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Literary Women in Histor

Margaret Elizabeth Sangster: Conversations with a Wise Friend

I stash books in every corner of my home. There’s not a single wall in my house where you won’t see at least one vintage book artfully displayed. I rescue old volumes in cloth covers with pre-1940s copyrights. When I’m thrifting or browsing for treasures in antique shops, my eyes are alert to catch a gold embossed hardcover spine by a classic author. My mantle is a showplace for early volumes of Dickens, Tennyson, and Van Dyke—notable names among a host of lesser-knowns, but no less worthy wordsmiths in their day.

Vintage books are my favorite reads and go-to props for decorating year-round. Recently I came across a volume that captured my attention with a gold embossed spine and faded portrait of a gentle woman’s face on the cover.

It was that of 19th century American poet, author, and editor, Margaret Elizabeth Sangster. In her day, she was a prolific writer who explored family and faith themes with thoughtful devotional reflections, hymns, and sacred texts.

Born in 1838, she lived in New York and New Jersey, growing up in a Christian home. Honing her writing skills in her youth, she delayed her publishing aspirations throughout her thirteen-year marriage to George Sangster, until his death in 1871. A widow in her mid-thirties, she chose not to remarry, and pursued a career as writer/editor with a number of popular publications for women and Christian readers including Hearth and Home and Harper’s Bazaar. She was a contributing writer to Ladies’ Home Journal, The Christian Herald, and dispensed wisdom in a regular column of the Woman’s Home Companion. In addition, she published several volumes of children’s stories, poetry, and inspirational collections for women—including The Joyful Life, published in 1903 by the American Tract Society—my new treasure for devotional reading.

As we enter a new year holding great promise for Christians world-wide, and especially for writers creatively communicating Christ through their words, it is useful to review the timeless advice from writers of the past. We learn that, as a society, we don’t really change as much as we like to think we do. The window dressings of style and trends might—but the driving force of the human heart condition does not. Like Jesus, humans are the same yesterday, today, and tomorrow—ever in need of His saving grace and wise words for practical application in whatever epoch of time God has allotted to us.

Mrs. Sangster’s 19th century words soak into my heart and mind as we enter 2019. Her gentle compassion and compelling wisdom in applying biblical principles to everyday life read fresh and relevant to my life as a Christian woman a century after she penned the words.

So, to kick off this new year, I invite you to visit with Mrs. Sangster in select excerpts from a chapter of The Joyful Life, published by the American Tract Society in 1903. We listen in on a vintage conversation between the author and her intimate friend from school days, Miriam.

May you drink deep from her wells of wisdom and listen to this woman writer’s heart in this New Year’s Meditation:

Of Old School Days: “There Were Well Educated Women”

 One of my old schoolmates, a girl who used to sit at the same desk with me when we were in our teens, came not long ago to make me a little visit. In our different ways we have both been very busy since those bright days when we studied French verbs and Latin conjugations together, and dipped into mathematics and explored ancient history, albeit our school was only a seminary for young ladies, and the era of the woman’s college had not yet dawned.

In passing, let me say a good word for the fidelity of the old-time preceptors and the thoroughness of the instruction they imparted. I am not disposed to undervalue anything in the latter curriculum, but there were well-educated women, cultured, disciplined, and broadened by their intellectual training, before the great colleges set wide doors open for the entrance of girl students. After all, the best result of an education course is seen in its success in putting tools in the hand for use in the life-work, and in the symmetry with which it develops character.

Of Aging Well: “The Golden Age of the Grandmother”

Miriam is a bright, breezy person whose heart is the gayer because she is the mother of a house full of children, and has always had young people about her, needing her counsel. She does not look her real age, but then nobody does that any longer; we are all ten years younger than we used to be, so much more closely do we follow the laws of health, and so much greater is the ease of modern living, what with labor-saving contrivances and luxuries of which our mothers and grandmothers never dreamed.

Today, the woman, married or single, who is under forty years is a young woman, and her looks convey no other impression. At fifty the gracious lady bears herself as thirty-five was wont to do two score years ago, and the active person of sixty is far from claiming immunity from service, or any privileges of ease, on account of her age. Miriam and I felicitated ourselves that this is the golden age of the grandmother.

On Passing Years: “The Seasons Do Glide Faster”

“But, my dear,” said my friend musingly, “how short the years are getting to be. Don’t you recall what a long, long space of time a year was when we were children? Now twelve months is a little flitting period, which makes one think of the simile of a bird flying through a lighted hall, from blackness to blackness.”

“Well,” I answered, “I grant that the seasons do glide faster with one than of old, but I think it is simply because I have so much to do, and so many complex interests. I can fancy, however, those to whom the progress of time is slow enough, even in old age. The man who was once in the midst of affairs, but on whom a creeping paralysis has set its fettering hand; the woman chained to her bed by a cruelly torturing malady; the prisoner in his cell; the stranger lonely among strangers, may not find the years so swift. Part of the restlessness which makes some old people so unhappy is no doubt due to the fact that their empty days have grown slow and dragging, that there is no flavor left for them in life’s cup. People in the shadow of grief always suffer from the tedium of the days. The mourner’s days move at a snail’s pace.”

On Resolutions: “Turning the Fresh Page”

After a while she said, “Another year is coming. Are you making any new departures, any new resolves? There is something attractive about turning the fresh page, isn’t there?”

“I have long felt that every day is a fresh beginning, and I have laid aside the habit, if I ever had it, of celebrating the new year as a special place for good resolutions. I do like, though, to signalize it by some particular pleasure, to meet my friends and kinsfolk then, and to exchange greetings and good wishes with them. If the calendar did nothing else, it would remind us that the chances for making our beloved ones happy are lessening and that we ought to avail ourselves of every coming opportunity to scatter sunshine on the pathway of all we meet.”

On the Christian Race: “A Daily Definite Study of the Bible”

“But,” persisted Miriam, “you would not influence others to pass by a New Year’s milestone without some effort to start anew in the Christian race, would you? Suppose you were talking to a crowd of students, is there nothing you could suggest as very apposite to them at such a time?”

“For one thing, I said, I would counsel all who have never done it, to begin on January first a daily definite study of the Bible. There is a good deal of Bible study just now, it is true, but also, in hundreds of Christian homes, and by thousands of young men and women, the Bible is a neglected book. The young people who are familiar with the Scriptures are not too numerous—those I mean who can turn at an instant’s call, without hesitation or embarrassment, to any reference text in the prophets, the psalms, or the New Testament. We live in an age of much literary enterprise, when the printing press scatters new books as the forest trees scatter leaves in the autumn; when newspapers are multitudinous, and every man, woman, and child reads something. That many otherwise liberally educated men and women do not know the Scriptures, even as literature, is a misfortune, for they are a treasury of noble words in many incomparable styles. And, by searching them, those who would obtain eternal life still are required by the Divine Author. Yes, I wish I could urge the young people of our land, wherever they are, to begin to read the Bible daily, to read it through in course, or to read it for its poetry, history, and philosophy. I wish they would read it for the life of the Master. On a shelf in my library are many lives of Christ. But none equals, nor approaches, the life so simply revealed in the gospels of the four evangelists.”

 On Youth: “A Clever Young Girl Was With Us”

This talk of ours was resumed on another occasion when Miriam and I were not alone. A clever young girl was with us, and she had her opinion and expressed it very earnestly.

“I know,” she said, “what people of my age need, and that is agreeable companionship. We are restless and dissatisfied unless we are in the midst of things. I would tell everyone I knew, especially if she or he happened to be a little blue, as young people often are, to get to work, not merely in wage-earning work, though for many that is a necessity and to some a resource and duty, but to join a Christian Endeavor Society and give to it the best one could. A good time to join the procession of Christian workers is surely the New Year. I do think young people should assist their pastors more than they do, and what better season for a start than at this very time?

So spoke Caroline, and we older women agreed with her. The only life worth living is the life of Christian love. If it be a life after the fair Christ-pattern, it will be a life poured out for others, and therefore very blessed.

On Filling the Days: “With Contentment, Surrender, and Sweetness”

Friends, methinks we stand in the portal of another year. God gives us more days, more weeks, how many or how few we know not, but they are sent straight from heaven, and we are to use them for him. Have we made mistakes? It is not too late to rectify them. Have we committed sin? We may find cleansing in the fountain where all uncleanliness is washed away. Have we been discouraged? “As thy days, thy strength shall be,” is the word of the Lord to our weariness and faintness. As we wait, not knowing what shall be on the morrow, we many fill the measure of today with contentment, surrender and sweetness. And from the sky the everlasting Father, speaking to our need, says, “Certainly I will be with thee!”

Portions of this article were adapted from originally published works by Kathryn Ross in RUBY Magazine, December 2016 and January 2017— It includes an edited version of the chapter “A New Year Meditation” from the book The Joyful Life by Margaret E. Sangster, published by the American Tract Society in 1903. To enjoy the full chapter in an audio dramatization, visit The Writer’s Reverie PODCAST.

Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. In addition, she shepherds writers through the steps book development and production. Her passion to equip women and families in developing a Family Literacy Lifestyle, produces readers and thinkers who can engage the world from a biblical worldview. She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook.

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Literary Women in Histor

Sarah Hale, Heroic History-Maker: The Pen that Perseveres and Persuades

With the November holiday season upon us, turkey tops the menu lists for traditional American fare at family gatherings. The iconic bird remains undivided from thoughts of Thanksgiving Day, even though the original celebrants in 1621, at Plimoth Plantation, enjoyed more fish and venison dishes as opposed to turkey.

Thanksgiving Day on the November calendar—turkey or not—exists these 150+ years thanks to the historic efforts of American author and style-setter, Sarah Josepha Buell Hale. This patriotic Christian and daughter of the revolution lived an amazing life through the course of the 19th century, serving heroically as wife, mother, widow, writer, publisher, opinion shaper, and history maker.

Sarah Josepha Buell entered the world in 1788, born to Captain Gordon Buell, a veteran of the War of Independence, and Martha Whittlesay Buell in Newport, New Hampshire. Sarah’s love of learning and literature sprouted early and blossomed under the homeschool tutelage of her mother and older brother. She reveled in the grand, patriotic stories she heard at her father’s knee, who passed onto her—through the power of story—a love of God, country, liberty, and truth.

Sarah sought out opportunities for self-learning in many disciplines until she earned a teaching certificate. She accepted a position near her home where she gained a reputation as an engaging storyteller.

One day, a lamb followed a student to school and waited outside the schoolhouse for its owner until Sarah dismissed the class. She thought this was charming and wrote a story in verse about it. That little rhyme has been charming generations ever since. Perhaps you remember the sing-song ditty:

Mary had a little lamb, little lamb, little lamb.

Mary had a little lamb, its fleece was white as snow.

 In 1811, Sarah met and married a lawyer named David Hale. Over the next ten years she gave him five children before he died in 1822. She wore black mourning dress for the rest of her life.

As a widow and single mother with strong skills and a resourceful spirit, Sarah used her academic and writing gifts to provide for her family. She first published a collection of poems in 1823. By 1827, she published a novel titled, Northwood: Life North and South, addressing an abolitionist view of slavery.

This so impressed publisher Reverend John Blake, that he invited her to take a full-time staff position for The Ladies Magazine in Boston, the most popular magazine for American women in the 19th century. Eventually, The Ladies Magazine was acquired by the periodical journal Godey’s Ladies Book, with Sarah promoted to editor.

For the next 40 years—until she was 90 years old—Sarah Hale’s editorial pen proved a formidable weight of authority on every-day American life for women and families. Her Christian faith, intelligence, strength of character, and literate lifestyle exacted tremendous influence over fashions and homemaking.

Reflecting a strong biblical worldview, Sarah’s practical, persuasive words wielded a powerful sway on public opinion. If Sarah said it—American women were doing it. She eagerly pursued the advancement of higher education for women writing:

” . . . not that they may usurp the situation or encroach on the prerogatives of man; but that each individual may lend her aid to the intellectual and moral character of those within her sphere.”

Helping women to impact “within her sphere” would eventually result in women—through the work of their pen—making a unifying, permanent mark on the American calendar and tradition during a critical moment in history.

Thanksgiving: The Founder of the Feast

Sarah’s most famous editorials centered on her personal mission to see a national Thanksgiving Day officially declared by the president of the United States. She longed to see a day set aside where every American gathered with their families, on the same day, in praise, with grateful hearts for the many blessings of God bestowed upon a growing nation. Sarah was burdened by the cultural divide between the American North and South. The slavery issue fueled this rift, and unrest settled across the country, stirring the people to prayer. Sarah believed the problem required a return to the heart of America’s founding principles in the spirit of our Pilgrim forefathers, seeking peace and unity in a shared country under God.

Inspired by the well documented thanksgiving feast of 1621, celebrated by English Christian settlers and Native Americans, she began to do more than just address this in editorials. She started write letters hoping to persuade political powers to proclaim a Thanksgiving Day for everyone in the nation.

Sarah’s pen was not a lone ranger. She instigated an army of quills in the hands of American women through an ongoing letter-writing campaign in the course of five presidential administrations over fifteen years. Her crusade for the proclamation of an official American Thanksgiving Day never wavered. Her influence on America’s God-fearing women, praying for God’s peace and national unity under the cloud of unrest between the North and the South, culminated in blanketing the nation’s capital with petitions to the purpose.

Sarah’s faith undergirded a belief in the importance of her quest. She heroically persevered through years of disappointment until she and her legions of petitioners succeeded. At the height of America’s Civil War, President Abraham Lincoln issued his Thanksgiving Proclamation on October 3, 1863, including these words of note:

No human counsel hath devised, nor hath any mortal hand worked out these great things. They are the gracious gifts of the most-high God, who, while dealing with us in anger for our sins, hath nevertheless remembered mercy . . . I do therefore, invite my fellow citizens in every part of the United States, and those who are sojourning in foreign lands to set apart and observe the last Thursday of November next as a day of Thanksgiving and Praise to our beneficent Father who dwelleth in the heavens . . . it is announced in the Holy Scriptures and proven by all history, that those nations are blessed whose God is the Lord . . . it has seemed to me fit and proper that God should be solemnly, reverently and gratefully acknowledged, as with one heart and one voice, by the whole American people.

It is important to note that prior to the Civil War, each state considered itself its own country. Many issues divided them one from another. Loosely uniting together to defeat a common enemy in the War of Independence some 80 years earlier, 1860s America had reached a threshold of decision on the battlefields of the Civil War. Lincoln, as president, had to be able to unite the nation and bring peace. The path to do so was bloody and traumatic, shifting the nation with rippling effects still felt today.

Time-honored, cultural traditions often prove a powerful stabilizer in unstable times.

For over 150 years, on Thanksgiving Day each November, the stabilizing effect of tradition continues to minister peace and unity within our currently fractured society. American families from sea to shining sea gather around a table of customary foods such as turkey, stuffing, potatoes, vegetables, cranberry sauce, and pumpkin pie. The effect of Sarah Hale’s personal mission, perseverance, and influence upon the average 19th century American woman nationwide is directly responsible for this chapter of American history being written and relevant to us today.

May we consider well the words pouring forth from our pens as women and writers, wielding them, for all the good things and beauty the Lord would use, to invade the self-destructing habits of human nature and nations.

Journal Prompt: What kind of history-maker mark is your pen leaving for future generations? Is your pen’s passion influencing within your sphere for those things that work to unify and bring peace? Who is the sphere of society you seek to influence most? What is your message? Do you have perseverance to continue writing even when if seems you are not having the effect you want to have?

[bctt tweet=”#SarahHale teaches us to use our pens in perseverance and persuasion to affect the generations; Women Writers in Life and Letters Series @A3writers @misskathypwp” username=””]

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Learn more about the history of the Plimoth Plantation Thanksgiving story dramatized on The Writer’s Reverie Podcast, Episode 3, by Kathryn Ross, From Leyden to Liberty, including The Ballad of Plimoth Plantation. 

Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. In addition, she shepherds writers through the steps book development and production. Her passion to equip women and families in developing a Family Literacy Lifestyle, produces readers and thinkers who can engage the world from a biblical worldview. She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook.

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Literary Women in Histor

Beatrix Potter: Filling the Writer’s Nest with Tangible Inspiration

This is the tale of a tail—a tail that belonged to a little red squirrel, and his name was Nutkin.

Beatrix Potter, 1903

The Tale of Squirrel Nutkin

There’s something cleansing about the opening line of a Beatrix Potter storybook. I can almost hear her reading it in a sing-song voice, with just a touch of playfulness and sufficient drama to embolden the cautionary lesson at the climax of each tale. The solid, moral footing of her stories drawn from her keen, life-long observation of the flora and fauna in the Lake District of England, grounds whimsy in a swath of reality. I recommend hoarding a nest full of her nutritious tales for children of all ages, living in any era, as part of a Family Literary Lifestyle.

Miss Potter’s legacy of little animals going about the daily chores of farm and village life, wearing clothing and sipping tea in blissful existence next to humans, developed from the seed of her childhood. Growing up in a well-to-do home in London, her Victorian parents, as was the fashion of the day, had little interaction with Beatrix and her brother, Bertram, in their early years. On occasion, Beatrix’s father, connected with some of the trendy artists of the late 1800s, took her with him to art galleries and museums, feeding her desire to develop her own artistic skills.

Sketches from her childhood journals reveal a natural talent, blossoming with many hours of solitude in her third-floor nursery to perfect precise lines and watercolor techniques. When living in London, Beatrix completed her academic assignments under the tutelage of a nurse, and then governess. They, along with the servants in the house—cook and butler—encouraged her fascination with life in the garden. Though Beatrix might be tasked with finishing a still life drawing for a lesson, her favorite art subjects scampered, scurried, and skittered about on four legs between bushes, along fences, and up tree trunks out of doors.

In the late spring each year, the family moved to a fine summer home in the Lake District area until early fall when they returned for “the season” to London. In the glories of the English countryside, Beatrix roamed meadows and woodlands searching out all manner of plants and creatures in their burrows. She kept a journal of their habits and personality sketches, as well as detailed drawings of them in varied poses and settings. Then, of course, she’d name them. And some she’d adopt, making for quite a menagerie of cages and wicker boxes in her rooms.

Her furry roommates became famous as lead characters in her stories including Peter Rabbit, Benjamin Bunny, Hunca Munca mouse, and more—like Squirrel Nutkin.

I usually like to bring out all my Beatrix Potter collection of books and figurines for springtime décor. But in the fall, I always display The Tale of Squirrel Nutkin, one of my favorites. I love the Autumn shades of reds, golds, and browns in the art, and how delightfully she captures the seasonal escapades of squirrels, gathering nuts and hoarding them to feed off of through the winter under the lordly gaze of Old Brown, the owl.

My front and back gardens are full of squirrels at present, continuing in the ritual, unmoved by world changes over the last 100 years. The constancy of their lifestyle acts as a compass for me, grounding me in how I see life and cherish what matters. Their quirk-some personalities delight as much as they chide my heart, as I see myself in some of their habits. Beatrix might have mused in the same way, studying her squirrel friends. She used her observations to great success in speaking bold commentary on the human heart through country landscapes and the antics of the creatures who live there.

One of the things that I believe fed her tales and ability to pepper her character sketches with engaging detail, was the fact that she surrounded her world—be it her room, gardens, or hours in a meadow—with tangible inspiration. She lived among physical displays of the subjects in her art and writing. Squirrels and owls—she knew them intimately because she had them close at hand, living as pets in her room, to observe and manifest in The Tale of Squirrel Nutkin.

Tangible inspiration.

I regularly make use of this writing technique—though not in the collecting of small animals from the wild. I’m a visual learner and creator. I can’t write in a sparsely appointed room because I’m constantly distracted by bare walls, thinking what I might want to put there to fill the space. This translates to my writing life in the habit of surrounding myself with physical objects to inspire whatever it is I’m writing about.

For instance, some years ago I ran a theatrical group and regularly wrote and produced plays for performance. I’d spend a year collecting props and costumes, slowly positioning them in my living room. Displayed for me in daily view, I meditated on the story they might help me tell, and how I might use them in the script. Keeping objects visually before me fed inspiration within and allowed my brain to drift to the land of “What If,” allowing imagination full sway, until words bubbled forth.

As both illustrator and writer, Beatrix Potter’s work testifies to this visual learning style technique, further inspiring me as a writer and storyteller. In fact, when I speak, I rarely do so behind a simple podium. There must be a stage and setting. Props and tangible visuals. I rely more on these items surrounding me on a platform than I do on written notes. And I, like Beatrix, prove that a picture—tangible inspiration—is worth a thousand words. The writer just needs to mine those words. Then click publish.

 Journal Prompt: How do you surround yourself with inspiration to write? Think about a time when a physical object or tangible inspiration was the seedbed and soil to your written work.

Bonus Writing Exercise: Choose a smattering of objects unrelated to each other and arrange them in a display. Study them and begin to cast them as characters, setting, and conflict in a short story of your own. How does writing with physical objects as your inspiration make a difference to how your story unfolds?

[bctt tweet=”TWEET: #BeatrixPotter and a Gathering of Nuts—filling your writing nest with inspiration to feed upon; Women Writers in Life and Letters Series ” username=”@A3writers @misskathypwp”]

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BIO

Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. In addition, she shepherds writers through the steps book development and production. Her passion to equip women and families in developing a Family Literacy Lifestyle, produces readers and thinkers who can engage the world from a biblical worldview. She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook.

 

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Literary Women in Histor

Laura Ingalls Wilder: Wisdom for Today by Kathryn Ross

In last month’s post, I shared about the disturbing trend of imposing modern standards to classic works of literature and the arts, with the recent stripping of Laura Ingalls Wilder from the literary award named for her in the 1950s by the Association for Library Service to Children (ALSC). She’s been accused of racism for scant references in her books to minorities as understood by her as a child. Read more details on this here.

Laura Ingalls Wilder, beloved author of the Little House on the Prairie books, lived through great change in America. In fact, she experienced first-hand the seismic shifts in the nation caused by the Civil War, the end of slavery, the Industrial Revolution, Westward Expansion, the automobile, the airplane, World War I, the Great Depression, World War II, and even Elvis Presley. When she passed in 1957, just four days after her 90th birthday, her humble roots and written accounts of childhood and coming of age during the settling of the West, had catapulted her to world-wide fame as an icon of traditional American values and imagery.

But through the misguided, officious, agenda-driven move of the ALSC, the accuracy of Mrs. Wilder and her character has been called into question. This does not bode well for all writers of the past—their written accounts of life, living, and worldview in historical narratives drawn from the experience of their time. The threat that such may be divested of their veracity and precision as historical narratives to placate contemporary political correctness is abominable. This extends to modern authors of historical fiction, too, who may feel they are forced to present an historical time period and the worldviews of historical characters through a manipulated 21st century PC lens.

Authors and artists must be judged by their whole body of work. It is a shame the ALSC, who should know better, did not afford Mrs. Wilder that courtesy. As Christian writers today, we have stories to tell and a message to convey that may not be popular in a worldly sense. We may find ourselves judged harshly for simply telling the truth.

How would you respond if such a thing happened to you?

In wondering how Laura Ingalls Wilder might respond were she here to defend herself and her writing, she might take her own advice from this gem of a quote:

The real things haven’t changed. It is still best to be honest and truthful; to make the most of what we have; to be happy with simple pleasures; and have courage when things go wrong.

Be honest and truthful—Write accurate details when sharing your own story, no matter how messy or unpopular. Historical fiction must ring true to the time and setting, too. Don’t put words, actions, or perspectives within your characters that may be fashionable today but wouldn’t be accurate in the era within which you’re writing.

Make the most of what you have—Mrs. Wilder never envisioned herself as a great writer. She was a farmer’s wife and grew into writing poetry and on farm topics as a hobby for a local periodical. The Little House books started as a memoir she wrote in her 60s in longhand on lined paper. Her daughter Rose, a gifted author and journalist, acted as a gatekeeper into the publishing world and collaborator on the books typing them up and helping in the editing process. Laura made the most of her life’s story, bringing historical recall of details from a time long past to the table, and capitalized on filling a need for entertaining and educational reading material for children in the turbulent days of the mid-20th century.

Be happy with simple pleasures—Living and working through the day to day chores on her beloved farm with her husband, Almanzo, enjoying friends and family, and supporting the Methodist church life where she worshipped made up the lion share of Mrs. Wilder’s life until she began writing the books. Even then, there was always time to take in the beauties of Creation and maintain the simple life and seasonal routines of a farmer’s wife. Simple pleasures are a tonic to worldly cares.

Have courage when things go wrong—In addition to the high times of joyful living, Laura’s books give detailed accounts of perilous days when food was scarce, travel arduous, work hard to find, loved ones lost, great danger, and perceived injustices. Even so, the character of the American pioneer instilled itself deep within her makeup from childhood. Resilience, courage, and perseverance led the way. When Laura’s first book, Little House in the Big Woods, was published in 1932 during the Depression, it encouraged Americans through a season of hardship and sacrifice. So, too, as she continued to write her story through the World War II years in the 1940s, her books reminded America of their liberties and pride in their country and a history worthy to defend and protect in dangerous times.

 Journal Prompt: Are you bold enough to write from a foundation of accurate truth in its historical setting even though it may be perceived as unacceptable for one reason or another in the current time? How can you steel yourself to be a bold, fearless writer of truth, making the most of what you have with a happy heart undergirded with courage?

TWEET: [bctt tweet=”#Laura Ingalls Wilder: Wisdom for Today—fearlessly writing truth with wisdom to defend it; Women Writers in Life and Letters Series ” username=”@A3writers @misskathypwp”]

TWEET: [bctt tweet=”#Women Writers in Life and Letters—Laura Ingalls Wilder: Wisdom for Today ” username=”@A3writers @misskathypwp”]

Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. In addition, she shepherds writers through the steps book development and production. Her passion to equip women and families in developing a Family Literacy Lifestyle, produces readers and thinkers who can engage the world from a biblical worldview. She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook.

 

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Literary Women in Histor

Women Bluestockings by Kathryn Ross

When Benjamin Stillingfleet rejected the norms of 18th century polite society, for the graver pursuits of learning and literature—and the company of like minds for enlightened conversation—his fortunes dramatically altered. No more would he be invited to grand affairs requiring the fashionable formality of black stockings. His daily-wear blue stockings must suffice.

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Literary Women in Histor

Milady’s Pen for Posterity

The well-born lay woman . . . led a much freer and fuller life than her sister in religion. On her was laid the task of ordering large numbers of servants, of keeping good store of food and clothing, and of physicking if need be the members of her household.
                                                      Phillips & Tomkinson
                                                     English Women in Life and Letters

Last month we touched upon the life of the German nun and first female playwright, Hrotsvitha. Her cloistered life afforded her the luxury of an education, but little other pleasures in a material sense due to strict disciplines imposed upon her monastic lifestyle. Her written works attained an audience in her lifetime and far beyond leaving a powerful impact for God’s truths.

However, most of the words penned by ladies of the time only knew reading audiences within their households and intimate relationships.

The writing life of women in medieval times remained in the upper spheres of the classes: noblewomen, cloistered nuns, and royalty with access to education. Noble-women and higher-ranked members of the servant class managed households and palaces with efficiency and skill, leaving reams of written notes with the record of their days and household ways.

Largely free of the back-breaking menial chores associated with daily living, noblewomen recorded directives to their staff to accomplish such tasks. They drafted daily menus and managed inventories of valuable stores.

But, beyond the business of household management, lettered noblewomen enjoyed applying pen to paper for leisure in their writing life. Prayer journals, correspondence, fictional tales for personal amusement, and literary translations are left to us for posterity. For the most part, few of these women fancied their written words to have any lasting impact beyond their home. They had no thought to edit their work so we in later years have more honest words from which to, not only learn of historic realities, by more accurately judge the character of the writer in her time. These documents are valuable historic treasures referenced by academic elites and non-fiction readers today. When penned, the writers could not have imagined eager audiences reading their words hundreds of years later. Secrets are shouted from rooftops reflecting upon the authors—for good or ill.

Popular non-fiction reading includes the posthumous publication of private letters, journals, and casual notes saved from the past. The most closely guarded secrets of a woman’s life, in life, finds worldwide readers hundreds of years after her death. Do you ever imagine that will be your story, too?

Women writers in the 21st century trade in words daily. Social media exposes our personal and random reflections on our days and household ways to a world-wide audience almost immediately they are written. There is great debate on the wisdom of so much personal and unedited material flooding the digital world, lingering and accessible to whomever forever. How do the stories your random, unedited writings tell reflect upon you and the things you hold most dear? For many of us, mi’lady’s pen for posterity is a cautionary tale.

Out of the same mouth proceed blessing and cursing. My brethren, these things ought not to be so.  James 3:10 NKJV

Your pen is your tongue—outlasting your life and living still when your physical voice speaks no more. Think on these things for posterity.

  • Steward your random writings in labeled files—both hard copy and digital.
  • Be true to yourself in your records—but truer to God.

Journal Prompt: Would medieval ladies have altered their words if they thought the spilling of their hearts would have such a broad platform and be given great weight as historical documents hundreds of years after their deaths? How do you view and value the random notes or private words you write? Why? Into whose hands will your personal journals, letters, and saved ephemera fall one day? What is the historic legacy your personal writings will leave for posterity?

[bctt tweet=”What medieval women, writing in private, left to the public and posterity #journaling.” username=”@A3writers”]

[bctt tweet=”#Women in Life and Letters— #Writing Milady’s Pen for Posterity” username=”@A3writers”]

Reference:

English Women in Life and Letters, by M. Phillips and W. S. Tomkinson Oxford University Press, 1927

Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Productions and Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. Her passion is to equip women and families in developing a Family Literacy Lifestyle, producing readers and thinkers who can engage the world from a biblical worldview. She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook.

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Literary Women in Histor

Hrotsvitha—Lessons from a Medieval Playwright

Until the last century, men dominated the realms of literature, letters, and learning. We read nothing of women exchanging rhetoric and positing thesis among the ancients and classic philosophers of Greece. In fact, the doors of academia and literature largely shut women out in Western culture, relegating them to second class citizenship for a variety of reasons not to be discussed here.

After the fall of Rome in the 5th century, the spread of Christianity allowed greater opportunities for women as readers and writers. Out of the chaos in the dark ages, ordered communities centered around the establishment of Christian monasteries and abbeys—the lifeline of literacy, scholarship, and intellectual life. Cloistered living afforded devout men and women a way to balance devotion, work, and study.

Into this world, Hrostvitha (rose-vee-tuh) was born in 935, a daughter of noble birth in Gandersheim, Germany. She could look forward to many privileges otherwise denied to the greater population of women, including education. Her faith, formed in childhood, put her on the path to the monastic life. She committed her life to the abbey as a “canoness,” a level allowing her free movement in and out of the cloister as a nun. She was schooled in reading and writing in a number of languages. A student of Greek and Roman classics, the plays of Terence captivated her imagination, even though she feared the subject matter would corrupt Christian readers.