Categories
Writing with a Disability (Different Ability)

What You Have to Offer

Last month I attended an annual writers conference to learn more about the craft and pitch my nonfiction books. Writing conferences are more than just networking opportunities.

  • We can learn more about the craft.
  • We can learn more about the business of writing.
  • We get to meet professionals within the business.

Personally, this year allowed me to meet with others within the brain injury and disability communities. It seemed like every day I met someone new who was connected to the disabled community; whether it was survivors, therapists, or family members, it seemed like there was an opportunity to share my story everywhere I turned.

One day I had planned on pitching my book to an agent during mealtime. Since she was so into my book’s message, I decided to drop the bomb about my brain injury. To my surprise, she shared she had a family member who suffered a brain injury while serving in the military. Needless to say, she was interested in working with me because she knows what I have to offer.

What You Have To Offer!

I have lived with a brain injury now for almost 25 years and have worked within the disability community to help others. At the conference, it became clearer that I have a lot to offer others through my experience.

One of the basic teachings of writing is always think reader first. The principle is simple: since we each have something we want to share with others: a message, purpose, something to offer others. Whether you write fiction or nonfiction, there’s something deep inside you want to share with others.

Your experiences shape your unique message, focus, and even your voice. Everything I have gone through and experienced since my accident 24 years ago has uniquely shaped my personality and passions. In this sense, it is given me more to offer others.

The same dynamics work in the writing community. Each of our personal experiences, beliefs, and even struggles give us a unique perspective. We each have invaluable information that no one else can offer.

Whenever I work with other disabled persons, I get to share my experiences while also learning from their’s. This is why networking is an invaluable opportunity for writers. It gives us a chance to learn from established writers and gives us an opportunity to establish ourselves. Below are more benefits of networking.

1. Strengthen business connections.

2. Get fresh ideas.

3. Raise your profile

4. Advance your career

5. Get access to job opportunities

6. Gain more knowledge

7. Get career advice and support

8. Build confidence

9. Gain a different perspective

10. Develop long-lasting personal relationships

11. Get an answer to every question

12. Find a job you love1

As we can see, the need for connecting with each other serves many purposes. Before leaving for the conference, I was contacted by an online brain health community about possibly teaching a class or sharing information on living with a brain injury.

I may not be a trained expert, but I have over 24 years of experience living with a brain injury. Undoubtedly, I have a lot to offer others within the brain injury community, I’m eager and happy to share with others.

A community is at its strongest when we each are willing to share our experiences. Earlier this year I began to update and expand my YouTube channel to cover my four branding streams (brain health, the writing community, men’s ministry, and faith.) My goal was simply to use this medium to share each aspect of what I have to offer. Each month I learned something new about my passions and myself.

Be Yourself!

The best way to know what you have to offer is to think about your experiences, passions, and struggles. Each area is a particular facet that makes you unique.

One of my favorite writing quotes is, “Be the best you instead of the second-best version of someone else!” Living with a disability has made me keenly aware that I am not perfect, but I am the perfect me.

I may not have the education, experiences, resources or platform as other writers, but I still have a lot to offer others. Unique perspective.

  • Hope in trials.
  • Encouragement for the struggle.
  • A listening ear in the struggle.

I want to leave you with a reminder that our imperfections are what make us who we are. Take the time to think about your life, mistakes and all—it won’t take long to see what you have to offer.

Martin Johnson survived a severe car accident with a (T.B.I.) Traumatic brain injury which left him legally blind and partially paralyzed on the left side. He is an award-winning Christian screenwriter who has recently finished his first Christian nonfiction book. Martin has spent the last nine years volunteering as an ambassador and promoter for Promise Keepers ministries. While speaking to local men’s ministries he shares his testimony. He explains The Jesus Paradigm and how following Jesus changes what matters most in our lives. Martin lives in a Georgia and connects with readers at MartinThomasJonhson.com and on Twitter at mtjohnson51.


1  https://www.michaelpage.com.au/advice/career-advice/career-progression/benefits-networking

Categories
Romancing Your Story

Should Your Romance Contain a Trope?

In case you’re unfamiliar with the word trope, let’s define it. A trope is a character trait or plot line that has become commonplace. If you read romance, you’ve seen quite a few romance tropes. Some of the most common are: the love triangle – two men competing for the love of the same woman; forbidden love – (this one goes all the way back to William Shakespeare and his classic Romeo and Juliet), where the boy and girl are forbidden to love one another due to parental stipulations, or differences in status (he’s rich, maybe in line for the throne, and she is a commoner or comes from a family with no wealth); Mail-Order Bride; marriage of convenience; and the list goes on.

Now that you know what tropes are maybe you have a favorite romance trope or maybe you don’t like tropes because you prefer a unique romance story. No matter what you think of them, tropes are popular. Recently tropes have been getting a lot of attention. Therefore, including a trope in your book could be helpful in obtaining readership. That doesn’t mean your trope has to be predictable and “just like all the rest”.

If you’ve submitted any queries or studied what agents and publishers look for in a query, you’re aware that one of the questions an agent or publisher wants answered is: how is your story different from those already published in the same genre?

So, if tropes are so popular and used so often, how can you use a trope and still have an original story?

There are several ways, but the first thing you should do is become familiar with the popular tropes. For instance, a current popular genre is fairy tale Retellings. If you haven’t read any, this may be a good place to start to see how an author takes a popular trope and puts their own spin on it. I recently read The Rose Princess by Ivy Hollins, a retelling of Sleeping Beauty, and Ivy had several unique plot points that made her retelling distinctive, such as the Prince and the beauty having a unique link years before they first meet. This story was just as enjoyable as the original fairy tale.

When you consider which trope to use in your story, consider your purpose for using the trope. Are you using it because you know it’s popular and has been successfully used in lots of other romance stories? If this is your reason, you should reconsider.

Instead, start by considering how you want to present your story or what you want your character’s values or point of view to be. Then consider how to use the trope by putting your own spin on it. Think about how the trope will best serve your story. Use your own voice and your own plot. You can also use a bit of the expected before surprising them with your own unique details to create fresh characters and an unexpected twist to the plot.

Kelly F. Barr lives in Lancaster County, Pennsylvania. She is married and has three sons. She writes historical romance. She has also been a blogger for ten years, and every Friday, you can find her Flash Fiction stories posted for your reading pleasure. She loves her family, including the family dog, books, walks, and chai lattes.

You can find her online at:

Categories
Kids Lit

Get a New Perspective! Find a New Twist!

Once in a while, I come across a book so unique and wonderful that I think, “Wow, I sure wish I’d written that book.” (I bet you do the same.) For example, when I first read Adam Rex’s “School’s First Day of School” (Roaring Brook Press), I actually said out loud in the bookstore, “Now, why didn’t I think of that?” In this charming story, Rex puts a new twist on an old concept—children being afraid of the first day of school. Hundreds of books have been written on that topic. In fact, I wrote one called, “My First Day of School” (WorthyKids) in 2017, and though I like how it turned out, it’s certainly not as clever as “School’s First Day of School” which is told from the school building’s perspective.

In Rex’s book, the school expresses all of the same emotions many children experience on that first day of school—excitement, jitters, anticipation, embarrassment and more.

That’s a perfect example of taking a tired topic and breathing new life into it. Publisher’s Weekly thought so, too, stating the following in its review: “Every so often, a book comes along with a premise so perfect, it’s  hard to believe it hasn’t been done before; this is one of those books.”

Let me give you another example of how a gifted author took what could have been a straightforward, boring biography about two well-known historical figures but instead crafted copy that’s touching hearts around the world. It’s a book called, “Martin & Anne” by my friend and fellow Nonfiction Ninja Nancy Churnin.

In “Martin & Anne” (Creston Books), readers are taken on a journey that explores the lives of Martin Luther King, Jr. and Anne Frank—two history makers born the same year on different continents. Churnin details how both faced discrimination from the time they were very young. Martin Luther King, Jr. faced “Whites only” signs while Anne Frank grew up facing “No Jews allowed” policies. They were kindred spirits who suffered untimely deaths yet impacted the world while they were here.

Do you see what Churnin did so brilliantly here? Can you identify the twist? Instead of writing the typical biography, Churnin created a type of comparison/contrast book, paralleling the lives of these two extraordinary people—Martin & Anne. She didn’t write a chronological retelling of Martin Luther King, Jr.’s life, nor did she write just another ordinary biography about Anne Frank. She found a new way to share important details about these two historical figures’ lives. This book is more than clever; it’s inspired.

So, how can you get a new perspective on an old topic or put a new twist on a tired tale? Force yourself to think outside the box and never accept your first thoughts about how to tell the story. Explore several options, sharing the story from various points of view, and see which version is stronger. Also, look for the little-known details about common stories and see if you can build on those facts to create a unique book that will wow the editors of Publisher’s Weekly, and more importantly, inspire a new generation of readers.

Michelle Medlock Adams is an award-winning journalist and best-selling author of over 90 books with close to 4 million sold. Her many journalism and book awards include top honors from the Associated Press, AWSA’s Golden Scroll for Best Children’s Book, and the Selah Award for Best Children’s Book. Michelle currently serves as President of Platinum Literary Services, a premier full-service literary firm; Chairman of the Board of Advisors for Serious Writer, Inc.; and a much sought-after speaker at writers conferences and women’s retreats all over the United States.  

When not writing or teaching writing, Michelle enjoys bass fishing and cheering on the Indiana University Basketball team, the Chicago Cubbies, and the LA Kings.

 Michelle is celebrating the recent release of her books, Get Your Spirit On!, Fabulous & Focused, Dinosaur Devotions, and C Is for Christmas, and she’s anticipating the upcoming release of What Is America? (Worthy Kids) and They Call Me Mom (Kregel), a devotional book she co-authored with Bethany Jett.

Categories
Write for His Glory

Magnets or Vacuum Cleaners?

One morning I asked the Lord for a verse reference.

Exodus 20:15 – Thou shalt not steal (KJV).

Really? Have I stolen something lately?

I pondered. Well…

  • I just took a picture of a page from a book and Tweeted it. But I gave credit to the author.
  • I haven’t taken any office supplies.
  • I give back extra change when I get it by mistake.
  • I use pictures from Bing Images in my blog posts. But I only use those labeled “free to share and use”.

So what was the Lord’s message?

I had no clue so I moved on with my morning. The verse must be something I need but maybe not at this moment.

As I logged on to my computer, random thoughts of things I admire about others came to mind. You know, those others who are popular in the writing world and have many good book reviews.

  • I like the way he responds on Twitter
  • I like the way she writes
  • I like the format of her blog
  • I like the way…

Wait, that’s it!

Vacuum Cleaners

Subconsciously, I not only appreciated the gifts of these people, I wanted to appropriate how they act and make it part of me. I wanted not only to learn from their methods, I wanted to be like them so I could be popular like they are.

I’ve been subconsciously stealing parts of them so I can have what they have.

No wonder I often find myself confused about who I am! I don’t look FIRST to my Creator, and thank Him for creating me exactly like me. I don’t boldly step out from the inside and go with what’s on my heart, in my own way, as the Lord leads. I measure what I’m about to do by what I think will be acceptable, or by whether or not anyone else has done it and succeeded.

No wonder I’m so worn out before I even get started. I’m worn out just thinking about it!

Magnets

Yes, we all need role models, and it’s good to learn from others. It’s also helpful to try, and then apply, practices that are proven successful. Truthfully, each of us is a product – and accumulation – of the people we’ve met, the places we’ve been, and the things we’ve experienced.

But first and foremost, we need to fill ourselves with Him alone instead of trying to take in what He never intends for us. Then, out of that relationship, we need to be fully who God created us to be and appreciate how He made us.

We need to be magnets, not vacuum cleaners.

Interesting picture, isn’t it?

Be thankful for the awesome person you are – the one God created and loves, warts and all – and step out into a very blessed day!

 

Mary Graziano Scro, a graduate of Christian Communicators Conference, is an inspirational author, speaker, and blogger who intuitively weaves analogies and personal testimony with practical biblical teaching. Whether “live” or at the keyboard, Mary loves sharing what God has done in her life to encourage others about the awesome life God has planned for us, IF we are willing to choose wisely in our everyday lives (John 8:31-32). And it’s not only about us – the more we invest in our own unique relationship with Jesus, the more visible He is to a world that desperately needs Him.

You can reach Mary on:

Facebook: Mary Graziano Scro
Twitter: @marygscro
LinkedIn: Mary Graziano Scro
Blogs: Life Is Not A Formula

 

Categories
Talking Character

Developing Your Character’s Voice

I was once in a bus full of high school students when I heard a boy behind me read a single sentence. I immediately recognized the author.

That’s voice.

[bctt tweet=”A strong voice is distinct, memorable, and intriguing. #writetips ” username=””]

It can grab a reader like little else. A few examples:

One day soon they hang me for a rogue. Fair enough. I have earned it a hundred times over, I reckon, and that’s leaving out a lot of acreage. Stephen Lawhead in Scarlet

I am the most tolerant of women, but to join my husband, my son, and my butler in a discussion of our evening in an opium den … was really a bit too much. Elizabeth Peters in The Deeds of the Disturber

When it came to shopping for something that required as much hope and longing as a beautiful dress, I was like a child raised by wolves—or some other, more nervous animal. Rabbits, maybe.   Alyssa Harad in Coming to My Senses

So where does voice come from? The character? The writer?

Some of both, actually.

Three layers of discovering character voice

Layer one—the basics

Consider all you know about your character. His physical description, temperament, background, and demographics can all affect how he speaks. A well-educated or socially elite character will use different vocabulary and grammar than someone from the servant class. A character may be terse or chatty. He may favor colorful metaphors or concrete descriptions. He may use specific words or phrases that provide a hint of dialect, ethnicity, or historical setting.

Layer two—the deeper stuff

Next consider the character’s inner self. Bring together her two-word thumbnail, backstory, wounds, inner issues, and story goals. From this information, identify five or six key emotions that drive the character toward her story goal. Is she determined, bitter, and desperate or melancholy, yearning, and in love?

Layer three—the writer’s connection

Now that you’ve identified the style of a character’s speech and bored down their emotional essence, you need to find a way to connect with this particular character. Her story may be worlds away from anything you have experienced, but that’s OK. In this case, “write what you know” isn’t about having the same experiences, it’s about experiencing the same emotions. Come up with specific incidents in your own past where you experienced each of the emotions you identified in layer two. If you tap into those memories, you will be able to relate deeply to your character as you write.

Putting it together

You might think of layer one as informing the structure of a character’s voice, while layers two and three inform the content and attitude. Experiment with the voice by free-writing in first person, keeping in mind the style attributes of layer one and your emotional memories from of layer three. Push the character to ramble on about his inner fears or his wild dreams until you begin to sense his distinct voice. Don’t be timid. The more passion, the more risk, the stronger the voice. And don’t forget to have fun.

Voice is born from a lot of words and a lot of work — but not just any words or any work will do. You have to bleed a little. You have to shiver a little. You have to love a lot… Holly Lisle

[bctt tweet=”Where does voice come from? The character? The writer? or some of both? #writer” username=””]

[bctt tweet=”You have to bleed a little. You have to shiver a little. You have to love a lot. Holly Lisle #quote #voice” username=””]

Categories
Talking Character

The Power of a Two-Word Character Thumbnail

Can you describe you characters with only two words?

I ran across this simple question in James Scott Bell’s excellent book Voice: The Secret Power of Great Writing. He suggests identifying a character’s dominant impression in two words—a noun that describes the character’s main vocation or purpose, and an adjective that sums up the character’s unique personality and/or attitude. I see the two words as sort of a thumbnail description of the character.

An example:

I decided the main character in my work-in-progress is an unconventional sleuth, while her sidekick is a sassy maid. Those descriptions are oversimplifications, but they point to something essential in the nature of the characters.

It wasn’t easy to boil each character down to two words, but I found the exercise worth it. Here’s why:

  1. Identifying a character’s two-word thumbnail helps me to be consistent. When I come upon those inevitable moments when I’m trying to decide how a character will react in a specific scene, my two-word thumbnail is often useful in determining which option best suits their dominant characteristics. Roxana, my sassy maid, will normally err on the side of stating her mind and speaking when she shouldn’t. Since this is the opposite of my normal tendency, keeping her sassiness in mind helps me maintain her unique character and voice.
  2. Searching for a two-word thumbnail for each character pinpointed which characters I don’t yet know well enough. For some characters, such as my heroine and her sidekick, creating a thumbnail was a matter of jotting down possible descriptors and then narrowing them down to the most apt choice. When it came to other characters, however, my descriptors were all over the place. I wasn’t sure whether Curio was a frustrated victim or a reformed rogue. The thumbnail exercise showed me where I need to flesh out back stories more fully in order to determine the primary essence of each character.
  3. They are a handy way to differentiate between secondary characters. I am working on a mystery, and several of the suspects are landlords. Assigning them adjectives like domineering, kindly, and secretive gives me a simple way to make sure each landlord remains distinct from the others.
  4. It helps my critique partners keep track of who’s who. Since we meet once a month, and it may be months between scenes with a given character, the thumbnail list helps them remember which character is which. It will also help when I am working on character descriptions and synopses.

Are you ready to come up with two-word thumbnails for your characters?  Are they straight-laced lawyers? Bitter sisters? Overconfident suitors?

Give it a try, and you’ll gain a few useful insights about them along the way.

[bctt tweet=”Author tools: Two-word thumbnails help a writer identify their character’s essence. #writetip ” username=””]

Categories
The Writer's PenCase

Storytelling – What Makes a Story Great?

ben-hurWhat is it about a story that makes it compelling? Is it the characters? Is it the plot? Is it the element of surprise? Is it the challenges? Is it danger? I submit, it’s all of them, skillfully put together, woven like a tapestry to make an impression on our minds and in our hearts.

Categories
Developing Your Writer's Voice

One Way to Discover Your Writer’s Voice

“Do you have a unique voice?”

It’s one question agents and editors often ask writers during one-on-one interviews at conferences.

A “deer caught in the headlights” look passes over newbie’s faces while their tongues cling to the roof of their mouths. “Voice, what do you mean by voice?”

It’s been said that finding and developing one’s writer voice is at the top of the list of things aspiring writers find most intimidating.

There are many definitions of what constitutes a writer’s voice. I believe it’s a combination of syntax, style, dialogue, diction and tone. It is the very essence of you that springs forth from the pages.

[bctt tweet=””Do you have a unique voice?” #amwriting #author #novel” via=”no”]

My writer’s voice came quickly, which was not the case for the bane of my existence—the matter of show versus tell. We all have issues!

Each post I’ll share a tip on developing your writer’s voice along with advice I’ve gleaned over the years from seasoned wordsmiths. Hopefully, tackling this issue in small bites will make it easier to digest.

Today’s tip: Read. Read a lot. When you find new authors or revisit old favorites, try to determine what drew you into their story world. Listen for their voice. Read other books written by them to determine if you would know it was their writing, their voice, without seeing the writer’s names. This lesson might seem elementary but trust me; it will be a helpful exercise.

Consider this post for a moment. What is the voice of this post? What is its personality? Is it cozy, formal, or aloof?

Please leave comments concerning your struggles with voice with suggestions of how this blog can best serve you in the comment section.

I hope you come back to visit often.

Categories
Things Every Writer Should Know

How to Make Sure Your Writing is Unique

You’re a lover of books and in you burns a desire which you cannot ignore. You want to write! At the same time you think, “There’s a gazillion authors out there. What makes me think my writing would be good enough? How will my writing stand out among so many? How do I write in a unique enough way to set me apart from other writers and successfully grab reader attention?” Before I answer with a do, here’s a vital don’t.

Don’t try to be unique.

It doesn’t work! You’ll end up with a bland and boring – generic, story. So don’t try to be unique. I assure you that every writer has their own special voice and style of writing. That includes you! Yes, we must submit to editorial changes (a topic for another day), but your voice should never be taken out of your story. Think about this for a moment: If each of us were to write a story with the same starting line, would we all write the same story? No. Everyone would write very different stories. Why?

Every writer’s story is unique.

Our personalities, our life experiences, our family and local cultures, and even our belief systems vary in so many ways. These factor in to our writing, giving each voice it’s own distinct flavor. So as you sit down to write, let the words flow and I guarantee your story will be unique.

Just for fun:

Start with the line below and write a short in the comment section. Let’s see just how unique everyone is.

Vance Scaggs stumbled in the dark. …

Have fun with that!

[bctt tweet=”Every writer’s story is unique. #writer #story” via=”no”]