Categories
The Intentional Writer

Can Outlining Help You Become a Better Writer?

When I began learning how to write a novel, the word outline brought to mind dreaded high school assignments. You know, those formal outlines with the rigid format and Roman numerals. I hated making those outlines. They seemed like a waste of time, especially since I always wrote a draft of the report first, and then created the outline to match it.

Needless to say, when I began writing in earnest, I didn’t bother with outlining. I didn’t want something that felt like overly structured busywork to inhibit my creativity or waste my writing time. Therefore, on my first attempts at writing a novel, I used more of a “pantser” approach than a “plotter” approach.

I won’t say that decision was a mistake, but it was a learning experience—I learned I’m not a pantser. I work better when I have an idea of where the story is going.

Does your writing process match your personality?

I have a logical, linear thinking style. Over the years, I’ve learned that I write better when I invest enough time in planning out a story before I plunge into writing it. When I know what a specific scene needs to accomplish to keep the plot moving, I waste far less time wondering what my characters should do, and I avoid bunny trails that lead to dead ends five scenes later.

When I realized planning helped me write better rather than hindering me, I began to experiment with different methods for planning a story. That’s when I turned to K. M. Weiland’s book, Outlining Your Novel: Map Your Way to Success. This book helped me get over my misconceptions about how outlining can help me become a better writer.

The book covers different methods of outlining and then leads a writer through a process that helps them consider the key information necessary for creating a solid plot. Everything from a premise to setting, and motivation to character arcs.

Once the foundation is set, the book guides you through creating a scene-by-scene roadmap of the story. Each chapter is filled with insightful questions and plenty of examples from the author’s novels.

As an added bonus, the book includes interviews with a variety of writers. These insights on outlining from experiences authors helped me imagine how I could utilize the tools of outlining to work for me.

For example, John Robinson says,

“It helps me see the big picture and keeps me from getting bogged down in tar pits and rabbit trails that lead nowhere.”

And Dan L. Hays described the benefits of outlining this way:

“An outline is analogous to reading a map before a road trip. I find my starting point, then pick out the best route to where I’m headed.”

Some great advice to make outlining work for you

  • No two authors outline the same way. The specific method isn’t as important as the thought process behind it.
  • Every author must find the level of detail that works for them. One author benefits from a big picture type of outline that defines the main plot events and final outcome. Another author creates an outline that include details on every scene. You must find the balance between getting enough detail to write well and spending too much time in planning.
  • Consider the outline as a brainstorming process.
  • Creating an outline can offer you a chance to explore multiple options without wasting a lot of time. In the outline phase, you can explore where various rabbit trails lead without writing whole scenes you subsequently decide aren’t needed.
  • If you get stuck in a particular scene, it may be you’re trying too hard to adhere to the outline. Give yourself permission to ignore the outline and try a different idea instead.
  • Remember your outline can have multiple drafts just like your novel. You are free to edit your outline at any time.
  • With an outline as a roadmap, a writer can more easily determine which ideas for new scenes or characters fit the plot vs. derail it.
  • Outlining enables a writer to focus more on subplots during the first draft, because the main plot is already ironed out and the writher knows where the characters will end up.

Summary

If you’re a dedicated pantser, this book probably isn’t for you. If you’re a planner, this book offers good advice to help you hone your planning and make it more effective. And if you’re frustrated because your current writing process isn’t working, or you’re feeling stuck in the middle of a writing project, this book may help you write more effectively.

You can use this book like a workbook. The questions and suggestions in each chapter will guide you through the planning process—from the initial spark of an idea to a finished, well-designed story plan. Alternately, you can skim through the book to find inspiration or to seek solutions to specific story problems.

Happy outlining!

Lisa E Betz

Lisa E. Betz is an engineer-turned-mystery-writer, entertaining speaker, and unconventional soul. She inspires others to become their best selves, living with authenticity, and purpose, and she infuses her novels with unconventional characters who thrive on solving tricky problems. Her Livia Aemilia Mysteries, set in first-century Rome, have won several awards, including the Golden Scroll Novel of the Year (2021).

She and her husband reside outside Philadelphia, Pennsylvania, with Scallywag, their rambunctious cat—the inspiration for Nemesis, resident mischief maker in her novels. Lisa directs church dramas, hikes the beautiful Pennsylvania woods, eats too much chocolate, and experiments with ancient Roman recipes. Visit lisaebetz.com.

Categories
Writing with a Disability (Different Ability)

T.M.I.

How does a writer figure out what to say?

My first writing step is to brainstorm as many ideas as possible about whatever I’m writing. From there I can choose which points I want to use to communicate my message.

I can conjure up a full page front and back of ideas. Each appropriately connected to my desired topic. They are useful pieces to complete my communicative puzzle. This also helps me to remember the references I want to mention.

Last month I had so many ideas, I filled up a full page and half of usable information. Not even my outlining step helped to condense my article. Being a disabled person with a brain injury, I call this information overload. This can be debilitating for anyone.

Just like too much information can slow down our thinking process, too much information slows down the writing and reading processes respectively.

Information overload is bad for numerous reasons.

  • Too much to comprehend at one time.
  • It loses focus and power.
  • It’s time-consuming to read.
  • It’s time-consuming to write.
  • It can be overwhelming and even scary at times.

Think about a couple who’ve recently started dating and one of them “falls” in love faster than the other. As one spills their thoughts to the other, the speed and depth of the feelings aren’t the same and the other individual is overwhelmed or possibly scared off.

T.M.I?

These days there’s a popular acronym that fits this situation, T.M.I. (too much information.) It’s not that people don’t want to know things, but we only need to know so much and more importantly to me—our brains can only handle so much.

For myself, my short-term memory is affected by my brain injury. If I hear a long list of directions or items, I will likely forget the first part of the information while trying to process all of it, which is why I’m a serious note-taker and often record ideas on my cell phone before I forget.

Another common side effect of brain injuries is, as my mentor puts it, the lack of a filter between the brain and the mouth. It’s a serious case of foot in mouth syndrome. Sometimes, not realizing what we’ve said until noticing the reactions of others around us.

The cliché that some things are better left unsaid has never been clearer to me. For writers, this is imperative to quality writing. Perhaps you’ve heard the term, “Lean writing,” this type of writing cuts to the chase to get the message out faster.

There is no need for showy adjectives, clunky adverbs or weak verbs. Lean writing has many benefits for writers.

  1. Easier to read (both visually and intellectually).
  2. Shorter paragraphs keep our audience’s attention.
  3. It’s more beneficial because our brains can process what we’re reading faster.
  4. Readers can connect the dots (selling points) quicker.
  5. Readers are less likely to be intimidated by the subject matter presented.

T. M. I. can be just as frustrating for the writer as well. How many times have you spent time and energy trying to craft a piece that efficiently represents the research you put into it, only to find lots of mistakes, typos or that the ideas just don’t fit together well?

Chunky writing leaves more room for error. Living with a brain injury has taught me that more isn’t necessarily better. Sometimes I get so busy talking without actually listening to what I’m saying. This can be extremely hurtful, especially in this hypersensitive society we live in. I consciously try to think before every word I say.

      Still, occasionally things come out the wrong way.  Fortunately, those who know me know it was just a slip of the tongue. They know that I meant no harm.

No Harm Done?   

Going back to our fictional couple, we often mean well when we try to give details to help make our message clear to our audience. Unfortunately, the extra information often does more harm than good.

When people find out I have a brain injury, sometimes they try to be “nice” and help me by giving more details that in the end only frustrate me. Below are a few things I keep in mind as I navigate life with a disability.

  • Keeping it simple is more respectful of everyone’s time.
  • Clear communication is easier for everyone to process.
  • Writing too much, like talking too much, increases the risk for misunderstandings.
  • Everyone processes information differently.

Having a disability has made me more aware of everyone’s uniqueness and helps me to be more sympathetic towards others. All the while, I can be more confident in what I’m saying without giving Too Much Information.

Martin Johnson survived a severe car accident with a (T.B.I.) Traumatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at Spiritual Perspectives of Da Single Guy and on Twitter at mtjohnson51.

Categories
Guest post archive

The Importance of Outlining: Andrew Zabriskie

 

I wrote my first fiction novel in four months during 2009 because I believed I could write a novel.  Perhaps a bit arrogant and presumptuous, but I believed God had blessed me the talent of writing, and I felt convicted to utilize that talent for telling stories.

The first draft wasn’t horrible, but it was obvious right away that it was far from complete.  I added, I took away, I put back, I removed again, I started over.  Four times.  With the help of some very patient peer editors, I continued to flesh out the plot, characters, and settings.  Outline?  Nah; who’s got the time? I’m tryin’ to write here!  Besides, I’ve already got the meat of it.  Just gotta tweak it a bit, y’know?

Yeah, well that went on for five excruciatingly long years, each laden with a plethora of doubt, discouragement, frustration, and fear.  I pushed through and self-published anyway.  Shortly after that, I submitted a revision (for $100) upon realizing that I wanted to do something in my sequel that the first book wouldn’t allow logistically.  Finally, I was – oh, wait; I need to make another revision critical to plot continuity for the entire series.  To say this was getting tedious would be a vast understatement.  My incredibly supportive wife wasn’t thrilled about the ongoing financial hemorrhaging either.

So I humbled out and made the decision to outline my second novel before writing one word.  Believe me, this was difficult, because I was excited and eager to race out of the gate once again.  After all, I’d learned so much from the first experience; surely I’d do better this time around!  But I reigned in my creative horses and began to outline.

What a difference.

Writing is like building a house (yay metaphors!).  The premise of your story is your foundation, but the outline is your framework.  Without it you can’t clearly define the size, shape, and position of each room (scenes).  It provides structure and support for the weight of the rest of the house (plot).  It creates the necessary spaces for all the plumbing, electrical and air (action).  And of course, it holds the roof up (climax).

Again, this is just the framework.  At this stage you don’t worry about things like the drywall, light fixtures, appliances, or even furniture (personalities, motivations, backstory).  The outline can be vague, but it needs to have a sense of sturdiness.  Not completely rigid, mind you.  You may find yourself altering it, but that’s ok – while the outline exists to support story development, the actual development of the story provides service back to the outline, either to validate it or expose its weaknesses.  But even if it’s the latter, it’s now a minor correction instead of a complete overhaul.  It’s much easier to knock out a few two-by-fours than to remove a load-bearing wall.

With a clear outline and some much-needed confidence, I wrote my sequel in a little over a year.  After peer editing, I made a few scene revisions and polished some dialogue, but it was finished, and complete as-is.  Looking back, I was surprised to realize how natural outlining felt.  If you think about it, we do it when we take trips, go grocery shopping, get our kids ready for an upcoming school year, or cook dinner.  Plan and organize.  It’s truly not that difficult.

But how long should outlining take?  What should my outline look like?

The answer to both questions is this: there is no exact formula.  It’s not a matter or right or wrong, it’s about what works for you.  Remember, we’re artists!  We’re creative and subjective!

“Thanks Andrew, that helps a lot,” you may say sarcastically.  Ok, fine.  Allow me to offer a bit more.

Regarding the duration of the outlining process, you need to devote significant time to this in the beginning, but don’t camp out here.

“Still not helping.”

What I mean is this:  have sober judgement of yourself.  Don’t be impatient and rush through this stage for the sake of checking a box and saying, “Yup, I got me an outline!”  I get it.  You’re drooling to bring your characters to life.  You can’t wait for them to [input your amazing premise here], but without a road map, their Ferrari will never make it to the destination.  They’ll run out of gas and/or get lost, and they’ll blame YOU, because you wrote them into the middle of that mess.

On the other hand, don’t allow the outlining process to be an excuse that keeps you from moving forward.  In other words, don’t let indecision and insecurity about your writing turn your outline into a hiding place.  You don’t polish an outline.  Face your fears and write!  Again, it’s art, so it’s not wrong or bad.  Let it guide you.

Regarding the content of your outline, make it something easy to understand and refer back to constantly.

Maybe you’re a sticky-notes-everywhere kinda person.  Fine; organize them visually so you can see the structure and timeline of your story.  Storyboards?  Go for it.  Traditional document-style outlining with bullet points?  Hey, if that’s your thing, run with it.  I swear by Microsoft excel (for pretty much everything, but I’m really ocd), and I’ll be sharing about that later.  While you can get input on every aspect of your writing, your outline really only needs to make sense to you.  But if you’ve never done one before, experiment with several methods until you find one that’s comfortable.

Don’t worry about what someone else’s outline looks like.  This isn’t a contest.  As long as you have a basic idea of the beginning, middle, and end of your story, I’d say you have an outline.  You can build from there.  Just about anything can work.  Remember Mad-Libs?  Take a closer look; it’s an outline.

Outlining saved me time, money, and all of the negative feelings expressed above in the third paragraph.  I’m convinced it’s essential to the success of any literary project, regardless the genre.   I hope you find my thoughts to be helpful and encouraging.  No matter what, don’t give up.

Andrew Zabriskie is a lifelong avid fan of high fantasy and science fiction. He lives in Charleston, SC with his phenomenal wife, two cuddly cats, and a very old and quite cantankerous horned frog with a penchant for world domination.  He has a passion for weaving the truths of the gospel into his storytelling.  Andrew is the author of The Brotherhood of the Blade series, available as eBooks on Amazon.  Follow Andrew on facebook:

https://www.facebook.com/andrew.zabriskie.author