Categories
Mystery/Thriller/Suspense

Covid – Changes for Mystery Writers

How many times have you read a book or watched a movie and thought to yourself: that could never happen! Fiction is filled with stories we know would never happen. But there’s always been a fine line of what we will or won’t accept in our subconscious in stories leaning toward real life. Covid has done a subtle brain segue to all of us. Did we really believe watching Dustin Hoffman in the 1995 film Outbreak that a deadly virus could take over as it did? Wasn’t the excitement palatable because deep down we couldn’t conceive of it taking place? We read mystery/thriller novels and see movies because we want to experience pseudo-trauma with no prospect of living it in real life. I mean, winter looks enticing in the movies and on the page, but sludging through it year after year is less than ideal!

Now we have an unwelcome greater sense that all of the ugliness is possible. And we’re not reading about it in someone else’s life. We’ve lived it. We’ve seen too many things happen rapidly that most people alive today have never experienced. Only those who remember World War I and II can relate to the constant fight and flight feelings that have invaded our beings, and those dear souls are few and far between.

This is true for mystery, thriller writers­­—even for stories set in the time before Covid. If you’ve ever axed a plot, you liked but thought wouldn’t be possible, that has changed. The public will now believe things can change quickly in America because we saw it happen. The government can lock down countries, including countries throughout the world. Vaccines can become political, controversial and make neighbor rise up against neighbor. The essence of what we experienced has opened our thoughts up that what was once unthinkable, can happen.

Could it be that some of the greats did push boundaries because they, too, were living in a “fight or flight” atmosphere in their real lives? Think Agatha Christie. In 1914 she was one of the 90,000 Voluntary Aid Detachment nurses enlisted to help with the war, tending to seriously wounded soldiers. She also lived through the horrors of World War II, something everyone thought couldn’t happen after such a horrific first world war. It affected how she wrote. What was known as “shell shock” in her day is now what we call PTSD, post-traumatic stress disorder. And, not to lessen anything that someone in war or a traumatic experience is living with, everyone today probably has some feelings that fall into the trauma category simply by being alive in today’s world.

And, what about the writer’s approach to stories told after 2019? Does Covid have to be a part of every story? Are writers and readers emotionally prepared for that? How many novels will come out with Covid as crucial to the plot? How will the writers manage the emotional aspect of writing in this era? Will writers choose to skip the era all together to not deal with the pandemic? Or will intense novels appear centering on the covid heroes who gave their all in the medical field day after day?

How many years will have to be in the rear-view mirror before nostalgia, lessened awareness, and even humor can surround what we’ve been living through with Covid? Or is that left to the scribes who will continue long after we’re gone?

So many questions without answers right now. One this is sure. Covid changed our minds and our words, no matter the genre, forever.

Michelle Olsen

Michele Olson writes stories set on Mackinac Island in the Upper Peninsula of Michigan filled with suspense, romance, friendship, faith, and quirky characters. A top seller in Mackinac Island Fiction to the million people who make a trip to the island every year to experience life with no cars, amazing scenery, and the glorious Grand Hotel, she enjoys opening up this incredible island to even more visitors. Incorporating her work as an artist and a voice professional into her writing whenever she can, she enjoys creative endeavors of all genres and fueling faith with fiction.

Michele lives in the shadow of Lambeau Field in Green Bay, WI with her husband and thoroughly enjoys being a wife, mom, and “Gee Gee” to two adorable grandsons.

Visit her:

Website: Lake Girl Publishing

Facebook: facebook.com/lakegirlpublishing.com

Twitter: @modawnwriter

Instagram: lakegirlpublishing

Linked In: Lake Girl Publishing

Categories
Mystery/Thriller/Suspense

How to Use REal Life to Make Suspense Come Alive

There’s nothing more disappointing than picking up a novel described as mystery, suspense, or thriller, fully expecting a hair-raising adventure, only to find it failed to meet its genre expectations.

A bee sting doesn’t merit being called a suspense scene unless the heroine is deathly allergic and will go into anaphylactic shock without immediate treatment. Then, tension soars because the reader wonders if the murderer cleverly orchestrated the danger.

Wondering if a baseball player will hit a home run in the last inning of the game can become intense, but what if the stakes shot higher? How much more would the suspense escalate if someone replaced the game ball with a fake one containing a bomb? What? Who? And why?

Think about actual life situations and the escalating feelings of shock, fear, trepidation, and horror that are increasingly overwhelming. Did goosebumps appear? Were there screams and tears? Shaking, nervousness, or fainting?

Make your scenes realistic, like these.

1. A man’s face appeared in the kitchen window while she washed the dinner dishes. She screamed. Water doused the floor. She bolted. Shock, fear, and adrenaline sent her plowing through the house as she tried to escape.

2. The green car pulled to the curb. The passenger door flung open, exposing the empty passenger seat. The driver pointed a gun and demanded she get in, or else. She darted down the street toward home, and he didn’t shoot, but sped away.

3. Two female teenagers walked down the road, returning home from the store a few blocks from home. A pickup passed with two men in the flat bed portion of the truck. Gunshots fired. The zing of a bullet passed close to one girl’s head. The other girl held her hands over her ears and screamed.

4. A young mother soaked in the bathtub while her baby napped. Her husband stormed into the bathroom in a rage, pointing a gun in her face. He claimed she was the enemy, and he was going to kill her. He ranted and left as quickly as he’d come. Soaking wet, she jerked on her clothing, grabbed her baby, and ran for her life.

5. A teenage girl moved into an apartment for her first experience of living on her own. She arrived home from work one day and settled in for a quiet evening. Suddenly, unfamiliar angry male voices shouted and pounded on the front door. Mortified, she ran to her bedroom, locked the door, and scampered into the closet, pulling clothes over her head. Crash! They kicked in the front door and started shooting. Her hands shook uncontrollably, but she called her mom and whispered through breathless sobs that she was about to die. Her bedroom doorknob twisted. Sirens rang. Heavy footsteps grew distant as the men ran from the apartment. Police arrived only moments before her mother. She jumped into her mom’s arms and left, never to return to the apartment. This innocent teen escaped death, but the trauma remained.

Each scenario mentioned above actually happened. How easy would it be to expound on them and develop a fabulous suspense story?

Breathe life into your characters and make their feelings and reactions realistic. Read the newspapers, listen to the news, or watch the crowds. There’s a hidden story out there waiting to emerge.

Loretta Eidson

Loretta Eidson writes romantic suspense. She has won and been a finalist in several writing contests, including first place in romantic suspense in the Foundations Awards at the 2018 Blue Ridge Mountain Christian Writers Conference, a finalist in ACFW’s 2018 Genesis, was a finalist in the 2018 Fabulous Five, and a double finalist in the 2017 Daphne du Maurier Award for Excellence.

Loretta lives in North Mississippi with her husband Kenneth, a retired Memphis Police Captain. She loves salted caramel lava cake, dark chocolate, and caramel Frappuccinos.

Visit her:

Categories
Mystery/Thriller/Suspense

Suspense = Uncertainty

Battered fingers dig into the edge of a balcony on the twentieth floor of a New York apartment building. The murderer smiles and steps closer. Dangling over a deep gorge and swift-flowing river, sweaty palms grip a fraying rope, muscles stretched to the max. Two miles from shore, a speed boat rams the trawler. The victim jumps free, but ocean waves swell and they spot a shark’s dorsal fin.

“Suspense is the lack of certainty . . . leaving the reader to wonder what will happen. It draws the reader into the story and creates a sense of momentum to the plot.”

Lori Jordan

Suspense is critical for our mystery, suspense, thriller genre. We want our readers to feel, taste, touch, smell, and hear uncertainty in our plot, from our characters, and within our dialogue. Make our readers care about our characters. Make them worry and fear the worst by ratcheting up the tension. The worse it is for our character, the more our readers worry.

Dictionary.com defines suspense as a state or condition of mental uncertainty, excitement, insecurity, or anxiety, the state or condition of being suspended.

To flesh out the meaning, consider these synonyms: confusion, doubt, insecurity, tension, dilemma, worry, and expectation.

Confusion – Two suspects seem innocent. A third looks guilty, but their alibi checks out. Could another suspect be lurking about or are one of the first two the culprit? Or perhaps the third one?

Doubt – The evidence appears solid, the suspects obvious, but a niggling in the back of the brain screams things are not as they seem.

Insecurity – In his last case, your character sent an innocent man to his death. The next step seems clear, but your character fears pushing forward with an accusation.

Tension – The stalker emerges from the shadows. Thunder explodes in the night sky and lightning reveals a face in the window. Communication from your Confidential Informant ceases. Are they deep undercover or have they been eliminated?

Dilemma – Your brother-in-law dines with another woman at a table for two in a dark corner of a high-end restaurant. Do you tell your sister? Wait for the police to arrest him for embezzlement? Allow the authorities to sort it out and let the truth slowly emerge?

Worry – The airplane should have landed by now. Your reliable friend is two hours late for the appointment. As the storm approaches, the phone lines are down and cell services cease. The tide rises and laps at the front steps.

Expectation – After giving a clear description, the police should make an arrest, but they don’t. Your friend must turn himself in, but they cross the border instead. Your co-worker swears he’s telling the truth, but you learn it’s a lie.

“Think about an expected outcome and flip it around. Maybe something bad happening ends up being a blessing in disguise. If you mix positive and negative foreshadowing, you will keep your readers on their toes, wondering what will come next and surprised by whatever it is.”

Bill Powers

But what if we incorporate these ideas and our story still seems to drag?

“The solution isn’t more action or violence. Action doesn’t create suspense, it resolves it, and excessive violence quickly becomes numbing. The solution is to rack up the tension and suspense by making more and bigger promises about problems to come – disasters that will devastate the hero and his allies, shatter his plans and bring him so low that he might never recover.”

Ian Irvine

Good mystery, suspense, and thrillers share a common trait––uncertainty. Weave it into our story and keep your readers turning pages. Let me know how it goes!

“Uncertainty is the lifeblood of suspense. . . .The longer we keep our reader guessing, the more attention they will pay to what they are reading.”

Writer’s Digest

Write well, my friends.

PJ Gover encourages her readers to live the thrill…one story at a time, whether through her devotionals or thrillers. She has received eleven writing awards including first place in the Write-to-Publish and North Carolina Christian Writers contests and a two-time winner in American Christian Fiction Writer’s First Impressions contest. Her one-year devotional book, Celebrate Thee Date, can be found at 4homestore.com/devotional-books.

A ranch in Texas serves as home base where she is currently working on a suspense novel. Offer her Mexican food or anything gluten-free and you’ll have a friend for life.

Jim Hart of Hartline Literary Agency represents PJ.

Connect with PJ at PJGover.com or facebook.com/pj.gover

Categories
Mystery/Thriller/Suspense

Helpful Resources For Mystery/Suspense/thriller Writers

Technology today offers a wide selection of resources for writers in the form of YouTube instructional videos, simulcasts, zoom meetings, etc., as well as stacks upon stacks of how-to books by professional and successful authors. Regardless of the genre, writing basics remain the same.

Bookstores stock genre-specific educational books. Utilizing these valuable resources will aid in effective writing. Below are some Mystery/Suspense/Thriller instructional books in my writing library.

BOOKS:

Conflict & Suspense, by expert thriller author and writing instructor, James Scott Bell. This book offers proven techniques that help craft fiction, tap into suspenseful power, build conflict, and maximize tension.

Mastering Suspense, Structure, & Plot by Jane K. Cleland. According to the front cover, this book offers instructions on how to write gripping stories that keep readers on the edge of their seats.

 Writing and Selling Your Mystery Novel by Hallie Ephron provides a complete guide to writing mystery, suspense, and crime. It explains twisting the plot, creating a compelling sleuth, and much more.

Deadly Doses: a writer’s guide to poisons by Serita Deborah Stevens offers correct information about poisons, methods of administration, symptoms, and reactions.

YouTube:

YouTube videos are available, too, with a plethora of topic selections. Decide on a topic and search for the desired video. If you’re looking for a specific person’s teaching, then add the name to your video selection. Sample videos are listed below.

Steven James- Writing Thrillers Serious Writer

Ted Dekker – Mystery, Thriller, and Fantasy

Tom Bradby – How to Write a Thriller

DiAnn Mills presents ongoing tips and teaching on her YouTube channel

CONFERENCES:

American Christian Fiction Writers:

ACFW.com offers member resources, writing tips, writing help, writing software, books on writing, on-line courses, and more. Join the ACFW Mystery/Suspense/Thriller Group on Facebook.

Blue Ridge Mountain Christian Writers Conference:

blueridgeconference.com offers daily informative and instructional blog posts for every genre, along with Facebook Live videos targeting writing specifics. Like or join the conference Facebook page for more information.

Killer Nashville International:

killernashville.com This conference is for the criminal-minded writer and happens in Franklin, TN. Be sure to check out their Facebook page.

Serious Writer Inc.:

seriouswriter.com offers simulcasts and teaching in their Academy. The Serious Writer Club is where you’ll receive over one hundred hours of training and more.

Writer’s Police Academy/Murdercon:

writerspoliceacademy.com focuses on the mystery/ suspense/thriller writers dealing with almost every area of crime imaginable. This conference is highly sought after and sells out fast when registration opens. They have a Facebook page as well and offer Facebook Live videos.

The list of helpful resources is ongoing, but it takes training, determination, and persistence to develop mysterious, suspenseful, and thriller scenes. Attend writer’s conferences, connect with a critique group, and join your local monthly writer meetings.

Feel free to add other helpful resources to the list.

Loretta Eidson writes romantic suspense. She has won and been a finalist in several writing contests, including first place in romantic suspense in the Foundations Awards at the 2018 Blue Ridge Mountain Christian Writers Conference, a finalist in ACFW’s 2018 Genesis, was a finalist in the 2018 Fabulous Five, and a double finalist in the 2017 Daphne du Maurier Award for Excellence.

Loretta lives in North Mississippi with her husband Kenneth, a retired Memphis Police Captain. She loves salted caramel lava cake, dark chocolate, and caramel Frappuccinos.

Visit her:

Website: lorettaeidson.com

Facebok: loretta.eidson.7

Categories
Mystery/Thriller/Suspense

Setting the Hook

Without a perfect bait a fisherman loses their chance in catching a fish. They must take their time and ease that wiggly worm onto the hook before lowering their line into the water. It’s just as important for a writer to do the same with a novel. Forget the worms and the book will fall flat. How can we do this? Here are some important areas we should reel in on in order for our mystery/suspense/thrillers to be noticed and not cast back into the lake.

Great first lines – Most readers will shop for a book by reading that very first line. It doesn’t matter if the next chapter is amazing. If the opening doesn’t hook, the reader will go fishing elsewhere. This is especially true for works of suspense. We want to set up the mystery right from the first sentence. Every word needs to be carefully chosen. We must edit and re-read the beginning over and over until we get it right. Think about these openings. “Once upon a time…” or “It was the best of times, it was the worst of times.”—Charles Dickens, A Tale of Two Cities. These are first lines we’ve remembered over the years. They stood the test of time and caught the reader’s attention. Let’s do the same.

Inciting incident – What exactly is this? It’s the event that the character is thrust into that shatters their world and changes it forever. Doesn’t necessarily have to be action-packed, but it has to be trouble for the main character. Loss of spouse, fired from their job, news of a health condition. Of course, for suspense writers it could be the character is kidnapped, witnessed a murder, found out their identity was stolen. The problem must not just scratch the surface but be a story that is sustainable as well as develop the character’s arc. It has to be resolved by the end of the book. Create an inciting incident that will sink your reader into wanting more.

Introducing characters – Just like in an interview, first impressions are extremely important. We need to give the reader reasons to like them. What should we consider to set the hook? Descriptions are important. We don’t want them to appear mousey or brazen. Give small snippets of personality and appearance. The mystery will leave the reader turning the pages to find out more. How does the character talk? What sets their dialogue apart from secondary characters? These are areas we need to think about so the hero and heroine will stand out on the page and make them believable.

Backstory – This is the character’s past. How did they grow up? What traumatic event happened that affects the way they deal with the inciting incident? Backstory is important, but we need to know the right timing of when it should appear. Not too much in the first fifty pages—just snippets to lure the reader. Then as the story progresses more backstory is given. However, do it carefully. We don’t want to take the reader out of the story. Weave it in and it will create a powerful tale.

Foreshadowing – This can be done effectively or totally fizzle in the beginning chapter. We need to be careful how we foreshadow upcoming events. Giving away too much robs the reader of the joy of figuring out the clues of the thriller. They like to be surprised. However, if we don’t give at least a hint of something to come, the reader may be disappointed and stop reading. Reel them in with the mystery!

These are just some areas to consider in writing the first chapter. Ending chapter one with an unanswered question will intrigue the reader to turn that page to find out the answer.

Baiting the reader at the beginning will ensure a great catch! Let’s get our lures right the first time by setting the hook with a powerful suspenseful opening.

How do you set the hook? Share your thoughts on what works for you.

Darlene L. Turner writes romantic suspense and is represented by Tamela Hancock Murray of the Steve Laube Agency. She won the 2019 and 2016 Daphne du Maurier Award for Excellence in Mystery/Suspense contest. She was a finalist in the 2019 ACFW Genesis contest and won in 2017. She lives with her husband in the Forest City of London, Ontario. Darlene’s debut novel, Border Breach, will release in April, 2020 and is now available to pre-order. Click here to order.

Visit Darlene at her website, where she believes there’s suspense beyond borders

Social Media links:

Facebook: darlene.turner.902

Twitter: darlenelturner

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Categories
Mystery/Thriller/Suspense

What Does It Mean to Write Suspense?

There’s nothing more satisfying for an author than to hear readers say they couldn’t put the book down. It captured their attention from the beginning and kept them turning the page. Why? First, the hook was well written, but more importantly, conflict arose and thrust suspense into the scene.