Tag: teen writers

Categories
Supporting Teen Writers

Supporting Aspiring Teen Writers

There is much to look forward to when one becomes a writer. From the opportunity to express a unique outlook to immersing yourself in an imaginary world to making money doing something you love, becoming a professional writer isn’t a bad way to go.

However, getting published as a teen writer is no easy feat. But as the parent or other adult figure in their life, you have a chance to give young, aspiring writers the support they need to flourish.

Help Develop Writing Discipline

One of the most critical factors in becoming a successful writer is discipline. Not only must you write as much as possible, but you must also be willing to write even when you don’t feel like it. If teens only write when they want to, they’ll face a much longer, more difficult path as a writing professional.

Help them develop this discipline. Start with writing goals. Ask your teen to list what they’re striving for regarding writing. Then, they can choose a time to write every day. Be sure it’s something manageable, something that doesn’t interfere with school or extracurriculars, and something they can truly commit to, even if it is just five minutes a day.

You can also encourage your teen authors to gain experience by starting a blog and guest posting for digital and print publications they already enjoy reading. They’ll be required to write a lot and will gain snippets to add to their portfolio along the way.

Encourage Writing for Personal Reasons

It’s easy for aspiring teen authors to get caught up in chasing money, credits, or attention when pursuing writing as a profession. However, it’s essential to encourage them to write for personal reasons, too. 

Being a teenager is already tough enough. Hormones, emotions, relationships, and peer pressure can lead to acting out. Factor in the ups and downs of trying to become an author, and it can be incredibly draining emotionally, mentally, and physically. The best thing you can do as a parent or guardian is to support your teen during this rebellious phase.

Encourage your teenager to write simply to express themselves. Journaling is a fantastic way to help them gain clarity and reestablish stability when they’re feeling misunderstood or lost. Then you can sit down and openly communicate the feelings, concerns, and thoughts they’ve written down when they’re willing to share them.

Writing for personal reasons can also help aspiring teen authors maintain balance throughout their journey to becoming published or securing a professional writing job.

Feed Them Positivity

Feeding aspiring teen authors positivity every chance you get is one of the best things you can do to support them. As much as people think being a writer is entirely enchanting, it can actually be a lonely, challenging job sometimes. Make sure your teen is aware of the challenges that may come with being an author and that they know it’s okay to not want to be a professional writer, after all.

There are typically a lot of “no” responses they will have to endure before getting a shiny “yes.” There will also be people that swear print media is dying and that book writing or journalism isn’t lucrative anymore. These things can weigh heavy on a teen’s spirit and dissuade them from pursuing writing.

Constant positive reinforcement can keep them on track to achieve their writing dreams. For instance, let them know print media is alive and well. Of course, the publishing industry has evolved to include digital alternatives like e-books and online news sources. However, hard- and paperback books, print magazines, and traditional marketing vehicles are still highly favored among avid readers and professionals.

Additionally, try to find established authors that started as teens to serve as inspiration.

You can also encourage your teen to explore self-publishing a book or on blogs over traditional publishing avenues to start building their portfolio a bit faster.

Most importantly, be willing to read every piece of their writing. Share everything you love about the work while offering some constructive feedback on the things you think they could improve. Always uplift aspiring teen writers, especially in challenging conversations and down times in writing.

Take Advantage of School Resources

Your teen’s school can be a great source of support for helping them progress in their writing journey. You can connect with teachers, librarians, and writers at the school and ask for their advice on how to move the ball forward.

Inquire about any writing classes, websites for teen writers, book clubs, workshops, retreats, conferences, and events. These can be school-related or recommended by staff as resources in the community. You could also see if fellow students are willing to start a writing group with your teen to share work and resources and get quality feedback.

Aspiring teen authors need your support to thrive.

By implementing some of the advice above, your teen will be able to develop the discipline, confidence, and resourcefulness it takes to be the best writer they can be.

Amanda Winstead is a writer from the Portland area with a background in communications and a passion for telling stories. Along with writing she enjoys traveling, reading, working out, and going to concerts. If you want to follow her writing journey, or even just say hi you can find her on Twitter.

Categories
Dear Young Scribes

Young Writer, You Are Enough

I was fifteen years old when I officially decided to launch my writing journey. I began by devouring books within the genre I’d like to write, studying the craft, learning how the industry works, starting a blog, and I wrote the first draft of my debut novel, PURPLE MOON.  

When I attended my first conference a year later, I met several writers who were supportive and encouraged me in my writing journey. I can’t tell you how many people have told me, “I wish I was your age when I’d started out!” However, over the years I’ve also come across writers (and professionals) who don’t seem to have a respect for young writers. Some might even categorize them all as inexperienced, impatient, and assume they can’t write because they haven’t been in the industry long enough.

It’s as if some people will only respect writers if they’ve held a college degree for years, have worked in another profession, and then they finally decide to pursue this field well-into their parenting years.

There aren’t enough people who are encouraging young writers. Assuring them that they are enough. Yes, you can launch your writing journey at a young age. No, you might not have as much “life experience” as the writer who is double or triple your age–but will that keep you from a publishing contract? Only if that lack is reflected in your writing. However, I constantly come across submissions at Hartline Literary Agency from young writers whose talent is far beyond their years. I wouldn’t have known they were young had they not mentioned it in their proposal!

Young writers are passionate about storytelling. Driven to learn and improve their craft. Dedicated. Innovative. Intelligent. Imaginative. Teachable. Willing to embrace new challenges and adapt to the shifting industry. And isn’t this what editors at publishing houses are seeking? (I’ll answer for you: Yes!)

If you’re a young writer who is dealing with doubts and discouragement over your age or lack of experience, let me assure you that you are enough. Age does not have to keep you from striving toward your dreams.

And if you ever do begin to wrestle with discouragement, here are a few things to remember…

  • You are the leaders of tomorrow’s publishing industry. Your future books could set new trends amongst your genre. Who knows? You might even see your story come to life on the big screen someday! (Hmm…I wonder if Veronica Roth ever believed she was too young to write “Divergent” as a young adult…)
  • You are tomorrow’s best-selling and award-winning authors. Your books could be treasured and adored for years by future generations.
  • You are more likely to embrace and adapt to the new changes within the industry—especially where technology is concerned.
  • You are eager to grow; therefore, you are open to criticism and feedback and maintain a teachable attitude.
  • You’re familiar with the struggles of your generation. Your influence and voice amongst your peers might be louder (and less judgey!) than those who cannot relate.

Of course, the publishing journey might not come quick or easy for you. You have plenty of time to grow, develop, and glean from those who have gone before you. That’s why it’s important to start now–especially if you know this is a dream of yours.

Don’t be surprised, however, if you do come across writers or professionals who don’t take you seriously. If you do, just brush off their opinions and keep moving forward. Allow your confidence as a young writer to be your response.

Besides–those who might criticize you because of your age? I wouldn’t be surprised if they’re just bitter. They’re probably thinking, “If only I would’ve been smart enough to start my writing journey at that age!” 😉

If you’re a young writer, which do you receive more regarding your age–encouragement or criticism? Is there anything you’d like to add to this list? Let me know in the comments!

[bctt tweet=”Young Writer, You Are Enough @TessaEmilyHall #amwriting #teenwriters ” username=””]

Tessa Emily Hall writes inspirational yet authentic YA fiction to show teens they’re not alone. Her passion for shedding light on clean entertainment and media for teens led her to a career as an Associate Agent at Hartline Literary Agency, YA Acquisitions Editor for Illuminate YA (LPC Imprint), and Founder/Editor of PursueMagazine.net. Tessa’s first teen devotional, COFFEE SHOP DEVOS, will release with Bethany House in 2018. She’s guilty of making way too many lattes and never finishing her to-read list. When her fingers aren’t flying 116 WPM across the keyboard, she can be found speaking to teens, decorating her insulin pump, and acting in Christian films. Her favorite way to procrastinate is by connecting with readers on her blog, mailing list, social media (@tessaemilyhall), and website: tessaemilyhall.com.

Categories
Dear Young Scribes

How to Prepare For Pitch Sessions at a Writing Conference

I attended my first writing conference when I was sixteen-years-old. This is what lead to the publication of my first novel, PURPLE MOON.

Since then, I’ve attended conferences yearly and have grown in my craft, established connections that were beneficial to my career, and made lasting friendships and memories.

But these conferences can be intimidating for newbies — especially if you’re a teen like I was.

A young writer recently asked me,

“I was wondering if you have any advice for pitch appointments? I’ll be attending a conference this fall and it will be my first conference where I’ll be pitching my novel in a formal setting.”

For those of you who don’t know, at a writer’s conference, you have the opportunity to meet with agents and publishers and pitch your book. At most conferences, these appointments last about 15 minutes.

Which means that, as a writer, you must make a great first impression in this short amount of time in hopes that they will request your full manuscript (or proposal).

As a writer, Associate Agent, and Acquisitions Editor, I’ve experienced what it’s like to be on both sides of the table. I’ve learned — through trial and error, and through witnessing the pitches of others — what to do and what not to do.

Here is what you do want to do during these pitch sessions:

  1. Prepare beforehand. Write a concise tagline of your book that you can deliver during the pitch. Make a list of potential questions the agent or editor might ask. Do your research on who it is that you’re pitching to. You might also want to make a list of questions that you’d like to ask them as well.
  2. During the pitch, give a brief introduction, then tell the agent/editor your title and genre. Then dive into the concise pitch. If you have a one sheet or sample chapters, ask if the agent/editor would like to see it.
  3. Remember: passion makes an impression when it’s contained within the boundaries of a professional approach. You want to be passionate about your project, but not so passionate that you begin to ramble.
  4. Project confidence, not arrogance. Believe in your book and don’t be afraid to tell the agent/editor about your publishing history and writing qualifications. (They will want to know this!)
  5. Refrain from over-delivering — give them just enough of a hook to wet their appetite for more.You’ll also want to leave time for them to ask questions to you and vice versa.

The most important thing to remember? Relax. Have fun with this! Don’t put pressure on yourself to leave with contract interest, but to share your passion for your book and receive feedback and direction.

The agent/editor isn’t meeting with you to criticize you; in fact, they’re hoping to find projects that they can pursue. Many times they’re happy just to offer their input, even if they may not be interested in the project at the time.

Is anyone else planning to attend a conference soon? Let me know in the comments!

(PS … Are you a young writer? Receive a free PDF just for you when you sign up for my young/beginning-writers only mailing list!)

[bctt tweet=”How to Prepare For Pitch Sessions at a Writing Conference @tessaemilyhall #writerslife” username=””]

Categories
Dear Young Scribes

What’s Wrong With Adjectives & Adverbs?

When I was in elementary school, I was taught to incorporate as many adjectives and adverbs into my stories as possible.

 

My writing sounded like this:

The big, fat, yellow sun shined brightly against the light blue sky.

Colorful, isn’t it? And yet, sometimes those colors are the very things that distract the reader from the story. Literary agent, Sally Apokedak, puts it this way: “…too much description makes the colors all bleed together.”

Nowadays, adjectives and adverbs are considered to be lazy writing. They tend to tell the action, emotion, scenery, etc. instead of allowing the reader to experience it for themselves.

But didn’t books use adverbs and adjectives in the old days?

Yes. But we’re not still making black and white movies anymore, are we? We’ve improved our technology and have discovered new—better—ways of capturing film.

Same with books. We’ve discovered ways to write that invite the reader to delve deeper into the story. We want them to not only read about what the character sees; we want them to see it for themselves. We don’t want them to only read about what the character feels; we want them to hear it for themselves.

Overusing adverbs and adjectives is a form of telling rather than showing.

How to Fix This

Replace adverbs and adjectives with strong verbs and concrete nouns. This will help the reader picture the scene for themselves rather than be told how to picture it. Choose specific nouns and strong verbs that will convey the certain emotion that you want the reader to experience.

For example:

She ran quickly up the stairs.

Replace with a strong verb, such as:

She hurried up the stairs.

She rushed up the stairs.

The adverb isn’t necessary in those sentences. Plus, the verbs convey a much stronger sense of action, don’t you think?

Here’s another example:

The living room was dark and dreary. The long, draping curtains hung over the windows, blocking sunlight from shining brightly into the room.

 

By replacing the above adjectives with specific nouns, the phrase can be rewritten to the following:

The living room resembled a cave with its dim lighting. Even the pinch pleat curtains that draped over the windows were closed, as if it were a sin to let the sunlight stream into the room.

Should all adverbs and adjectives be deleted?

Not all of them. But nowadays, agents and publishers do not want adjectives and adverbs to slow down the pace of a story. And neither do the readers. Thanks to TV, movies, snapchats, and 3-minute YouTube videos, the attention span of the average reader has decreased a significant amount over the last couple of decades.

Although it is okay to use adjectives sparingly (adverb not intended!), try to find a way to find concrete nouns and verbs to describe the object without relying on an adjective to do the job.

Here’s another example:

The drink was hot.

Rather than telling the reader how the drink felt, use the effect it has on a character through using the senses—that way, the reader can experience it for themselves.

You can replace the above sentence with:

The drink burned my tongue.

Through the strong verb burned, we know that the drink must have been hot. The reader comes to that conclusion themselves. Not only that, but we can feel the burn on our own tongue since we have probably experienced a similar situation ourselves.

Conclusion

Too many adjectives and adverbs get in the way of the flow of the story. The reader can easily forget where the story was headed when the author tries to describe too many objects/places/people in detail.

Ask yourself: Is it important that the reader knows what color my character’s shoes are? Is it important to the story or the mood/emotion of this scene to show that the walls are gray? If not, leave the object blank. Readers love to use their own imagination and choose a color for themselves. Then, highlight on the specific and unique details that are significant to the story, characterization, mood/theme/emotion, or setting development.

The overuse of adjectives and adverbs is a common mistake that beginning writers make, and most agents and publishers cringe when they spot this.

Again, it’s okay to use sparingly. Adjectives tend to be more accepted than adverbs—just make sure that the adjectives are spread out and not clumped together within a sentence or paragraph.

Remember: When it comes to adverbs and adjectives, less is always more.

When you do decide to leave an adjective or adverb, be careful with where it is placed and how it’s used. Try your best to see if there is any other way you can describe the object, character, or setting.

If you have no choice but to keep it, then read over the page and make sure that the story continues to move along at a good pace. Make sure that the description is woven into the story and not the other way around.

How do you rewrite adjectives and adverbs in your manuscript?

[bctt tweet=”What’s Wrong With Adjectives & Adverbs? @TessaEmilyHall #writingtips #writingcraft ” username=””]

Categories
Dear Young Scribes

5 Qualities Every Serious Writer Needs to Possess

The writing journey is not a smooth, easy ride. There will be setbacks, failures, doubts, and frustrations along the way to achieving your dream. Yet I believe that, with the right attitude and right approach, this journey can not only become bearable, but enjoyable for the aspiring author.

Here are five qualities every serious writer should possess before heading out on their journey:

           

            1. Humility

This is the single most important trait a writer should have. Why? Because it’s the foundation to all of the other qualities on this list. You can’t maintain the right attitude throughout your writing journey if you lack humility.

Writers need this trait for the following reasons . . .

  • So we can accept criticism and make our manuscript stronger
  • So we can understand that there will always be room to prove
  • So we can support other authors and give them the help they need in their own journey
  • So we can be an easy client for agents and editors to work with
  • So our head doesn’t swell when we receive positive feedback and reviews

            2.  Patience

One of the reasons why I wanted to begin my writing journey at 16-years-old was because I knew the publication process wouldn’t be quick. Every stage of the journey takes time — writing the manuscript, growing as a writer, building a platform, revision/editing, submission process, contract process, publication process, marketing, etc. And when there’s a dream that’s heavy on your heart, each stage seems much longer than it actually is.

The writing journey is just that: A journey. Although there are milestones along the way, I don’t truly believe the career novelist should have a “finish line”. Every milestone is an opportunity for celebration and a reminder that you’re closer to your Publication Dream. Aspiring authors especially need this trait so they don’t enter the journey with false expectations and give up when the process takes longer than they imagined.

            3. Generosity

Which writer do you believe leaves the best impression — the arrogant, haughty writer who is only in the business to achieve his/her own dreams? Or the writer who seeks to serve readers and fellow writers? The writing community is close-knit, and most of us are more than willing to share knowledge that we believe will help other writers. (This is why there are so many writing-related blog and books on the craft.) Don’t be that one writer who hoards their knowledge and seeks to gain help and info without ever giving back to the writing community. Most authors do not publish a book without the help of multiple other people (that’s why there are acknowledgements in the backs of books!). If you’ve reached where you are today because someone took the time to help you, don’t forget to return the favor — even if it’s not to the same person who helped you. What goes around will certainly come around!

            4. Selflessness

How can you be generous if you’re only focused on your own growth as a writer? Or how can you remain humble if your Ultimate Goal as an author has to do with “me, me, me”? It’s possible for the aspiring author to chase their dream (publication) and remain selfless in the process.

I advise re-evaluating the reason(s) you write and the Ultimate Goal for your writing journey. Is it to gain success and see your name in print? Or do you hope to offer stories that will provide entertainment for readers, shed light on a certain topic, minister to readers, etc.?

Again: The author who makes a lasting impression and gains the most popularity amongst readers is the one who not only writes great stories, but one who stays focused on others as well. This is the author who wants to connect with their readers. This is the author who will promote other books within their genre because in doing they’ll support their Ultimate Goal as an author: To introduce entertaining stories to readers.

            5. Self-confidence

(No, being selfless and having self-confidence is not an oxymoron!) I’ve noticed that, if a writer neglects to have confidence in their ability to write, they don’t get far in this journey. They’ll quit as soon as someone criticizes their work. If you truly want to reach publication, you’re going to have to start believing in yourself — and that will involve believing in your potential even if no one else does. Just because your writing isn’t perfect now doesn’t mean it can’t improve. And just because your story might have plot-holes doesn’t mean it’s too late to fix them. These are only obstacles to overcome, not Dead End signs. Every published author, I’m sure, has struggled with self-doubt at one point or another. But just because you don’t write in the same style as your favorite author doesn’t mean you can’t write.

Every writer has a unique style. Every writer has a unique calling for their publication journey. Focus on your own strengths, accomplishments, and purpose as a writer, and don’t allow yourself to compare yourself to others. Those writers have already been taken! Instead, be the best version of yourself that you can be. Keep growing in your craft, and write stories that you feel called to write and in the best way you know how.

Your future readers will some day thank you for not giving up!

[bctt tweet=”5 Qualities Every Serious Writer Needs to Possess #writerslife #amwriting @TessaEmilyHall” username=””]

– – –

Which quality on this list is hardest for you to attain? Are there any you’d like to add to this list? Let me know in the comments! 

Categories
Storyworld

Fantastic Geographical Influences on Cultures

Tatooine

As Tatooine’s twin suns slowly inch to the sand dunes in the horizon, a lone figure strains his eyes as he scans the endless wastes to the west. Some of us are so familiar with Star Wars that we can’t remember the first time we saw young Skywalker against the backdrop of the two setting suns, but this scene is anchored in my mind as a brilliantly subtle method of showing a vastly different world.

Not every sci-fi or fantasy story has fantastic geographical elements, but some of the most memorable do. If you’ve considered writing a speculative fiction book, you’ve probably already considered a number of its aspects, but you’ll need to consider how the world’s geography shapes the culture of your storyworld.

The titular world described in the novel Dune by Frank Herbert served as a great inspiration to George Lucas’s Tatooine. Windswept sands and arid climates make for eye candy, whether reading about them or watching them, but the real gem in Dune is seeing how the local people survive in their environment. Water is such a scarce resource that it becomes a trade commodity and advanced suits are used to recycle their liquid wastes. But dehydration isn’t the only concern, since deadly storms whip up frequently and massive worms seek to devour anything that makes vibrations on the sands. The setting is incredibly perilous and consequently the indigenous people live a Spartan, nomadic lifestyle. I think because of the climate and the culture, Herbert models the people like a romanticized version of 19th Century Arabs, though with a sort of mysticism uniquely their own.

crater2Closer to home but no less exotic, Homer Hickham’s novel Crater takes place on our own moon. If the author’s name sounds familiar to you in a non-literary sense, that’s because Hickham was the real life main character in the movie October Sky. After a successful career at NASA, he’s taken up writing Christian Science-Fiction situated on a lunar landscape. Crater, the first novel in his series, deals with the difficulties of lunar survival on a well-established colony. The book is geographically interesting, from the ubiquitous low-gravity to the commerce routes used by space age delivery trucks. Starting in his home in a rugged Helium-3 mining town, the main character must trek across craters, canyons, and rocky plains to obtain a mysterious package at the moon’s main port of call. Because of the harsh setting and the rugged independence of these colonists, Hickham portrays the men and women of the moon similar to Appalachian miners.

PT_BtPoSWhile my first two examples take place in environments naturally devoid of water, the complete opposite is seen in Howard Andrew Jones’ Pathfinder Tales: Beyond the Pool of Stars. In it, Miriam Raas is pulled back into her family business of deep sea salvaging and must fight off monsters, pirates, and evil sorceresses along the way. But she isn’t without her tools of the trade: a magical version of scuba gear, complete with underwater breathing and enhanced mobility. The society that has grown up around her home in Desperation Bay is one of commerce and shipping, complete with nobles and merchants vying for importance through petty political squabbles you could expect in such an environment. The culture is probably most similar to that of Britain during the peak of its naval might, but the magical influence sets the tone as something distinctly different.

When you think of your storyworld, consider its unique geographical features and how civilizations might develop around them. As in these examples, you don’t have to invent environment-culture interactions from scratch. Readers expect people (and all sentient beings) to naturally develop functional cultures around their environment, and they expect these interactions to have elements similar to what we’ve historically seen on earth. So the more you borrow and tweak elements from our own diverse world for your own purposes, the more your settings will feel realistic.

Categories
Dear Young Scribes

How to Choose, Develop, & Research a Setting: Part 1

Setting is far more than the backdrop of a novel. It’s the environment that breathes life into a story. It can paint hues of emotion, provide necessary backstory, enhance characterization, and serve as a tool to unfold significant plot elements.

When a writer prepares to write a book, they should spend just as much time researching and developing a setting as they do with their characters. In fact, setting should be treated with much attention as if it were a character in itself.

Think of your favorite book. How would the plot differ if it were set in the snow-capped mountains of Colorado? Or in a dry desert of New Mexico?

When a writer accurately portrays a believable setting for their novel, the reader becomes sucked into the story. This should be done in a way so that the story would not be the same if it were set in another location.

For example: The setting is a crucial element in the movie The Titanic. It would be impossible to set that story in another location; the entire plot would unravel.

Readers fall in love with books that present well-developed settings and story worlds. What would The Chronicles of Narnia be without Narnia? Or Anne of Green Gables without Green Gables?

When choosing a setting, ask yourself:

  •  What is the mood and theme of this story? What kind of location—a small town, big city, etc.—would best portray this?
  •  How will the setting affect the plot of the story?
  •  Will I use a real town or invent one?
  •  What cities—including my hometown— am I familiar with? Out of those, which one am I most passionate about?
  •  How can I weave symbolism into this setting?
  •  How does the setting influence my protagonist? What is his/her attitude toward this location? 
(This is a great way to unravel backstory — through showing the memories tied to her surroundings.)

blue ridge mountains

I chose Lake Lure, NC for the setting of Purple Moon for the following reasons:

  1.  I realized I had yet to read a YA novel that was set in the Blue Ridge mountains of North Carolina.
  2.  I knew I wanted to set the story in the south since I am from SC.
  3.  I came across a photograph of the mountains outlining a lake. This inspired me to do a Google search of lakes in North Carolina.
  4.  After I found a list, I chose Lake Lure because the name reflected a theme in the novel.
  5.  Since my protagonist is an artist, the mountains tucked into the lake keeps her inspired and reflects her personality.

If you want your readers to become swept away in your story, it’s crucial that you spend necessary time researching your setting before you begin to write.

It’s important to research your setting for the following reasons:

  • Believability
  •  Accuracy
  •  So your readers can feel as if they have stepped into 
the pages of your book. You want to give them the sense 
that they are living in the story.
  •  To prevent your story from unfolding in front of a “closed 
curtain”.

In the next post, we’ll discuss how to go about researching your setting and how to filter it through the eyes of your protagonist.

[bctt tweet=”How to Choose, Develop, & Research a Setting: Part 1 via @TessaEmilyHall #write” username=””]

What is your favorite story setting? How does it enhance the plot, theme, mood, and protagonist of the novel?

Categories
Dear Young Scribes

10 Tips for Reading Through the Eyes of a Writer

Book and glasses

For most writers, our passion to write was birthed from a passion to read. We grew up immersed in books. Books that touched us, entertained us, made us laugh and cry. And somewhere along the way, we discovered that we, too, wanted to create the same effect for readers through our own stories.

As writers, it’s only natural that we should want to learn from the masters. We should not only read for enjoyment, but for education as well.

Sure, there are plenty books on the writing craft that can give us instruction. I’m not against this at all. But personally, the best way I learned how to write was from reading books through the eyes of a writer.

How is this done?

Here are 10 tips for reading through the eyes of a writer:

        1. Study the plot as it unravels. When would you assume Act 1 ends and Act 2 begins? Can you identify the character’s external and internal goals at the beginning of the book? What is the conflict and unanswered questions that the author has set up? How is the backstory woven in without interrupting the story?

        2. Study the scene structure and pacing. Does it begin in a way that “grabs” you? Does it end in a way that lures you to read the next scene?

        3. Study the author’s wordsmithing. Are there words you are not familiar with? If so, highlight them and research their definition. How does the author’s word choice create tension? Strengthen mood and emotion? How does it develop characterization and paint the scene in your imagination?

        4. Study the rhythm. Read the book out loud. How do the words and dialogue flow? How are the sentences structured in a way that intensifies the mood of the scene?

        5. Study characterization. Does each character have their own unique personality, dialect, style, traits, etc.? How is this revealed in a way that shows rather than tells? How do the secondary characters contribute to the plot, and are they three-dimensional or cardboard characters?

        6. If you lose focus in the book, identify at which point your attention began to lack. Was it caused from a decrease in conflict/tension? Did it become too easy for the character to reach his/her goal? Or is it because the scenes were passive, written about the character’s day-to-day, dull life?

        7. If you love the book, identify why you can’t seem to put it down. Is it the writing style or the plot? Is it because the writing is concise and tight, or because suspense is woven into each scene?

        8. Study the emotion and humor. If the story makes you cry, take note of how the author tapped into your emotions. How was this emotion portrayed without “telling” or coming across as overly dramatic? If the story makes you laugh, take note of the kind of humor the author used and how they portrayed this without coming across as cheesy.

        9. Study the setting. Do you think it was well-developed and/or well-researched? Does it contribute to the mood of each scene? How did the author use sensory details to highlight unique features of the setting without interrupting the flow of the story?

        10. Study the theme. Do you have an idea as to what the theme is by the end of the book? If so, how did the author get this across without “preaching” to the reader? Or if it did come across as preachy, how could the author have subtly woven in the theme instead?

It might take longer to read a book if you study it through the eyes of a writer rather than a reader. But if you do this — if you dissect books as you read them and highlight passages when necessary — then this should result in a major improvement in your own writing.

“To succeed as a novelist, reading novels must be a priority. Don’t be afraid. You won’t lose your voice; you will only enhance it. And soon, students will be using your novels as their textbooks.”

~Linda Hall

[bctt tweet=”10 Tips for Reading Through the Eyes of a Writer @tessaemilyhall #amwriting #writingtips”]

[bctt tweet=”Can our writing improve by studying the books we read? @tessaemilyhall #writingtips #amwriting”]

Do you read books through the eyes of a writer? If so, how has it made a difference in your writing?

Categories
Dear Young Scribes

Build a Platform & Increase Chances of Publication

“Does building a platform really increase chances of publication?”

This is a question many beginning authors ask when they are told to focus on building a platform—even before they receive a book contract.

“What’s the big deal?” they ask. “Shouldn’t I spend time working on my book instead of blogging? Won’t I gain a readership when my book is published?”

In the past, aspiring authors did not have to worry about building a brand, blog, or platform. They simply wrote a book, landed an agent, and received a publishing contract.

This is not the case with today’s writing industry.

If an aspiring author wants to gain interest from an agent/publisher, they must try to build a platform. When a publisher receives a proposal from an author, they often do an online search of the author. They want to see how many books the writer will be able to sell based on the number of potential readers they can reach through their blog and social media.

So, how can you, an aspiring author, build a platform—even as a teen?

Here’s how:

It’s pretty tough for an aspiring author to build a platform without writing a blog. Is it possible? Maybe.

But if you really want to impress an agent or publisher, don’t skip this. Blogging is a great tool to brand yourself as an author, build a readership, and build your platform—even before your book is published.

As a teen, you especially have the advantage of beginning to grow a platform early. Since it usually takes a long time to build one, you can try to begin growing it now before you completely dive completely into the writing industry.

But remember: A platform isn’t built overnight. It takes time, effort, and consistency.

However, I still advise that aspiring authors spend the majority of their time writing. Because if you don’t have anything to pitch to an agent/publisher—then, well, the time you devote into establishing a readership will be fruitless.

How has building a platform paid off in your writing career? Do you enjoy blogging, or do you consider it to be a waste of time? I’d love to hear what you think!

[bctt tweet=”Should aspiring authors build a platform? via @tessaemilyhall”]

[bctt tweet=”Build a Platform & Increase Chances of Publication via @tessaemilyhall “]

Categories
Dear Young Scribes

5 Reasons Teens SHOULDN’T Pursue a Writing Career

[bctt tweet=”5 Reasons Teens SHOULDN’T Pursue a Writing Career #teenwriters #writingtips”]

When I was 14, I emailed a best-selling author asking for writing advice.

Rather than receiving an encouraging response like I’d anticipated, instead she sent me a list of reasons of why I might not want to pursue writing.

If you’re trying to decide whether or not to write books for the rest of your life, it’s wise to look at both the negative and positive aspects of this career.

Here are the reasons why you SHOULDN’T pursue writing:

1) It does not guarantee fame or money.

The best-selling author asked me: Why do you want to pursue writing? Is it for fame and money? If so, you’re in for a disappointment.

Very few people make a fortune off writing these days. In fact, many authors work a side-job so they can pay their bills.

If you aspire to be an author for either of these reasons—not only are you going into this career for the wrong reasons, but you are also in for a huge letdown.

2) It’s a lonely job.

So many people think that being an author is glamorous. But what’s so glamorous about staying in sweats all day, chatting with make-believe characters rather than actual human beings?

A writer’s daily routine involves sitting in front of a computer. Alone. For hours. In their home, or perhaps at a coffee shop.

Either way, very little human interaction is involved on a day-by-day basis.   

3) Nowadays, an author’s career no longer consists of only writing books.

Today’s author has to wear several hats. Their day-to-day workload no longer involves penning story after story.      

It also involves building a platform. Marketing. Blogging. Branding. Interacting with others through social media.

In other words: Authors are no longer simply artists. We are also entrepreneurs. Publishers look for writers who have an established web presence, brand, as well as writers who know the ins and outs of how to market a book.

And if your book doesn’t sell due to a lack of marketing/branding/platforming, then guess what?

Your chances of landing another book contract are slim to nothing.

4) Being an author requires a HUGE backbone, as well as humility.

The story you’ve been working on for years? It might become torn to pieces by an agent. The writing you thought was to perfection? An editor will list every area you need to improve in your craft.

Then, once you think your book is done going through the shredder and you can FINALLY send your masterpiece to the public—your pride becomes shattered. Negative reviews start flooding in as soon as the book is published, and you’re left wondering why you ever thought you could write to begin with.

Okay, so your writing journey might not look that intense. But the point remains the same: If you want to be an author, you might want to start growing a back-bone now and accept the fact that you do have room to improve.

5) It’s tempting to compare your achievements and successes with other writers. 

Are you competitive? Do you envy others when they get further along than you? If so, writing might not be the best career for you to pursue.

This journey is filled with setbacks, failures, successes—setbacks, failures, and successes. Some of your writer-friends might land a book deal sooner than you. Or maybe they’ll receive film interest in their book. Win some awards. Perhaps their publisher will schedule a book tour to help promote their latest release.

Meanwhile, you’re still waiting for that first book contract.

A writer of true character will understand that each person is running their own race. Sure, you might be in it for the same goal—but ultimately, each writer is unique. Intended to write different books with a different style and for a different purpose. No one can run your race except you.

A mature writer will understand this. They will be content with his/her unique writing path, confident that their dreams will unfold when it’s time.

Being an author doesn’t just involve celebrating your own successes; it also involves cheering other writers on as well. Helping them improve their craft. Celebrating their victories, endorsing their books, and promoting their latest release.

If you’re the kind of person who can’t stand to see someone else achieve “your” dreams, then perhaps writing isn’t the career for you.

[bctt tweet=”A mature writer will be content with his/her unique writing path, confident their dreams will unfold when it’s time. #writingtips”]

~ ~ ~

If, after reading the negative aspects to the writing career, you STILL want to pursue writing—then I’m going to ask the same question my mom would ask me when I was little:

Someone has to be an author. Someone has to fill those empty spaces on bookshelves and make a mark on the world through the stories they write.

Why can’t it be you?

~ ~ ~

Does this list make you want to reconsider your dream of being an author? Comment below!

Categories
Dear Young Scribes Genre

How to Set Writing Goals and Finish Your Book

 

[bctt tweet=”How to Set Writing Goals and Finish Your Book #writingtips @tessaemilyhall “]

As a teen, you have plenty of time to continue to grow in your craft and finish your book. But even though you aren’t in a rush to achieve publication, you can decrease chances of procrastination and distractions by setting writing goals.

Here’s how:

  • Time yourself as you write and calculate how many words, on average, you write in an hour. (For example: Let’s say it takes me 1 hour to write 1,000 words.)
  • Decide on an amount of hours you are able to work on your book weekly. (If I can find time to write for 2 hours a day and five days a week, then I would be able to work on my book for 10 hours per week.)
  • Calculate the estimated amount of words you could write per week if you stick to this plan. (In the above example, I could write 10,000 words per week.)
  • Then, calculate how long it will take you to complete your book. (If I had only 20,000 more words to write of my book, then I could finish it within two weeks if I stuck with this plan.)

You could also do this process in reverse.

For example, if you hope to finish your book within four weeks and you still have 40,000 more words to write, you could:

  • Decide on the amount of words you would like to complete in one week. (In this example, let’s say that you chose to set a goal for 10,000 words per week. That way, you would reach your goal of 40,000 words within four weeks.)
  • Calculate how many words you can write in an hour. (Let’s say you wrote 500 words per hour.)
  • Then, calculate how many hours per day you should devote to writing in order to meet your weekly goal. (You would be able to write 2,000 words per day if you wrote for 4 hours a day. If you wrote five days a week, then you would reach your weekly goal. And if you meet your weekly goal four weeks in a row, then you would have reached your ultimate goal of 40,000 words in one month.)

By breaking down your writing goals, you reduce chances of becoming overwhelmed at the idea of writing a book. Instead, you’ll discover how the process of writing a book is simple: It is achieved through the daily discipline of writing the same amount of words that could compose a blog post.

[bctt tweet=”By breaking down your writing goals, you reduce chances of becoming overwhelmed at the idea of writing a book. #amwriting @tessaemilyhall”]

Stick with this, and eventually, your book will be complete!

Do you set writing goals? If so, has it helped you finish your book?

(PS: From now until the end of December, you can receive a discount off of my teen writing program, WRITE NOW! Click here to find out more.)

Categories
Dear Young Scribes

5 Common Writing Mistakes by Teen Writers

[bctt tweet=”#TeenWriters: To avoid weak writing, check your book for these common mistakes #writingtips@tessaemilyhall “]

Teen writers: You’re entering an industry filled with experienced writers—people who have been on this journey for decades.

If you want to avoid coming across as an amateur, check your manuscript for these 5 common mistakes made by teen writers:

      1. Not enough sensory details

When I write a first draft, I focus on the dialogue and action, recording the “movie” as it plays in my mind. Thus, my first draft is really my book’s skeleton.

As a beginning teen writer, I neglected to breathe life into my scenes by incorporating the five senses. During my rewrites of Purple Moon, I printed out the entire manuscript, then highlighted the areas that could use sensory details.

Sensory details are important because . . .

– They keep readers grounded in a scene

– They allow readers to experience the journey along with the protagonist

– They “fool” the reader into believing the story is real

– They add color to the black-and-white pages of a manuscript

      2. “Telling” instead of “showing”

Readers don’t want to be told a story; they want to live a story. Authors should convince the reader they are the main character. (Sounds schizophrenic, doesn’t it?)

For instance:

Rachel was embarrassed because a group of girls starred at her.

Can you feel Rachel’s embarrassment, see the group of girls, or understand why she was embarrassed? Not at all.

Rewrite it in a way that brings the reader into the scene:

Heat flooded Rachel’s cheeks. A group of girls huddled next to the lockers, whispering and snickering, their eyes burning holes through Rachel. What was she thinking? Rachel knew she shouldn’t have worn the Christmas sweater Grandmother bought her. 

Notice I didn’t name the emotion in that version, yet it’s obvious Rachel is embarrassed, and we know why she is, too.

When it comes to showing vs. telling, ask yourself . . .

– Why does my character feel this emotion?

– What does she see? Hear? Taste? Smell? Feel?

– What is her physical response or body language?

– What is her thought process?

Don’t tell the reader what happens; let them experience it.

      3. Overuse of exclamation marks

She couldn’t believe her eyes!

What do I do!

Overuse of exclamation marks scream amateur! That’s because they drain power of what is being emphasized. It’s as if the author is trying to tell the reader, this is how she’s thinking it! Or, this is how extreme the action is!

In other words: They tell rather than show.

Plus, they are awfully distracting. It reminds the reader that the story isn’t real.

Instead, show the emphasis through body language, action, emotions, etc. Allow the reader to catch onto the exclamation without having to be told what is being exclaimed.

      4. Lacking story-structure

Since my stories are character-focused, I used to write scenes that weren’t related to the story’s plot. Sure, these scenes could have actually occurred in my main character’s day-to-day life, but they didn’t push the story forward or deepen characterization.   

Every book needs to have story-structure, and every scene needs to directly relate with that structure.

Think of your book like a movie. Then, go back and cut any scene that slows down the pace.

Ask yourself: What is the purpose of this scene? Does it push the story forward?

      5. Overuse of adverbs and adjectives

In elementary school, I was taught to incorporate as many adjectives and adverbs into my stories as possible.

My writing sounded like this:

The big, fat, yellow sun shined brightly against the light blue sky.

Colorful, isn’t it? And yet, sometimes those colors are the very things that distract the reader from the story. My agent puts it this way: “…too much description makes the colors all bleed together.”

Nowadays, adjectives and adverbs are lazy. They tell the action, emotion, scenery, etc. instead of allowing the reader to experience it.

But didn’t books use adverbs and adjectives in the old days?

Yes. But we’re not still making black and white movies anymore, are we? We’ve improved our technology and have discovered new—better—ways of capturing film.

Same with books. We’ve discovered ways to write that invite the reader to delve deeper into the story.

Just like exclamation points, overusing adverbs and adjectives are a form of telling rather than showing.

Replace them with strong verbs and nouns. This will help the reader picture the scene for themselves rather than be told how to picture it.

For instance:

She quickly ran up the stairs.

This tells us how she ran up the steps. Replace it with a strong verb, such as:

She hurried up the stairs.

She rushed up the stairs.

The adverb isn’t necessary in those sentences. Plus, the verbs convey a much stronger sense of action, don’t you think?

Which of these mistakes are hardest for you to overcome? Any you’d like to add to this list?

[bctt tweet=”5 Common Writing Mistakes by #TeenWriters @tessaemilyhall #writingtips #amwriting”]

Categories
Dear Young Scribes

10 Teen Authors who Landed Book Deals

Although I don’t believe every teen writer should strive for publication, let’s face it: More and more teen authors are landing book deals these days.

Writing is a form of art—just like dance, theater, and music. Teens have become successful in each of these industries. Why should the writing industry be excluded?

So if you’re a teen writer, don’t become discouraged by the naysayers. Besides, several teens authors have landed book deals, such as:

1) BETH REEKLES

BethReekles

  • Age when debut novel sold: 17
  • Debut novel: THE KISSING BOOTH
  • Publisher: Random House UK
  • Route to publication: Wattpad.com
  • Film adaptation: In the works

2) KODY KEPLINGER

KodyK

  • Age when debut novel sold: 18
  • Debut novel: DUFF
  • Publisher: Poppy
  • Route to publication: Literary agent
  • Film adaptation: Yes

3) CHRISTOPHER PAOLINI

Eragon

  • Age when debut novel sold: 19
  • Debut novel: ERAGON
  • Publisher: Self-published, then Knopf
  • Route to publication: Self-publishing
  • Film adaptation: Yes

4) STEPH BOWE

stephb

  • Age when debut novel sold: 15
  • Debut novel: GIRL SAVES BOY
  • Publisher: Text Publishing
  • Route to publication: Literary agent

5) S.E. HINTON

theoutsiders

  • Age when debut novel published: 18
  • Debut novel: THE OUTSIDERS
  • Publisher: Viking Press
  • Film adaptation: Yes

6) SAMANTHA SHANNON

boneseason

  • Age when debut novel sold: 17
  • Debut novel: THE BONE SEASON
  • Publisher: Bloomsbury
  • Route to publication: Literary agent
  • Film adaptation: In the works

7) LUCY SAXTON

lucysaxton

  • Age when debut novel sold: 17
  • Debut novel: TAKE BACK THE SKIES
  • Publisher: Bloomsbury
  • Route to publication: Literary agent

8) CAYLA KLUVER

tumblr_static_legacy-trilogy

  • Age when debut novel published: 15
  • Debut novel: LEGACY
  • Publisher: Self-published, then Harlequin Teen
  • Route to publication: Self-publishing

9) KAT ZHANG

tumblr_mde6x1Fppe1r0x68m

  • Age when debut novel published: 19
  • Debut novel: THE HYBRID CHRONICLES
  • Publisher: HarperCollins
  • Route to publication: Literary Agent

10) ALICE OSEMAN

alice oseman

  • Age when debut novel published: 19
  • Debut novel: SOLITAIRE
  • Publisher: HarperCollins Children’s Books
  • Route to publication: Literary Agent

Keep writing. Don’t become so determined to snag a book deal that you rush the process of learning and growing. Instead, write because you can’t not write—then you can move on to submitting to professionals when it’s time.

Who knows? You could become the next teen author I add to this list!

(PS: If you are an aspiring teen author and would like to grow in your craft and boost chances of publication, check out this creative writing mentorship program I created just for you!)

[bctt tweet=”10 Teen Authors who Landed Book Deals by @tessaemilyhall #amwriting #teenwriters” via=”no”]

Categories
Dear Young Scribes

5 Fun Writing Exercises for Teens to Spark Creativity and Develop Writing Voice

Thanks to my past teen self, I will never run out of book ideas. I spent those years writing pages of book/scene/character ideas—much of which were birthed through exercises that not only sparked my creativity, but developed my writing voice as well.

[bctt tweet=”5 Fun Writing Exercises for Teens to Spark Creativity and Develop Writing Voice #yalitchat #amwriting @tessaemilyhall “]

Here are 5 of my favorite writing exercises for teens that can spark creativity and develop writing voice:

1. Write fan-fiction.

Have you ever reached the end of a book and wished that it would continue? Or maybe you didn’t like the way it ended and would like to create an alternate one.

Whatever the case, fan fiction is a great way to expand your imagination, establish your writing voice, and have fun with your favorite characters and settings.

2. Participate in writing prompts.

On my blog, Christ is Write, I host a bi-weekly writing prompt contest for teens just like you.

My favorite prompts come from songs and photographs. In fact, the setting of my novel, PURPLE MOON, was inspired by a picture I came across of mountains outlining a lake.

As a teen, I spent my free time listening to my iPod on shuffle and writing a scene based on the song that played. Each time a new song came on, I would start writing a new scene.

3. Write in your journal every day.

Many authors, including Meg Cabot, proclaim that several of their story ideas come from their journals.

Try to write in your journal every day, even if it’s just a sentence. You could even try to turn one of your memories into a scene as well.

4. Write a book with a friend.

When I was a teen, my best friend and I wrote a book together. We didn’t plan the story.

Instead, we each created our own characters—so any time they would interact, we would take turns writing the dialogue. (Similar to playing Barbies, I guess you could say. 😉 )

Here’s a secret: One of my characters actually made her way into my YA novel, PURPLE MOON. (Cough, Hayden, cough.)

5. Make a list of potential book titles.

Listen to music. Read poetry. Is there a specific line that stands out?

You could also try to combine the titles of 3 of your favorite books to generate an entirely new title.

[bctt tweet=”It is now, during your teen years, that you can have fun with writing, without worrying about the career aspect of it.” #amwriting @tessaemilyhall “]

It is now, during your teen years, that you can have fun with writing, without worrying about the career aspect of it.

Keep your imagination open. Daydream often (just not during English class. Math class might be OK. — Kidding).

Take road trips, paint pictures, read books, and jot down any idea that pops into your head, no matter how bizarre.

Who knows? It might just turn into your future best-selling novel.

Any fun writing exercises for teens you’d like to add? Let me know in the comments!

Categories
Dear Young Scribes

5 Pieces of Advice for Teen Writers by Former Teen Author

Whenever someone asks if I have advice for teen writers, I tell them three things: Read, research, and write.

Read as many books as you can get your hands on.

Research the craft and industry.

And write every chance you get.

[bctt tweet=”#TeenWriter advice: Read. Research. And Write. #amwriting #teenwriters @tessaemilyhall”]

Here are 5 more pieces of advice for teen writers:

1. Attend writing conferences.

Writing conferences provide the perfect opportunity to learn about writing, network with writers, and pitch your book to professionals.

2. Study the craft.

If you want to come across as a professional, then writing must be treated like any other career. This means many hours should be invested into learning the craft.

You can do this by reading books on fiction techniques (such as Writing The Breakout Novel) and reading writing-craft blogs (such as Go Teen Writers).

3. Start a blog.

I’m very grateful I began my blog, Christ is Write, at the beginning of my writing journey. It served as a great way for me to meet other teen writers, practice my writing, and discipline myself. I was also able to build a readership even before my YA novel was published.

4. Spark your creativity through writing prompts.

Not only do writing prompts expand the imagination, but they may also trigger a new scene or book idea.

Want to participate in a writing prompt challenge and meet other teen writers? Check out my bi-monthly writing prompt contest.

5. Enter your work into contests and publish it online.

There are plenty of contests for teen writers that can help your work get noticed. You can also publish your writing on websites dedicated toward teen writers, such as Teen Ink.

Seeking more advice for teen writers? Check out these posts I’ve written just for you.

Have any advice for teen writers? Share them in the comments!

[bctt tweet=”Advice for Teen Writers by Former Teen Author @tessaemilyhall #teenwriters #amwriting #teenauthors”]

Categories
Dear Young Scribes

How Can Teen Writers Become Published?

“I’m a teen writer. How can I become published?”

This is a question I’ve been asked countless times. I, too, was once a teenager who dreamt of publication.

However, I quickly discovered that many adults advise against pursuing publication as a teen.

In some ways, I agree. Publication should not become the sole reason we write, nor should anyone rush to pursue it.

But if I only treated writing as a hobby, then it would’ve never turned into my career. If I hadn’t set high goals, then I wouldn’t have had the determination to push forward.

And I wouldn’t have received a publishing contract at sixteen-years-old.

No, I don’t believe that every teen writer should seek publication. There are several disadvantages of being a teen author.

But if you are a teen who loves to write, then it only makes sense that you would want to see your story in print. Just be careful that you don’t rush the process and neglect to learn the craft.

Before I held my debut novel in my hands, I invested hours into studying the craft, learning the industry, and strengthening my writing.

And now I am passionate about encouraging other teen writers. I want to share with you secrets and tips about the craft; I want to break down the publishing process so it can become achievable.

There is no better time than your teen years to prepare for your future—and this includes your career.

[bctt tweet=”There is no better time than your teen years to prepare for your future. #teenwriters #writingtips #teenauthor”]

So can teen writers become published? Yes. It may require sacrifices, but yes, teens can become published—or at least begin walking in that direction.

That’s what this column is for. I want to guide you, Young Scribe, through the world of writing.

So if you have any questions, be sure to leave them in the comments below!

[bctt tweet=”How can teens become published? #teenwriters #amwriting #yalitchat”]