Categories
Kids Lit

Help Me with My Book!

As more books are published in a variety of ways (traditional, self-pub, hybrid, assisted), a whole crop of people with expertise (real or claimed!) have popped up ready to help the harried author by doing all the big and little tasks associated with preparing a book for submission. Here a just a few of the current players.

Ghostwriters

You have a great idea but no idea where to start, and not a lot of interest or talent in writing. A ghostwriter will shape your notes into the book you envision – and put your name on the front cover!

Writing Coach

You have an idea and sort of like to write but don’t know where to start or if your story is sellable. A writing coach will take you step by step through the nuts and bolts, teaching and supporting your writing.

Copy Editor

You have an idea and like to write but that whole grammar and punctuation thing is a mystery. A developmental editor will go through line by line and rearrange and correct sentences to today’s standards. They will not be looking at the overall ideas but sentence structure and correct usage.

Professional Critiques

You finished a story but don’t know if it is good or how to make it better. The professional critique will look at arc, structure, and character development and perhaps suggest other titles on the same subject or type of book to study as you work to improve.

Sensitivity Readers

You finished the manuscript but are not sure how certain topics, references, and language will be perceived by others. Sensitivity readers are experts in language and attitudes and are a guarantee to the publisher that this book will not create any issues.

Website design

You can negotiate the web but how do you set up a link or make separate pages on a website? A web page designer will develop a page with as many bells and whistles as you like to show prospective agents you are professional.

Virtual assistant

You like Facebook but IG reels, TikTok, and things “formerly known as something else” are baffling! A virtual assistant will help you select your target population, and establish, and update your social and promotional activities across media.

Endorsers and Influencers

Your manuscript is great, but no one knows who you are. You can find picture book influencers with several thousand followers. A mention or review on that post or blog gets wide attention, whatever the fame of the influencer.

Hey, this book-writing stuff could be easy!

Freelance editors, graphic designers, readers, and virtual assistants are available all over the internet. (Caveat: find someone who has personally used the service and check it out thoroughly.)

The catch: every person listed above will cost money! From $75 minimum for a sensitivity reader to $500-$750 for a ghost-written picture book. The virtual assistant works for $15-20/hour spent on your platform. Setting up a webpage initially is around $1500, and maintaining is extra.

Ask Some Questions

Do you need some help, or is the entire job done for you?

Do you just need instructions on how to do it?

Is your time for writing worth more than you will pay for the service?

Will you need this same kind of help for the next book?

Best wishes!

With over 1.7 M books sold, multi award winning author Robin Currie led children’s departments of Midwestern public libraries, but still needs help from spell check. She has over 40 published picture books and writes stories to read and read again!

Categories
Writers Chat

Writers Chat Recap for February Part 1

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Brandy Brow, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Conference Series #1~ Before Going to the Conference

In this episode of Writers Chat our co-hosts Johnnie Alexander, Jann Martin, and Melissa Stroh are joined by Bethany Jett to provide per-conference tips. These ladies discuss how to pick the right conference, the advantages of virtual and in person, budgeting, what to take with you, and so much more! They also share their experiences as attendees as well as from a faculty/director perspective. For more, check out this week’s replay.

Watch the February 1st replay.

Sensitivity and Diversity in Manuscripts with Edwina Perkins

Publishing houses are looking for more diversity in what authors are submitting, so, non-ethnic writers need to address some important issues when it pertains to diversity in their manuscripts. In this episode of Writers Chat, Edwina Perkins shares the importance of engaging with sensitivity and beta readers. She explains the qualifications of a sensitivity reader, and managing expectations (for example, a sensitivity reader is NOT a developmental editor). Edwina also shares seven terrific tips for writing believable and authentic characters. For more, check out this week’s replay.

Watch the February 8th replay.

Edwina Perkins is the assistant director of Blue Ridge Mountains Christian Writers Conference. She is also the coordinator for Mentoring Moments and the manager of Sensitivity Between the Lines, both with BRMCWC. She is an acquisitions editor for Iron Stream Media and for the imprint Harambee Press. As a longtime member of Word Weavers International, she now serves as a member of the advisory board. Edwina is an award-winning writer, experienced teacher, speaker, freelance editor, and a sensitivity reader. She is also a freelance writer with Guideposts. One of her passions is to address the need for sensitivity and diversity in the publishing industry. She’s a lover of anything dark chocolate, and chocolate covered espresso beans are her weakness.

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133

Categories
Writing for YA

How to Alienate and Offend Readers: Diversity and Sensitivity

What’s sensitivity reader?

A sensitivity reader may not be what you think it is.

These are not “thin-skinned” readers ready to roast a writer for making a misstep. They are fact checkers who examine your writing for specific things. Sensitivity readers help authors find places in their manuscript where they have unwittingly used inaccurate information in describing a diverse character, and to check for things that could be considered offensive. They are Diversity Editors.

Who needs sensitivity readers?

Everyone writing a character from any marginalized or diverse community.

Even if a person is writing about a group they feel they know everything about, a sensitivity reader isn’t a bad idea. Different points of view enrich understanding.

An author can write beautiful prose, have a great story idea, and even be well known, but if a story doesn’t pass muster, the manuscript may not have a chance with an agent or publisher. And it shouldn’t!

When does it matter?

Always.

A novelist is duty bound to represent all sorts of people in such a way that it does not harm or perpetuate harmful stereotypes and myths. People are influenced by what they read, and there is no magic loophole. Claiming it’s “just fiction” or it’s “just a minor character” won’t fly. Words influence.

Listen to your sensitivity readers.

When engaging a sensitivity reader, a writer doesn’t get to tell them what they’re being nitpicky about. As with most differences of opinion, finding common ground requires listening. If there is a disagreement about feedback, engaging more sensitivity readers and going with the majority is the best course of action.

If a writer chooses to ignore their suggestions on style, grammar, plot lines, they are not hurting anyone, except possibly themselves, but ignoring information acquired from a sensitivity reader poses a real danger of failing the author’s audience.

Once a novelist has done harm, I no longer trust them.

As a reader, I don’t often let novelists off the hook for representing of groups of people in a harmful way.

If I read a novel I know is misrepresenting people, I am not likely read books by the author again or suggest his or her books to anyone. If their name comes up in conversation, I may not have a positive reaction, no matter how famous they are.

Our stories influence.

Sadly, there are novels out there that continue to do damage by perpetuating falsehoods and stereotypes, encouraging attitudes and prejudices. Writers have a certain amount of responsibility. The stories we write influence the world around us. The best ones influence in a positive way.

Sensitivity readers can be found by searching for readers within the community you are writing about, or by finding paid sensitivity readers online. I start my search with writing groups, then the community groups, both local and on Facebook.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.