Tag: tools

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The Intentional Writer

Invest in Yourself

The intentional writer

If you want to do excellent work you need to invest in quality tools.

A cook needs good knives. An athlete needs high-performance shoes and clothing. A serious musician needs a professional-quality instrument.

What about a writer?

  • What tools will help you produce quality work?
  • What upgrades will help you become a better or more efficient writer?
  • How will you honor your calling and God-given talents by investing in your writing journey?

Are you ready to invest in yourself? Here are some tools, resources, and opportunities to consider:

  • How-to Books. We can always learn more about the craft and business of writing. What books need to be added to your writing shelf?
  • Books to inspire you. If you want to write a good book, you should be reading good books—in your genre and in others.
  • Reference books. The internet is a wonderful tool, but sometimes you need a book, because A) the information isn’t readily available elsewhere, or B) it’s quicker and easier for you to find a particular fact in a book you know well.
  • Classes. Some professions require you to get so many Continuing Education Credits every year to maintain your license. Writing isn’t like that, but classes are still a wise investment.
  • Writing tools. Computer, keyboard, printer, pens, notebooks. What tools do you use on a daily basis? Are you making do with the family’s leftovers or do you care enough about writing to invest in quality?
  • Software. Writing, editing, photo editing, social media scheduling, time management, marketing… Sure, you can get by with the free or basic versions of these programs, but sooner or later it becomes a good investment to upgrade to the “Pro” level. Is now the time to become a pro?
  • Workspace. Would a dedicated writing space help you work more efficiently? Is your current workstation ergonomically designed, or do you need a more supportive chair or an adjustable desk? Maybe a new light or a fresh coat of paint will do wonders for your frame of mind?
  • Conferences. Writing conferences are one of the best ways to network and meet industry professionals. Now is the time to consider which conferences you will attend in 2020 and begin saving for them.
  • Expert help. No writer can do it all. Sometimes we need to hire an editor, website designer, publicist, or other expert to help do what we can’t do well ourselves.
  • The small stuff. Healthy snacks. Inspiring wall art. Coffee mugs or water bottles that help you get into your “writer’s mindset.” What small things will help you get motivated and maintain energy throughout your writing sessions?

Hint: Some of these suggestions would make a nice Christmas or birthday present, so update your wish list today. And don’t forget to make room in next year’s budget for bigger items and a conference or two.

You and your words are worth the investment!

Award-winning writer Lisa E. Betz believes that everyone has a unique story to tell the world. She loves inspiring fellow writers to be more intentional about developing their craft and courageous in sharing their words. Lisa shares her words through speaking, leading Bible studies, writing historical mysteries, and blogging about living intentionally.

You can find her on Facebook  LisaEBetzWriter Twitter @LisaEBetz and Pinterest Lisa E Betz Intentional Living.

Categories
Bestsellers

Best Selling Author Angela Ackerman

Angela Ackerman

Angela Ackerman

Your writing thesauruses are such a help to writers, how do you feel knowing that thousands of writers use these resources in their own writing?

It is pretty surreal, and something I may never quite get used to. But it feels wonderful to know that we are helping writers in a very concrete way, and that more are achieving their dreams as a result.

 Do you have any more thesaurus books in the works?

Becca and I are working on two volumes for The Setting Thesaurus. Like our Positive and Negative Trait books, the topic of setting is just too huge to fit in one book. We’re very excited about this collection and have researched the sights, smells, sounds, tastes and textures for nearly 250 different locations. It will be a great resource, I hope. We’re looking to release those in late spring of 2016.

How is it working with your co-writer?

When I think about working with Becca, I really need to use my Emotion Thesaurus because so many good feelings burst out of me. She is a terrific partner, both as a co-author and as a business owner (we own two companies together). We have strengths that really complement one another, which means we are an effective team with a unified vision. I think we make great writerly music together!

How long have you been writing? And how long did it take you to get your first major book contract?

I have been writing since 2007 in the middle grade and young adult area, and then in 2012, Becca and I self-published The Emotion Thesaurus. We followed that up with our Positive and Negative Trait Thesaurus books in 2014. Since choosing self-publishing we have turned down several traditional deals, finding there to be more advantages by remaining in control of our books. That said, we have sold foreign rights for The Emotion Thesaurus to publishers in Korea, Romania and are currently inking a deal with one in Japan.

How long does it take you to write a book?

I would say all told about a year, tip to toe, but it really depends on the content of the book. The Positive and Negative Trait Thesaurus books are deeply rooted in psychology, and so we had to spend a lot of time understanding human behavior and motivation in order to teach it as a character building principle. Likewise, the Setting Thesaurus books require a lot of travel, as Becca and I have tried to visit the locations featured whenever possible to ensure the details are authentic.

What’s your writing work schedule like?

Busy, so busy! I go full out from the morning to later in the evening, juggling book writing, teaching, marketing and getting new projects off the ground. Our most recent one was to take all of our thesaurus collections (the ones in book form and those found at our Writers Helping Writers blog) and create a website to house all the content. One Stop For Writers released October 7th, 2015, a joint collaboration between Becca, myself, and Lee Powell, the creator of Scrivener for Windows. We are so thrilled to see all our descriptive content enhanced and so well organized at our One Stop site, and know this will become a game-changing resource for many writers.

Do you have an interesting writing quirk? If so, what is it?

I write slow. It is such a pain because I have a lot to share, so many books I would love to write. Oh well, slow and steady wins the race, right?

What has been your greatest joy(s) in your writing career?

I absolutely love hearing from writers who have used our books or our site and being told the difference our resources have made in their writing. That will always be the biggest joy for me. But I would say being the international guest speaker this past August in Australia was pretty amazing as well. It was also really neat when foreign rights agents started contacting us. I’ve been lucky and have enjoyed many great moments, too many to name. But I am looking forward to the day when my time opens up a bit and I can get back to my fiction, because this is still my dream.

What has been your darkest moment(s)?

Probably the frustration of being so close to a traditional deal (with my fiction), and still not managing to get one. It is hard when you do everything right, you have an agent, your book is going to acquisitions, and you still don’t leave with a contract. However, that was the old Angela. The new one has realized that the need for that type of validation is really harmful, and I know that no matter what happens with my fiction moving forward, I’ll never end up in that same dark place again.

Which of your books is your favorite?

Such an unfair question, ha-ha. This is like asking a mother which child is her favorite. I think The Emotion Thesaurus will always be special because it was my first, but I know The Negative Trait Thesaurus holds the most value for elevating one’s writing craft. There is a lot of meaty content in that one. So I’m going to say it’s a tie between those two.

Who is your favorite author to read?

Again, I have many, but I really enjoy Martina Boone (Compulsion), Laini Taylor (Daughter of Smoke and Bone), and Rick Riordan (his Percy Jackson Series).

What advice can you give aspiring writers that you wished you had gotten, or that you wished you would have listened too?

Please don’t be in a rush to publish. There are so many books out there to compete with, so to succeed you need to really hone your writing first. Take the time to read, write, and study the craft so your first book shines on the shelf.

What is the single greatest tool you believe a writer should have in his or her toolbox?

One Stop For Writers, definitely. We’ve only just started adding to this online library, but already it is a powerhouse of writing information geared to help people elevate their storytelling. With so many resources in one place, writers will become stronger quicker, and spend less time trying to find the right details for a story and more time actually writing it.

Where do you get your ideas?

For fiction, it often starts with a sound, or a smell or something sensory. A plastic bag caught on a branch, flapping in the wind. The scrape of dead leaves being pushed across the sidewalk. The smell of cinnamon. For me these things will trigger a flash, an image of a scene to come, and there’s this feeling that there’s a great story there if I dig at it.

For our thesaurus books, I simply think about what writers need most, and what I need most! And then I seek to build it.

 

Bio:

Angela Ackerman is a writing coach, international speaker and co-author of several bestselling writing books, including The Emotion Thesaurus: A Writer’s Guide to Character Expression. She loves building communities, and her newest project, One Stop For Writers, is a powerhouse online library like no other, filled with description and brainstorming tools to help writers elevate their storytelling. You can also find her on Twitter and Facebook and at her website, Writers Helping Writers.

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http://writershelpingwriters.net/author/angela/

 

Categories
A Pinch of Poetry

5 Ways to Keep Your Poetry Simple

Simplicity is extremely valuable when it comes to communicating through poetry. I’ve always wanted my poems to positively impact the reader rather than turn them away.

From my experience, here are five things to keep in mind as you craft your own poems that will allow readers to appreciate them fully.

1: Relatable Subject

First, choose a recognizable subject that will resonate with your audience. If the reader can relate to the subject, he or she will appreciate the poem that much more. Many poets, if not all, write from the unique inspirations of everyday life. Example

2 : Simple Language

You might be tempted to use academic words or jargon in poetry, but I recommend that you do this sparingly and only for a certain effect, such as humor or reverence. Your ideas can still be complex, and you should use unique words and phrases. Just make sure your poem on the whole is decipherable. Example

3: Comprehensible Message

What meaning do you want to convey through your poetry? Whatever it is, try to make sure that it fits our common experience. People understand themes such as beauty, death, joy and disappointment. Choosing a simple message will make sure that the reader “gets it.” Example

4: Clear Imagery

Every poet should use figurative language and poetic devices to create imagery and mood in their poetry. That’s where the true complexity and skill comes into play. Whatever techniques you use should create easily visualized images that touch one or more of the five senses. Example

5: Familiar References

Allusion is a powerful poetic tool, but it can often leave the reader confused. If you make references, try to allude to people, places, events, etc… for which most of your readers will have some knowledge. If you make an obscure reference, the readers might miss the entire point. Example

Knowing Your Audience

Most of these suggestions have to do with knowing your audience. As you consider these ideas, also keep in mind your readers. If they will understand academic vocabulary, obscure subjects and references and extraordinary topics, then by all means use them.

Warning: Simplicity Doesn’t Mean Easy

[bctt tweet=”If it’s too easy to write, then you probably didn’t try hard enough. #writers #poets”]

I want to be very clear about what I mean by keeping poetry simple.

When writing poetry using my suggestions, you may be tempted to simplify the techniques. For example, forcing rhyme in a poem at the expense of your diction (word choice). Or using clichés instead of coming up with original similes, metaphors, etc…

Be reminded that writing poetry shouldn’t be an easy task for you, the poet. It takes much skill to craft a commendable poem that resonates with a reader. If it’s too easy to write, then you probably didn’t try hard enough.

Just saying.

Because poetry is an art, we want it to be worthy of appreciation as well as accessible to the world. We want our readers to understand it, but not oversimplify it so it loses its aesthetic value.

And I’m not suggesting that you should never write poems that have mystery and depth—both add value to poetry.

I simply believe that the complexity should mostly challenge the poet rather than the reader.

Do you have any other suggestions for writing understandable poetry? Tell me below.

[bctt tweet=”Let the complexity of poetry challenge the poet rather than the reader. #poets #poetry “]