Categories
Marketing Sense

How to Grow Your Audience Using Online Workshops: Part Five

Online workshops are a great marketing tool. But we don’t want to just hop online and yell, “I’m going live in 10 minutes! Join me!” Uh, noooo, that’s not how we do it.

Instead, we want to invest time “warming up” our audience via email so that when it’s time to promote our free workshop, readers aren’t taken unawares. Once we deliver it, we can develop it into a paid product next time. But right now, our goal is to grow our email list through free service. We’ll use our online workshop (often called a webinar) to do that.

For this series, we’ve chosen an unusual topic: ice fishing. What??? If we can learn the process for a topic unfamiliar to us, we’ll know how to adapt it for our current and future topics.

Here’s our breakdown of this series so far…

In Part One, we chose our topic.

In Part Two, we identified and researched various title resources.  

In Part Three, we chose our title (it’s a dandy!).

In Part Four, we discussed priming our audience for our upcoming webinar using what’s called “pre-launch” emails.

Part Five

It’s time to invite them to take an action. We’ll do that within a series of “launch emails.” We’ll discuss that task next month in part six.

Today, let’s double-check the goal we set for this workshop. Why? It’s so easy to get off track! It’s good to regularly confirm we’re on course before getting too far afield.

We’re still committed to our initial goal…to grow our audience. And we’re still planning to offer our workshop for free. Consider both decisions as two sides of the same marketing coin. 🙂

Note that we could always change our goal and charge for our workshop instead. Free and paid are both valid options. Either way, now’s the time for a final decision. After today, it will be too late to change our goal. Why? Because once we begin marketing the workshop, our marketing message must be clear and consistent.

Let’s continue with our initial goal of offering our knowledge for free so we can grow our audience base. This will show us not only IF our audience is interested in this topic, but WHICH readers are interested in it, and since workshop attendees need to give us their name and email address, we’ll have MORE readers after the workshop than before, which was our plan from the beginning.

Some marketers are discouraged when offering free content; they want to be paid for it instead. Understandable. But remember…

We ARE “paid” for free webinars. Just not in dollars.

Each time a new or current subscriber enters their first name and email address in those little magic “opt-in boxes,” they’re giving us something of value. How so?

They’re raising their hands and saying, “I want to know more about this subject!” That information, my friend, is gold. Once we know who in our audience wants which parts of our message, we can offer them more of what they want and when we’re ready to, create a paid product that they’re more likely to buy. YES!!!

So onward we go!

Let’s talk more specifically about the content for our launch email series next month.

Patricia Durgin
Categories
Book Proposals

But My Writing’s Good…Why Can’t I Get An Agent?

I remember those days of whining to myself. “But it’s good. Everybody says so, especially all my friends and family.” Sigh … yes, I’ll admit it. I really took those familial critiques as having substantial meaning. And … they … did … not. And not because their opinions weren’t valuable, but because they do not know the market, no matter how many books they read. Or how well versed they think they are.

Most readers have a few authors that they have read for years, maybe even decades, and that makes them loyal readers, not professional reviewers. And once a reader is with an author that they like, they will accept however that author writes for the most part: good or bad, contemporary or old and stale, or anything in between.

Agents are always looking for fresh voices. New takes on old stories, new ways of expressing the same thing, because let’s face it, there aren’t that many new themes and/or ideas out there. So how do we sell it? A fresh voice that uses all of the new trends in writing, that steps outside the box for lack of a better expression, and who knows what the new readers are looking for.

How does a writer stay abreast of trends? How do they develop their voices? How can they get a chance to show off what they can do?

Let’s explore the answers to these questions:

  1. attend conferences and workshops
  2. attend conferences and workshops
  3. attend conferences and workshops

Did I really answer all of those questions the same way? You bet I did. Because at conferences you’ll find numerous agents, editors, web designers, other authors, those who can help you build platform, and so on. It’s an opportunity to network, learn in classroom settings, discuss trends in the industry at appointments, network with and possibly join a critique group, and to get feedback on your work. HONEST feedback from someone who doesn’t have your friendship to lose if they don’t like it.

IN A WORD: invaluable

While I occasionally find authors through my email, most of the clients that I pick up are from conferences. Why is that? Most folks who are willing to pay for a conference have done their homework, learned their craft, and worked hard to be able to get to a conference. It means time away from family, a chip at the finances, but it also means time spent with others who GET US. Other folks with voices in their heads that just have to get out. They are writers who have thick skin and can take it when their work is confronted. They can say, “Wow! I didn’t know that. That certainly isn’t what I learned in Advanced English class.” In other words, they are teachable writers willing to listen, to learn, and to apply.

So, why can’t I get an agent? I am probably not taking all of the above seriously. I am convinced that I already know everything. I don’t work with critique partners. Why bother? They don’t know any more than I already do. I can’t afford to attend a conference (you can’t afford NOT to). I have an MFA in creative writing, so why bother? I know it all, right?

Leaving old notions behind, being teachable, learning to build platform, writing the best novel you possibly can after learning all the ins and outs of the industry, and you WILL be on your way to connecting with an agent or editor for your work.

There are conferences available from $99-all the way to WOW! break the bank.

Do your best! Nothing comes free. It comes with hard work aimed at a teachable spirit!

You can do this … yes, you can!

Linda S. Glaz is an agent with Hartline Literary Agency, and also the author of eight novels and two novellas, so she “gets” writers. She represents authors in both the Christian and secular communities. She speaks at numerous conferences and workshops around the country each year. Married with three grown children and four grands, she lives in a small town where everyone is family.