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History in the Making

Surprising Friends for the Historical Author

By Sandra Merville Hart

Let’s face it. Historical authors spend many hours researching – perhaps as much time as on writing the novel. This happened for me on my last novel but that’s unusual. Here are three ways to reap the greatest benefits from research: take detailed notes; jot down seemingly unrelated yet interesting facts; and maintain an accurate bibliography.

It is important to take detailed notes of important information. Stay organized. Create a word document for research notes and save it in the same folder with the manuscript and supporting documents. Begin with listing the source for the book or article. In short, write the bibliography information. This not only helps relocate the book again but it also builds a bibliography.[bctt tweet=”If something fascinates you, chances are good that it will also fascinate readers. #writing #HistNovel “]

Take copious notes on vital facts. Always include the page number where the information is found. It may surprise an author the number of times he or she refers to notes or resource materials while writing a novel.

Authors may search for specific facts at the beginning of their historical research and skim over other interesting information. If something fascinates you, chances are good that it will also fascinate readers.

Even if the information does not appear to fit in the story at the early stages, take note of the facts. Jot down the book or article citing the information along with the page number to find it easily later. The perfect place for the fascinating fact may appear while writing the novel to add authenticity and flavor to the story.

If the fascinating tidbit does not fit the novel, don’t use it. You may use the information in a future book or article. Then you’ll be happy you waited for the right time.

Lastly, remember to maintain a bibliography of all research materials. Even if publishers do not require the document, authors are often requested to speak at book clubs about their novels. It’s helpful to refer back to source material to prepare discussion notes.

Bibliographies can be a time saver when our novels are not accepted right away. My agent recently suggested polishing the cobwebs off a romance I completed five years ago. I’m not only a better writer now, my research skills have improved. Some previous resources bear a second reading. Had I not maintained an accurate bibliography, I would start almost from scratch to refresh myself on the history.

Making the effort to take detailed notes, document fun historical facts, and maintain an accurate bibliography actually saves time later. Good luck!

 

Categories
History in the Making

Three Things I learned About Writing Dialogue from Jane Austen

By Sandra Merville Hart

 

I’ve read Jane Austen’s Pride and Prejudice at least a dozen times and loved it every time. As a writer of historical novels, I’ve learned dialogue that thrilled Jane’s readers doesn’t work as well today.

Don’t get me wrong — the conversations between Miss Elizabeth Bennet and Mr. Darcy still sparkle and shine. Their dialogue tantalizes and intrigues us to read on. Even though we sense the couple will marry in the end, Austen weaves convincing arguments that cause us to wonder just how they will overcome all the obstacles in their way.

Austen wrote romances that live on in our hearts.

Writing dialogue for today’s readers of historic novels isn’t quite the same. At least three things have changed over the years.

The first difference you may notice in reading Pride and Prejudice is the very long paragraphs of dialogue. One person might speak for an entire page without interruption. Such lengthy paragraphs no longer work. Readers of current historic novels will probably be tempted to skim through such passages and miss the gems contained inside. Authors must consider shortening these conversations even though it is authentic to the period.

The second difference in Austen’s classic work is that dialogue often continues for several pages with very little action. Conversation was one of the main pastimes in days gone by. Most people worked long days and looked forward to relaxing with a friend over a cup of coffee or tea, so these visits became natural scenes in their literature. Writers these days must shorten dialogue and include plenty of action to hold our reader’s attention.

Another difference about Austen’s era was the formal language. They spoke more eloquently. They communicated well. We’ve lost a little of this ability because of all the distractions in our lives.[bctt tweet=”Three Things I learned about #Writing #Dialogue from #Author Jane Austen”] Cell phones, televisions, radios, IPods, Internet sites, and YouTube videos didn’t claim the attention of Austen’s audience. Still, authors who want to remain authentic to the period they write in should soften the formality. Contractions are fine. Don’t be afraid to select words that characters from previous eras often used, but make certain the meaning is clear.

What worked for Austen probably won’t tempt our readers to keep turning pages, but they will continue to read her books. After all, her novels are classics.