Tag: novel writing

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Mastering Middle Grade

My Fifth Anniversary

As an adult, writing has been a mainstay of my professional career. I majored in journalism, interned at newspapers, worked at magazines and television stations, then migrated to marketing and freelance copywriting. For twenty-plus years, I’ve used words to persuade someone to do or buy something.

I enjoyed writing, I felt competent, but something was missing. If it weren’t for the occasional journal entry or poem I drafted here and there, my relationship with writing was transaction-based. I wrote. I revised. I collected a paycheck.

Even though I was always happy and thankful about my ability to write as part of my day job, something was missing. I felt restless and frustrated. I had ideas and characters in my head who wanted to play, but there was no room in my day job for them.

I kept on writing website copy, marketing presentations, or ghostwriting blog posts. One night, after everybody was tucked in and asleep, I started writing a story. Nobody was paying me to write it. There was no deadline attached to it. It was a creation of my own with no other purpose but to enjoy the discipline and freedom of writing.

Now it’s March 2020. Although I haven’t yet sold that first manuscript, I’ve finished a couple of others since then. I know I still have much to learn, but here are a few things I wish I’d known five years ago.

1) Critique groups are crucial. 

In my corporate and freelance world, I “routed” copy to other team members to make sure it was factually accurate and error-free. Even though it was time consuming and occasionally painful, receiving feedback made my writing stronger. For the life of me I don’t know why it didn’t occur to me to do that with my first manuscript.

I entered my first writing competition in March 2015 with a rough draft. My first manuscript didn’t get seen by another living soul until I met my first critique group at the SCBWI conference later that year. Until that conference, I’d never heard of critique groups. Now I can’t live without them. Like the “routing” teams in my past 9-5 life, critique groups exist to make the work better. They bring fresh eyes and perspective and catch things I would have otherwise missed.

2) Critique groups are not interested in stealing your work.

Tell a non-writer about your critique group and they’ll probably ask you if you’re afraid someone will steal your idea. Take comfort in this knowledge: Writers in a critique group understand what being a writer is about. They know how hard it is to write. They want to see you succeed – not plagiarize from you.

3) Comparing yourself to other writers is a waste of time and energy.

Over the past five years, I’ve met all kinds of writers. They each have a different story to tell about their path to publication. Some publication stories are dreamy, some are fraught with obstacle after obstacle. Other stories are relatively short and sweet. Nobody else’s publication story will be exactly like yours. Mine is a work in progress, and not only am I okay with that, I’m excited about it. My journey is as unique as I am. Yours will be as unique as you are. There’s room for all of us. Embrace that and don’t worry about what other writers are doing.

What I love most about this writing life is the opportunity to learn from and connect with other writers. I’d love to learn from you too! Introduce yourself in the comments below or on Instagram at @klmckinneywrites.

Kell McKinney earned a B.A. in journalism from the University of Oklahoma and an M.S. in documentary studies from the University of North Texas. She’s a part-time copywriter, double-time mom and wife, and spends every free minute writing and/or hunting for her car keys. Connect with her on Twitter @Kell_McK or kellmckinney.com.

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Courting the Muse Guest Posts

How Reading Poetry Collections Can Help You Plot Your Novel

Whether your novel closes on a cyclone-worthy twist, or a conclusion as warm and satisfying as homemade pie, you’ll need a solid plot to guide you as you write your way to that ending. Of course, coming up with one is easier said than done. 

You might have your major plot points all lined up, but maneuvering your cast from one scene to the next doesn’t always mean smooth sailing. You need the plot to advance, but there’s so much more to think about. Is your protagonist’s growth coming through? Are your themes subtle and multilayered, or just clear as mud? 

When you’re stuck on questions like these, it’s helpful to step beyond the world of your own manuscript and do a little outside reading for inspiration. Of course, you can look at how the greats in your genre have plotted their masterworks. But there’s another kind of book that just might give you the Eureka moment you’re seeking: poetry collections.

Poetry collections are plotless. But they’re also highly curated and intentionally ordered, without a verse out of place. Taking inspiration from their structure can help you plot a story that satisfies. Here are three crucial lessons to take away from them.

1. Think about the reader’s experience.

Poetry collections are often organized with the reader’s experience in mind, attending to their emotional and intellectual needs. That could entail interspersing two devastating pieces on grief with something more hopeful in tone. Or it might mean mixing in some lighter works with dense, allusive poems that require substantial thought to appreciate.

Let this reader-focused approach guide you as you assemble your chain of events. If you’ve placed a lot of tearjerker scenes early on, for instance, you’ll risk having your audience all cried out before the climax. Alternatively, you might be subjecting them to information overload —  forcing them to juggle too many names and too much backstory before the action kicks off. 

2. You might have to cut beautifully written scenes.

What makes a poetry collection difference from a bunch of poems bound together? Cohesion. A seasoned poet is wise enough to leave out any piece that doesn’t fit with the rest — even if it won them their latest Pushcart.

This sort of strictness will serve you well too. As writers, we’re often told to kill our darlings, setting sentiment aside and subjecting the lines we’re proudest of to revision’s red pen. That generally means excising an elegant but distracting metaphor. But it can also apply to entire scenes.

A scene might be gorgeously written, showcasing the most stylish prose in your entire book. But what if it feels out of place, or doesn’t serve a purpose beyond mere beauty? File it away and save it for a companion short story (or perhaps a sequel).

3. Give each chapter a shadow title.

Speaking of every section serving a purpose, here’s a poetry-inspired trick to make sure each chapter you write pulls its narrative weight. Each poem within a collection tends to have a title. That’s generally not the case for novel chapters (unless you’re writing for a middle-grade audience). But try to give each of your chapters a title anyway — for your eyes only.

Formulating these “shadow titles” help you distill each chapter down to its essentials: its key takeaway, its place in the overall structure of the book. It can also help you spot any outliers that should perhaps be reworked — or even removed. Say, for instance, you’ve come up with Friends-style titles for most of your chapters — “The One Where Iris Finds the Amulet”, “The One Where Jeff Dies”— but you have one that you can only call “The Sunset”. That might be a sign that it’s out of sync with the rest of the book.

By examining how every chapter works within the structure of your book, you’ll be able to deliver a satisfying story — and keep your readers hanging onto your every word. After all the work you’ve put into shaping your plot, that’s exactly what you deserve. 

Lucia Tang is a writer for Reedsy, a marketplace that connects self-publishing authors with the book industry’s best editors, designers, and marketers. To work on the site’s free historical character name generators, she draws on her knowledge of Chinese, Latin, and Old Irish —  learned as a PhD candidate in history at UC Berkeley. You can read more of her work on the Reedsy Discovery blog, or follow her on Twitter at @lqtang.

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Writers Chat

Writers chat Recap for October, PArt 1

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Bethany Jett, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Marketing Strategy Sessions Part 2 with Bethany Jett and Michelle Medlock Adams

These PlatLit partners were to partner up again to give us another round of mini strategy sessions. Life happens and schedules have last minute changes, as was the case here. Our dynamic duo was cut down to a dynamic uno. Do not be discouraged, Bethany brought her A game (as she always does). She brought power packed ideas for proposal or ideas of three guests—Annette Whipple with her children’s nonfiction work, Marlene Houk with her woman’s Bible study, and Stephanie L. Robertson with her dystopian YA fiction. If you need marketing ideas, come watch Part 2 of Marketing Strategy Sessions and get your creative marketing juices going.

Watch the October 1st replay.

For resources and more information check out this week’s Show Notes and Live Discussion.

NaNoWriMo Preptober with Johnnie Alexander

“What in the heck is NaNowhatever you call it,” you may be asking. Well, the full name is Nation Novel Writing Month (often shortened to NaNo) and the goal is to write 50k unedited words in the month of November. (Rebels who write nonfiction can join in the fun and frenzy as well.) This is a tall order; not for the faint at heart. However, there are ways to make the process easier with preparation…the reason October is called, “preptober” by NaNo enthusiasts. In this episode, Johnnie Alexander will share tips and strategies on preparing to write a novel in one month. She is no stranger to NaNo, Johnnie has participated a few times before and two of her stories birthed in NaNo went on to be traditionally published. Come check out the episode with a strange name. Who knows maybe your next (or first) published book is waiting to be birthed in Nation Novel Writing Month!

Watch the October 8th replay.

For tips and resources on NaNoWriMo, check out this week’s Show Notes and Live Discussion.

JOIN US!

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET on Zoom. Here’s the permanent Zoom room link. 

Participants mute their audio and video during the filming then we open up the room for anyone who wishes to participate with our guests. The “After Party” is fifteen-minutes of off-the-record sharing and conversation.

Additionally, you can grow your network and add to the conversation by joining our Writers Chat Facebook Group.

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Time Management

Get Ready, Get Set, Go! It’s NaNoWriMo!

As most of us know, this month (November) is known to writers as “NaNoWriMo” or “National Novel Writing Month.” I’m actually giving a NaNoWriMo workshop at my local library on Nov. 6 so I thought I’d tie it into my time management blog here and share on the subject since the two are integrally related – and help you (whether or not you participate in NaNoWriMo, or would just like to start, finish or publish your next book as soon as possible) focus on churning out some pages and getting them published!

First a Little History

NaNoWriMo is a creative writing project and was started in July, 1999 by freelance writer Chris Baty in San Francisco Bay with 21 participants. It was moved to November in 2000 to “to more fully take advantage of the miserable weather” and launched an official website. Participants attempt to write a 50,000 word manuscript between Nov. 1-30. By the 2010 event, over 200,000 participants wrote over 2.8 billion words. In 2013, January and February were deemed NaNoWriMo’s “Now What?” Months, designed to help novelists during the editing and revision process with a goal of getting published.

It’s All About the Numbers

To win NaNoWriMo, which focuses on quantity or length and awards those who finish, participants must write an average of approximately 1,667 words per day in November to reach the goal of 50,000 words.  Let’s see, my newest novel, The Jealous Son, due out next year, is 80,270 words (before editing). I actually was working from home primarily as a full-time author during the time I wrote it (between Jan.-April 2017). I was lucky, I had quit my day job and I could focus on my writing. I learned that a “system” that worked for me was to write during my “prime time” of day – from the time I woke up, coffee in hand, at 7 am until I felt worn out from writing and needed to work on my other “jobs,” (marketing my other books, teaching writing at my local college and as a book coach) – which was typically around 1-2 pm. I figured I could write 3 pages in 2 hours…which meant about 9-10 pages a day. One day at a time I got it finished, edited and submitted to a literary agent by July…and it’s being published in June, 2019!

When you focus and concentrate your best time to a project, you achieve the quickest and best results. Of course you can only do what you can do. But the bottom line is to schedule writing time into your week and stay focused!

Decisions and Deadlines

Organizers of the event say that the aim is to get people to start writing, using the deadline as an incentive to get the story going and to put words to paper. As a former news reporter, I’ve always worked best with a deadline. But you also have to make some choices in advance of putting pen to paper.

Make those choices as soon as possible so you can be free to write. Come up with a good catchy title (narrow your selection to two or three and Google said titles to see if they are unique (or close). Come up with your character outlines too so you “know” your characters and they can flow along with your plot (see below). Do as much research up front as possible. Also devise a timeline for your narrative so you don’t lose track of your characters’ ages, birthdays, etc. And know your readers (or audience) which will help determine your genre.

Put the Finish Line First

How does your story end? You need to know before you start! Decide on your storyline or plot and write it down in a chapter outline. I am a firm believer (as a marketing expert) in the need for a plan. If you have a chapter outline, you will have a road map to get where you’re going much faster and easier than if you don’t.

Do you know where you want your novel to end up? In the hands of friends and family? On the New York Times Bestseller List? In the hands of movie producers for adaptation? This will be important when it comes to making more choices down the line such as finding a publisher, marketing your book and setting goals for yourself. Finally, what message do you want to leave for your readers? (I also believe the best books and movies leave a message – be it educational, informational, inspirational or transformational – behind. Decide what you want your readers to get out of your book so you stick to the main message.

Save the Editing for Later…but Still Use Good Style

You don’t want to have writer’s block too soon in the game, which is why you want to edit your work at the end – after you’re finished writing. If you get too bogged down in word choices and proper grammar, you may lose your motivation, creative genius or writing zest – and it may take ages before you’re done. BUT, do use all of the recommendations of those who know the craft (and if you don’t know, read books on it like “Elements of Style” by Strunk & White, take a writing course, go to a good writers conference or email me). Show not tell, use strong nouns and verbs, don’t use clutter, etc. etc. The more effort you spend in writing well up front, the less work you’ll have to do later.

Now go forth, write, write, write! And make sure you celebrate when you’re all done – let me know and I’ll celebrate too!

Michele Chynoweth is the award-winning author of The Faithful One, The Peace Maker and The Runaway Prophet, contemporary suspense/romance novels based on Old Testament stories in the Bible that get across God’s messages to today’s readers through edgy, fast-paced fiction. Michele is also an inspirational speaker, college instructor on book writing, publishing and marketing, and book coach/editor who helps writers become successful authors. A graduate of the University of Notre Dame, she and her husband have a blended family of five children.

Social Media/Website Links:

Website: michelechynoweth.com

Blog: michelechynoweth1.wordpress.com

Facebook Author Page: ModernDayBibleStories

Twitter: AuthorMichele

You Tube: MicheleChynoweth

Categories
History in the Making

Three Reasons I Cry When Reading Louisa May Alcott’s Classic Novel

by Sandra Merville Hart

I was a teenager the first time I read Louisa May Alcott’s Little Women. A childhood friend came in just as I sobbed over a tragic part of the story. I’ve read the novel at least a dozen times since that summer day.

Characters in the novel were inspired by Louisa’s own family and friends. Knowing her characters so well deepened the portrayal of them, evoking an emotional response in her readers.

*** Spoiler alert *** If you haven’t read the novel and intend to, you may want to read this post afterward as there are a few spoilers.

There are three reasons that I cry every time I read Little Women: believable family relationships; unexpected romances; and twists that mirror life.

Loving family relationships blanket the story. The reality of the Civil War touches the family. Jo’s father serves as a Union chaplain and is away at war. Jo and her sister, Meg, take jobs to support the family. When the story opens, another sister, Beth, helps the mother at home while the youngest, Amy, attends school.

But life gives them a terrible twist—Beth helps a family where three children suffer from scarlet fever and falls ill herself. She recovers from scarlet fever but her health is never the same. Eventually readers realize that she will die.[bctt tweet=”The twists and turns of Alcott’s classic novel mirror life. #writing” username=”@Sandra_M_Hart”]

The second reason I cry when reading this classic novel is the unexpected romances. We watch Laurie, the family’s neighbor, fall in love with Jo and really want them to marry.

Though readers believe that Jo and Laurie are made for each other, a twist comes. Jo accepts a position as governess to a family in New York City. Professor Bhaer, who resides at the same boarding house, teaches German to Jo. He also critiques her writing. His disappointment in her stories cuts deeply. He encourages her to write stories with a moral.

What writer can’t relate to her pain?

Jo spends six months in New York before returning home to care for her gravely ill sister. Laurie finally proposes as anticipated, but Jo rejects him. Sad and angry, he travels to Europe. Neither of these events is what readers expect.

Another twist is coming. Jo’s youngest sister, Amy, is in Europe where she’s being courted by Laurie’s rich school friend, Fred. Readers are surprised to watch Amy fall in love with Laurie. Fred seems to be the better choice for Amy at first because Laurie is an angry, bitter man. He wakes up in time to realize Amy is the woman for him. They marry while in Europe.

What! Readers believed that Laurie was intended for Jo.

Meanwhile, Jo has all the sorrow she can handle. She tends to Beth as her little sister loses strength to even lift a needle to sew. Jo’s heart breaks—and ours with hers—when Beth dies.

As the family celebrates Amy’s marriage, Professor Bhaer arrives. In yet another twist to the story, he proposes and Jo happily accepts.

This leads to the third reason I always cry when reading Little Women: the twists and turns of the novel mirror life. The changes, the heartaches, and the bumps in the road feel realistic to readers—after we recover from shock and disappointment. Can’t we all relate to choosing a path leading one place and then ended up on completely different road?

Louisa’s publisher approached her in 1868 with a request to write a book about girls. She initially resisted. She finally gave in to urging from her publisher and her father. Then she set her novel in a house modeled after her home with characters inspired by family and friends.

The novel she didn’t want to write became a beloved classic and brought her financial independence.

Readers through the ages have reason to rejoice that Louisa listened to the urging of her publisher.

 

Sources

“Little Women,” Wikipedia, 2017/03/25 https://en.wikipedia.org/wiki/Little_Women.

“Louisa May Alcott,” Biography.com, 2017/03/25 http://www.biography.com/people/louisa-may-alcott-9179520.