Tag: story development

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Guest Posts

How to Write a Great Story in 5 Steps

Guest posts

People have always had a natural talent for telling stories. It is an essential means of communication and understanding the world, from old stories to contemporary discourse. Everyone has a tale to tell, and putting pen to paper can help you become a better writer and communicator. But what makes a good storyteller? Here are five easy ways to improve your story writing skills.

What is a Story?

At its essence, a story is a connected sequence of events. However, a well-rounded story contains these five essential elements:

  1. Setting: Where and when the story takes place.
  2. Plot: The sequence of events in the narrative.
  3. Conflict: The problem or challenge faced by the characters.
  4. Characters: The people or beings involved in the story.
  5. Theme: The underlying message or lesson conveyed.

Famous Examples of Storytelling

Consider Hemingway’s famous six-word story: “For sale: baby shoes, never worn.” Despite its brevity, it prompts the reader to infer the deeper elements such as setting, characters, conflict, and theme.

Another example is “Cosmic Report Card: Earth.” This short story gives a brief yet impactful evaluation of humanity’s existence. The power of storytelling lies in its ability to provoke thought, even with minimal words.

Similarly, “ThingsFromMars.com: A Portal to the Weird and Wonderful” captures the curiosity and imagination of visitors through its creative narrative. The story behind the brand compels readers to explore a world of quirky and unexpected gifts, making it both engaging and memorable.

Types of Stories

According to author Christopher Booker, there are seven basic types of stories:

  • Overcoming the Monster
  • Rags to Riches
  • The Quest
  • Voyage and Return
  • Rebirth
  • Comedy
  • Tragedy

Each type follows its narrative arc, but all share core storytelling elements.

Steps to Write a Great Story

1. Find Inspiration

Every great story begins with an idea. Inspiration can come from anywhere—your own experiences, current events, or even a “what if?” scenario. Keep a notebook to jot down ideas as they come to you.

2. Brainstorm

Once you have an idea, start brainstorming. Think of plot ideas, character traits, and possible conflicts. This is where you explore the potential directions your story can take. The more you brainstorm, the clearer your vision becomes.

3. Outline Your Story

Outlining is key to structuring your story. Include the main events in the plot, key character developments, and any essential details. A good outline helps keep your story focused and ensures you cover all necessary elements.

4. Write the First Draft

Now it’s time to write. Don’t worry about perfecting it—just write the story down on paper. Avoid editing as you go. The first draft is all about letting your ideas flow naturally.

5. Revise and Edit

Once your first draft is complete, take a step back. Seek feedback from others, and revise your story based on their input. Afterward, edit for grammar, spelling, and punctuation to ensure your writing is polished and error-free.

Examples of Timeless Stories

Some stories have withstood the test of time. Consider:

  • The Tortoise and the Hare: A fable that teaches the value of perseverance over speed.
  • Frankenstein by Mary Shelley: A tale exploring the conflict between humanity and nature, filled with timeless themes of life, death, and morality.

Conclusion

By understanding the elements of storytelling and following a structured writing process, you can write a great story. Whether you’re writing a novel or flash fiction, remember that every story starts with a single idea. Embrace your creativity, and let your unique voice shine through your storytelling.

Story Writing FAQs

What is a story? 

A story is a connected series of events with key elements like setting, characters, conflict, and theme.

How do stories work? 

Stories communicate messages through characters who face conflicts, ultimately leading to resolution or transformation.

What are the different types of stories? 

Stories can fall into categories such as overcoming the monster, rags to riches, the quest, voyage and return, rebirth, comedy, or tragedy.

Evelyn Johnson is a creative writer and entrepreneur with over 7 years of experience in the writing industry. As the founder of thingsfrommars.com, she combines creativity and business savvy to craft unique content that captivates audiences. Evelyn specializes in storytelling, corporate writing, and product marketing, sharing her expertise through industry insights. Connect with Evelyn on LinkedIn.

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A Lighter Look at the Writer's Life

Oh, Happy Day(s)

lighter look at a writer's life

Thank God for retro television channels.

I never pictured myself as a “golden oldie.” I used to cringe whenever my parents or other relatives would switch the radio to a “classics” channel. Now, I have found myself in a time of life where my favorites are now the oldies.

Come on over that hill with me!

I don’t know about you, but the news has been driving me a wee bit crazy lately. Correct that—it has been driving me ABSOLUTELY BONKERS. Mind you, I know I don’t need to stick my head in the sand and ignore everything; I need to be informed. But the bombardment of negativity can get to me.

Enter retro TV. One of these channels recently began airing one of my favorites at evening news time—Happy Days.

Thank you, Mr. or Ms. Program Director.

Instead of watching Norah, Lester, or David, I’ve been watching Richie, Potsie, and Ralph Malph . . . and, of course, the Fonz.

My relationship with these characters began when I was in middle school (Have I mentioned I’m an oldie?), when all of us guys wanted to be cool like the Fonz. I’m now watching the show with many miles and much writing experience behind me, and I have noticed some important changes.

Episodes in the first two years of Happy Days were like mini-coming-of-age movies, with Richie, Potsie, and Ralph at the center and Fonzie on the periphery, definitely an ancillary character. In the third season premiere and beyond, the show changed dramatically. Not only did producers change from film to tape—they changed the central character. Move over, Richie.

The savvy writers and producers realized Fonz, expertly played by Henry Winkler, was the breakout character, so, beginning in the third season, he appeared front and center in nearly every episode and storyline. He was soon doling advice to Richie and the gang, jumping his motorcycle over barrels, and smashing cars in a demolition derby, not to mention infamously jumping the shark.

As writers, we must be on the lookout for breakout characters, those creations who seem to jump off the page (not over the shark). By listening to our characters and responding to the ones who seem to be the most charismatic, we will grip our readers and keep them coming back for more. We have to be willing to change direction, if necessary, to liven up things. If it worked for the Fonz, it will work for us.

AAAAYYY! Don’t be a nerd—sit on it! Your writing chair, that is.

Carlton Hughes, represented by Cyle Young of Hartline Literary, wears many hats. By day, he is a professor of communication. On Wednesday evenings and Sunday mornings, he serves as a children’s pastor. In his “spare time,” he is a freelance writer. Carlton is an empty-nesting dad and devoted husband who likes long walks on the beach, old sitcoms, and chocolate–all the chocolate. His work has been featured in Chicken Soup for the Soul: The Dating Game, The Wonders of Nature, Let the Earth Rejoice, Just Breathe, So God Made a Dog, and Everyday Grace for Men. His latest book is Adventures in Fatherhood, co-authored with Holland Webb.

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The Picky Pen

How to Find the Felt Need

This is the first post in my editing series in 2020 for how to develop a great story by having all the layers in place before actually writing, or if you’ve already written your book, how to make sure all the layers are in place.

The first layer in developing a great story is finding the felt need.

We all have needs. We have a need for sleep, sustenance, and sunshine. Your readers have needs, such as reading a soul-stirring good book. Your characters have needs like how to move forward in a relationship or making it through a congested highway in time to punch the clock. And do all those needs need to match? Not really, but they should at least mesh in some way. If you don’t know why your readers are reading your book, then what’s the point? You don’t have an engaged audience, you can’t sell books, and you just aren’t going anywhere, eh? Well, I want you and your books to go somewhere! 🙂

Recently, one writer lamented that the qualities necessary for a good nonfiction book were clearly not the same as the qualities necessary for a fiction book. Readers of fiction, they said, do not specifically read to meet their “need.” Okay, so I can see what they’re saying, but I respectfully disagree.

While it’s somewhat true to that fiction readers don’t read because they have a flaming need, readers of fiction read because they enjoy a good story. And as writers who care about writing good stories, we must give readers what they’re looking for, what they’re craving. The next few paragraphs presents several ways to easily find the felt need in your fiction manuscript.

How to Find the Felt Need

  • why are you writing this particular story?
  • what do you want readers to come away with at the end of the story?
  • how do the answers to the above questions play into your characters’ lives?

Why Are You Writing this Particular Story?

If you’re writing for the sake of writing, that’s a good cause, but if you’re writing because you have an urgent message to share with the world, that’s an even better cause.

Sometimes a book explores an issue to seek to uncover the lie and expose the truth, as in To Kill A Mockingbird. Sometimes a book is meant to show the reader what is most important, such as in Where the Red Fern Grows. And sometimes a book is just fun and lighthearted, with a loose message threaded throughout, like Cranford.

What Do You Want Readers to Come Away With?

Every story has a “so what?” factor, whether it’s an essay, article, nonfiction, or fiction. Every story has a purpose, even if it’s to have a good, hearty laugh (like the ladies do in Elizabeth Gaskell’s Cranford) or to integrate the romance factor as in The Great Gatsby.

In my essay, “The Meaning of an Heirloom,” in The Horse of My Dreams (Revell 2019), I wanted readers to come away with the idea that an heirloom extends beyond the space of something tangible; an heirloom could be intangible—and have a lasting impact on the world and others.

Each author benefits from exploring this “why” question when crafting their novel because it’s really the secret sauce to writing a great story that captivates people, agents, editors, readers, marketers, and the person who wouldn’t necessarily pick up a book and read it.

A Few Examples

In The Baggage Handler by David Rawlings, the characters are on a journey of discovery about who they really are and the baggage they carry. I believe the author wanted readers to be at peace with their relationships in all kinds of spaces.

Under Moonlit Skies (Prairie Skies series) by Cynthia Roemer seeks to empower readers that self-acceptance is more powerful than romantic love.

The theme of Sarah Sundin’s Sunrise at Normandy series is about forgiveness, and each main character (The Sea Before Us [2018], The Sky Above Us [2019], and The Land Beneath Us [2020]) must forge their own forgiveness path as they interact with each other and experience different situations that speak to their own needs.

So … as you’re editing your manuscript’s “felt need” and crafting your novel and its purpose to better serve your current readers and your future readers, I hope this bit of explanation is helpful to you.

Questions? Comments? I’d love to engage in the conversation with you! Drop your question or comment in the chat below, and I’ll look forward to responding!

Your Turn!

What is your character’s felt need? What is your story’s “why”?

What do you want your readers to come away with by the end of reading your book?

(Please, no retelling what the book is *about.)

Tisha Martin writes historical fiction and nonfiction but edits full time for beginning and best-selling writers and publishing houses. Since 2017 she has worked on over 250 books, including Planned from the Start, the devotional companion to Unplanned the movie, and serves as contest judge for Writer’s Digest. She puts her bachelors in Professional Writing, masters in English Education, and editing certificate from the PEN Institute to delightful good use. Her nonfiction essay “The Meaning of an Heirloom” in The Horse of My Dreams: True Stories of the Horses We Love is available from Revell. She enjoys speaking at writer’s conferences and coaching writers in the self-editing process. Learn more at www.tishamartin.com.