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Writers Chat

Writers Chat Recap for November

Writers Chat, hosted by Johnnie Alexander, Brandy Brow, and Melissa Stroh, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Come Write with Us: Having Fun with Flash Fiction with Sophia Hansen

Novelist and flash fiction editor Sophia Hansen shares tips on writing short stories—less than 1000 words—in this fun and creative “Come Write with Us” episode. From there, she leads us in developing a story idea based on a character bio and three prompts provided by Story Dice (a free app). These basic ideas are fleshed out with an imaginative brainstorming session by participants who write in a variety of genres. Whether you write short stories or mega-novels, this episode is like an ice cream cone on a hot summer day–fun and refreshing.

Watch the November 5th replay.

Sophia Hansen is an organic author, using no artificial ingredients in her stories—unless absolutely convenient. She writes and edits flash fiction for Havok Publishing and her debut novel, Water’s Break, released in January, 2024 to critical acclaim. Sophia, who resides in the South with her husband of thirty-six years, can be bribed with good coffee, crispy bacon, and dark chocolate.

The Way We Share Truth Matters with Annette Marie Griffin

In a world where truth is becoming more and more relative, people still search for real answers to life’s deepest questions. But instead of looking to the Church or the Bible for spiritual guidance, the go-to source for enlightenment is now Google. In this episode of Writers Chat, award-winning author, Annette Marie Griffin, covers how Christian writers can impact the world by using Google analytics and best SEO practices to ensure their online content reaches those searching for truth.

Watch the November 12th replay.

Annette Marie Griffin is an award-winning author and speaker who has written hundreds of top-ranking articles for Salem Media Group, she’s a columnist and acquisitions editor for StarLight Magazine for kids, and she teaches workshops and training classes at local and national writing conferences. When Annette isn’t writing, speaking, or teaching, she loves making memories with her brilliant husband, 3 adult children, 2 teens, and 3 adorable grands!

Thanksgiving Roundtable: Sharing Blessings

The Writers Chat community counts our blessings while playing “Thanksgiving Roulette.” Our illustrious host, Johnnie Alexander, drew questions from her writing box and posed that question to someone in our audience. We had questions like: what is your favorite Scripture for writing? What mentor has blessed you? Where is your favorite writing place? What lessons did you learn the hard way? Where would your dream writing retreat be? And so much more. Be sure to check out this episode if you need encouragement, laughter, or simply want to see a delightful show.

Watch the November 19th replay.

Disclaimer: The opinions and viewpoints presented by the cohosts and guests are their own and do not necessarily reflect the opinions and viewpoints of Writers Chat or Serious Writer, Inc.

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133

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Writers Chat

Writers Chat Recap for April, Part 1

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Brandy Brow, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Why YOU Should Write Short Stories with Lisa Godfrees

Have you ever thought of writing short stories? Whether you’ve never written a short story or are a veteran at it, there is something in this episode for you. Lisa joins us to shares her expertise on writing flash fiction and explains the Who-What-Why and the Where-How-When of Short Story Writing/Publishing. She also explains how completed short stories can be submitted to Havoc (an ezine and biannual anthology), used as a lead magnet, or as content on your website. Watch the replay of this episode and you’ll be inspired and challenged.

Watch the March 30th replay.

Lisa Godfrees is the Operations Manager and a daily editor for Havok Publishing (gohavok.com), a flash fiction ezine and bi-annual anthology. More than twenty of her short stories have been published online and in anthologies, and she’s the co-author of one novel. Lisa also serves as the Director of Operations for Realm Makers, a faith-based community for fantasy and science fiction fans (realmmakers.com). You can find Lisa on social media and at https://www.lisagodfrees.com/stories/ (where you can read or listen to some of her stories).

Realm Makers: Engaging Pop Culture Through Speculative

Scott and Becky Minor join Writers Chat for a delightful discussion on how speculative fiction fits in the general market today. The Minors also discuss writing fantasy from a Christian worldview and whether dragon can be good or not. Scott shares how Realm Makers has created a supportive community to help “writers who are Christians” find an audience for their stories. Want more? Check out this week’s replay.

Watch the April 6th replay

Besides helping with the creative vision for Realm Makers, Becky Minor writes fantasy novels of the sword and sorcery variety. She is the author of two fantasy trilogies, The Risen Age Archive and The Windrider Saga, along with a handful of spinoff short stories set in the same story universe. When she’s not writing stories, she illustrates them, having helped bring more than a dozen children’s chapter books and graphic novels to life.

Scott Minor is the Executive Director of Realm Makers, having assumed the role in 2020. Since that time, he has established a new foundation for the organization to help Christian authors of speculative fiction navigate the realities of a quickly evolving publishing world. He oversees all aspects of the company, from their online presence, to the bookstore, to the annual conference. Scott’s passion for excellence in the arts, entrepreneurial spirit, and willingness to expend copious amounts of elbow grease have helped propel Realm Makers to the forefront of the Christian writing community. 

You can find Scott and Becky on social media and at https://www.realmmakers.com.

Join us

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133

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Courting the Muse

Why Advice Columns Might Just Give You Your Next Story Idea

These days, anyone who wants to write short stories of an unconventional bent has their pick of quirky venues to showcase their work.

By way of example, just look at Taco Bell Quarterly, a self-professed rival of the storied Paris Review. One of the hottest literary magazines to emerge in the past year, it only accepts work related to America’s favorite fast-food purveyor of Crunchwrap Supremes. Microverses, an even newer journal of speculative flash fiction, limits itself to “tweet-length work” — minute narratives of no more than 280 characters.

Then there’s r/relationships, a wildly popular advice forum on the social media giant Reddit. Frequented by some 3 million visitors worldwide, it’s come under fire recently for being filled with lies. As it turns out, many of those posting on the forum aren’t actually lovelorn sufferers in genuine need of advice — they’re fiction writers, flexing their skills in an unusual form.

That brings me to my favorite source of narratively rich and formally intriguing short fiction: the old-fashioned advice column. That’s not to say that everyone corresponding with the likes of Dear Prudence and Ask Polly is a fabulist, honing their craft in the inbox of an agony aunt (though readers have made a sport out of spotting the fake letters for years). Even if most letter-writers are seeking advice in earnest, this oddball genre remains fertile ground for literary inspiration.

Directly adapting a letter into a story might raise some eyebrows — especially if you assume the mind behind it belongs to a genuine advice-seeker, not a fellow fiction writer. But even if turning a stranger’s vulnerability into a literary project, detail for detail, doesn’t strike you as the right move, advice columns can still inspire good writing.

Glance at any given advice column, and you’ll find a treasure trove of emotionally resonant stories, from the heartrending to the absurd. For me, these accounts aren’t just intriguing because of their wealth of hyper-specific detail: the exact infractions committed by an overzealous homeowner’s association, the strange scent clinging to an adulterous spouse’s clothes. The little narratives they encapsulate are valuable to writers primarily because of their nuanced — even outright messy — depictions of human feeling.

Advice columnists, and the people who write to them, acknowledge that we don’t always react to emotional stimuli in ways that make sense. Betrayal can evoke relief as well as heartbreak, and the most passionate love can be complicated by mutual resentment.

When it comes to crafting complicated, true-to-life emotional arcs for your stories, there’s almost no better source of inspiration than the advice letter. If you find one that touches a nerve, consider exploring its palette of emotions through an analogous — but distinct — scenario of your own invention. All you need to do is meld the letter-writer’s narrative with your own experience, adding dash of imagination and empathy for good measure. You just might find yourself looking at your next short story.

When you try to turn that initial spark into a well-executed work, you might try seeking inspiration from the advice column in terms of form as well as content. While we don’t typically think of advice letters as high art, they have a lot to teach short story writers about style and presentation.

Advice column letters are perfectly crafted for communication, clueing readers in on the emotional stakes of a situation with maximal efficiency. As such, they deploy unpretentious language and tight plotting to get readers invested in the most bizarre scenarios. Next time you write a story, try channeling their economy of expression for a narrative that packs a punch.

Lucia Tang is a writer for Reedsy, a marketplace that connects self-publishing authors with the book industry’s best editors, designers, and marketers. To work on the site’s free historical character name generators, she draws on her knowledge of Chinese, Latin, and Old Irish —  learned as a PhD candidate in history at UC Berkeley. You can read more of her work on the Reedsy Discovery blog, or follow her on Twitter at @lqtang.

Categories
History in the Making

Is This Story Historical?

As a writer, I like to continue writing flash fiction or short stories while working on a novel. My head is just too full of ideas and characters to focus on just my big project.

Recently, I found a short story contest I thought I could enter. The rules were simple and they were asking for clean contemporary romance. I began to write and the story was flowing.

Then I had an interesting conversation with someone who told me that if I’m writing for Young Adult (YA), in order for it to be contemporary, the story has to include today’s technology – laptops, tablets, smart phones, etc. I wasn’t writing for YA so I wasn’t worried, but decided to search for a current definition of “contemporary” fiction. The definition I found stated that anything after World War II is considered “contemporary”. So I thought I was okay.

But a little doubt kept niggling at the back of my head. Therefore I went to the contest website and posted my question: What is your definition of “contemporary”? A few days later a response came: anything that includes current technology.

I was flabbergasted! I mean, I’m a 50+ woman and don’t really consider things from my youth “historical”, but apparently things like pen pals who actually write snail mail are. Today’s technology didn’t exist in my youth. Therefore, the story I had begun did not qualify for this “contemporary short story contest”.

The story came to an abrupt halt, but my heart was broken. I love these characters and want to tell their story, but now there isn’t a pressing reason. I have a real historical romance novel to finish revising and send out into the world. Therefore, I don’t have time to work on a story I thought was “contemporary” but learned in today’s world is “historical”. So sadly, this story will have to wait, and maybe, instead of a short story, it will become a full-fledged “contemporary romance” story.

What’s the point of this article and what does it have to do with writing historical fiction?

The point is that you may have ideas for more wonderful historical fiction stories than you might think. If you’re in the 50+ age group, you, evidently, have a wealth of experience you could use to birth an historical fiction story. As long as your setting doesn’t include any of today’s technology, you can claim “historical fiction”.

Kelly F. Barr lives in Lancaster County, Pennsylvania. She is married and has three sons. She writes historical romance. She has also been a blogger for ten years, and every Friday, you can find her Flash Fiction stories posted for your reading pleasure. She loves her family, including the family dog, books, walks, and chai lattes.

You can find her online at:

Website: https://kellyfbarr.com/

Twitter: https://twitter.com/kellyb_26

Facebook: Kelly F. Barr, Writer

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Child's Craft

From Story to Book Part I

So you have this fabulous idea of a story for children. You’ve told bedtime stories to your children every night from this one story idea and they’ve loved it! It could sell millions of copies! You may never have to work again but will live off the royalties from your story idea.

The only problem is… ideas don’t sell. Books sell.

Let’s look at some things to consider as you begin moving your idea from story to book form.

For what age group do you wish to write? When you pitch to a publishing house, you shouldn’t say your book is for newborns up through young adults. Twelve year-olds don’t generally enjoy the same book as their two-year-old siblings. So, narrow your range. Here are some acceptable age brackets:

0-2 newborn – concept books

2-4 toddlers – board books

5-8 picture books

7-10 chapter books

9-12 tween books

13+ young adult

While these ages may vary a year either way between publishing houses, check the Writer’s Market book for the publishers you wish to submit to and market to one of their stated age ranges. Keep these ages in mind as your write.

Which point of view do you wish to use? Do you want the child to tell the story? This would be first person. If you use this, you can only write what the child would feel, see, think, and experience. The pronouns used would be I, my, me, we.

Do you want to write from a parent’s point of view or have a narrator tell the story? This is third person. Limited third person is when the narrator knows only the thoughts and feelings of one person. Omniscient third person is when the narrator gets inside each of the characters’ heads. Omniscient can be confusing for young children, so generally stick to a point of view from one person. The pronouns would be he, she, they. Figure out which POV you wish to use and stick with it.

Next, get writing! Don’t let your head get in your way by editing at this point. Just let the words flow and pare it down later. Write as if the story is ready to burst out of your head onto the page. Let it flow. Let it flow. Don’t hold it back anymore… (That should be a song.) We’ll look at editing and perfecting your story in future blogs. For now, pick an age group and point of view and write! Oh, and have fun. Play with it. Crafts should be fun!

[bctt tweet=”The only problem is… ideas don’t sell. Books sell. #picturebook #kidlit” via=”no”]