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A3 Contributor Book Release

A Musket in My Hands by Sandra Merville Hart

Releasing November 8th, A Musket in My Hands is Sandra Merville Hart’s third Civil War romance with Smitten Historical Romance, an imprint of Lighthouse Publishing of the Carolinas. Her fifth historical romance releases in the summer of 2019. Sandra writes for Almost an Author’s column “History in the Making,” listed under the Genre tab. Sandra loves learning about history through researching her stories—and then passing along these gems to her readers. This book releases today, November 8th.

Back Cover Blurb

Can I count on you in times of great need?”

 Callie Jennings reels from her pa’s decision that she must marry his friend, a man older than him. Her heart belongs to her soldier hero, Zach Pearson, but Pa won’t change his mind. Callie has no place to hide. Then her sister, Louisa, proposes a shocking alternative.

Zach still hears his pa’s scornful word—quitter. He’s determined to make something of himself as a soldier. He’ll serve the Confederacy until they win the war. If they win the war.

Callie and Louisa disguise themselves as soldiers and muster into the Confederate army in the fall of 1864. Times are tough and getting tougher for their Confederacy. For Callie, shooting anyone, especially former countrymen, is out of the question—until truth and love and honor come together on the battlefield.

Bio

Award-winning and Amazon bestselling author Sandra Merville Hart loves to uncover little-known yet fascinating facts about our American history to include in her stories. Her debut Civil War Romance, A Stranger on My Land, was IRCA Finalist 2015. A Rebel in My House, set during the historic Battle of Gettysburg, won the 2018 Silver Illumination Award and second place in 2018 Faith, Hope and Love Readers’ Choice Award. A Musket in My Hands, where two sisters join the Confederate army with the men they love, released November 8, 2018. Her novella, Surprised by Love in “From the Lake to the River” released in September of 2018. Trail’s End, in “Smitten Novella Collection: The Cowboys” releases in August of 2019.

Find her on her blog, https://sandramervillehart.wordpress.com/.

Categories
History in the Making

Finding the Setting for Our Novels

Searching for the setting of that next novel? I am in the same boat.

My third Civil War romance, A Musket in My Hands, releases this fall. After taking a break to write a historical romance novella releasing next summer, I turned my thoughts to the topic of my next Civil War novel.

Categories
History in the Making

Dialogue Contractions in Historical Novels

by Sandra Merville Hart

 

Historical novelists research ways of life, events, fashion, and a myriad of other topics. Another aspect of writing to consider is dialogue. Should we use contractions in our characters’ conservations?

Whatever we think, it is also important to consider our editor’s opinion. He or she might believe that the dialogue should be liberally sprinkled with contractions because readers will relate to it. Others may feel contractions weaken the historical authenticity.

I decided to pull a variety of novels written in earlier eras from my bookshelf to verify the use of contractions in dialogue. The results surprised me.

I didn’t find any dialogue contractions when leafing through Jane Austen’s Pride and Prejudice. I didn’t reread the story, but this novel, published in 1813, contains few—if any. [bctt tweet=”Use #dialogue contractions in historical novels to enhance character’s style. #writing #histfic ” username=”@Sandra_M_Hart”] 

Mark Twain published The Innocents Abroad in 1869. This novel is a narrative with little dialogue yet those conversations contain contractions. His book about his adventures in the western territories of the United States, Roughing It, has a lot more dialogue with contractions. Twain’s novels, Huckleberry Finn and Tom Sawyer, utilize contractions. They feel authentic.

Lucy Maud Montgomery’s Anne of Green Gables published in 1908. Montgomery used contractions in conversations.

Great Expectations, the classic novel by Charles Dickens, published in 1861. This master storyteller sprinkled contractions throughout his dialogue.

Ernest Hemingway published The Sun Also Rises in 1926. He also uses contractions in dialogue.

The only author of the five who didn’t use contractions is Jane Austen. Her writing has a formal feel, yet her dialogue still flows naturally.

Writers may be more influenced by Jane Austen’s style, choosing to write dialogue without contractions. Reading conversations aloud will show where to soften and tweak the wording. Writing without contractions may feel more authentic.

Other novelists decide to include contractions for every character.

Perhaps there is a happy medium. Don’t shy away from using contractions in historical novels. Don’t avoid them at all costs.

Instead use dialogue contractions as one more way to differentiate a particular character’s style—to add color and flavor and dimension. Some folks speak in formal language while others never do. The way they communicate reveals clues about who they are.

Dialogue then becomes another tool in a novelist’s arsenal for effective communication.

 

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History in the Making

Three Reasons I Cry When Reading Louisa May Alcott’s Classic Novel

by Sandra Merville Hart

I was a teenager the first time I read Louisa May Alcott’s Little Women. A childhood friend came in just as I sobbed over a tragic part of the story. I’ve read the novel at least a dozen times since that summer day.

Characters in the novel were inspired by Louisa’s own family and friends. Knowing her characters so well deepened the portrayal of them, evoking an emotional response in her readers.

*** Spoiler alert *** If you haven’t read the novel and intend to, you may want to read this post afterward as there are a few spoilers.

There are three reasons that I cry every time I read Little Women: believable family relationships; unexpected romances; and twists that mirror life.

Loving family relationships blanket the story. The reality of the Civil War touches the family. Jo’s father serves as a Union chaplain and is away at war. Jo and her sister, Meg, take jobs to support the family. When the story opens, another sister, Beth, helps the mother at home while the youngest, Amy, attends school.

But life gives them a terrible twist—Beth helps a family where three children suffer from scarlet fever and falls ill herself. She recovers from scarlet fever but her health is never the same. Eventually readers realize that she will die.[bctt tweet=”The twists and turns of Alcott’s classic novel mirror life. #writing” username=”@Sandra_M_Hart”]

The second reason I cry when reading this classic novel is the unexpected romances. We watch Laurie, the family’s neighbor, fall in love with Jo and really want them to marry.

Though readers believe that Jo and Laurie are made for each other, a twist comes. Jo accepts a position as governess to a family in New York City. Professor Bhaer, who resides at the same boarding house, teaches German to Jo. He also critiques her writing. His disappointment in her stories cuts deeply. He encourages her to write stories with a moral.

What writer can’t relate to her pain?

Jo spends six months in New York before returning home to care for her gravely ill sister. Laurie finally proposes as anticipated, but Jo rejects him. Sad and angry, he travels to Europe. Neither of these events is what readers expect.

Another twist is coming. Jo’s youngest sister, Amy, is in Europe where she’s being courted by Laurie’s rich school friend, Fred. Readers are surprised to watch Amy fall in love with Laurie. Fred seems to be the better choice for Amy at first because Laurie is an angry, bitter man. He wakes up in time to realize Amy is the woman for him. They marry while in Europe.

What! Readers believed that Laurie was intended for Jo.

Meanwhile, Jo has all the sorrow she can handle. She tends to Beth as her little sister loses strength to even lift a needle to sew. Jo’s heart breaks—and ours with hers—when Beth dies.

As the family celebrates Amy’s marriage, Professor Bhaer arrives. In yet another twist to the story, he proposes and Jo happily accepts.

This leads to the third reason I always cry when reading Little Women: the twists and turns of the novel mirror life. The changes, the heartaches, and the bumps in the road feel realistic to readers—after we recover from shock and disappointment. Can’t we all relate to choosing a path leading one place and then ended up on completely different road?

Louisa’s publisher approached her in 1868 with a request to write a book about girls. She initially resisted. She finally gave in to urging from her publisher and her father. Then she set her novel in a house modeled after her home with characters inspired by family and friends.

The novel she didn’t want to write became a beloved classic and brought her financial independence.

Readers through the ages have reason to rejoice that Louisa listened to the urging of her publisher.

 

Sources

“Little Women,” Wikipedia, 2017/03/25 https://en.wikipedia.org/wiki/Little_Women.

“Louisa May Alcott,” Biography.com, 2017/03/25 http://www.biography.com/people/louisa-may-alcott-9179520.

Categories
History in the Making

Historical Writing Requires Attention to Details

By Sandra Merville Hart

When it comes to research, contemporary writers have it so easy, right? I am teasing, because these novelists definitely research their topics. However, it is true that everyday objects don’t have to be described in great detail in those genres.

For instance, when a character answers a phone in a contemporary novel, writers don’t have to mention that they hold the object to their ear to hear the conversation. The ringtone isn’t described unless it says something about the character’s personality or holds meaning in the story.

On the other hand, historical writers pay attention to those details as they paint a picture from days gone by. For example, novelists add descriptions of landaus, a four-wheeled carriage, for readers who want to see the vehicle in their imagination. These carriages contained two seats that faced each other to accommodate four adults comfortably. The driver sat on an elevated seat while guiding a team of four horses.

Landaus are no longer common so writers realize the need to describe these modes of transportation. Many objects fall into this category and enhance reader’s pleasure to learn a bit about the past.

However, there are other familiar objects that we, as writers, simply assume have been around for generations. I discovered this while writing a novel set in 1877.[bctt tweet=”Historical novelists can’t trust assumptions. Verify with research. #histfic #writer ” username=”@Sandra_M_Hart”]

My character sat on a front porch swing enjoying a conversation with her niece and new stepdaughter. The scene almost wrote itself. It didn’t occur to me until editing to wonder when porch swings came into use. I swung on them during childhood visits to older relatives’ homes, making me assume that they had been gracing front porches for years.

Assumptions have to be verified, requiring additional research.

In another novel, I wanted to show a character’s brothers playing tricks on her for April Fool’s Day. When did such shenanigans begin? Research showed this tradition began in 1700, making it safe to include in my 1904 novel.

How about the celebration of Mother’s Day and Father’s Day? These are relatively new holidays honoring parents.

I wanted to include a scene where fourteen-year-old twins (not yet called teenagers in 1877) decorated a Christmas tree at their boarding house with ribbons. They strung popcorn to arrange across the evergreen branches. Including these activities in my story required researching when Americans began to chop down evergreen trees to bring into their homes for Christmas. Did they decorate with ribbons, hang presents on the tree, pop corn for the occasion? These nostalgic details, once verified, bring richness to stories.

A wonderful aspect of research is that it often reveals traditions that are no longer followed. Including long-forgotten details deepens both your story and your reader’s delight.

We are often fairly certain of our facts, such as the date an event took place, but it’s always worth checking if there is any doubt. An abundance of Internet sites often makes this a quick process.

 

Sources

“April Fools Tradition Popularized,” History.com, 2017/02/24 http://www.history.com/this-day-in-history/april-fools-tradition-popularized.

“Landau,” Encyclopeadia Brittanica, Inc., 2017/02/24 https://www.britannica.com/technology/landau-carriage.

 

 

 

 

Categories
History in the Making

Combatting the Noise Issue

By Sandra Merville Hart

 

A few family members came over to watch a movie this weekend. The dramatic story prompted a lot of discussion. I asked my nephew what he thought. His surprising answer was that the movie had a “noise” issue. He mentioned that an important scene beside the pool had no sounds of kids splashing or folks walking by engaged in conservation. Even a maintenance man watering a flower bed would have added authenticity. The only thing happening in the scene was vital dialogue.

His insightful comment sparked my writerly reflections. The same mistake happens in novels. Historical fiction writers who ignore all important news events surrounding their story create a “noise” issue.[bctt tweet=”His surprising answer was that the movie had a noise issue. #Histfic #writing” username=”@Sandra_M_Hart”]

We can’t live in today’s world without being affected by news. Local events can affect us directly, perhaps something like a nearby business burning down. Not only do we know and sympathize with the owner’s family, we have to find another store to fill our needs until it is rebuilt. Our town, the nearest city, and state happenings affect us. And even though we may not live in close proximity with national/international scene, these happenings can still crush our spirits.

Though news didn’t travel as quickly in earlier eras, folks were just as upset by troubling events as we are today. Perhaps they grew more distressed than us because we are accustomed to hearing bad news on television around the clock.

Even if the novel being written is more about the attitudes, fashions, and morals of a particular era, consider adding one or two newsworthy items of the day. A few hours or days of research may be enough to add gems of authenticity to the story.

That sounds like extra work if you’re already in the midst of writing but it doesn’t have to be a time hog.

Say, for example, that your novel is set in 1832. You don’t have a clue about what’s happening in the United States or even how many states there are. The Internet has greatly simplified our work.

Google “1832 American History.” This search gives options for Wikipedia sites for “1832 in the United States” and “Timeline of United States (1820-59).” Onthisday.com lists “1832—Historical Events—on this day.” Another site, America’s Best History, has a post for “U.S. History Timeline: the 1830s.”

Wikipedia’s timeline shows that the 1830s saw the Second Great Awakening, a religious revival movement. A bit of research about this may reveal that it is something that fits easily into your novel.

The Oregon Trail started being used by folks determined to settle in the Pacific Northwest in the 1830s. Maybe a character in your novel has a family member already on the trail.

The Black Hawk War occurred in 1832. Did it happen near your novel’s setting?

This was a presidential election year. Andrew Jackson was reelected as our nation’s president in 1832. I found some fun traditions that folks used to follow on election day and wrote about them on my blog. Depending on the timing, election celebrations could be a festive event in your novel.

The sites referenced above are a springboard for ideas. Research further on details that snag your interest. You never know what you will find when opening the pages of history.

Allowing our characters to interact with actual historical events opens up a fascinating world and adds authenticity. Readers find it easier to “step back in time” with you.

It is one more way to add scene “noise” that many readers crave.

 

Sources

“1832 in the United States,” Wikipedia, 2017/01/22, https://en.wikipedia.org/wiki/1832_in_the_United_States.

“Historical Events in 1832,” On This Day, 2017/01/23, http://www.onthisday.com/events/date/1832.

“Timeline of United States history (1820-59),” Wikipedia, 2017/01/22, https://en.wikipedia.org/wiki/Timeline_of_United_States_history_(1820%E2%80%9359).

“U.S. Timeline: The 1830s, Conquering the West,” Americasbesthistory.com, 2017/01/23, http://americasbesthistory.com/abhtimeline1830.html.

 

 

Categories
History in the Making

Research’s Unexpected Benefit

By Sandra Merville Hart

It happened again. Somewhere in the middle of writing the novel, the story got stuck and refused to budge.

Stories sometimes stall on page one hundred or two hundred seventeen or any page in between. Writers leave their computers for the day and come back the next morning, certain that today will be a better day. Today we will get past the hump. Today we will write two thousand words.

Reality sets in. Staring at the last written paragraph sparks no ideas. What happens next? We know the ending but how do the characters get there?

A few minutes on social media ought to get the creative juices flowing again but we are more distracted than ever after a half hour on Facebook and Twitter. Now we are worried about a friend’s health issues, wildfires out of control, and the latest political rants. None of this brings us back into our story.

View this as an opportunity.

Historical writers have a great advantage here. Numerous pages of notes taken during research hold nuggets of inspiration just waiting to be rediscovered.

[bctt tweet=”Historical #writers find inspiration from research notes when story stalls. #HistFic #writing” username=”@Sandra_M_Hart”]

Return to those research notes. Begin reading historical facts that fascinated you as a writer when first discovering them. Inspiration may arise an hour or two after reading the notes.

Studying research notes could also spark questions. Some previously unimportant fact catches your attention. Maybe this is what your story needs, but you wrote incomplete data or that particular resource didn’t give enough information.

That has happened to me several times. At first glance an event or newsworthy item in history had nothing to do with my story but I jot it down because it interested me. When scanning the notes later for inspiration, I realize that information takes my characters down a compelling path. Since I had originally deemed it unimportant, I now need to return to my resource material for further research.

If this happens to you, check out the books again that were most helpful for your story or search for additional books to delve into the topic. Reread website articles. Glean any information available about this new avenue. The story takes shape as the writer digs deeper.

Before the novelist knows it, the story comes to life again. Inspiration is back and the writer can’t wait to return to that blank page. Now rereading the last written scene grounds the author. The next scene isn’t difficult to write.

The previously ignored tidbit is actually the bridge that deepens your story. There was a reason the story stalled. We didn’t know all the information yet or we were ignoring something important and had to figure it out.

God cares about our stories. If you ask Him to give you His story and pray while writing, you will see Him work.

Even when your story stalls.

 

Categories
History in the Making

Create Timeline of Novel’s Events

By Sandra Merville Hart

 

Somewhere in the midst of writing my second novel my story started to get away from me. I couldn’t remember what day or week something happened in my plot, requiring me to reread earlier passages. This prompted me to create a timeline of my novel’s events.

Creating a Word document containing the timeline for our stories maintains accuracy, keeps us organized, and shows where the plot requires additional action.

I read a novel where two chapters spanned the summer only to find that the following chapter stated all those events happened in only two weeks. The author’s mistake on time jolted me out of the story. The things that happened early in the novel in a specific timeframe were incorrect. I continued reading though I had lost trust in the author. This discrepancy could have been easily fixed and monitored by maintaining a timeline.

Tracking this detail also keeps authors organized. My timeline is arranged in chapter paragraphs and contains the chapter’s major scenes. It begins with the character whose perspective the scene is written along with a brief description of the action and the date. The day of the week is also important because this detail grounds us. For instance, church is part of normal Sunday activities for Christians and in many historical novels whereas Monday begins the work week.

The time of day matters a great deal in suspense and mystery genres so tracking this detail saves the author constant rereading of prior scenes.

Timelines note every change of character perspective or date.

Historical novelists writing about particular events such as a Revolutionary War battle, the assassination of President Lincoln, or the San Francisco earthquake pay close attention to details. Tracking dates and historic occurrences within the novel keeps us focused and organized.

Another advantage of maintaining a novel’s timeline in the midst of writing is that it shows where the plot needs strengthening. Authors will see where the story’s action slows and picks up again.[bctt tweet=”Creating a novel timeline helps #writers track story details in each chapter. #writing #history” username=”Sandra_M_Hart”]

Tracking which scenes are in a particular character’s perspective helps to evaluate who gets the most “air time.” This can be important for specific genres like romance.

Authors may refer to timelines when writing novel proposals as a springboard for writing summaries, synopsis, or back cover copy.

I generally update my timeline upon completion of chapters. It you possess a forgetful nature like me, consider adding this organizational tool to your writing routine. It has saved my sanity countless times.

 

 

Categories
History in the Making

Seeing His Words in Print Baffles Mark Twain

by Sandra Merville Hart

Mark Twain’s life was at a pivotal moment in the 1860s.

old-932218_960_720

He was out of the States and in Nevada Territory where fortunes were made and lost while mining for silver. He ought to know; his part-ownership in a silver mine had made him a millionaire. Through the worst of misfortunes, Twain lost his interest in the mine after ten days.

What was next for him? He had held a variety of positions: grocery clerk, blacksmithing, bookseller’s clerk, drug store clerk, St. Louis and New Orleans pilot, a printer, private secretary, and silver mill miner. He felt that he had mastered none of these professions. What does one do after losing a million dollars?

[bctt tweet=”Mark Twain was at a pivotal moment. What does one do after losing a million dollars? #writing #inspiration” username=”@Sandra_M_Hart”]

He gave in to misery. He had written letters to Virginia’s Daily Territorial Enterprise, the territory’s main newspaper in earlier days; it always surprised him when the letters were published. It made him question the editors’ judgment. His high opinion of them declined because they couldn’t find something better than his literature to print.

A letter came from that same newspaper offering Twain a job as city editor even as he wondered what his future held. Though he had so recently been a millionaire, the job offer with a twenty-five-dollar salary seemed like a fortune. The offer thrilled him.

mark-twain-391112_960_720Then doubts set in. What did he know of editing? He felt unfit for the position. Yet refusing the job meant that he’d soon have to rely on the kindness of others for a meal, and that he had never done.

So necessity forced Twain into taking an editor’s job though he felt ill-equipped. He arrived in Virginia, Nevada Territory, dressed more as a miner than an editor in a blue woolen shirt, pantaloons stuffed into the top of his boots, slouch hat, and a “universal navy revolver slung to his belt.”

The chief editor, Mr. Goodman, took Twain under his wing and trained him to be a reporter. The young man had finally found something he excelled in.

As writers, many of us can relate to Twain’s doubts. A myriad of talented authors have come before us. What do we have to offer?

It is comforting to realize that a young man destined to become one of America’s best-loved authors began with humility. A seasoned and kindly editor taught him the trade; Twain’s talent took him the rest of the way.

What would have happened if Mark Twain hadn’t lost a million dollars? His words may have been lost to us. Such classics as The Adventures of Tom Sawyer, The Adventures of Huckleberry Finn, and The Prince and the Pauper might never have been written.

When we ponder our failures, our rejected works, and lost opportunities, we should remember that situations change. We won’t always feel as we do today. God has the ability to put us in the right place at the right time with the right attitude.

Just like He did with Samuel Clemens, America’s beloved Mark Twain.

 

Sources

Twain, Mark. Roughing It, Penguin Books, 1981.

 

 

 

 

Categories
History in the Making

What Historical Authors Glean from Old Photos

Historical authors can glean a wealth of information from old photos. They give an unintentional glimpse into everyday life of the time period. Authors stumble across these gems as a natural part of research. It’s important not to overlook the value of these snapshots.

Before we dive into some examples, let’s discuss ways to find photographs.

Research leads us to libraries lavishly filled with nonfiction books. Many of these contain photos, sketches, and illustrations. Another source is the Internet, which has an abundance of research sites. Local museums are also excellent sources for these visual aids.

[bctt tweet=”Old photos capture unintentional glimpses of everyday living for #Historical authors. #writing ” username=”@Sandra_M_Hart”]

For instance, while writing novels set during the Civil War, 1861-1865, I found sketches, paintings, and photographs of soldiers, battlefields, and weapons in books and on websites that added depth to my understanding of battles.

Regardless of where the photos are found, they present valuable clues that enrich our stories. Let’s look at some examples.

The main picture on this post is a painting of the signing of the Declaration of Independence. It shows a group of mostly seated men suitably dressed for the 1776 event. A patterned rug covers only that part of the wooden floor where the most important persons in the room sit. A bordered cloth covers the two tables of what is presumably the president and the secretary. Elaborate ceiling molding and curtains indicate the meeting’s likely location is a town�����s public office or a wealthy man’s residence. It would be interesting to research the flags on the wall — colonial or British? What we don’t know from a careful perusal is the year of the work or if the artist witnessed the event. If not, who supplied the descriptions for the artist? If many years passed between the event and the painting, authors may desire to dig through period writings if they intend to use the painting for novel descriptions.

Photo courtesy of Pixabay.com Free Images
Photo courtesy of Pixabay.com Free Images

The second example appears to be a school photo. Churches also snapped similar poses. The children are around the same age, sitting/standing for a group photo in a way that most of us have posed at school. Studying the hairstyles and clothing offers ways to approximate the year this was taken. For example, most girls are wearing anklets or knee socks. When were these worn? All girls wear a dress or skirt but the boys don’t wear suits, at least at this school. This also helps date the picture.

vintage-923009_960_720

Authors love to find old Montgomery Ward or Sears, Roebuck catalogs because they show available products for a particular year. Though not from a catalog, the third example is an advertisement. In March 1896, “The Black Cat” cost five cents. The Shortstory Publishing Company in Boston ran the ad so does this mean “The Black Cat” was a book or magazine? It seems likely since the publisher has “shortstory” in its name and the ad references The Marchburn Mystery. Or is it a play? A rabbit and a black cat each play a banjo on the cover to entice customers.

I resisted the urge to research any of these pictures; I wanted to show what can be discovered by studying old pictures, paintings, and advertisements. Were I to use any of these in my story, I’d research further, but notice how much we learned from a photograph.

Photographers have a focal point such as a person or a landmark. Learn to look beyond the main focus of picture when researching. Notice the lantern hanging next to the door or the tire swing on an oak tree in the background. These everyday articles paint the picture we hope to portray to transport our readers back in time.

 

 

 

 

Categories
History in the Making

Don’t Say

I watched a movie set in the 1800s recently where a child said, “Cool!” He didn’t refer to the temperature; something good happened. The comment jolted me out of the scene because it didn’t belong.

I’m currently reading a novel set in the 1600s. I’ve enjoyed learning about everyday living in that time period. However, the novel contains modern phrases that don’t fit the time period, such as read me like a book. This didn’t fit my perception of the vernacular from three hundred years ago and temporarily took me out of the story.

It’s probably a given that all historical authors will sometimes choose familiar words that don’t belong in the setting, but how can we limit these mistakes?

[bctt tweet=”Avoid a common mistake made by #historical #authors by immersing yourself in books set around your novel’s era.” username=”@Sandra_M_Hart”]

The first way is by immersing yourself in books set near the time period of your novel. For example, when researching the American Civil War, I started by reading soldier accounts. These informative transported me to battlefields. Diaries written by slaves, Southern wives, and Northern abolitionists demonstrated beliefs and opinions as well as words used to express themselves. These gave the civilian perspective. Novels such as Uncle Tom’s Cabin, Little Women, and A Man Without a Country are just a few of the books that taught me the faith and values that people held dear.

Become a detective while enjoying novels written during the time period. Read between the lines. For example, contemporary writers rarely describe phones because we all know what one looks like and its function. The same thing is true of books written two hundred years ago; everyday objects such as oil lamps are rarely described so read as if you are a detective searching for clues.

Another great tool at an author’s fingertips is the Online Etymology Dictionary. This dictionary shows the meaning, origin, and the approximate year a particular word began to be used.

For instance, some probably imagine the word cool started to refer to something other than temperature in the 1970s. The link above shows the word started to mean general approval in the 1940s, possibly earlier than expected.

We often say sure in our contemporary novels. This word has actually been in use for a long time. Charles Dickens used the word in A Christmas Carol, making it safe for me to write it in my Civil War novels. Checking the Etymology Dictionary shows that sure as the affirmative yes began around 1803. Sure thing is another term often used in historical novels – this is correct if your novel is set in 1836 or later.

An online source for the origin and meaning of phrases if a great writing tool. This link contains lists for Phrases coined by William Shakespeare, Phrases first found in the Bible, and Famous Last Words – to name a few. These are interesting and fun. While searching for a particular phrase, you may find a different one that fits even better.

I didn’t find the date that read me like a book came into usage. Well-read is surprisingly from the 1590s and reread as a verb began in 1782. This site is such a gift to authors.

When writing a word or phrase in your historical novel that an editor or critique partner questions, click on these links and dig deeper.

Chances are you and your critiquer will both learn something.

 

 

 

Categories
History in the Making

What I Learned from the Author of Charlotte’s Web – Part 2

by Sandra Merville Hart

 

Last month we talked about the author of Charlotte’s Web, E.B. White, and the influence of his writing professor, William Strunk Jr.

Strunk devised and White revised twenty-two Elementary Rules of Usage. The whole list deserves an author’s attention but this article focuses on three rules that most altered my writing.

A writer must first select a design for the piece and adhere to it. I had written several books (unpublished) and many articles before reading this advice. According to White, effective writing follows the author’s thoughts but perhaps not in the same order. Deliberate planning precedes writing.

For instance, certain forms of poetry follow a predetermined frame, but most writings are flexible. Considering the shape of the finished work allows greater chances for success. The intended audience and the message affect this decision.

Make positive statements. This second rule underscored one of my weaknesses that I’ve worked to correct. Avoid indefinite language. Commit to your descriptions.

[bctt tweet=”E.B. White advises #authors to make positive statements and avoid indefinite language when #writing an article or novel. ” username=”@Sandra_M_Hart”]

Writing not very often hesitant to speak is wordy and better stated as usually spoke his mind.

Another part of this second rule is to express negatives positively. Did not go becomes stayed. Not happy is sad. Is your character a little mad or is he frustrated?

A third rule from White deals with loose sentences. These are two clauses joined by a conjunction, common in unskilled writers. His advice is to avoid a string of this type of sentence.

Connectors such as and, but, or which occasionally are fine. A paragraph filled with loose sentences grows monotonous.

Rework these paragraphs. White suggests rewriting enough sentences to relieve the repetitive feel. Replace them with simple sentences. Rewrite entire sentences. Join two clauses with a semicolon. Choose the best way to remain true to the thought.

When I originally read this book about five years ago, I began to apply as many of White’s rules as feasible to a recently completed draft. I discovered the best way to utilize the rules was to take them one at a time.

I hate to mention how many loose sentences were in my manuscript. For someone so unfamiliar with the term I certainly excelled at writing them. Realizing that using too many connectives was considered easy, unskilled writing, I rewrote many sentences to improve the work.

Then I went on to another rule that exposed my weaknesses and began the process all over again.

Though the continuous editing required more time and effort than anticipated, working through each rule solidified the learning impact. Whether or not my manuscript was good at the end of this process, hard work improved it.

This introduction of three of the rules simply scratched the surface of the gems found in The Elements of Style by William Strunk Jr. and E.B. White. Next month we will talk about other helpful writing tips from this book. Stay tuned!


Categories
History in the Making

What I Learned from the Author of Charlotte's Web – Part 3

by Sandra Merville Hart

 

Two months ago we talked about the author of Charlotte’s Web, E.B. White, and the influence of his writing professor, William Strunk Jr.

Last month we dug into three of the White’s twenty-two Elementary Rules of Usage.

This article focuses on commonly misused words. The Elements of Style by William Strunk Jr. and E.B. White, lists twenty-six pages of them; we will mention only a sampling.

Some speakers or writers use certainly or very to intensify statements. Used often, these words become a mannerism.

The authors considered using contact as a verb as self-important and unclear. Phone, email, or meet someone; don’t contact them.

If you are disinterested in something, you are impartial; being uninterested means indifferent or not interested.    

A three-day battle started in Gettysburg on July 1, 1863 is a fact because it is verifiable information. An opinion such as the greatest president or the worst restaurant shouldn’t be confused with facts.

Folk is the same as people. Folks refer to family or those gathered. Use the singular form of the word in formal writing.

Beginning a sentence with however gives it the meaning ‘in whatever way.’ However doesn’t mean the same as nevertheless.

Rephrase a sentence to avoid using the word importantly.

The authors label interesting an unconvincing word. There is no need to announce something will be interesting; grab the reader’s attention with the writing.

Less (denoting quantity) is sometimes mistakenly used for fewer (a number.)

There is an important difference between nauseous (causing nausea) and nauseated (upset stomach.) Saying I feel nauseous actually means we create that feeling in others. Whoops! Don’t we often say this when sick to our stomachs?  

Writers should avoid split infinitives (placing an adverb between to and the infinitive) unless desiring to stress the adverb. To tirelessly search or to search tirelessly is an example.

[bctt tweet=”Write with the reader’s enjoyment and understanding in mind. #Historical #Writing” username=”@Sandra_M_Hart”]When choosing whether to write that or which, remember that defines the one spoken of and which is nonrestrictive.

When writing of customary actions, would can usually be omitted. Every month she would volunteer at the soup kitchen. Remove would and make volunteer an action verb: every month she volunteered at the soup kitchen.

White dubbed his writing professor “Sergeant Strunk” in the introduction. He taught with authority and assurance of being right and that is the tone of this book that he wrote and White lovingly revised.

One of the greatest gifts of studying The Elements of Style was the emphasis on the reader. An author’s job is to communicate clearly so the reader understands exactly what’s happening.

So writing with readers in mind – people who can’t see what’s going on inside our head – should realign our focus to their enjoyment and understanding. It’s hard work that is worth the effort.

Categories
History in the Making

What I Learned from the Author of Charlotte’s Web – Part 1

by Sandra Merville Hart

 

I wanted to instill a love of reading in my daughter from a young age so we read at bedtime. One novel we both enjoyed during her elementary school years was Charlotte’s Web by E.B. White.

When beginning my writing journey, I found a wonderful book originally self-published by one of White’s professors. An editor asked him to expand and revise it. Studying the end product, The Elements of Style by William Strunk Jr. and E.B. White, inspired me.

The learning began in the introduction where White recalled his teacher omitting needless words eagerly from students’ papers as a demonstration to the class. Every writer cringes in sympathy to imagine being the one used as an example.

[bctt tweet=”#Write concisely but don’t avoid details. Instead make every word count. #Author” username=”@Sandra_M_Hart”]

Strunk taught his students to write vigorously. Such concise writing contains no unnecessary words. This doesn’t mean authors avoid details. Instead, make every word count.

The professor worried that readers flounder in murky waters. Authors must write in a way to “drain the swamp” and enable the reader to reach dry land. His main concern was the confusion the reader felt upon encountering unclear sentences and paragraphs.

This compassion for the reader struck me. Surely our most important job is to communicate a clear message. We fail when our audience puckers their brow and reads a sentence a second or third time.

I am a work-in-progress. If you write, you probably feel the same way. Rejections abound in our profession as in other creative careers. Silently listening while an editor or critique partner scratch out phrases or suggest a better way to portray an action challenges us. Like Strunk, some are very positive they’re right.

We owe it to future success to listen and mull over the suggestions after the sting of rejection wears off. Applying their suggestion may affect a later scene.  You know your story. Evaluate their comments and learn from them.

There are more gems to share from this writing book. This article is the first of a three-part series. Join me next month for part 2.

As much as White squirmed under his professor’s editing, he benefited from the wisdom.

May we do the same.

Categories
History in the Making

How the Author of Winnie-the-Pooh Inspired Me

by Sandra Merville Hart

I’ve always loved Winnie-the-Pooh.

The honey-loving bear captured my heart instantly as a child. I also fell in love with Eeyore, Piglet, Rabbit, and Christopher Robin in stories shown on TV.

I recently began reading The Complete Tales of Winnie the Pooh by A. A. Milne. It delighted me to find the same whimsical manner in the book because the shows remained relatively true to the writing.

Milne so captivates readers ninety years after he published the stories because he created lovable, believable characters with childlike innocence and allowed a young boy to be the hero.

Pooh describes himself as a “Bear of Very Little Brain” yet he often sits to think about things. His friend, Rabbit, worries about everything. Eeyore, a gray donkey, sees every event through the gloomiest possible lens. Piglet tries to be brave until scary circumstances bring out his timidity.

[bctt tweet=”Lovable, believable characters with childlike innocence make A.A. Milne’s Winnie-the-Pooh a classic. #Author #Writers ” username=”via @Sandra_M_Hart”]

All Milne’s characters are credible. Children quickly spot some of their own characteristics in the different personalities. For example, children are often afraid of things they don’t understand and may be drawn to Piglet.

And what child doesn’t have a favorite food or snack? They relate to Pooh’s desire for honey.

Another facet of Winnie-the-Pooh is the story’s hero. Pooh and his friends often get into difficulties, which children understand. Christopher Robin, a young boy around the reader’s age, always knows exactly how to save his little friends. This begins to build confidence in young readers (or listeners!) that they can help, too.

Milne released Winnie-the-Pooh in 1926. The book brought recognition as a children’s author, but the path leading to his fame held a rocky beginning.

After he finished studying at Cambridge, he traveled to London in 1903. The talented writer wrote but earned little that first year.

He didn’t give up.

He continued to write. His earnings increased the following year, enough to support himself.

Milne’s lovable characters with believable traits and their friend, Christopher Robin, teach us the importance of authenticity. The author’s perseverance paid off. Had he given up when difficult times struck, the world would never know a lovable little bear named Pooh, a tragedy indeed.

What novel will you write? What lovable characters will you create? The world will never know if you give up.

 

Categories
History in the Making

Surprising Friends for the Historical Author

By Sandra Merville Hart

Let’s face it. Historical authors spend many hours researching – perhaps as much time as on writing the novel. This happened for me on my last novel but that’s unusual. Here are three ways to reap the greatest benefits from research: take detailed notes; jot down seemingly unrelated yet interesting facts; and maintain an accurate bibliography.

It is important to take detailed notes of important information. Stay organized. Create a word document for research notes and save it in the same folder with the manuscript and supporting documents. Begin with listing the source for the book or article. In short, write the bibliography information. This not only helps relocate the book again but it also builds a bibliography.[bctt tweet=”If something fascinates you, chances are good that it will also fascinate readers. #writing #HistNovel “]

Take copious notes on vital facts. Always include the page number where the information is found. It may surprise an author the number of times he or she refers to notes or resource materials while writing a novel.

Authors may search for specific facts at the beginning of their historical research and skim over other interesting information. If something fascinates you, chances are good that it will also fascinate readers.

Even if the information does not appear to fit in the story at the early stages, take note of the facts. Jot down the book or article citing the information along with the page number to find it easily later. The perfect place for the fascinating fact may appear while writing the novel to add authenticity and flavor to the story.

If the fascinating tidbit does not fit the novel, don’t use it. You may use the information in a future book or article. Then you’ll be happy you waited for the right time.

Lastly, remember to maintain a bibliography of all research materials. Even if publishers do not require the document, authors are often requested to speak at book clubs about their novels. It’s helpful to refer back to source material to prepare discussion notes.

Bibliographies can be a time saver when our novels are not accepted right away. My agent recently suggested polishing the cobwebs off a romance I completed five years ago. I’m not only a better writer now, my research skills have improved. Some previous resources bear a second reading. Had I not maintained an accurate bibliography, I would start almost from scratch to refresh myself on the history.

Making the effort to take detailed notes, document fun historical facts, and maintain an accurate bibliography actually saves time later. Good luck!

 

Categories
History in the Making

A Hidden Treasure for Historical Writers

By Sandra Merville Hart

 Maps are hidden treasure for historical writers. If you haven’t used this key source of information to add authenticity to your novel, it’s worth investigating.

A treasure chest full of information can be found on old maps. Authors find railroads, waterways, and roads. How close was the town to a river? Often a little digging leads to showing the size of a city and street names.

One of the first things I look for when researching a new historical novel is an old map. It’s important to find a map dated the year of or before the setting year. Anything later runs the risk of expansion/decline, referencing businesses not there at the time, and the like.

That brings us to another wonderful feature of detailed maps: location of homes and especially businesses. Knowing the name of a mercantile or the street where the post office resides sparks reader interest, especially those familiar with the area. Such details add depth if referenced in a novel.[bctt tweet=”You may find the greatest treasure hidden in plain sight. #Author #History”]

A railroad depot in town offers an exciting setting for a scene, maybe in that sagging middle. Perhaps someone comes to visit the main character at the train station or the protagonist travels from there on a day’s excursion. These tidbits reveal that era’s everyday world.

A careful study of these maps may show where Widow Matthews lived. Maybe the widow goes to church with your characters or makes the best apple pies around. A manufacturing company or mill on the map may employ a character’s family member.

If possible, visit the area during the research phase of the novel. Walking the streets in the oldest part of town or eating at a diner gives a sense of a town. Local museums can hold a wealth of information not commonly known. Ask questions. It’s always fun to find a knowledgeable person on local history. Listen to their story even if it doesn’t directly pertain to the novel; maybe some fact will capture your imagination.

When researching for historical novels, don’t overlook maps. You may find the greatest treasure hidden in plain sight.

Categories
History in the Making

What Lincoln Teaches Us about Effective Writing in the Gettysburg Address

by Sandra Merville Hart

Gettysburg Address Plaque at Soldiers National Cemetery
Gettysburg Address Plaque at Soldiers National Cemetery

With the celebration of Presidents Day this month, Americans may remember the very famous Gettysburg Address written and delivered by President Abraham Lincoln during our nation’s greatest turmoil.

Lincoln had been invited to give a “few appropriate remarks” at the dedication of a new national cemetery in Gettysburg, Pennsylvania. He pondered the short speech he’d written, rewording phrases until the meaning was clear. Every sentence must count on this significant occasion.

Edward Everett, a well-known orator, spoke for two hours on a pleasant November day in 1863.

Lincoln congratulated Everett. Then the tall president, gaunt with the strain of leading a divided country, stepped in front of the crowd. Perhaps he felt inadequate to address the citizens after listening to such a talented speaker.

Then Lincoln delivered what has become one of the most famous speeches in American History for at least three reasons: an emotional hook; an acknowledgment of the obvious; and the clever use of repetition.

Lincoln hooked his audience with an emotional reminder of their noble roots. “Four score and seven years ago” a nation was born, recent enough that a few listeners might have been living at the time. Eighty-seven years ago our country began with the notion that “all men are created equal.” This reminded soldiers and citizens that the cause of slavery was worth the fight.

Lincoln also acknowledged the obvious. No one could ignore the remnants of a battle that so recently claimed a tragic number of lives. Fresh graves, destroyed fields, and bullet-ridden homes surrounded those in attendance. The dedication of the military cemetery united the mourners.

[bctt tweet=”Lincoln’s clever use of repetition drove home a vital message in the Gettysburg Address. #History #Author”]His clever use of repetition drove home a vital message. “But in a larger sense we can not dedicate — we can not consecrate — we can not hallow this ground.” He arranged meaningful words for maximum impact.

The repetitive phrase so easily recognized by the changing of one word — a preposition — ends the speech with inspirational impact: “that this government of the people, by the people, for the people, shall not perish from the earth.”

President Lincoln took two days from a busy schedule to deliver words he feared “the world will little note nor long remember.”

History remembers, President Lincoln. Your immortal words spoken on sacred ground remind us of the Battle of Gettysburg — considered by many experts to be the turning point of the Civil War — and the national cemetery where many of our heroes lay.

 

Categories
History in the Making

Research Can be a Chore or an Inspiration: You Decide

Researching for a story or article can be a chore. It’s certainly a lot of work to dig for facts if a novel fits the historical genre, but it also inspires a deeper meaning. Sometimes we grind our teeth in frustration at the delay in beginning chapter one, but please don’t shirk this duty for three reasons: it provides historical background; it enhances the story; and it demonstrates how people lived during that time period.

History happened the way it happened. Events took place in a particular location and year. In the opinion of the author, stories that adhere to historical events add authenticity and build a reader’s trust. Writers must research to discover important details.

Begin by checking out nonfiction books from the library on the subject. If this does not provide enough information, read about the location of the story. There are many interesting Internet sites, but try to utilize reliable sources such as those from the government, colleges, medical facilities, and the like.

[bctt tweet=”Something wonderful happens in the imagination while discovering the history. #Author #Historical”]

Then take copious notes. Make certain to cite the source and the page containing the information so that you can easily return to research notes when, somewhere in the middle of writing Chapter Seven, you need to dig a little deeper to enhance the story.

Also, verify the information found by reading multiple sources. If an appealing fact is only found in one spot, take it with a grain of salt.

An exception to this could be an eyewitness account, a diary, or a journal. If an author lived through or witnessed an event, that person gives vital facts.

Diaries, newspaper articles, and journals provide excellent factual sources as well as hinting at the emotions people experienced. Books written during the period, including novels, give authors a sense of being there.

Secondly, research enhances our stories. When an idea first germinates, the author may know the beginning and ending fairly quickly. That murky middle remains a little fuzzy. Try not to fall in love with any aspects of the story until well into the research because something wonderful happens in the imagination while discovering the history.

Fascinating tidbits and little-known facts are uncovered during weeks — and maybe months — of research. Some discoveries will become part of our story. Readers feel like they are learning about history just by reading our novel.

Be cautious about the facts included. Only use details that fit as a natural part of the story. If they don’t work, remember the information for that next novel or article.

Thirdly, research shows how people of the time period lived. For example, how did they cook? What was on the menu? Find period recipe books. Mentioning names of recipes and a little about the preparation fascinate folks who love to cook.

People in the 1830s did not turn up a thermostat to heat their home. Read as many nonfiction books and novels as necessary to understand daily living habits for people of the period and location. Visiting museums local to the setting of your novel give visual clues to inspire the story.

The article photo shows my stack of opened books. Yes, research can be a messy business. (It always is for me!) Learning the historical background and the way people lived greatly enhances the story for our readers, making it well worth the effort.

 

Categories
History in the Making

Three Reasons A Christmas Carol by Charles Dickens is a Classic

With Christmas just around the corner, I decided to read Charles Dickens’ famous novel, A Christmas Carol, and discovered at least three reasons why his story is a beloved classic.

The first thing I noticed are the engaging descriptions that bring depth and meaning to the story. He paints vivid pictures of the settings and characters in a way that captures the reader’s imagination.

The many beautiful images made it difficult to choose an example to illustrate this point. One that made me smile was Dickens’ comments about Scrooge’s nephew:

If you should happen, by any unlikely chance, to know a man more blest in a laugh than Scrooge’s nephew, all I can say is, I should like to know him, too. Introduce him to me, and I’ll cultivate his acquaintance.

Simple yet vivid descriptions fill the classic tale.

[bctt tweet=”Three Reasons A #Christmas Carol by Charles Dickens is a Classic #Author #Writers”]

Dickens also writes about realistic characters. At first glance, Scrooge comes across as a stingy boss who refuses an invitation to a family Christmas dinner and a request to give to the poor. He only grudgingly grants his clerk Christmas Day off.

The writer then tells Scrooge’s back story in a creative way. Ghostly journeys into Christmas Past reveal a boy alone in a boarding school when all his classmates go home for Christmas. The sight touches our hearts.

Dickens also includes timeless truths in his tale of a lonely, unhappy old man. Scrooge’s clerk, Bob Cratchit, maintains an optimistic outlook despite his anxiety over his son’s health. Tiny Tim’s faith and courage touches everyone around him. Scrooge’s nephew forgives his uncle for rejecting his family.

The Ghost of Christmas Future shows Scrooge two imminent deaths if nothing changes — one deeply mourned and one barely noticed.

Dickens’ novel lives on in our hearts. Some reasons for this are his engaging descriptions, realistic characters, and timeless truths. The story vividly reminds us how one life affects another.

Novelists can learn much from reading his story.

 

 

 

 

 

 

Categories
History in the Making

Three Things I learned About Writing Dialogue from Jane Austen

By Sandra Merville Hart

 

I’ve read Jane Austen’s Pride and Prejudice at least a dozen times and loved it every time. As a writer of historical novels, I’ve learned dialogue that thrilled Jane’s readers doesn’t work as well today.

Don’t get me wrong — the conversations between Miss Elizabeth Bennet and Mr. Darcy still sparkle and shine. Their dialogue tantalizes and intrigues us to read on. Even though we sense the couple will marry in the end, Austen weaves convincing arguments that cause us to wonder just how they will overcome all the obstacles in their way.

Austen wrote romances that live on in our hearts.

Writing dialogue for today’s readers of historic novels isn’t quite the same. At least three things have changed over the years.

The first difference you may notice in reading Pride and Prejudice is the very long paragraphs of dialogue. One person might speak for an entire page without interruption. Such lengthy paragraphs no longer work. Readers of current historic novels will probably be tempted to skim through such passages and miss the gems contained inside. Authors must consider shortening these conversations even though it is authentic to the period.

The second difference in Austen’s classic work is that dialogue often continues for several pages with very little action. Conversation was one of the main pastimes in days gone by. Most people worked long days and looked forward to relaxing with a friend over a cup of coffee or tea, so these visits became natural scenes in their literature. Writers these days must shorten dialogue and include plenty of action to hold our reader’s attention.

Another difference about Austen’s era was the formal language. They spoke more eloquently. They communicated well. We’ve lost a little of this ability because of all the distractions in our lives.[bctt tweet=”Three Things I learned about #Writing #Dialogue from #Author Jane Austen”] Cell phones, televisions, radios, IPods, Internet sites, and YouTube videos didn’t claim the attention of Austen’s audience. Still, authors who want to remain authentic to the period they write in should soften the formality. Contractions are fine. Don’t be afraid to select words that characters from previous eras often used, but make certain the meaning is clear.

What worked for Austen probably won’t tempt our readers to keep turning pages, but they will continue to read her books. After all, her novels are classics.