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Magazine and Freelance

Avoid these Common Article-Writing Mistakes

As the editor of Reach Out, Columbia magazine, I’ve had the pleasure of coaching new (and seasoned) writers for more than ten years. Every month we work together to produce informative, engaging, and inspiring material for our readers. As I review submissions, I often see one or more of these common mistakes:

Common article-writing mistakes

1. Beginning at the beginning

It seems logical, when writing a feature article, to begin at the beginning of someone’s life. That’s where it all began, right? And the details are so fascinating and relevant. Unfortunately a reader doesn’t care about the details until they care about the subject.

We have to hook ‘em first, show them why they should care, then fill in the back story. Twentieth-century filmmaker Billy Wilder described this technique: “You grab them by the throat, their heart is beating, and you never let go.”

Instead of beginning at a subject’s birth, choose the point of highest conflict in their story and dive in. Once you’ve captured your reader’s attention, you can flesh out the details and the back story.

2. Telling not showing.

I find it much easier to rattle off a list of details rather than take the time to set the stage. But whether we’re writing a novel or penning an article, we must create a setting, provide sensory details, and showcase the story.

Dialogue is a great way to inject a reader into the scene by showing. Here’s an example:

“Mom,” Simpson said, raising his eyes and staring deeply into hers, “I’m going to New York to follow my dream.” He swallowed hard, then spoke again. “I hope you’ll give me your blessing.”

Simpson Jackson’s mother knew her response would impact their relationship for the rest of their lives.

3. Omitting description.

In today’s image-driven world, we rely heavily on graphics. We know the art director plans to use photos of our subject in the layout, so we skip the physical description in the story. Why waste precious words on the person’s salt and pepper crew cut or Bambi eyes?

Weaving physical descriptions into our narratives reinforces the graphics and spotlights details we want our readers to notice. Mentioning a subject’s “kind eyes” or “quick smile” also provides welcome description for visually-impaired readers and those listening to an article rather than reading it.

4. Failing to answer the readers’ questions.

Before I submit an article, I run it through the Have I Answered All My Readers’ Questions? test. This is an important step, especially if I’m very familiar with the subject or ministry. Just because I know the vernacular doesn’t mean everyone does.

Set aside your writer perspective and read the article as someone who knows nothing about the topic or person. Make sure you’ve included details that might answer their questions. Some examples might be:

  • How is this project funded?
  • How can I learn more about it?
  • How can I get involved?

5. Failing to define acronyms and jargon.

In recent days we’ve learned about the CDC, PPE, and LMNOP (oops, that was kindergarten). Although terms may be familiar to us, we can’t assume everyone knows what they mean. Unless it’s a universally-understood acronym, spell it out the first time and include the acronym in parenthesis immediately after, i.e. “the Centers for Disease Control (CDC) said recently . . .” or “My WIP (work in progress) is coming along nicely.” Once you’ve defined it, you’re free to use the acronym in place of the complete name.

The next time you write an article, edit your piece with these common article writing mistakes in mind. If your work avoids all five, you’ll provide your editor with an article that’s clear, enjoyable, and RTP (ready to publish)!

Lori Hatcher is the editor of Reach Out, Columbia magazine and the author of several devotional books including Refresh Your Faith – Uncommon Devotions from Every Book of the Bible and Hungry for God … Starving for Time, Five-Minute Devotions for Busy Women, winner of the 2016 Christian Small Publisher Book of the Year award. Her most recent book, A blogger, writing instructor, and inspirational speaker, her goal is to help women connect with God in the craziness of life. You’ll find her pondering the marvelous and the mundane on her blog, Hungry for God. . . Starving for Time. Connect with her on Facebook, Twitter (@LoriHatcher2), or Pinterest (Hungry for God).

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Magazine and Freelance

Don’t Let “Bio Foxes” Spoil Your Article Submission

For almost ten years I’ve served as the editor Reach Out, Columbia magazine, a regional publication dedicated to celebrating the life and light of Jesus Christ in the world. My favorite part of my job is reading and editing articles—until I get to the end and encounter a problem with the writer’s bio.

Solomon (who must have edited a magazine at one time) warned about “the little foxes that spoil the vineyard” (Song of Solomon 2:15).

Every field has its little foxes. Today I’d like to share four “bio foxes” common to magazine and website submissions. Problems with this seemingly insignificant component won’t totally ruin your submission, but they can hinder a publication timetable, reduce an editor’s efficiency, and make said editor decidedly grumpy.

And we never, ever, ever want to make an editor grumpy.

Four Bio Foxes that Can Spoil Your Submission

  1. Forgetting to include your bio at the end of your submission.

If a magazine allows you to include a bio instead of just a byline, they’ve given you a gift. This valuable piece of literary real estate allows you to mention (and, often, include links to) your blog, book, or website. A bio provides a way for readers to further explore your writing by visiting your blog or website or hop over to Amazon to buy your book. If you include personal details, you help readers learn more about you and enhance the connection they feel.

Whether this is the first time you’ve written for the publication or the twentieth, always, always, always include a bio at the end of your submission. It saves the editor the time and frustration of having to either email you for the missing item, search for it on a previous submission, or (heaven forbid) make one up.

  • Failing to update your bio.

If you’re still using the bio you sent ten years ago, or five, or even two, it’s time to update. Hopefully the list of your writing accomplishments has grown, you’ve gained a new hobby, or added a grandchild or two. Not sure what to include? Study the bios of other contributors and take your cue from theirs. Be sure links and web addresses are functional.

  • Failing to follow the publication guidelines for your bio.

Most websites will specify the length and scope of your bio. If the guidelines say, “No more than 40 words,” please don’t send 75. Worse yet is sending 75 and instructing the editor to “edit if necessary.” An editor has no idea what your priorities are and may very well cut the item you most want to include.

If the guidelines instruct you to focus on your writing credits, personal life, or expertise with the subject matter, be sure to honor the request.

  • Neglecting to include a professional head shot.

Not every site or publication includes a head shot with your bio, but many do. Be sure to attach this (usually in jpg format) with every submission. Even if you’ve written for the publication before, attaching it to every submission ensures that the correct picture will accompany your article. It also saves the editor or graphic designer the time and effort it takes to email you for a picture or search their files.

Your bio may seem like a small thing, but attaching one that is up-to-date, fits the publication guidelines, and includes a headshot in every submission will maximize your reach and please your editor. If you doubt its importance, take a page from King Solomon, one of the wisest writers of all. He was so convinced a bio was valuable that he included it at the beginning of one of his most famous books: “The words of the Preacher, the son of David, king in Jerusalem.”

Too bad he didn’t include a head shot.

Lori Hatcher is the editor of Reach Out, Columbia magazine and the author of several devotional books including Hungry for God … Starving for Time, Five-Minute Devotions for Busy Women, winner of the 2016 Christian Small Publisher Book of the Year award. Her most recent book, Refresh Your Faith – Uncommon Devotions from Every Book of the Bible releases in the spring of 2020. A blogger, writing instructor, and inspirational speaker, her goal is to help women connect with God in the craziness of life. You’ll find her pondering the marvelous and the mundane on her blog, Hungry for God. . . Starving for Time . Connect with her on Facebook, Twitter (@LoriHatcher2), or Pinterest (Hungry for God).

Categories
Magazine and Freelance

3 Tips to Help You Secure that Elusive Media Interview

Readers love stories about people. Because readers love stories about people, newspapers, magazines, online publications, and websites love stories about people. If you’re trying to break into these markets, a few well-written profile pieces can be a great way to grab an editor’s attention.

But in order to write an article or profile piece, you first must secure an interview.

Here are three tips for how to bag that elusive media interview:

1. Email through a person’s website

Most websites have a Contact me link or page. Sometimes the website will have an online form you can fill out that includes your contact information and your question. This is the place to paste a carefully-worded request for an interview, called a pitch email. Remember, even though you’re filling in boxes on a website, you should treat this as formal correspondence.

In the letter, include the following information:

  • When you need an interview (your time frame)
  • What publication you’re representing. If you’re a freelancer unassociated with a particular publication, say so.
  • What angle you plan to cover (slant/focus)
  • How much time the interview will take.
  • When the story will be published
  • Anything that sets you apart for doing the interview.
  • Your experience
  • Any point of connection

2. Through a publicist

Publicists are great, because they get paid to book publicity opportunities. They know an article in a local paper or website in advance of an event can provide much-needed exposure and raise the number of attendees.

Speakers want people to attend their events. Musicians want fans to come to their concerts. Writers want readers to purchase their books. If you hear a well-known personality’s coming to town for an event, reach out to their publicist and ask for an interview. A publicist’s information is usually displayed on a celebrity’s website.

I’ve secured many interviews in advance of an event by contacting the local sponsor and asking for the name of the publicist or contact person handling the arrangements. Sometimes the local contact is even willing to reach out on my behalf to request an interview. It’s in their best interest to ensure that the event is well-publicized and attended, so they’re usually motivated to help get the word out.

3. Through personal connections.

I secured an interview with Jack Easterby, the character coach of the New England Patriots, through David, a dental patient of mine. David suggested that Jack would be a great person to feature in Reach Out, Columbia, the regional magazine I edit. “I agree,” I said, “but how in the world would I get an interview with him?”

“His father is in my Sunday School class,” David said. “I’d be glad to ask him if he’d connect you.”

True to his word, David reached out to Jack’s father, who emailed Jack. Imagine my surprise when he agreed to grant us an interview the next time he was in town. The resulting interview generated so much material that we featured him in a two-part series on the role of sports in Christian families.

You never know who knows someone famous. Keep your ears open in conversation and don’t be afraid to ask people to connect you. I was surprised to discover that a man in my Bible study is the grandson of one of the women who started the Vera Bradley company. I haven’t asked for an interview yet, but I plan to.

After you’ve reached out through one or more of these avenues, give it some time, then follow up. Be polite but persistent. If you’re speaking with an administrative assistant or secretary but haven’t gotten a response, ask if there might be a time in the future when the person’s schedule might be lighter, then check back then. Don’t be discouraged if they don’t say yes right away. Some interviews take months to set up.

Above all, pray. Ask God to open doors you could never open on your own. Ask him to help your request find favor with the person who will read it. Ask him to direct you to the people and stories he wants you to write. If you surrender your writing life to him, he will guide your path.

Lori Hatcher is the editor of Reach Out, Columbia magazine and the author of several devotional books. Hungry for God … Starving for Time, Five-Minute Devotions for Busy Women won the 2016 Christian Small Publisher Book of the Year award. Her most recent book, Refresh Your Faith – Uncommon Devotions from Every Book of the Bible is due out in the spring of 2020. A blogger, writing instructor, and inspirational speaker, her goal is to help women connect with God in the craziness of life. You’ll find her pondering the marvelous and the mundane on her blog, Hungry for God. . . Starving for Time . Connect with her on Facebook, Twitter (@LoriHatcher2), or Pinterest (Hungry for God).