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A3 Contributor Book Release The Intentional Writer

Three Lessons from Writing My Second Novel

I’m excited to share my new release, Fountains and Secrets, with my Almost an Author family, along with a few things I’ve learned along the way.

The Book

Introducing a new mystery set in the world of the early church. Fountains and Secrets is the second book in the Livia Aemilia Mystery series. Like the first book in the series, Fountains and Secrets features a spunky female sleuth and her sassy sidekick, who aren’t afraid to be a little unconventional in pursuit of the truth. They are aided in their investigative endeavors by a motley collection of friends, servants, and a couple of strays (human and feline).  

For readers who enjoy mysteries and historical fiction with a touch of humor, Fountains and Secrets is quirky, clever, and engaging tale of identity, purpose, and hope.

Fountains and Secrets by Lisa E. Betz

And what have I learned about writing and promoting as I’ve worked through bringing two books to print? There are too many lessons to share in one post, but here are three I hope will encourage you as you continue on your author journey.

Writing a series isn’t as easy as I thought

In the mystery genre, series are normal, so I had planned from the beginning on writing a series of Livia Aemilia books. I was expecting the second book to be easier, since I already knew the main characters and had a feel for the tone and setting.

It didn’t turn out that way.

Working on the first book, my heroine’s voice seemed to come naturally, so I assumed it would come as naturally in the next one. Nope. It took me several false starts before I dialed in the right tone for Fountains and Secrets.

I thought that after having written one mystery, plotting the second one would be easier. Maybe. I think I had a better idea of what would make a good mystery story, but actually plotting the book proved just as challenging as my first attempt. Apparently, I still have a lot to learn about creating a plot from scratch, which means I must do a lot of rewriting along the way to until I get a plot into shape.

Despite these challenges, I persevered. With the help of good feedback, my characters came to life again and the plot eventually fell into place.  

I hope my experience will encourage any of you who are struggling with your next writing project. Book two wasn’t as easy to write as I’d hoped, but early feedback says it’s a better story than the first book.

And that tells me the work was worth it.  

Generosity and networking are important.

As in most of life, you reap what you sow. At some point you will need to have kindhearted authors who are willing to support you in a promoting your book in some way. How do you find these magical people?

First of all, you need to meet them and interact with them. This could be a face-to-face conversation at a writers conference, or it could be a relationship built over time while corresponding online through a writer’s group or through writing for blogs like Almost an Author.

Next, you have to be generous in promoting and supporting other writers. When you do willingly promote others with no strings attached, you are advancing God’s kingdom by helping get truth out into the world.

And you are also sowing goodwill, which you can reap late when you need help. For more thoughts on how you can be a generous writer, read this post.

Writing contests can be a good investment

Opinions differ on the value of entering your work in writing contests. Some experts say that it’s a waste of time to enter your book in any but the most prestigious contests.

I disagree.

I admit that becoming a finalist in a writing contest hasn’t made a significant impact in book sales, BUT (and this is a big but) it has made a significant impact on my author journey. Among other things, placing in writing contests boosts your resume, may snag the attention of an agent or publisher, and is noteworthy news that can be used in press releases and social media.

In addition to the practical reasons, being named a finalist in a contest, no matter how small, can make a difference in the tender heart of a writer. Winning an award in a small writers’ conference is worth something to our creative souls, regardless of whether it ever shows up on a resume or in ad copy.

Now for my experience with contests. I entered several manuscripts over the years in the ACFW First Impressions and Genesis contests. Each gave me valuable feedback on the manuscripts. On my third attempt, I was thrilled to become a finalist in the Genesis contest (mystery category). Shortly after that, I was offered a publishing contract for the manuscript, which became my first novel, Death and a Crocodile.

At my publisher’s suggestion, I entered the book in several contests, and was named a finalist in several of them. I cannot tell you how much it means to a beginning, completely unknown author, to be able to say that my book won an award. It was a validation of both the book and of me, and if gave me a much-needed boost of confidence to promote my book to bookstore owners and others.

Finally, it feels really good to be able to write “award-winning author” and “award-winning book”!

For advice on choosing and winning writing contests, I suggest you check out this Serious Writer Academy class.

Lisa E Betz

An engineer-turned-mystery-writer, Lisa E. Betz infuses her novels with authentic characters who thrive on solving tricky problems. Her debut novel, Death and a Crocodile, won several awards, including Golden Scroll Novel of the Year (2021). Her second novel, Fountains and Secrets released January 2022, from Redemption Press.

Lisa combines her love of research with her quirky imagination to bring the world of the early church to life. She and her husband reside outside Philadelphia, Pennsylvania, with Scallywag, their rambunctious cat—the inspiration for Nemesis, resident mischief maker in the Livia Aemilia Mysteries. Lisa sorts book donations at the library, directs church dramas, eats too much chocolate, and experiments with ancient Roman recipes.

In addition to writing novels, Lisa blogs about living with authenticity and purpose. Visit her website: Quietly Unconventional. Or visit her social media: Facebook , Twitter, Instagram, Pinterest, Goodreads.

Categories
Mystery/Thriller/Suspense

Do You Love Your Series Sleuth?

Oh, the work you put into developing your sleuth, your investigator, your detective! Whether old or young, tall, or short, male or female, attractive or plain, rich, or poor—much thought goes into crafting this character.

At first blush, you can imagine yourself having a long happy partnership with this unique individual who will ultimately be the smartest person in the room when it comes to solving a crime. Your goal is always getting the readers to love this entity as much as you do, to join you for the long haul of seeing your star succeed.

But then, one day. You don’t like your person anymore! You didn’t think about that when you started your series and now, you’re in a pickle. That’s what happened to Conan Doyle. Most of us would die to create a character as noteworthy as Sherlock Holmes, but Doyle was bored, and he killed him off in the aptly titled “The Final Problem”. The public wasn’t tired of him, but the author was.

A mindset problem

This phenomenon can happen to any writer—when we play the brain game. The mind starts to throw out the thoughts such as “this is boring” and “it’s not good.” It comes from being behind the scenes and understanding how the sausage is made. The reader, however, isn’t having that same experience. Rather, they are not caught in the same web that has engulfed the writer’s mindset. It’s a snare that captures any writer, especially the perfectionist. The writer begins to devalue the very things that brought their work to light and are still appreciated.

Meanwhile, the reader continues to enjoy the story and feels uplifted, escapes day-to-day life, and is entertained—something they are not willing to give up because an author is yawning. You are no longer alone own in the universe you’ve created.

So, let’s get back to you as you are creating a series sleuth or detective.

Since we are in the era of ongoing series, here are some helpful questions as you begin to prevent pulling a Conan “oops.” Think ahead to stay in sync with your protagonist.

Tips for keeping your sleuth interesting

▪ Pick a character with potential. This should include personal and professional foibles. Readers want to love the person. Know their fears, interests, needs, and desires intimately so you have places to go.

▪ Your character must want to solve crimes above all. Have you put them in a position to be able to continually pursue crime? Are they a detective, police officer, or an amateur with crime solving resources? Do they have access to resources that allow them to stay in the game and possibly travel to new locations if you want to change things up?

▪ Visualize the age of your character. Can moving through stages of life help bring something new to every story? Don’t paint yourself in a corner with time.

▪ Give them some traits the reader can count on while continuing to reveal nuggets of their personality that are intriguing in every new novel.

The moral of the story? At some point, your readers become your partners in the stories you invent. Make sure you make room for loving your characters for years to come, because that’s how long you may be in business together!

Michelle Olsen

Michele Olson writes stories set on Mackinac Island in the Upper Peninsula of Michigan filled with suspense, romance, friendship, faith, and quirky characters. A top seller in Mackinac Island Fiction to the million people who make a trip to the island every year to experience life with no cars, amazing scenery, and the glorious Grand Hotel, she enjoys opening up this incredible island to even more visitors. Incorporating her work as an artist and a voice professional into her writing whenever she can, she enjoys creative endeavors of all genres and Fueling Faith with Fiction™.

Michele lives in the shadow of Lambeau Field in Green Bay, WI with her husband and thoroughly enjoys being a wife, mom, and “Gee Gee” to two adorable grandsons.

Visit her:

  • Website: www.LakeGirlPublishing.com
  • Facebook: facebook.com/lakegirlpublishing.com
  • Twitter: @modawnwriter
  • Instagram: Instagram.com/lakegirlpublishing
  • Linked In: www.linkedin.com/in/lakegirlpublishing
Categories
Talking Character

How Characters Evolve in a Series by Lisa E. Betz

Why do we love a good series? Because we love the characters and the kinds of situations they get into book after book.

Once upon a time the characters in a series often remained static from book to book, but most series published today feature characters that evolve gradually over time. Think over your favorite TV shows or book series. Are the main characters unchanged or do they evolve along with their relationships, career, or life goals?

Readers like characters that are three-dimensional enough to grow. However, readers don’t want your characters to change too much. They want each book in the series to feature the same characters they loved in the first book, and they won’t be happy if those characters transform into someone that is drastically different. Therefore, you must plan the character’s arc for a series, just like you plan a character’s arc for a single book.

You main character’s series journey

A series arc deals with incremental steps in a longer journey toward the character’s ultimate goal. What kind of goal? In a single story, the heroine’s goal is connected to the plot, but in a series the goal must rise above the plots of the individual books.

In the case of a female private investigator, for example, the series goal might be finally winning the respect of her male peers—and each successful case takes her a little closer to realizing that goal. Alternately, the series arc might be more concerned with the heroine’s domestic issues as she matures in her relationships, with an ultimate goal of a finding the balance between work and motherhood.

How to define a series arc

Think about your primary characters. What larger goal might drive them from book to book? Is it related to their career? Their relationships? Is there a stubborn character flaw they can slowly work to overcome? A particular person they will eventually impress or conquer? Will their goal change over time, as they achieve one milestone and look onward to another?

Perhaps most importantly, will your readers like the ultimate version of your hero better than the original version? Your series arc should take your main characters on a journey that has your readers cheering them on the whole way.

Evolving secondary characters

What about secondary characters? Do they need a series arc as well? Not necessarily. Some secondary characters need to remain the same to enhance the consistency of your story world. Consider some of your favorite series. Can you name a minor character  you looked forward to meeting in book after book, even though they never changed? Those characters are reliable pieces of each story, part of the fabric that makes the series enjoyable. They don’t need to change much, although a few tweaks now and then will keep them interesting.

However, some secondary characters refuse to remain in the background. They might start out with a brief cameo then slowly gain importance in subsequent books. Those characters need to evolve as their role grows.

Try This: Choose a favorite book or TV series and track how the characters (both primary and secondary) evolve as the series progresses. What do you learn? What techniques can you adapt to your own work?

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Lisa E. Betz believes that everyone has a story to tell the world. She loves to encourage fellow writers to be intentional about their craft and courageous in sharing their words with others. Lisa shares her words through dramas, Bible studies, historical fiction and her blog about intentional living.

Connect with her:

Website: www.lisaebetz.com
Facebook: www.facebook.com/LisaEBetzWriter/
Twitter: @LisaEBetz