writers. It provides the necessary impetus.

Ambient noise

Putting on your noise-cancelling headphones and playing white and gray noise which are ambient can also work wonders as far as writing is concerned.

It must be clear by now that music is useful for getting the required inspiration while writing. Tap into your genre of preference and find the inspiration to start writing again.

Curtis Dean writes on behalf of Sage Music School where they base lessons on the science and research of the psychology of learning. Their effective teaching methods create confident and capable students who enjoy the happiness of making music.

Categories
The Intentional Writer

25 Quotes to Inspire Writers

Writing is difficult.

Some days we face disappointment, rejection, criticism, frustration, nasty reviews, or writer’s block. On the tough days, we need encouragement to keep going.

Here are 25 quotes on writing, creativity, and calling that can inspire you to keep going, even on the tough days.

Words: So innocent and powerless as they are, as standing in a dictionary, how potent for good and evil they become in the hands of one who knows how to combine them.

Nathaniel Hawthorne

We are all apprentices in a craft where no one ever becomes a master.

Ernest Hemingway

There is no greater agony than bearing an untold story inside you.

Maya Angelou

The world always seems brighter when you’ve just made something that wasn’t there before.

Neil Gaiman

Each of us has a unique part to play in the healing of the world.  

Marianne Williamson

Stories have to be told or they die, and when they die, we can’t remember who we are or why we’re here.

Sue Monk Kidd

I know nothing in the world that has as much power as a word. Sometimes I write one, and I look at it until it begins to shine.

Emily Dickinson

We live in a world where bad stories are told, stories that teach us life doesn’t mean anything and that humanity has no great purpose. It’s a good calling, then, to speak a better story. How brightly a better story shines. How easily the world looks to it in wonder. How grateful we are to hear these stories, and how happy it makes us to repeat them.  

Donald Miller

Behind every specific call, whether it is to teach or preach or write or encourage or comfort, there is a deeper call that gives shape to the first: the call to give ourselves away — the call to die.

Michael Card

Fill your paper with the breathings of your heart.

William Wordsworth

You see, in my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.

Junot Diaz

Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.

Neil Gaiman

Stories create community, enable us to see through the eyes of other people, and open us to the claims of others.

Peter Forbes

Creative work is not a selfish act or a bid for attention on the part of the actor. It’s a gift to the world and every being in it. Don’t cheat us of your contribution. Give us what you’ve got.

Steven Pressfield

Creativity is allowing oneself to make mistakes. Art is knowing which ones to keep.

Scott Adams

There is something about words. In expert hands, manipulated deftly, they take you prisoner. Wind themselves around your limbs like spider silk, and when you are so enthralled you cannot move, they pierce your skin, enter your blood, numb your thoughts. Inside you they work their magic.

Diane Setterfield

The most authentic thing about us is our capacity to create, to overcome, to endure, to transform, to love and to be greater than our suffering.

Ben Okri

I think… the most brilliant thing about being a writer is that if you don’t like the way the world is, you can create your own.

Maegan Cook

The whole culture is telling you to hurry, while the art tells you to take your time. Always listen to the art.

Junot Diaz 

If you wait for inspiration to write, you’re not a writer, you’re a waiter.

Dan Poynter

Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now.

Annie Dillard

I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I’m afraid of.

Joss Whedon

Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players. … I have 10 or so, and that’s a lot. As you get older, you become more skillful at casting them.

Gore Vidal

One thing that helps is to give myself permission to write badly. I tell myself that I’m going to do my five or 10 pages no matter what, and that I can always tear them up the following morning if I want. I’ll have lost nothing—writing and tearing up five pages would leave me no further behind than if I took the day off.

Lawrence Block

The most important things are the hardest to say. They are the things you get ashamed of, because words diminish them — words shrink things that seemed limitless when they were in your head to no more than living size when they’re brought out. But it’s more than that, isn’t it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you’ve said at all, or why you thought it was so important that you almost cried while you were saying it.  That’s the worst, I think. When the secret stays locked within not for want of a teller but for want of an understanding ear.

Stephen King

Award-winning writer Lisa E. Betz believes that everyone has a unique story to tell the world. She loves inspiring fellow writers to be more intentional about their craft and courageous in sharing their words. Lisa shares her words through speaking, leading Bible studies, writing historical mysteries, and blogging about living intentionally.

You can find her on Facebook  LisaEBetzWriter Twitter @LisaEBetz and Pinterest Lisa E Betz.

Categories
Guest Posts

Using Technology To Boost Creative Ability When Writing

Writers already understand the importance of creativity: after all, writing is an art form, and art forms rely heavily on imagination and the ability to craft something unique.  Technology is sometimes painted as the enemy of creativity, but that is simply not true. From provoking inspiration to facilitating the means of finding it, technology has simply enhanced the ability of writers in their pursuit of creativity, not hindered it. Here is how:

Tuning in to the right distractions

Technology is sometimes cited as the enemy of concentration – mobile phones constantly pinging and entertainment facilities such as TV and video games marking hugely distracting and mind-numbing activities which take away from our more productive activities and thinking time.

However, cannot these advances actually perpetuate imagination and creative thinking? If through video games we are able to enter incredible online worlds, and in movie theatres we are able to step into lives that are far-removed from ours as we could possibly imagine, are we not in fact feeding creative thought? Of course, there is a time and place for such distractions, such as when we have a task at hand that demands our full attention.

Using technology within helpful restrictions

Technology offers unlimited choices. Unfortunately, choices can be counterproductive, as there is also evidence to suggest that the greater number of choices we are faced with, and the greater the number of options we can select from, the more we resort to out tried-and-tested, and thus, less-creative, options. Consider a restaurant where there are 500 choices on the menu. In such a case, are you more likely to choose something new, or become so overwhelmed by the number of possibilities that you order a burger through sheer panic?


Using technology to ask questions

What technology can do, to an incredible extent, is facilitate your ability to ask questions and get answers. “It still amazes me how the internet in particular has facilitated our ability to find about things that we always wanted to know. In fact, some people have almost become dead to the idea of this, but I say use it for absolutely everything it is worth to feed your knowledge and creativity,” says Stanley Strachan, a writing consultant at Australian help and Academized.


Play educational games

Research from Michigan University has pointed to children who play video games actually showing a higher degree of creativity than their peers. Now, this doesn’t mean that writers need to immediately jump into the world of Fortnite, but it can mean that, with the selection of the right sort of game, your creative juices can start pumping. Games which inspire problem-solving capabilities are particularly useful.


Getting creative with help of photographs and videos

Technology has facilitated the ability to record images and videos, and subsequently share them, in a manner that could not possibly have been envisaged a short time ago. Use these images to inspire creative thoughts and to help paint the visuals you need in your mind’s eye to produce the story you want to tell. “As an example, now you can write a novel set in Africa if you have never been there simply because images and videos can facilitate your understanding of that place” says Lucy Hutton, a blogger at State of writing and Big Assignments.


Balance privacy and sharing

One final word of warning here. Creativity can also be greatly bolstered through what is known in the business as ‘incubation’, that is time spent alone with one’s thoughts and ideas in order to foster the greatest possible outcome. This rings as true now as it ever has, so be wary of sharing your ideas to freely before they have solidified in your mind.

I have often been warned against ‘oversharing’, and I think this is pertinent advice. Let the idea come to fruition first, because once you have released it, it is not yours anymore.

Nora Mork is a journalist at UK Writings and Essay Roo. She shares her ideas by speaking at public events, and writing posts for Boom Essays.

Categories
The Intentional Writer

The Power of an Idea File

Inspiration is all around us. We absorb it without trying, but serious writers are intentional observers and recorders of what they see and experience. They seek out the new and interesting, and they don’t rely on memory to keep those experiences fresh. Instead they keep an idea file and develop the habit or adding to it on a regular basis.

What is an idea file?

A place to keep snippets of writing, ideas, images, story concepts, random facts, and anything else that we grab because it might be useful. Idea files are more than a collection of topics for articles we might write someday. The more varied and compelling the content of our idea file, the more likely those odd and unrelated bits will come together to spark a brilliant and unique idea.

What to Collect

An idea file can include almost anything that catches your interest. Here are some things you might want to capture for your file:

  • Snippets of well-done or unusual description
  • Quotable lines
  • A passage that makes you stop and think
  • A passage that makes you laugh out loud
  • Snippets of conversation, real or fictional
  • Clever plot ideas
  • Odd or unusual trivia
  • Notes on an unusual place or person you happen to notice
  • Articles on any subject that caught your fancy
  • News stories
  • Images that relate to your story world
  • Images that relate to your characters
  • Book covers you particularly like
  • Anything that causes awe
  • Anything you find beautiful
  • Anything that strikes a strong emotional chord (comfortable, jarring, happy, scary, etc)

How to collect

  • You never know when you will come across something worth snagging for your idea file. Keep notepads, index cards, sticky notes, or your phone handy at all times, especially in the places you are most likely to want them, such as your favorite reading chair.
  • Snap pictures with your phone. Of scenery. Of art. Of people. Of a paragraph in a book. Of silly signs or misspelled menus.
  • Make a photocopy or scan items into your computer.
  • Copy and paste website links and content into a file on your device.
  • Dictate ideas or observations into your phone. You can also read poignant passages from a book.

How to store your ideas so you can find them later

An idea file has two components, a method of collecting ideas and a method of storing them so you can find them later. Once upon a time that meant a literal file filled with newspaper clippings and notes jotted on bits of paper. That is still a valid system, but nowadays much of our collection may be digital.

If you love being organized, you can scan all the analog inputs and keep all your ideas in one tidy digital space. If that sounds like too much work, consider keeping separate files for different mediums. There is no perfect method. The key thing is creating a system that works for you.

Here are some ideas

  • The tried-and-true manila folder
  • A tabbed journal or notebook to keep ideas sorted by categories
  • A bullet journal
  • A program like Evernote to corral and organize your digital collections.
  • A private Pinterest board to store images, blog posts, articles, etc.
  • An idea folder on your phone camera roll to easily find all those photos you snapped

Are you intentional about collecting good ideas, or is it time to get more serious about building your idea file?

What is your favorite way to store and organize your ideas?

Lisa E. Betz believes that everyone has a story to tell the world. She loves to encourage fellow writers to be intentional about their craft and courageous in sharing their words with others. Lisa shares her words through dramas, Bible studies, historical mysteries, and her blog about intentional living. You can find her on Facebook  LisaEBetzWriter and Twitter @LisaEBetz

Categories
Songwriting

How to Defeat the Dreaded, Highly Feared Monster We Call Writer’s Block

I hate to admit it, but writer’s block is just as prevalent in songwriting as it is in fiction writing. In fact, I find myself fighting this nasty demon even more in songwriting. Perhaps because in fiction writing, you can always jump around from scene to scene. But in songwriting, you only have so many words you can write. The premise and theme have to be precise. You’re allotted three and a half minutes, and you already know your repeating chorus is going to take up most of those seconds. That doesn’t give you a lot of time. So how do you deal with writer’s block when songwriting?

I wish I had a clear-cut answer. The truth is I’ve been suffering from writer’s block, myself. I used to write a couple of hundred songs a year. Over time it became a hundred songs a year. Then fifty. Then twenty-five. And once I reached that twenty-five mark, I knew I was in trouble from writer’s block.

If you’re struggling with writer’s block like me, here are five ideas to help you.

  1. Create an audible library of snippets whenever inspiration strikes. Praise God for smartphones where we can take notes audibly and record our melodies, thoughts, ideas, and verbiage without writing them down on physical paper. Whereas, I may only have twenty-five completed songs in a year, I have hundreds of song pieces with melodies, themes, strum patterns, choruses, verses, bridges, and any other piece of a song I can muster up, saved to my smartphone via some recording apps. When I’m messing around on my guitar or the piano and I’m feeling inspired to create, yet, I can’t think of anything new to write lyrically, I often go and listen to these old song notes of mine to rewrite what I started or to formulate new ideas from them. What I recorded may never turn into a song, but it can inspire ideas for another new song. But if I didn’t record those snippets of inspiration in the first place, I would be starting at ground zero when I have writer’s block.
  2. Create a story. Sometimes, the best way to write a song is to start by writing a short story. I would suggest finding a painting or a picture and create a fictional character who is in picture. Who is this character? Write a back story on this character so that you know this character inside and out. Why is this character in this setting? Give her a conflict. What does she need to overcome her conflict? What would give her victory? Her victory should be your chorus or bridge. Is there an enemy or antagonist? After you write a rough idea or short version of your story, you can pick and choose portions of it and work on creating lyrics to tell her narrative. Who is she? The waitress with tear-stained eyes and an apron too tight? What is your setting? An old, forgotten diner on Route 42? Why is she crying? Her kids have the flu and their daddy left too? You get the idea.
  3. Hum melodies. Sometimes you’ll get an incredible melody idea in your head. Don’t worry about getting all the words down right away. Hum the melodies and write around it. Since you are smart enough to record the hummed melody to your smartphone, you can always come back to it. I usually will do this and just start singing words that come to my head, instead of forcing words. Sometimes something will stick that feels and sounds incredible, and then I write the song around that one simple line. Sometimes I’ll re-record that melody with different word options.
  4. Say what you want. Is there something you feel strongly about that you have wanted to say for a long time? What passionate issue pulls at your heart? Abortion? Child Abuse? God’s Love? Healing? Write a small editorial based on your feelings—and then cut out pieces of the editorial to formulate pieces of a song. Look at the theme and create a chorus around that. For example, if I were to write a song on abortion, I would try to make it personal and come up with a character. Let’s name her Annie. What about her? Well, she was supposed to be born, but her mother aborted her. So what now? Let’s talk about things she’ll never experience—the feeling of her mother’s touch, staring into her mother’s eyes. Her first steps. Her first day of school. Her first crush. Going to prom. Getting married. Having her own child. But Annie won’t experience those things, because she went to heaven a little too early. Now, how can we formulate these ideas into a song?
  5. Go for a walk. This is my favorite thing to do. For me, personally, I prefer walking in the city, observing everyday people in their everyday elements. The city has a vibe and will speak to you. What is it saying? What’s the temperament of the city? Is it fast-paced, business heavy? Is it littered with homeless people? Is it busting with young entrepreneurs? Is it an old town with out-of-date stores? Is it a crime-ridden area like Gotham city? Look a little closer and people watch. Take a notebook and start writing down ideas about the people you see. Your ideas don’t have to be factual—you can make up backstories: the homeless man with one shoe who holds an MBA from Harvard, the young business man drinking at the bar afraid to go home and tell his wife he lost his job, the girl selling herself on the street corner for drugs, the street musician hustling for money to pay for his daughter’s operation, etc. You get the idea.

If all of these fail you and you find yourself with writer’s block, my final suggestion is to get plenty of rest and exercise. Creativity seems to come when the mind is well-rested and the body feeling strong. Best of luck on your songs! Have an idea or a question for this column? Please leave a comment!

 

Matthew Hawk Eldridge is a coffee loving, calico-cat hugging, Renaissance man. When he’s not passionately penning screenplays or stories rich in musical history, he’s writing songs on his guitar or working on a film as an actor, double, musician, or stand-in. He is a Creative Writing graduate student at Full Sail University.

Categories
Fantasy-Sci-Fi

Inspiration From the Renaissance

Most authors will hit a dry spell at some point in their career. Whether they consider it “writers block” or just a season of life, inspiration runs short. Finding ways to get those creative juices flowing once more is a must for any writer.

Inspiration can come from anywhere around us. A recent trip to my local Renaissance Faire reminded me that we, as writers, sometimes need to look beyond the norm to find that extra boost of creativity. Here are a few ideas gleaned from my trip to the past.

Writing inspiration from a Renaissance Faire

Eat a turkey leg. For some, a faire of this magnitude is a great opportunity to dress up in costumes, fake an accent, eat unfamiliar foods, and embark in the make-believe. This same concept can be applied when searching for that extra spark needed to get into a character’s head or discover the perfect setting for your book. Having trouble finding what motivates your character that loves archery? Then sign up for archery lessons! Not sure exactly how to describe that ethnic food your character eats in chapter ten? Visit a restaurant to get the full experience. It’s easy to read what an activity or place is like from another person’s point of view on their personal blog, but you might find a different experience when you try it out for yourself.

Get immersed in a Shakespeare production. Ever notice you have lots of sci-fi ideas right after watching a movie or reading a book within that genre? Have you ever read multiple books in a row, with very similar premises, only to suddenly have the desire to write a companion novel within that same world? We often get inspired by the things with which we surround ourselves. If you’re writing a fantasy western novel, then watch as many movies and read as many books within that genre as you can. Your inspiration will get a boost and you’ll be ready to get writing in no time!

Buy a souvenir. Sometimes, using an item that reflects the atmosphere within my story, helps direct my thoughts where they should be. If writing a historical fantasy, try using a calligraphy pen to capture your thoughts. If it’s a futuristic space opera that holds your interest, invest in glow-in-the-dark decals of the stars, or photographs of space to decorate your writing desk. Anything physical you can use to bring back a spark of inspiration to your story can help.

God created us to be creative beings. There may be times when our inspiration seems lacking or even non-existent, but that doesn’t mean we’ve lost our creativity. Find ways to jump-start the flow of those creative juices and get back to the heart of your story. Sometimes finding the right catalyst for your imagination means thinking outside the box.

Laura L. Zimmerman is a homeschooling mama to three daughters and a doting wife to one husband. Besides writing, she is passionate about loving Jesus, singing, drinking coffee and anything Star Wars. You can connect with her through Facebook and Twitter @lauralzimm and at her website Caffeinated Fiction.

Categories
Copywrite/Advertising

4 Books that Fueled My Copywriting Imagination

Normally, when you search for a definition, you are looking for a way to narrow a term or concept. But the more I read about copywriting, the broader my understanding of copywriting becomes.

Copywriting is a boundless genre with limitless applications. Every time I bump into another copywriter and we swap writing stories, I am amazed at the uniqueness of his or her experience. I think to myself, “What a great idea! I’ll have to try that!”

The same happens when I “meet” another copywriter through reading their book.

Here are four books that fueled my copywriting imagination:

Writers for Hire: 101 Secrets for Freelance Success by Kelly James Enger. This book takes you step-by-step into the journey of freelancing. Most of the freelancing examples from the book are related to magazine article writing, but the concepts were useful for copywriting as well. Kelly emphasizes a personal touch by giving thank you notes to those she interviews, and she stresses the importance of keeping up on the business end of your writing life with invoices and paperwork.

Building a Storybrand: Clarify Your Message So Customers Will Listen by Donald Miller. People don’t really read emails or websites. They skim them. It’s not facts and figures that capture a skimmers attention. Storytelling captures attention. Donald Miller teaches you the simple elements of storytelling and applies them to business copywriting so you can catch the attention of customers and consumers and inspire them to participate in the call to action. Brilliant.

How to Write Copy That Sells: The Step-by-Step System for More Sales, to More Customers, More Often  by Ray Edwards.  This book is very practical with how-tos and templates for emails, websites, direct mail, and more. Includes tips and guidelines for social media posts as well which is an often overlooked area of copywriting.

102 Ways to Earn Money Writing 1,500 Words or Less: The Ultimate Freelancer’s Guide by I.J. Schecter. This book opened my eyes to unique writing possibilities that I never would have noticed otherwise. Wherever there are words, someone was paid to write them. My kids get tired of me saying it, but whenever they read a billboard or the bag that contains their fast food meal, I say, “Someone was paid to write that, you know.”

Sigh.

“Yes. We KNOW, Mom!”

Also, don’t be shy at initiating to ask if a business needs a copywriter. Even a big company. Send out an email describing your experience and your interest in writing about their service or product. The worse that can happen is… nothing. They never write back. The best case scenario? You land an awesome copywriting gig.

You don’t have to write fiction to be a creative writer. Open your eyes and take a look around you. What words are needed? Could you be the one to write them? Search #copywriter on Twitter and ask what kind of copywriting others do. Meet new people. Share your stories. Inspire each other to use your imagination.

Rachel Schmoyer is a pastor’s wife, mom of four, and a copywriter. She also helps Christians find the simple truths in the complex parts of the Bible at readthehardparts.com. Her other writings and publishing credits can be found on rachelschmoyerwrites.com.