Categories
Becoming an Author

Acting Techniques to Deepen Your Writing – Part 4: Career

As an actress, I’ve always been fascinated with the many ways in which the craft of acting can compare to the craft of writing. There is much that writers can learn from actors that can help us deepen characterization, tap into emotion, and break down scenes and plot.

In the previous post of this series, I shared about other ways in which writers can glean from actors apart from the craft—specifically when it comes to the approach to the writing process. Today, I’d like to share a few realizations I’ve discovered about the career of acting that writers can benefit from as well.

On Career…

1. Your style will add a spark of uniqueness to your story in a way that only you can. When casting directors receive auditions for a particular role, they don’t necessarily make their casting decisions based upon who is the “best actor” (although acting ability is certainly vital, of course); rather, they choose the actor who brings a certain life to the character. Different actors will perform the same role various ways. Because of this, actors need to focus on what they specifically can bring to the character that others cannot. Let’s learn how to apply this to our writing as well. There is a unique voice, a “life,” that only you can bring to the page. Allow that to show forth in your writing.

2. Don’t underestimate the value of training. Actors understand this value; after all, they must include this in their resumes when they submit to casting directors! It’s impressive for a casting director to see that an actor has studied with professional acting coaches. Similarly, it’s impressive for agents and editors to see that writers have devoted time (and money) into sharpening their craft. This proves that the writer is serious about the profession and helps them come across as professional rather than amateur.

3. Rejections aren’t a sign that you’re a bad writer. Serious actors must face rejection nearly every day. With the overwhelming amount of competition, it’s impossible for an actor to land every role he/she auditions for. In the writing industry, publishers and agents have no choice but to be selective, too, as they have limited available slots in their roster to fill. Let’s view rejections as an inevitable byproduct to being a professional rather than a personal offense to our craft.

4. When we detach ourselves to our writing, we leave room to grow. Actors must get accustomed with following the direction given by a director, even if this requires performing a scene in a way that differs from how they had originally rehearsed. But if the actor refuses to follow direction and sticks with the original performance, he will likely come across as both amateur and prideful. Let’s apply this same lesson to our writing. The process of receiving feedback from an editor can be painful—but let’s not cling to our words so tightly that we refuse to change and listen to constructive feedback. It’s in this process of change that we grow as a writer.

5. Great art can never be rushed. It’s crazy how, in the filmmaking industry, the shortest scenes often take the longest to film! Yet it’s often those “small moments” that make for the biggest impact. When we write, let’s not rush those small moments either. Instead, let’s take the time necessary that will allow that scene to deliver the intended response.

6. When we approach writing, let’s not aim for perfection. Rather, let’s learn as much as we can about the craft, and when it’s actually time to write that first draft, we can let go and trust our inner artist. This is what I’ve been instructed to do from my acting coach, too, and it has really helped me to avoid perfectionist paralysis and deliver my best work.

7. Don’t be afraid to be vulnerable. How horrible would it be if actors thought about all of their friends and family members who would someday watch their emotional scenes? They’d probably refuse to allow themselves to “go there.” As writers, we, too, must be vulnerable. Don’t worry about who may someday read your book. Stay in the moment, remembering that vulnerability is often what connects most with our audience.

That concludes our series on acting techniques! What have you learned from actors, the acting process, or the career of acting that has most served to be beneficial for you as a writer? Let me know in the comments!

Tessa Emily Hall is an award-winning author who writes inspirational yet authentic books for teens to remind them they’re not alone. She writes both fiction and devotionals for teens, including her upcoming release, LOVE YOUR SELFIE (October 2020, Ellie Claire). Her latest devotional, COFFEE SHOP DEVOS, encourages teens to pursue a personal relationship with Christ. Tessa’s passion for shedding light on clean entertainment and media for teens led her to a career as a Literary Agent at Cyle Young Literary Elite, YA Acquisitions Editor for Illuminate YA (LPC Imprint), and Founder/Editor of PursueMagazine.net. She’s guilty of making way too many lattes and never finishing her to-read list. When her fingers aren’t flying 128 WPM across the keyboard, she can be found speaking to teens, decorating art journals, and acting in Christian films. Her favorite way to procrastinate is through connecting with readers on her blog, mailing list, social media (@tessaemilyhall), and website: tessaemilyhall.com.

Categories
Writing for YA

Writing Diverse Mental Health Themes in YA Fiction

If you’ve queried in the past five years, you’re familiar with the plea for diverse books. Publishers and readers alike are searching for stories that reflect the world in all its colours, orientations, beliefs, and abilities. We are searching for connections. We want to be seen.

But not all diversity will be as obvious to spot on the cover of a book.

Diversity goes deep—down to the core of who we are and how the neurons in our brains allow us to think. But, as a society, we are less likely to recognize or celebrate this deeper neurodiversity.

Each of us process and react to the world differently.  Our life experiences also play a role, leaving unique internal scars and mended pathways. For a growing majority of teens today, this internal milieu feels like a battlefield and it comes out as mental illness.

Right now, more than ever, these differences in neurological wiring and life experiences will affect how teens react to fear, anxiety, grief, and confusion. And if they can’t find themselves in the stories that they’re reading, we risk letting them feel alone in their experiences. Which we all know is false.

As YA Authors, mental health themes need be high in our considerations for diversity. But how can we do this authentically?

  1. Write #OwnVoice – Mental health stories written from lived experiences offers a genuine and raw lens. If you’ve lived it and feel comfortable communicating the everyday struggles, along with the big plot turns of life, do it.
  • Write Deep – Don’t include mental health as an afterthought. A person is more than one aspect of their diversity. Our characters need to be seen this way as well. Ask deep questions of your characters. Know their wounds and back stories. Empathize with them before starting to write.
  • Write Educated – If you haven’t experienced the themes present in your story, spend time researching what they are and how they present. Look to respected resources (i.e. The DSM-V) rather than arbitrary blog posts.
  • Write Relationally – Even with the best research, there is something powerful about speaking with a person who has experienced mental illness first-hand. If you will listen and come with empathy and encouragement, odds are you will find someone who will share. Please be considerate though. Never approach someone who is in crisis and stick with friends and family.

With my novel, FADE TO WHITE, I wrote from both personal experience, research, and over 10 years of relational conversations with teens. Some of those conversations were painful to hear, but there was also mutual healing and hope gained through sharing our stories.

mental health

Mental illness is a hidden disease, despite its ever growing prevalence. By considerately sharing diverse mental health experiences, we are giving young people a chance to be seen. A chance to be recognized as broken but not lost. A chance to be represented within the diverse and unsettling world we now live in.

Tara K. Ross lives with her husband, two daughters, and rescued fur-baby in a field of cookie-cutter homes near Toronto, Canada. She works as a school speech-language pathologist and mentors with local youth programs. When Tara is not writing or reading all things YA, you can find her rock climbing the Ontario escarpment, planning her family’s next jungle trek, or podcasting at www.tarakross.com.