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Writers Chat

Writers Chat Recap for September Part 1

Writers Chat, hosted by Johnnie Alexander, Brandy Brow, and Melissa Stroh, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Writer Procrastination with Brandy Brow

Co-host and author Brandy Brow leads the Writers Chat community in a discussion on procrastinating, which she defines as “intentional avoidance.” We talk about the reasons we as writers procrastinate even when a deadline is looming and share tips on ways to prevent procrastination from becoming a problem. In a bit of a “plot twist,” however, we also talk about the positive results that can come from recognizing and even accepting our procrastination tendencies.

Watch the September 10th replay.

Brandy Brow, Writers Chat co-host who freelance edits and writes flash fiction and short stories for the general market, plus articles and devotions. Her fiction explores the highs and lows of human nature and ranges from normal to strange. She loves to help writers improve their craft.

Disclaimer: The opinions and viewpoints presented by the cohosts and guests are their own and do not necessarily reflect the opinions and viewpoints of Writers Chat or Serious Writer, Inc.

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133

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A Lighter Look at the Writer's Life

Confessions of a Writers Conference Junkie

We are coming upon the time of the year I call “conference season,” when most writers conferences are held. I have been attending these events for nearly 20 years now, and I have a confession to make.

My name is Carlton Hughes, and I am a conference junkie.

That was hard to admit, but confession is the first step to healing. Here are some “symptoms” to see if you, too, are addicted to writers conferences:

–You save money for months prior to the event—not for tuition or books but for treats and drinks at the coffee shop.

–With each new clothing purchase, you think, “could this be worn to the conference?”

–You separate your conference clothes in the closet, so you don’t wear them too much or stain them prior to the conference.

–You keep checking (and checking and checking) the conference website day after to day to see if faculty and classes have been posted.

–Once faculty and classes are posted, you religiously study the lists to make your choices, keeping in mind that coffee shop/hang out time trumps everything.

–You keep in touch with your writer friends during the regular part of the year, talk about the conference, and make sure they’re going to attend.

–You make plans with these friends to spend as much time together in the coffee shop (or the lobby of the hotel) during the event.

–You pack your Ziploc bags early so you can stash your extra macaroons to bring home (Specifically for the Blue Ridge Conference).

I’ll let you figure out which of these things are “tongue-in-cheek” and which ones are serious. I have said it many times before and will say it again: RELATIONSHIPS=the most important thing at a writers conference. Contracts and assignments are fine, but people will stick by you through thick and thin.

Carlton Hughes, represented by Cyle Young of Hartline Literary, wears many hats. By day, he is a professor of communication. On Wednesday evenings and Sunday mornings, he serves as a children’s pastor. In his “spare time,” he is a freelance writer. Carlton is an empty-nesting dad and devoted husband who likes long walks on the beach, old sitcoms, and chocolate—all the chocolate. His work has been featured in Chicken Soup for the Soul: The Dating Game, The Wonders of Nature, Let the Earth Rejoice, Just Breathe, So God Made a Dog, and Everyday Grace for Men. His latest book is Adventures in Fatherhood, co-authored with Holland Webb.

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Writers Chat

Writers Chat Recap for February Part 2

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Brandy Brow, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Writing Through Tough Times with Tina Yeager

Tina joins us to talk about writing through and about the hard times. She discusses how we often compare ourselves to others but we should remember that we are God’s treasured possession. Tina offers tips on making the shift from therapeutic writing meant just for you and writing meant for a public audience, Tina also gives tips on managing our schedules and on maintaining our spiritual, emotional, and physical health, especially when we’re experiencing tough times.

Watch the February 14 Replay

Tina Yeager, award-winning author, speaker, life coach, host of the Flourish-Meant podcast and Flourish Today on Christian Mix 106, and publishes Inkspirations Online, a weekly writers’ devotional. She has been licensed as a counselor since 2005. Her book, Beautiful Warrior: Finding Victory Over the Lies Formed Against You, helps women fulfill their Christ-centered purpose. Check out her newest release, Upcycled: Crafted for a Purpose (Bold Vision Books). For life coaching tips or to book her as an event speaker, check out tinayeager.com.

SEO Basics for Web & Print Writers with Connor Salter

Connor, an accomplished writer and SEO editor, joins us today to share basic SEO (search engine optimization) tips for web and print writers. He gives a quick overview of SEO and then focuses on six important questions writers should ask to help them improve their use of keywords. SEO is important for search engine rankings and marketing. Check out this week’s replay for more information.

Watch the February 28th replay.

G. Connor Salter is an SEO Editor with Salem Web Network, as well as a writer with over 1,000 publications on his CV. His work has included book reviews, peer-reviewed academic essays, and award-winning journalism. His work has appeared in many publications, including An Unexpected Journal, Christianity.com, and Mythlore.

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133

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Writers Chat

Writers Chat Recap For December

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Brandy Brow, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Featuring…

Effective Platform Building for Novelists

Janyre Tromp, a developmental and acquisitions editor for Kregel Publications by day and a bestselling historical novelist by night, joins us to share key ways for novelists to build an effective platform. If you’re overwhelmed by all the platform-building advice swirling around the internet, then you’re going to appreciate Janyre’s advice on the best places to spend your time and money.

Watch the December 6th replay.

Janyre Tromp. has worked in the CBA industry for almost 25 years, spending time in both marketing and editorial. Currently she is a developmental and acquisitions editor for Kregel Publications by day. At night she is a bestselling historical novelist who loves spinning tales that, at their core, hunt for beauty, even when it isn’t pretty. Her books have been described as lyrical suspense and are available wherever books are sold. You can find her on all social media platforms as @janyretromp and her website, www.JanyreTromp.com (where you can download a FREE copy of her novella Wide Open).

Writers Chat Christmas Party

Join our community as we celebrate the holidays with a Christmas Carol game, recipes, poems and songs, writerly inspiration, and sharing. We are grateful for everyone who accompanies us on this crazy journey where God uses our creative talents to write for His glory.

Watch the December 13th replay.

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133

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Devotions for Writers

The Most Wonderful Parade

Imagine the grandest parade you’ve ever seen.

Maybe you’re watching the Macy’s Thanksgiving Day Parade in person with three million of your closest friends, or online with 44 million others? Here come the marching bands in sparkly costumes and floats with colorful lights. Look there! There’s the first exhibit with 90 handlers hanging on tight to their 400-pound balloon. Which one will be your favorite this year?

Now read Psalm 68:24-27

Can you picture this procession led by singers, musicians, and young gals with tambourines? Look there! Here come the tribes of Israel, led by the youngest tribe of Benjamin. And there—here are the princes in their finest array. What will the anticipation be like when we see our awesome God?

We have been entrusted with a story to tell, and only a few more blinks of an eye to tell it.

Exercise:

Who can your words refresh?

  1. Orphans. Psalm 68:5. Who do you know that has lost a parent recently? Grief is no respecter of seasons. Write a card to let them know you care, especially at the holidays.
  2. Widows. Psalm 68:5. Is there someone on your street whose spouse has died? Bring a poinsettia and attach a note to let them know you’re available to lend a helping hand.
  3. The Lonely. Psalm 68:6. We all know people who shrink from crowds. Send a handwritten invitation to a cookie party and offer to pick them up.
  4. Prisoners. Psalm 68:6. Maybe you don’t know anyone in jail, but you do know someone who is a prisoner to a difficult circumstance. Could you send a word of encouragement along with a care package?
  5. The Weary. Psalm 68:9. What is your go-to Scripture when you are worn down? Maybe it would lift another?

What can you say?

  1. God daily bears our burdens. Psalm 68:19.
  2. God provides out of His bounty. Psalm 68:10.
  3. God gives power and strength to His people. Psalm 68:35.

You’re a writer.

You can figure out how to say you see them and care.

People need kindness and encouragement for the complicated journey of life. Have they heard the Good News of a Babe born in Bethlehem? Let’s link arms to get the word out—the King is coming and will dazzle us with the most magnificent parade, ever!

May our words draw others to the parade!

Sally Ferguson

Over 140 of Sally Ferguson’s devotionals have been published in Pathways to God (Warner Press). She’s also written for Light From The Word, Chautauqua Mirror, Just Between Us, Adult Span Curriculum, Thriving Family, Upgrade with Dawn and ezinearticles.com. Prose Contest Winner at 2017 Greater Philly Christian Writers Conference.

Sally loves organizing retreats and seeing relationships blossom in time away from the daily routine. Her ebook, How to Plan a Women’s Retreat is available on Amazon.

Sally Ferguson lives in the beautiful countryside of Jamestown, NY with her husband and her dad.

Visit Sally’s blog at sallyferguson.net

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A Lighter Look at the Writer's Life

‘Tis the Season of Thankfulness

Even though Christmas items have been up in stores for what seems like forever, ’tis the season of . . . thankfulness! Lest we skip over Thanksgiving for the season of holly, mistletoe, and Christmas nougats (my favorite), I decided to make a list of reasons writers need to be thankful. So, here’s the list, and feel free to check it twice (Sorry, I couldn’t resist).

1. Writers can be thankful for the gift and talent of writing.

Some people are talented at singing, while others are gifted in working with their hands, like woodworking, mechanical tasks. Those are worthwhile things, but God made writers a special breed, wired to share His story on the page. It’s a wondrous gift and a serious responsibility.

2. Writers can be thankful for technology.

Even though it drives us absolutely CRAZY sometimes, technology makes writing easier in this day and age. Personally, I’m thankful I don’t have to fire up an oil lamp, write everything out in longhand, and then “snail-mail” huge manuscripts to prospective publishers. I’ve been a teacher so long that you probably could not read my handwriting anyway.

3. Writers can be thankful for websites like this one.

With a few clicks, we can get top-notch instruction on everything from where the commas go to how to write travel pieces. Speaking of commas, we can even read endless debates about whether to Oxford comma or not (For the record, I am firmly in the Team Oxford Camp).

4. Writers can be thankful for other writers.

I don’t know about you, but I found my “tribe” or “squad” or whatever you want to call it through writing. Our fellowship is unique, as we relate to the struggles, commiserate the rejections, and celebrate the successes. Bonus thankfulness for writers conferences, where we gather to consume caffeine while we are talking, laughing, and eating way too many sweets. Oh, yeah, we also take classes and discuss writing (most of the time . . . well, some of the time . . . well . . . ).

5. Writers can be thankful for readers.

Where would we writers be without our readers? You are the reason we do what we do. Your support and feedback are invaluable

Now you know my thankful list—what’s on yours?

Carlton Hughes, represented by Cyle Young of Hartline Literary, wears many hats. By day, he is a professor of communication. On Wednesday evenings and Sunday mornings, he serves as a children’s pastor. In his “spare time,” he is a freelance writer. Carlton is an empty-nesting dad and devoted husband who likes long walks on the beach, old sitcoms, and chocolate—all the chocolate. His work has been featured in Chicken Soup for the Soul: The Dating Game, The Wonders of Nature, Let the Earth Rejoice, Just Breathe, So God Made a Dog, and Everyday Grace for Men. His latest book is Adventures in Fatherhood, co-authored with Holland Webb.

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Writers Chat

Writers Chat Recap for September Part 2

Writers Chat, hosted by Jean Wise, Johnnie Alexander, Brandy Brow, and Melissa Stroh, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Featuring…

How to Research for Fiction with Johnnie Alexander and M.N. Stroh

Writers Chat very own novelists, Johnnie Alexander and M.N. (Melissa) Stroh, share a wealth of information on research for fiction. They discuss common pitfalls to avoid and other helpful resources—like personality tests for your characters and drawing maps or street layout so you don’t mix up locations in your story. Johnnie and Melissa offer helpful tips on where to start research for your novel and templates to imbue your characters and story world with the needed realism to engage readers. For more information and resources, check out this week’s replay.

Watch the September 20th replay.

Johnnie Alexander is a wannabe vagabond with a heart for making memories. Whether at home or on the road, she creates characters you want to meet and imagines stories you won’t forget.

A bestselling, award-winning novelist, Johnnie has written over twenty-five novels, novellas, and short stories in multiple genres. She is on the executive boards of Serious Writer, Inc. and Mid-South Christian Writers Conference, and she co-hosts Writers Chat, a weekly online show.A fan of classic movies, stacks of books, and road trips, Johnnie shares a life of quiet adventure with Griff, her happy-go-lucky collie, and Rugby, her raccoon-treeing papillon. Connect with her at JohnnieAlexander.com and other social media sites via https://linktr.ee/johnniealexndr.

M.N. Stroh is fueled by her love of storytelling and history. She writes Christian Historical Fiction with an edge, to inspire the downtrodden and outcasts through adventure-laden escapes leading them back to their First Love, as showcased in her debut series, Tale of the Clans. M.N. serves as Director of Communications for Serious Writer Inc. affiliate, Writers Chat, director of Serious Writer Book Club, a member of ACFW, and Historical Society’s Interviews Admin Team. Connect with her at mnstroh.com and on social media.

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133

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Writers Chat

writers chat recap for november, part 1

Writers Chat, hosted by Jean Wise, Johnnie Alexander, and Brandy Bow, is the show where we talk about all things writing, by writers and for writers!

“Because talking about writing is more fun than actually doing it.”

Featuring…

You Can Make a Book Trailer with Rhonda Dragomir

Book trailers are an impressive marketing tool, but contracting with a producer for a professional video can be costly. With a small investment in a user-friendly program, you can create a book trailer on your own, saving hundreds of dollars. In this episode of Writers Chat, Rhonda Dragomir demonstrates Corel Video Studio and shares her tips and tricks for making your video eye-catching and informative. Be sure to check out this week’s replay for more details.

Watch the November 2nd replay,

Rhonda Dragomir is a multimedia creative who treasures her fairy tale life in Central Kentucky, insisting her home is her castle, even if her prince refuses to dig a moat. She has published works in several anthologies and periodicals, along with numerous Bible studies used weekly by more than 10,000 women around the world.

Organizing Tips

In this Writers Chat Open Mic our team continued the discussion on organization for writers. Jean Wise offered insight on how to adopt a positive mindset when approaching planning and goal setting. She also shared about establishing IMPACT goals and how they compare to SMART goals. You’ll discover valuable take-away and creative ideas to tailor your own organization process. If you could use a little help with organization, check out this week’s replay.

Watch the November 9th replay.

Writers Chat is hosted live each Tuesday for an hour starting at 10 AM CT / 11 AM ET
on Zoom. The permanent Zoom room link is: http://zoom.us/j/4074198133

Categories
Writer Encouragement

Economy Class Writer?

I recently went to Rhode Island for some book research and flew economy class—of course. I am a writer after all, and my name is not John Grisham. And my checking account is certainly not as full as Stephen King’s.

Really, I don’t mind sitting with the others in “steerage” (remember “Titanic?”), as long as I’m not left to drown in an emergency. The flight was fairly comfortable and I was flown safely to my destination in Providence. But the whole flight I stared at the “class curtain” directly in front of me—the divider between First Class and the rest of us plebeians.

The attendant on this flight was kind enough not to separate the two worlds, which I certainly appreciated. I often look at the pulled curtain as being somewhat ridiculous. After all, you can see through it and if someone really wanted to observe a passenger being given a warm hand cloth, I’m sure their eyes could peek beyond the drape. But frankly, I don’t care. I know what a washcloth looks like.

Separating the classes makes me think about so many areas in our society, even in the writing world. We go to a writer’s conference and our jaws drop at a “famous” author or “agent.” By the time we’ve pulled ourselves together, we missed an opportunity to say hello to a person just like you or me. They have to brush their teeth in the morning, too. 😉

Granted there are some in the literary world who would prefer to close the curtain, as it were, to newbie writers looking for a break in the industry. But those with their heads in the clouds do not represent all of the professionals in the industry. Most are gracious human beings. And if you happen to sit at a table with someone who prefers the First-Class section, just smile and try to interact. If you feel the curtain being closed to you, excuse yourself and go sit where the company is friendlier. 🙂

The truth of the matter is, even well-known authors were once newbies. Most remember where they started. Some of them might even be an introvert like many writers are. Try to give them allowances. Unless they are unbearable company!

Thinking of yourself as an “Economy Class” writer will keep you feeling unworthy and inadequate at best. Not that you should puff yourself up by touting your perfect manuscript that will take the Literary World by storm! But I encourage you to do your best, keep learning the craft, and stop hiding behind the curtain of self-doubt. We are all in this together.

Carry on.

 

Elaine Marie Cooper is the award-winning author of Fields of the Fatherless and Bethany’s Calendar. Her latest release (Saratoga Letters) was finalist in Historical Romance in both the Selah Awards and Next Generation Indie Book Awards. She penned the three-book Deer Run Saga and has been published in numerous magazines and anthologies. She freely admits to being a history geek. Look for her upcoming series set in Revolutionary War Connecticut. The 4-book series is entitled Dawn of America. You can visit her site at www.elainemariecooper.com

 

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Novelists Unwind

Novelists Unwind Interviews Jill Eileen Smith and Sarah Sundin

This month’s guests are both best-selling, award-winning authors who are renowned for their diligent research and compelling stories.

Jill Eileen Smith was inspired to write Biblical fiction after reading Two from Galilee by Marjorie Holmes. In our interview, Jill shares her long journey to publication and the challenges of researching Biblical history.

Her latest novel, A Passionate Hope, tells the story of Hannah. Jill’s depth of characterization is superb–she even had me feeling sorry for Peninnah!

 

Sarah Sundin writes about the Drama, Daring, and Romance of World War II. Two of her novels were named to Booklist’s 101 Best Romances of the Last Ten Years.

While Sarah and I chatted, her Labrador retriever decided to be part of the show. You can see Daisy’s tail wagging as she passes behind Sarah’s chair on her way to the kitchen . . . to get into the trash!

The next Novelists Unwind Giveaway will be announced on Saturday, August 4, 2018 at novelistsunwind.com. Be sure to enter for your chance to win The Sea Before Us by Sarah Sundin (courtesy of Revell).

Meet Johnnie

Johnnie Alexander creates characters you want to meet and imagines stories you won’t forget. Her award-winning debut novel, Where Treasure Hides (Tyndale), made the CBA bestseller list. She writes contemporaries, historicals, and cozy mysteries, serves on the executive boards of Serious Writer, Inc. and the Mid-South Christian Writers Conference, co-hosts an online show called Writers Chat, and interviews inspirational authors for Novelists Unwind. She also teaches at writers conferences and for Serious Writer Academy. Connect with her at johnnie-alexander.com and other social media sites via linktr.ee/johnniealexndr.

 

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Writer Encouragement

Uninspired?

Ever feel uninspired?

I do. Frequently. Especially if I have a headache. Or didn’t sleep well. Or have the cares of the world weighing on my mind.

But here’s the deal—I’m a writer. And all of writing is not just inspiration. It’s the “d” word—discipline.

Part of discipline involves taking care of oneself so that, when it’s time to write, you’re not battling fatigue or headaches or any assorted other reasons that can leave you feeling uninspired.

 

Here are a few tips for others who face the struggle:

-Turn off Netfix and get some sleep at night. You can watch the next episode tomorrow evening. After you’ve done you’re writing.

-Keep headache medicine on hand in case that pounding begins.

-If you get frequent headaches, it might be time for an appointment with your eye doctor. Give him or her a call.

-Eat healthy and on a regular schedule so you keep your energy up. Your brain power needs glucose (i.e. sugar).

-Drink caffeine but not in excess. A little goes a long way. 😉

-Remove distractions. Dog barking too much at passersby? Into the kennel she goes! Music too loud? Turn it down or off. Some writers love music in the background, especially just the tune without any lyrics.

-Dress in comfort (Jammies anyone?)

-Shut off Facebook or other social media sites while you’re working. Too tempting. Turn your phone on buzz. (Or “stun” as my Trekkie husband and I like to call it)

-Sit down. Write.

I know it sounds simple enough but we live in a world of distractions. But they only control us if we let them.

Did I mention “PRAY?” I encourage you to pray for wisdom for inspiration that travels through your fingertips, onto the Word doc, and hopefully, into the hands of an editor who loves it.

Carry on. 😉

Elaine Marie Cooper is the award-winning author of Fields of the Fatherless and Bethany’s Calendar. Her latest release (Saratoga Letters) was finalist in Historical Romance in both the Selah Awards and Next Generation Indie Book Awards. She penned the three-book Deer Run Saga and has been published in numerous magazines and anthologies. She freely admits to being a history geek. She has recently signed a four-book contract with Burnett Young Books. The series is set in Connecticut during the American Revolution. You can visit her site at www.elainemariecooper.com

 

 

 

Photos courtesy of FreeDigitalPhotos.net:

Via Gualberto107 (typing hands)

Via Marin (woman on the couch)

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A Lighter Look at the Writer's Life Support

Dunking the Differences

I love Oreos. Milk’s favorite cookies are great on their own, but they’re over the top when combined with other ingredients. Imagine my excitement when one of my public speaking students announced she wanted to make Oreo Balls (or truffles, for you city folk) for her process speech.

Score!

If you have never had this treat, here’s how it goes: you crush up the delicious cookies, mix them with cream cheese, form them into a ball, and then dip them into melted chocolate.

Basically a diet food . . . if you are trying to add more calories and fat to your diet to gain weight.

In my day job as a professor of communication, I count process speech time as a highlight of each semester. Because I am a chubby professor of communication who enjoys food, I strongly suggest that those doing cooking speeches bring us a sample. I’m smart like that. I’m also fat like that.

This particular student told me her idea at the end of class, but I was frazzled and didn’t write it down. When the official topic signup sheet went around the next week, a different girl indicated she wanted to make Oreo Balls. Normally this wouldn’t be a problem for a healthy boy like me, but it violated my hard, fast rule about no two people doing the same topic. By the time I realized the oversight, it was already too late, so I decided to be like Elsa and “let it go.” After all, I love Oreos (see above), so we had two speeches about Oreo Balls on the same day.

What happened was fascinating.

The speeches were a study in contrast for both approach and tone, and the samples could not have been more different. One girl made petite treats dipped in white chocolate; the other student’s finished products were huge (we’re talking Ernest T. Bass-size rocks), dipped in milk chocolate. I was in Oreo heaven.

That’s a long set-up to say, as writers, we are different. If I gave two of you the same writing prompt, I guarantee the two pieces would not resemble each other in the end.

I view the world and the things around me through a different lens than many of my writer friends. If you read this blog regularly, you have realized I can find the funny in almost anything; it is hard for me to write in any other way. I cannot explain it—it is simply how I am wired.

I have friends who write historical fiction, while others write suspense. Some write serious Bible studies, and others write children’s books. God made each of us unique, and that uniqueness spills over into our writing. It is up to us to find that one-of-a-kind voice and to cultivate it.

I’m off to write another wacky piece—as soon as I clean these Oreo crumbs off my keyboard.

 

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Write Justified

Before You Hire an Editor

 

You’ve written your masterpiece. Or at least a short story, novel, or essay you believe worthy of publication. But is it? Other than your mother, who thinks everything you write is perfect, has anyone else laid eyes on your work? Is it really submission-ready?

Writers need editors. As a freelance editor, I hope that doesn’t conjure up an image of a stern-faced, red pen-wielding person whose only purpose in life is to make yours miserable. Far from it. Would you be surprised to learn that editors face each project with as much trepidation as you do when submitting a piece for their review? Though I can’t speak for others, I know that to be true for me. [bctt tweet=”My goal is to help you make your writing say exactly what you mean in as clear and understandable language as possible.” username=””] Peter Fallon describes the relationship between writer and editor as more of a duet than a duel. It ought to be a collaborative, not adversarial relationship, intended to make your writing sing.

Assuming I’ve convinced you that you need an editor, here are three things to do before passing your work off to a professional.

  1. Format:    Standard publishing format calls for one-inch margins, 12 point font, typically Times New Roman, double-spaced with one space between sentences. Yes, if you learned to type on a typewriter, you learned to put two spaces between sentences. And habits die hard. But in the computer age with proportional fonts, just hit that space bar once after a period or other end punctuation.
  2. Spell-check:    Do run spell-check, even though it won’t catch all the errors. Spell-check won’t find homophone errors or actual words used incorrectly. But it can eliminate extra spaces, double periods, and other kinds of errors that creep in when you’re in the zone and the fingers are moving faster than the brain.
  3. Critique:   One of the best things a writer can do is seek out other writers who will honestly critique her work. Whether you join a group such as Word Weavers or search out an accountability partner who can also offer meaningful feedback, you need someone to look at your work with unbiased eyes. As a reader would. A good critique will point out the positive and negative aspects of your writing and suggest ways to clarify the language or engage the reader more effectively.

Aside from the value of the honest feedback of a critique, the camaraderie of other writers is essential for the often-lonely exercise of writing. It may be just the motivation you need to keep putting pen to paper.

These simple steps will save your editor time and frustration, save you money, and ensure the writer-editor relationship gets off to a good start. It may just be the beginning of a life-long friendship.

Categories
History in the Making

Historical Writing Requires Attention to Details

By Sandra Merville Hart

When it comes to research, contemporary writers have it so easy, right? I am teasing, because these novelists definitely research their topics. However, it is true that everyday objects don’t have to be described in great detail in those genres.

For instance, when a character answers a phone in a contemporary novel, writers don’t have to mention that they hold the object to their ear to hear the conversation. The ringtone isn’t described unless it says something about the character’s personality or holds meaning in the story.

On the other hand, historical writers pay attention to those details as they paint a picture from days gone by. For example, novelists add descriptions of landaus, a four-wheeled carriage, for readers who want to see the vehicle in their imagination. These carriages contained two seats that faced each other to accommodate four adults comfortably. The driver sat on an elevated seat while guiding a team of four horses.

Landaus are no longer common so writers realize the need to describe these modes of transportation. Many objects fall into this category and enhance reader’s pleasure to learn a bit about the past.

However, there are other familiar objects that we, as writers, simply assume have been around for generations. I discovered this while writing a novel set in 1877.[bctt tweet=”Historical novelists can’t trust assumptions. Verify with research. #histfic #writer ” username=”@Sandra_M_Hart”]

My character sat on a front porch swing enjoying a conversation with her niece and new stepdaughter. The scene almost wrote itself. It didn’t occur to me until editing to wonder when porch swings came into use. I swung on them during childhood visits to older relatives’ homes, making me assume that they had been gracing front porches for years.

Assumptions have to be verified, requiring additional research.

In another novel, I wanted to show a character’s brothers playing tricks on her for April Fool’s Day. When did such shenanigans begin? Research showed this tradition began in 1700, making it safe to include in my 1904 novel.

How about the celebration of Mother’s Day and Father’s Day? These are relatively new holidays honoring parents.

I wanted to include a scene where fourteen-year-old twins (not yet called teenagers in 1877) decorated a Christmas tree at their boarding house with ribbons. They strung popcorn to arrange across the evergreen branches. Including these activities in my story required researching when Americans began to chop down evergreen trees to bring into their homes for Christmas. Did they decorate with ribbons, hang presents on the tree, pop corn for the occasion? These nostalgic details, once verified, bring richness to stories.

A wonderful aspect of research is that it often reveals traditions that are no longer followed. Including long-forgotten details deepens both your story and your reader’s delight.

We are often fairly certain of our facts, such as the date an event took place, but it’s always worth checking if there is any doubt. An abundance of Internet sites often makes this a quick process.

 

Sources

“April Fools Tradition Popularized,” History.com, 2017/02/24 http://www.history.com/this-day-in-history/april-fools-tradition-popularized.

“Landau,” Encyclopeadia Brittanica, Inc., 2017/02/24 https://www.britannica.com/technology/landau-carriage.

 

 

 

 

Categories
Storyworld

Anatomy of Grays: Sex

Jim held a gray spheroid up to the light. “So Doc, you’re saying the sex of this alien was actually female?”

“That is perhaps an overstatement. This is clearly an egg we retrieved from the deceased Sharalla pilot. While this may indicate a female of the species, their biology is unlike anything we’ve encountered. For all we know, the males carry the fertilized eggs, as in some of Earth’s aquatic wildlife.”

Jim lowered the egg, which had the size, heft, and texture of a softball. “You’re not saying this thing is fertilized are you?”

The doctor shook his head. “Our scientific team has concluded it most certainly is not. We wouldn’t let you handle it otherwise.”

The little rock wiggled itself in Jim’s hand, producing a breathless stare from Doctor Stein.

“Ahh,” Jim sighed in mock contentment, “ the certainty of science.”

 

What better way to spend the day before Valentine’s than talking about alien sex and reproduction? Seriously though, the method of reproduction in an alien species dictates much of its culture, so it bears at least some consideration in your storyworld.

Assuming your creatures have some form of sex to reproduce (and don’t just materialize or breed asexually), you’ll need to figure out how they do it. Generally, it will involve some form of fertilization, the method in which sex cells, containing half the genetic composition of each parent, unite to form a new, unique member of the species. This is broadly separated into two categories: external fertilization and internal fertilization.

External Fertilization

External fertilization is a form of sex that is mostly reserved to earth’s fish. While from our view, this seems impersonal, it doesn’t have to be. Granted, there doesn’t seem to be much intimacy between two fish, but there is sometimes a loyalty to the young. The male Siamese Fighting Fish will tirelessly guard over its eggs, ensuring they remain in a nest of bubbles until they hatch. Male seahorses will care for their fertilized eggs in a special pouch. Cichlids are fish that keep their eggs in their mouths, and continued to do so until they’ve not only hatched, but are old enough to fend for themselves.

If you introduce a sentient (and somewhat relatable) alien species with external fertilization, it would probably be best to model it after one of these more maternal or paternal species on earth. That is, unless you’re trying to create a heartless society of extraterrestrials. In that case, spawning massive numbers of progeny at random might fit better.

Internal Fertilization

This is the section that might get me fired from my position at A3. I’m kidding, I’m kidding – you can’t fire someone who works for free … I think. Anyway, internal fertilization is when male sex cells enter the female’s body and find the female sex cell(s). They combine and form a new life, starting as a zygote and eventually either hatching into the world, or emerging via the birth canal.

Which brings up the next distinction, whether or not the animal lays an egg or cares for the embryo in an internal placenta. Some examples of egg-laying creatures on earth are reptiles and birds. If your alien species lays an egg, you’ll have to decide the level of involvement you want the parents to have in guarding that egg. Some birds like the hornbill are very protective of their eggs. So much so that the female blocks herself off in a tree hole and entirely depends on her mate to bring her food. Others, like sea turtles, bury their eggs in the sand and then leave, hoping for the best (there may be a reason they’re so endangered). Rattlesnakes are odd egg layers though, since they don’t really lay eggs, but keep the eggs internally until they hatch. While that may sound like a live birth, the eggs are still self-sustaining, meaning no nutrients pass from mother to child.

And that’s actually one of the distinguishing features of sex and reproduction in a mammal – the placenta. When a mammal baby develops in the womb, it receives nutrients from its mother until ready for birth. Even then, female mammals provide milk for their young with their mammary glands (breasts in humans, udders in cows and pigs, etc.).

Sex Between Species

While forbidden in Leviticus 19, sex between two different species occasionally produces a hybrid creature. Probably most well known is the mule, a cross between a donkey and a horse. Additionally, ligers are crosses between tigers and lions, and according to liger scholar and artist Napoleon Dynamite, they’re bred for their skills in magic. There are a lot of different hybrids out there, including zonkeys , dzos, and other strange creatures. Usually the two parents need a similar number of chromosomes, and even then the result is typically a sterile creature. Sometimes though, intentionally breeding two species results in a very, very bad hybrid, such as the killer bee. Yes, thank science for producing a species of insect capable of killing thousands of humans and livestock … and then accidentally releasing them from quarantine -whoops.

Sometimes in sci-fi and fantasy literature you’ll see a hybrid race. The most obvious that comes to my mind is the Half-Elf. Born of human and elven parentage, these half-races display characteristics of each. But in a sci-fi or fantasy world, you can’t assume that every alien species can intermingle with every other. In Michael A. Stackpole’s X-Wing series, one of his protagonists humorously recounts a bad memory of having sex with an alien. The two hadn’t considered the delicate pH balance in that… region. And as a result, both partners developed severe rashes and some other, ahem, unpleasant side effects.

Sex and Culture

As I said in my intro, sex (and marriage) is a huge factor that dictates how a culture operates. How do two individuals in a species find a mate? How do they produce offspring? How do they care for their offspring? Is there sexual deviancy and abuse? While these are all major questions that deserve an entire column this column has mostly addressed biology. Fear not though, I will address them in the future. So if this article interests you, be on the watch for my sex and worldbuilding article in the next few months.

There, I made it through an entire column dedicated to sex without once mentioning the words vagina or penis. Oh! Darn. Well, almost.

Next month we’ll continue our anatomy series and tackle the neuroendocrine system! Yeah, that’s basically just a fancy word for evaluating how an alien thinks and feels.

 

Photo Credits:

Birds and Bees Photo: http://www.evilenglish.net/the-birds-and-the-bees/

 

Siamese Fighting Fish Photo (Also great resource regarding these cool fish): http://dkphoto.photoshelter.com/gallery-image/Siamese-Fighting-Fish-Life-Cycle/G0000_kRdp2qXrtk/I0000qlzVaRnV4Qw/C0000NHUtq8T1jVw

 

Napoleon Dynamite Inspired Liger Drawing: https://www.flickr.com/photos/51035597721@N01/5266903

Categories
Storyworld

Anatomy of Grays: Alien Digest

The autopsy window allowed Jim a clear view of the good doctor’s grim work. The gray-skinned corpse had been cut open from neck to … whatever was between its legs, and its internal workings were just as alien as its external ones. Over the speaker, Doctor Stein began commenting on how the ugly fellow might digest its food. Apparently the little gray invaders had multiple stomachs like cows. Jim sighed. So their world was being invaded by bipedal gray-skinned cud-chewers. Great. Just great.

This month we continue our series on alien anatomy, literally delving into the bowels of unusual creatures – specifically their appetites. I’ve already posted an article about food and its necessity to your characters, which are probably vertebrates. That means they ingest their food, break it down, absorb it, and then circulate it to every single living cell in their bodies (which is headache-inducing if you stop to ponder it – don’t). Unused consumables are then disposed of in the same way that publishers typically treat unsolicited manuscripts. But with an alien anatomy, it bears mentioning that exotic creatures might ingest, digest, and circulate food differently.

 

Self-producing

Take for example a typical plant. Its food is self-produced, using a special pigment called chlorophyll, plus sunlight, water, and carbon dioxide. It still needs potassium, nitrogen, and various other nutrients found in the soil, but the energy the plant uses is the sugar it produces for itself. This may not sound extremely interesting as a plot device in a book, but wait until you read John Scalzi’s Old Man’s War. I won’t spoil who the green-skinned creatures are, but suffice to say Scalzi incorporates a creature that uses chlorophyll-infused skin to further enhance its energy (as a hint, they aren’t the Jolly Green Giants).

 

Externally Digesting

Other organisms like fungus and starfish actually digest their food externally. A fungus emits enzymes into the soil (or plant, organism, or whatever the fungus is feeding on), and its “food” breaks down around the root-like hyphae. The nutrients are then absorbed into those little tendrils. Try not to think of that the next time you get athlete’s foot. Arguably more gross is the starfish, which actually spits its entire stomach out of its mouth to digest its food externally. Creatures like this are likely to be pretty alien. Again, the world of Scalzi’s Old Man’s War is populated with interesting characters. Take the Gehaar for example, which are blue, tentacled extraterrestrials that inject their food with acid and slurp up the mostly-digested syrupy mess into their mouths. Yuck. But who knows what your space-faring adventurers or fame-seeking wizards will find in their world?

 

Otherworldly Appetites

But not all creatures need to follow the same rules as those in our own world. The second book in Larry Correia’s Monster Hunter series (incidentally, no relation to the Pokemon craze), includes some creatures called Oni, which feast off of souls to prolong their life. They do this in an almost literal way, because the souls are actually stored in a stomach-like bag inside the creature, where they are processed and provide energy for the evil beings. Apparently such a malevolent metabolism makes a monster very hard to kill too, since an entire section of Alabama interstate was virtually destroyed in the process. You’ll have to read Monster Hunter Vendetta to appreciate it though.

 

Picking up a Monster Manual from Pathfinder or 3rd or 5th edition D&D can also give you some interesting ideas for aliens and fantastic creatures (Note: 4th edition is great to play, but the monsters typically lack back-stories). Examples from these books are Gelatinous cubes and oozes that tend to be mindless blobs of jello that are only semi-aware. If you touch one though, your skin will begin to decompose in their uniform acidic bodies. That’s because their digestive systems are little more than homogenous blobs of acid. Rust monsters are also interesting since they eat metal, including magic weapons. In one of the editions this meant that one of their waste products would sometimes be residuum, a magical substance used to enchant other weapons.

 

That’s all on the menu this month. Next month we’ll talk about alien sex and reproduction, but don’t worry, I’ll keep it PG. Still, you may not want to invite your grandma.

 

Gelatinous Cube Inspirational Photo from http://catsoftindalos.blogspot.com/2016/05/caverns-of-slime.html

Green Giant image from https://www.tellwut.com/surveys/lifestyle/food-drink/91881-jolly-green-giant.html

Categories
History in the Making

Seeing His Words in Print Baffles Mark Twain

by Sandra Merville Hart

Mark Twain’s life was at a pivotal moment in the 1860s.

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He was out of the States and in Nevada Territory where fortunes were made and lost while mining for silver. He ought to know; his part-ownership in a silver mine had made him a millionaire. Through the worst of misfortunes, Twain lost his interest in the mine after ten days.

What was next for him? He had held a variety of positions: grocery clerk, blacksmithing, bookseller’s clerk, drug store clerk, St. Louis and New Orleans pilot, a printer, private secretary, and silver mill miner. He felt that he had mastered none of these professions. What does one do after losing a million dollars?

[bctt tweet=”Mark Twain was at a pivotal moment. What does one do after losing a million dollars? #writing #inspiration” username=”@Sandra_M_Hart”]

He gave in to misery. He had written letters to Virginia’s Daily Territorial Enterprise, the territory’s main newspaper in earlier days; it always surprised him when the letters were published. It made him question the editors’ judgment. His high opinion of them declined because they couldn’t find something better than his literature to print.

A letter came from that same newspaper offering Twain a job as city editor even as he wondered what his future held. Though he had so recently been a millionaire, the job offer with a twenty-five-dollar salary seemed like a fortune. The offer thrilled him.

mark-twain-391112_960_720Then doubts set in. What did he know of editing? He felt unfit for the position. Yet refusing the job meant that he’d soon have to rely on the kindness of others for a meal, and that he had never done.

So necessity forced Twain into taking an editor’s job though he felt ill-equipped. He arrived in Virginia, Nevada Territory, dressed more as a miner than an editor in a blue woolen shirt, pantaloons stuffed into the top of his boots, slouch hat, and a “universal navy revolver slung to his belt.”

The chief editor, Mr. Goodman, took Twain under his wing and trained him to be a reporter. The young man had finally found something he excelled in.

As writers, many of us can relate to Twain’s doubts. A myriad of talented authors have come before us. What do we have to offer?

It is comforting to realize that a young man destined to become one of America’s best-loved authors began with humility. A seasoned and kindly editor taught him the trade; Twain’s talent took him the rest of the way.

What would have happened if Mark Twain hadn’t lost a million dollars? His words may have been lost to us. Such classics as The Adventures of Tom Sawyer, The Adventures of Huckleberry Finn, and The Prince and the Pauper might never have been written.

When we ponder our failures, our rejected works, and lost opportunities, we should remember that situations change. We won’t always feel as we do today. God has the ability to put us in the right place at the right time with the right attitude.

Just like He did with Samuel Clemens, America’s beloved Mark Twain.

 

Sources

Twain, Mark. Roughing It, Penguin Books, 1981.

 

 

 

 

Categories
The Efficiency Addict

Problem Solve POV with Color

Welcome to The Efficiency Addict column, helping writers work more effectively every single day. For the next few months, I’ll be taking a break from posting here, but until I return, I’ve lined up some great guest bloggers to share their best writing tips with you!

This month we’ll hear from Kathleen Neely, a retired educator who wrote and sold her first book in just 9 months. To read about her experience from start to sold, visit her website at KathleenNeelyAuthor.com, but first see below where Kathleen shares a simple method to problem solve POV with color.

Happy Writing! ~ Cynthia Owens, The Efficiency Addict

****

Point of view (POV) problems have a way of sneaking into my writing. I begin a solid scene, identify my character, and write the action through his or her mind. Then when I re-read the passage, I discover POV gone amuck.

Types of POV Problems

First there are the omniscient POV errors.

  • She can’t know he was thinking about baseball.
  • He couldn’t know that she was deliberately tuning him out.

POV characters can observe another character’s demeanor, body language, or expression. POV characters can make inferences, but they can’t know.

Then there is the issue of author intrusion. My opinion on the beauty of a floral arrangement is irrelevant and interrupts the flow. Everything must be told through the eyes and ears of the character.

Another POV fault is found by allowing your POV character to narrate. When we speak, we don’t announce that we think, we feel, we said, we asked or we wondered. Remove dialogue tags and telling words. Turn this sentence – “He felt the pain when the baseball bounced off his shoulder.” Into this sentence – “Pain shot through his shoulder when the baseball made contact.”

How to Problem Solve POV

As a former teacher, I coached my students to be problem solvers.

“Mrs. Neely, I don’t have a pencil.”
“That’s a problem. Be a problem solver. “

“I forgot to write down the pages we need to read.”
“That’s a problem. Be a problem solver.”

(A little author intrusion right now—parents and teachers, never stop doing that. It moves dependent students to become independent thinkers.)

So now, faced with a dilemma, I needed to be a problem solver. I created a visual memory aide to help me keep on track – Color Coded POV’s.

The idea is simple. I choose a color for each of my POV characters. When I write a scene from his or her point of view, I turn my font into their designated color.

Will this technique avoid POV problems? Definitely not. They’ll still squirrel their way into your writing. But now they’ll be easier to locate. They should shout, jump, and wave their arms at you, begging to be seen. No longer will you have to wonder whose POV you’re supposed to be in.

Making Your Colors Count

Color coding not only provides a visual reminder, it can also reflect the nature of your character.

Red – power, energy, passion, intensity

Green – nature, outdoors, generosity

Yellow – joy, optimism, idealism, hope

Blue – loyalty, truthful, security

Purple – royalty, wisdom, noble

Orange – enthusiasm, flamboyant, warmth

Gray – age, maturity, grief

White – reverence, virginity, cleanliness

Black – formal, elegant, sophisticated

When you change scenes and font colors, stop to re-read what was just written. Do all elements of the scene match the correct POV? When you log-off for the day, let the words rest, but revisit them fresh when you log on the next day. Reviewing them will help you catch intrusions as well as prepare your mind to pick up where you left off. And when you finally say “The End,” a simple click, click, click will change the brilliant, colorful text back to its automatic boring black. Now all the brilliance will be in your story not the font.

Sharables – Because sharing is fun!

[bctt tweet=”Problem solve your POV issues with color-coded characters. #HowTo” username=”EfficiencyADict”]

[bctt tweet=”A simple trick to write in deep POV. #WritersLife #AmWriting” username=”EfficiencyADict”]

Bio: Kathleen Neely is an award winning author, receiving first place for her debut novel, The Least of These, in the Almost an Author Fresh Voices Contest. She won second place in a short story contest through the Virginia Chapter of the American Christian Fiction Writers . You can read two of her short stories in A Bit of Christmas – 6 Christian Short Stories Celebrating the Season, available on Amazon. Along with numerous guest blog appearances, Kathleen is a regular contributor to ChristianDevotions.us. She lives in Greenville, SC with her husband, Vaughn, and enjoys time with family, reading, and traveling.

You can contact Kathleen through:
KathleenNeelyAuthor.com
@NeelyKNeely3628

Categories
Uncategorized

Daily Rituals and Creative Energy

dailyritualsFor years daily rituals have fascinated me.

Was there a secret to the creative energy found in writers, poets, artists, and musicians? Would waking up earlier, staying up later, drinking lattes only after the froth had melted into an oblivion propel my creative energy into overdrive? I’m thankful to report that there’s no right or wrong way. There’s your way, and there’s mine. Nothing illustrates this more clearly than one of my favorite finds in recent years. Enter Mason Currey’s brilliant book, Daily Rituals: How Artists Work, which is the resource for the following examples of daily rituals:

 

 

 

ernest hemingway2

Ernest Hemingway had his share of writing idiosyncrasies. “He wrote standing up, facing a chest-high bookshelf with a typewriter on top, and on top of that a wooden reading board. First drafts were composed in pencil on onionskin typewriter paper laid slantwise across the board; when the work was going well, Hemingway would remove the board and shift to the typewriter. He tracked his daily word output on a chart⎯’so as not to kid myself,’ he said. When the work wasn’t going well, he would often knock off the fiction and answer letters, which gave him a welcome break from ‘the awful responsibility of writing’⎯or, as he sometimes called it, ‘the responsibility of awful writing.'”

 

Ann Beattie

“Ann Beattie works best at night. ‘I really believe in day people and night people,” she told an interviewer in 1980.

I really think people’s bodies are on different clocks. I even feel now like I just woke up and I’ve been awake for three or four hours. And I’ll feel this way until seven o’clock tonight when I’ll start to pick up and then by nine it will be O.K. to start writing. My favorite hours are from 12:00 to 3:00 A.M. for writing.‘”

 

George Gershwin

“‘To me, George was a little sad all the time because he had this compulsion to work,’ Ira Gershwin said of his brother. ‘He never relaxed.’ Indeed, Gershwin typically worked for twelve hours or more a day, beginning in the late morning and going until past midnight. He started the day with a breakfast of eggs, toast, coffee, and orange juice, then immediately began composing, sitting at the piano in his pajamas, bathrobe, and slippers. He was dismissive of inspiration, saying that if he waited for the muse he would compose at most three songs a year. It was better to work every day. ‘Like the pugilist,’ Gershwin said, ‘the songwriter must always keep in training.'”

 

How about you?

  • Do you have writing idiosyncrasies like Hemingway?
  • Are you a “night” person like Ann Beattie or are you a “day” person? {And I saved the best question for last.}
  • Do you wait for your muse to appear or, like Gershwin, do you plug away every day whether you sense it’s there or not?

Please share your answer to one or all of the above questions. We would love to hear from you! Thank you for stopping by.

Categories
Craft Writing with Humor

Thou Shalt Commandments For Writing With Humor

Thou Shalt write with humor.

But how?

By following these two commandments from humor author James N. Watkins:

I. Thou Shalt Know Thy Audience

When you know your audience, you understand how far you can take your humor. You know the envelope.

Once you know the envelope, push it.

Humor that surprises — not horrifies — your audience works best.

Each audience has its nuances. 

What makes a group of writers chuckle might fall flat with a group of doctors.

What works in an article written for teenagers may leave a group of seniors scratching their 80-year old heads, or worse, wagging them in disdain.

II. Thou Shalt Not Be Ungracious

Turn on the news and opportunities to poke fun at someone will present itself in short order.

Someone in Somewhere, USA will have proved yet again a Murphy’s Law of the South which states,

Whenever a guy utters, “Hey y’all, watch this!” something stupid is about to happen that will end in a 911 call.

Watkins encourages writers to ridicule behavior, not people.

If you want to make fun of someone, make fun of yourself.

Watkins’ took his inspiration for this great commandment from the Bible. Let your speech always be with grace, as though seasoned with salt, so that you will know how you should respond to each person” (Colossians 4:6).

Obey Watkins’ commandments for writing with humor and you’ll entertain your readers, not lose them.


[bctt tweet=”Follow The 2 Greatest Commandments For Writing With #Humor #AmWriting #Author” username=”JeanWilund”]

Check out James Watkins’ website Hope and Humor as well as his book Writing with Banana Peels.

Categories
Writer Encouragement

When Plans Change

By Elaine Marie Cooper

Life can throw curveballs at you. You’re certain one moment what will take place tomorrow. Then the unexpected happens and you shake your head, wondering what happened.

Life happened. I think Scripture addresses this situation in James 4:13-17. We never know what plans God may have for our tomorrow.

The unexpected happened to me just this week as I had plans to attend a writer’s conference in Wheaton, Illinois, in June. But my knee doctor said otherwise. Surgery is in my immediate future instead. I wanted to cry but preferred to hold onto my tears until I arrived home.

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Despite my grieving over this loss, I felt a deep inner peace that it would be OK. God was still in control and I could rest in Him, placing all my fears into His hands. I would miss visiting with my writer friends at the conference. I looked forward to classes and workshops. I had great plans! But God had other plans. And His ways are always best, despite my personal preference.

Christian friends responded to my upcoming summer of surgery with thoughts such as: I wonder what writing you’ll do while you’re laid up? I wonder what exciting plans God has for you instead?

Isn’t the friendship of fellow Christians a gift? They help us see the big picture; the God picture.

I pray that my “fork-in-the-road” testimony will encourage you in your writing plans. Sometimes the unexpected happens, and God redirects. Won’t it be exciting to see where He leads us?

Have a blessed—and hopefully surgery-free—summer of writing!

 

 

Image of doctor courtesy of stockimages via freedigitalphotos.net

Image of typewriter courtesy of Just2Shutter via freedigitalphotos.net

 

 

 

 

Categories
Write Justified

Look Back to Move Ahead

A few days before the deadline for this blog I had some time to begin thinking about the next year and the goals I would set for myself as a writer in 2016. Naturally, I looked at the goals I’d set for 2015 as a starting point. True confessions, here. I didn’t do great at achieving the goals I’d set for myself last year.

Oh, I can rationalize that personally last year held more drama and transition than I could have foreseen. Job loss and a major move count for something, don’t they? Who wouldn’t have abandoned some goals in the face of that kind of upheaval.

Yet, honesty compels me to acknowledge that one of the primary reasons I didn’t meet more of my goals is fear. I know I’m not alone as a writer in struggling with fear. I’ve read enough other writers’ blogs and published authors to know that all of us who aspire to put ourselves out there in print for the world to see cringe at the prospect of being misunderstood, ridiculed, or both. It’s much easier for me to wield an editor’s pen than to submit my own prose to others probing, critical eyes.

I could continue to berate myself for not blogging regularly, not attempting to submit more articles for publication, or not joining the professional editor’s group I’ve considered joining for three years, but still haven’t invested the funds. It may be more helpful, however, to recall the small steps I’ve taken in the last year:

  • I took the Goodreads Book Challenge and set a modest goal of reading 15 books in 2015. By early summer I had reached that number. By year’s end I’d read more than 30.
  • Included in those 30 reads of 2015 are a few that took me outside my usual nonfiction genre of history, biography-memoir, spirituality. I dipped a toe into horror with Stephen King’s The Shining and magic realism with Eowyn Ivey’s The Snow Child. Though reading outside my usual interests wasn’t a goal I’d specifically set for myself, I claim it as a small step of progress in expanding my awareness of what constitutes good writing—an essential element in being a good writer.
  • Connecting with other writers was at the top of my list when making the adjustment to our new home. I’m grateful to have found A3 this year, as well as a local chapter of Word Weavers, a Christian critique group.  The friendship and sounding board these writers provide are a sweet blessing on my journey.
  • I submitted two pieces for publication in 2015; one was accepted. That’s an acceptance rate I can live with. The challenge in the year ahead is to be a bit more productive than that.

[bctt tweet=”Setting goals is essential to realizing our hopes and aspirations.”] Michael Hyatt says they are a prerequisite to happiness and offers five principles for goal setting. To these I would add, [bctt tweet=”…celebrate small accomplishments. For small successes are a great antidote to fear.”]

Categories
The Writer's PenCase

Storytelling – What Makes a Story Great?

ben-hurWhat is it about a story that makes it compelling? Is it the characters? Is it the plot? Is it the element of surprise? Is it the challenges? Is it danger? I submit, it’s all of them, skillfully put together, woven like a tapestry to make an impression on our minds and in our hearts.

Categories
Grammar and Grace

Grammar and Grace

Hello, I’m Hope. A long, long time ago I used to teach English on the college level. I taught literature and essay writing, business writing, and technical writing. I also got to teach grammar.

I loved teaching commas and semi-colons and apostrophes except for the whiners and complainers who hated it, the jokers who couldn’t understand why they needed punctuation after the dreaded English class.

You may also ask why punctuation is important. It’s important because commas, and periods, and semi-colons are like road signs in traveling. You need them to help you and your readers along, to help you understand where you are and where you’re going. Lynn Truss addresses the necessity of punctuation in her humorous book, Eats, Shoots and Leaves.

Untitled

Grammar, mechanics, word usage—all are important to telling your story in the clearest, best way, and isn’t that the goal of writers?

In this column, I’ll try to help you understand the finer points of using commas and the correct pronoun among other writing questions because I’m one of those people who carries a pen and is ready to use it to add a needed apostrophe or, more times than not, to delete an errant apostrophe floating on hand-lettered signs at checkouts.

I also love wordplay and diagramming sentences. Yes, really. In fact, I have a book on the subject—Sister Bernadette’s Barking Dog: The Quirky History and Lost Art of Diagramming Sentences by Kitty Burns Florey

Categories
Writer Encouragement

Listening to Writing Mentors

Writers who listen are writers who learn. If we’re so busy pitching our ideas and promoting our writing agenda, we’ll turn into writers without a clue. And likely, writers without a contract for publication.

Years ago, I was a nursing student and one of my classes was entitled “Therapeutic Conversation.”

The title sounded ridiculous but it was anything but that. It taught me how to really listen to what a patient says, as well as observe their body language and facial expressions. The class coached us in how to rephrase what the person said back to them to be certain we understood their meaning. It forced us to listen, rather than speak all the time.

The biggest thing I learned from that class was how much I talk. That was humbling. I like hearing what I have to say, it seems. But I quickly was educated in the importance of really listening to my patients so I could be a better caregiver of their needs.

I also realized that this can carry over into every area of my life to improve communication with family and friends. It can also carry over into communication with other writers and editors, publishers and agents.

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Often I hear other writers express concern for what they will say at writer’s conferences, especially if it’s there first conference. If they ask me for advice, I encourage them to keep their introductions simple, their words few and their ears OPEN.

It seems we live in a society of talkers. National news interviews and reality TV shows are flooded with talk—and plenty of it. People are talking over people, expressing their thoughts and ideas without a concern for what the other person is trying to say. It gets downright annoying and you come away thinking, did anything get resolved? Did anyone learn anything?

That’s how I perceive some writers I’ve observed who attend sessions with potential mentors—editors and more experienced writers. These fledgling writers talk much, listen little—and already have all the answers. Or so they think.

The way to a potential relationship with an editor or publisher is to listen and learn. Ask questions but hear the answers. In this world of chatter, it can be hard to focus. But for the serious writer seeking publication, wisdom is in the words of the more experienced. I’d encourage some therapeutic listening.

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