Categories
The Picky Pen

Considering Word Choice

Previously, we talked about the need to vary sentence structure to keep your writing from sounding repetitive. In that article, I compared it to word choice. This month, we are going to discuss how to avoid sounding like you are a writer with a limited vocabulary. Go on, break out those words you learned in English class! I remember filling out the numerous pages of activities in those vocabulary books we had in high school, but to be honest, the thesaurus was really my best friend in college. These days, finding replacement words is as easy as highlighting, right-clicking, and going to the built-in thesaurus in Microsoft Word.

There is more to word choice than just not sounding repetitive, though. Choosing the right word depends on several factors.

Questions to ask yourself when considering word choice:

1.    Who is your audience?

The words you choose should be appropriate for the intended audience. If your writing is informational, you are probably aiming at a specific audience; therefore, you will most likely be using technical jargon that those readers will already be familiar with. On the other hand, if you are aiming at the masses, you will use more commonly known words. Your choice of words is obviously going to be quite different if you are writing a piece such as a textbook than it would if you were writing a children’s picture book.

2.    Are your words specific enough for the reader to develop a clear picture?

Be descriptive. This can range from using a specific word to communicate meaning to using figurative language to make your writing more relatable to the reader.

Here are some examples to get you started.

·       Verbs

If you consistently use the word “said” when writing your dialogue, it begins to sound bland. Changing “said” to “squawked,” “bellowed,” or “sighed” lets the reader “hear” the tone being used, as well as envision the speaker’s body language. With a well-chosen verb, you may not even need an adverb, as it provides a visual description without it.

·       Subjects

The same subject in every sentence, such as a character, referring to an author, or using the same pronoun can quickly bore a reader. To keep the reader’s attention, you may want to use a transition phrase or place the dependent clause at the beginning of the sentence.

·       Similes and Metaphors

Use similes and metaphors to engage the senses when describing a scene. This allows the reader to activate prior experiences in order to understand what you are trying to convey. Experiences help the reader to create a vivid image, smell, feeling, or other sense in their mind.

·       Details

I am sure you are probably familiar with the phrase “It’s all in the details.” Well, that is exactly what we are talking about here. Those details are extremely important if you expect to have engaged readers that will return to your writing again and again. The reader does not want to know that the main character ate a hamburger. Instead, the reader wants to be able to visualize tasting that hamburger himself. It is not enough to say that you are standing in front of a mountain. Many people have never seen a mountain, so you need to paint a picture for that reader with sights and smells that they may already be familiar with.

3.    Is your passage too wordy?

I know, you are probably thinking that I just told you in the last section to be descriptive. Obviously, being descriptive often involves using lots of words, but not always. Sometimes, it is just best to be direct. This partially depends on your audience. If you are trying to inform readers who do not have prior knowledge of a subject, you may want to provide more specificity. On the other hand, you might not want to provide so much as to confuse the reader or make them lose interest. If you are writing to a group that is already well-informed on the subject, it may be best to be direct but use more technical jargon. There is a delicate balance to writing that can sometimes be difficult to navigate.

4.    Do your words fit the style and tone of your piece?

The tone of your writing serves to illustrate your emotional position, or feeling, regarding the subject you are writing about. Your word choice, the punctuation you use, and even sentence structure within your piece all convey what we call tone.

The two main types of tone are formal and informal.

·       Formal

Formal writing is typically used for academic purposes or other professional works. This tone is considered informational, or nonfiction. In this type of work, the writing is straightforward and full of facts. Sentences are grammatically correct, including no use of contractions.

·       Informal

Informal writing often sounds conversational and sometimes contains dialogue. Contractions can be used and the writer conveys more emotion.

Beyond being formal or informal, the tone of your writing can be just about any feeling there is.

Examples: angry, excited, friendly, worried, curious, humorous, cold

What tone do you think this piece has?

Word choice can be very difficult. Even if you are not sure which word to use during your initial version, you can (and should) edit and change words when you are done to make the piece flow well. Cut needless words so that your piece does not appear too wordy. Every word kept should express precisely what you want to communicate and should be needed in order to tell a part of the story.

Heather Malone

Heather Malone writes children’s books that focus mainly on Montessori education, special education, and nonfiction. She also dabbles in fiction. Her nonfiction book, Montessori from A to Z, was published in 2023, and her blog on homeschooling students with disabilities using the Montessori method can be viewed at spedmontessorisolutions.com. Her passion is education, which is evidenced by spending over twenty-five years in the field before leaving the classroom to now provide technical assistance to school districts. She lives with her husband and son in Ohio and enjoys traveling to new places in her free time.

Categories
Writers Chat

Writers Chat Recap for November, Part 2

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Bethany Jett, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Writers Chat Recap for November Part 2

Featuring…

Conducting Interviews with Del Duduit

In this episode, Del shares strategies for scheduling, preparing, and conducting interviews. As an author and former sports writer, Del has held interviews with celebrity and collegiate athletes. Success interviews happen more when you know what to ask and then sit and listen. If you have interviews lined up in the future, or are interested in conducting an interview, this is the episode for you.

Watch the November 12th replay.

For resources check out this week’s Show Notes and Live Discussion.

Painting with Words: Metaphors with Jean Wise

In this episode, Jean Wise shares how we can enrich our writing through the use of metaphors. Jean offers vivid examples of metaphor from the writing masters, along with tips on how to correctly incorporate metaphor in your own writing. If you are looking for ways to enhance your writing, this is show is for you.

Watch the November 19th replay.

JOIN US!

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET on Zoom. Here’s the permanent Zoom room link

Participants mute their audio and video during the filming then we open up the room for anyone who wishes to participate with our guests. The “After Party” is fifteen-minutes of off-the-record sharing and conversation.

Additionally, you can grow your network and add to the conversation by joining our Writers Chat Facebook Group.

Categories
A Pinch of Poetry

Poet Snapshot: Langston Hughes

I fell in love with Langston Hughes’ poetry when only a teenager in high school. Still today, I enjoy reading and re-reading his beautiful word pictures. This talented African-American poet’s work contributed greatly to the Harlem Renaissance of the 1920’s.

One thing I admire about his work is that he wrote in simple, everyday language. Yet his poetry exhibits creativity and beauty that examines the struggles of everyday life, especially of black Americans. Although his poems are usually easy to understand (and some are quite short) the complexity is between the layers of figurative language he uses.

I connect with his poetry personally because the themes touch on our common experiences: disappointments, love, sorrow, hopes, etc…

As you read through five of my favorite poems below, note his simple, elegant style and the depth of his messages. We can learn from this poet that powerful imagery, figurative language and themes are more important than word count.

[bctt tweet=”Powerful imagery, figurative language and themes are more important than word count. #poetry #poets”]

“Dreams,” probably one his shortest poems, examines the effect of disappointment. Take a look at the metaphors and the imagery. Did you also notice the sound devices of alliteration and rhyme?

“Theme for English B” addresses the issue of race on the surface. Underneath it reveals the power of poetry to break the barriers between people and find common ground. Yet even with the complex theme, he still uses simple language and imagery to communicate his message.

“Mother to Son” is a brilliant poem in which he takes on the persona of a mother encouraging her son. He reveals the darkness we encounter in life but leaves us with encouragement to press on. The extended metaphor of the broken down staircase paints a detailed picture of the speaker’s struggles. Each attribute of the staircase can symbolize a different kind of difficulty.

“Dream Deferred” is another short poem that paints a distinct image of disappointment through the use of metaphor. The message poignantly comes through his use of rather disgusting images. His technique shows that it’s not the number of words you use for the effect, but it’s how you use them.

“Dream Keeper” is probably my top favorite Langston Hughes poem. In a succinct way, the poet describes the delicate nature of dreams. His metaphors of “heart melodies” and “blue cloud-cloth” are such unique, amazing images that leave a deep impression on the reader.

Hopefully, you’ve enjoyed reading just a few of the many poems Langston Hughes penned. If you want to read more poetry by this poet, click here.

Did any of these poems resonate with you? Tell me below.

Categories
Write Justified

Life is Like…

Rhetorical questions don’t require (or deserve) an answer. Do they?

But how about those rhetorical devices—those figures of speech that bring our writing to life. They are the spice of the English language that engage readers, tickle the taste buds of their imagination, and persuade.

Over my next few posts I’ll be covering the familiar and not-so-familiar rhetorical devices that pepper good writing. There’s even a few that you’ve probably encountered, but didn’t recognize as rhetorical devices and very likely are not familiar with their names.

Comparison is a favorite rhetorical device and it comes in at least three forms:

·         Simile compares one object to another. It generally uses like or as. Like for noun comparisons; as for verb comparisons.

Gramma’s hands shook like a fluttering leaf as she opened the long-awaited package. (noun hands compared to noun leaf)

A smile spread across her face as slowly as honey dripping from a jar. (verb spread compared to dripping)

 ·         Analogy is a useful way to compare a difficult or abstract concept with something more familiar or concrete. Simile and analogy may overlap, but a simile is generally more creative, used primarily for emphasis or effect. Analogy fills a more functional role, often explaining an abstract concept in concrete terms, and thus is often more extended.

Forest Gump’s analogy comparing life to a box of chocolates gives us a great visual for a complex concept. Who hasn’t surveyed a Whitman’s sampler, studied the inside cover to determine which foil-covered confection satisfies their sweet tooth only to discover that what you thought was a chocolate covered caramel was really a chocolate covered cherry. Yeah, life is like that. You can’t always tell how something is going to turn out by appearances.

·         Metaphor compares two different things by stating that something is something else—without the use of like or as. Often you can spot a metaphor by the to be verb.

 The late summer thunderstorm was a snarling, angry dog, grabbing its victims in its teeth, shaking them violently before losing interest and moving on to the next county.

 Or this line from Shakespeare: The eyes are the window of the soul.
The Bard uses familiar objects—eyes and windows—to say that the eyes are to the soul as windows are to a house. I see what’s really inside a person—their feelings, passion—when I look into their eyes.

You see what these comparisons are doing? They are giving the reader a visual, playing into their imagination. And giving your reader fresh imagery or a new perspective makes your writing more memorable and persuasive.

A word or two of caution. Be careful about overusing these figures of speech or mixing metaphors. I think you’ll get the point from these illustrations, drawn supposedly from actual student papers.

She had a deep, throaty, genuine laugh, like that sound a dog makes just
before it throws up.

Her pants fit her like a glove, well, maybe more like a mitten, actually. (This one also should be a warning to avoid clichés.)

She was a couch potato in the gravy boat of life, flopping dejectedly on the sofa. –

 Here’s a tip: if a metaphor makes you snort, you should probably reconsider and rewrite.

You can find more humorous figures of speech at: https://writingenglish.wordpress.com/2006/09/12/the-25-funniest-analogies-collected-by-high-school-english-teachers/