Tag: YA

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Writing for YA

Seven Tips for Your First Author Event

I’m getting ready for my first-ever author event. I’ve been talking with other authors and poking around online to try to prepare.

Author of YA historical fiction, Stephanie Daniels made a few suggestions.

1) Decorate your table, if allowed. Make it eye-catching.

I’m going pretty plain and low-key, since I write in multiple genres. Authors who stick in one lane may wish to use items and colors to coordinate with their branding and genre.

A tablecloth will help make my area attractive, and a set of clear acrylic book stands for my titles will get my product off the table and in line of sight for the people browsing. Authors can use many types of displays for their books, and may wish to use something that reflects genre such as fantasy, romance, historical, and so on. The main thing is to make it pleasing and attractive.

I’ve heard tell you can never go wrong with a dish of candy. I plan to use either a plain dish or a Christmas-themed bowl, since it is a holiday Author Fair.

Other suggestions I gleaned from the Internet was to have different types of displays and signage, perhaps have a small poster with a tagline or blurb, your cover, some art, a QR code, and/or your website.

I wanted to purchase author pens to give away, but needed to keep an eye on my budget so concentrated on bookmarks instead.

2) Bring author bookmarks to give away.

As a collector of bookmarks, this seemed like a fabulous idea to me and a great way to advertise.

I had two options for this. In the past, I made mini-bookmarks from my business cards, but my cards only have my name and website address on the front.

I decided to go with new bookmarks, using elements from my website to make an attractive bookmark readers might hang on to for a while.

On the back, I put my tagline, web address, author photo, two of my book covers, an endorsement, and QR codes to my Amazon author page and another to my Goodreads page so people could read reviews.

I’m not sure if it was a mistake to put more than one QR code, but certainly more than two seems like overkill to me. Some authors put a QR code directing people to their newsletter sign-up. You could also have a QR code that goes directly to a specific book or book series.

Because I wanted a broader usage that would be relevant for a long time, I chose to have people go to my Amazon author page. Of course, if you are not exclusively published on Amazon you would want them to go to your website or universal link page.

I ordered bookmarks made of the highest available card stock, coated, with rounded corners. Choose the type of bookmarks you want to buy based on your budget and current needs. Shop around for the best price, making sure to consider shipping costs and delivery times.

Many authors use bookmarks to promote one book or one series. After the cover reveals for my young adult series, I will design another bookmark to promote those books.

3) Instead of sitting behind the table, stand in front or off to the side.

As people come by, offer them bookmarks and engage them in conversation. Ask them what type of books they like to read and tell them about what you write.

Depending on the event, this may not always be allowed, but if it is, I will try to engage people. When I’m feeling well it’s easy for me to interact with people. If I’m having a hard day it’s a bit more challenging.

4) Have a sign-up sheet for your newsletter.

Another great idea. Hopefully, many people will sign up for the newsletter which will give an author a second chance to make contact with future readers.

5) Don’t forget to bring bags for customers’ purchases.

6) And provide QR codes for your PayPal and your Venmo for payments.

It’s also a good idea to bring change for those paying with cash.

7) Last but not least, order your author copies well in advance.

Delivery times for author copies is notoriously slow compared to the quick shipping we have come to expect as shoppers.

As a parting bit of advice, Stephanie reminded me that while fulfilling the role of salesman may be uncomfortable for many of us, the people attending the event are there to buy books and to connect with authors.

Have you participated in an author event? Do you have any tips to add? Leave a comment!

Donna Jo Stone is an award-winning multi-genre author. She writes contemporary young adult, historical fiction, and southern fiction. Many of her novels are about tough issues, but she always ends her stories on a note of hope. Finding the faith to carry on through hard battles in a common theme in Donna Jo’s books.

For the latest news on upcoming releases, including her contemporary young adult novel, Promise Me Tomorrow, scheduled for release in 2025, sign up for Donna Jo’s newsletter at  donnajostone.com.

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Uncategorized Writing for YA

Setting the Stage for Historical YA

It can be tricky to grab a reader and plunge them into a different world, and even more so for historical, since it’s necessary to weave in facts. There are so many things to consider! How do you get the setting just right without overwhelming the reader with too many details? How to you make it feel realistic?

Major on the Majors First

Providing intricate details of the year, the culture, the current fads of your time but neglecting to mention that it is fall or summer until six pages in will disorient the reader.

The Filter You Give the Reader

Everything in opening chapters establishes reader expectations. Everything on the page affects how your reader filters the rest of the book. If there are repeated mentions of music, readers will expect the character to be interested in music. If there are repeated mentions of literature, then literature. If there’s a mishmash of details, then a reader won’t know what to think about this character and may give up before reaching the end of chapter one.

Over Setting the Stage

I’ve read books and noted ten unique historical markers in less than four pages, things in addition to the usual description. Once established in a time period, I’m there. The next descriptions should add something to the story and help move it forward.

Interesting Factoids

Don’t use every nugget of research that you have. While details can be fascinating, they can also be overwhelming, do the opposite of the author’s intention of immersing the reader. Worse, it can make a reader feel that you have insulted their intelligence. At the very least, excessive dropping of historical details can bog down a story. If the information isn’t vital for the current story, leave it out so it doesn’t crowd out what you’re trying to convey.

Under Researching

While it’s easy to want to use all the historical details when we don’t need them in our story, a lack of research can also be problematic. Readers want an immersive experience, to stay engaged in the character’s plight. Historical errors yank them out of a story. Authors would be wise to do enough research to provide an authentic backdrop for their story.

Clever or Trendy

The current trend of dropping in literary references to classic books can work, but if excessive could backfire. As with all description, the author should ask themselves: Why is this here and how does it fit into the overall story? Is this description for description sake? Is it repetitive, redundant, or unneeded?

Tone

After you’ve set the stage it’s time to add a bit of shading to add authenticity. Research the vocabulary and speech patterns of your story’s era by reading novels, stories, and even looking up vocabulary tools from the time period. Although some language may need to be modernized for today’s readers, they won’t want a girl from the 1800s to sound too modern. At the same time, if writing historical for teens, it needs to have a young adult vibe as well. (Easier said than done!)

Start with these tips, and you will have a good start in setting up your historical fiction.

What do you think? Do you have any tips to add for setting the stage for historical fiction? Leave a comment!

Donna Jo Stone is an award-winning multi-genre author. She writes contemporary young adult, historical fiction, and southern fiction. Many of her novels are about tough issues, but she always ends her stories on a note of hope. Finding the faith to carry on through hard battles in a common theme in Donna Jo’s books.

The first novel in Donna Jo’s young adult series, Promise Me Tomorrow, is scheduled for publication in 2025.

Her short romance, A Wedding to Remember, released Feb 1st, her adult 1960s inspy romance, JOANN: Apron Strings Books 5, released May 15th, and her Small Town Christian Domestic Suspense with Romance, The Key Collector’s Promise, releases September 6th .

Stephanie Daniels writes Christian historical fiction for young adults and the young at heart. Her debut novel, The Uncertainty of Fire, first appeared on Amazon’s Kindle Vella platform where it spent a number of months as one of the 250 top favorite stories and as the top story under the Christian tag.

Follow Stephanie on Amazon and stay tuned for the continuation of a new story in The Uncertain Riches series on Vella, and for future stand-alone young adult historical fiction books in her series. https://www.amazon.com/stores/author/B0B73RD41H

Though she currently lives in Southwest Missouri, she spent most of her youth moving every few years. She feels privileged to have seen some of the world and believes it probably encouraged her lively imagination. When not writing, she is studying God’s Word, spending time with her very supportive husband, homeschooling her three boys, and watching clean period dramas. And reading. Lots and lots of reading.

Categories
Writing for YA

Audiobook Production for Indies: Interview with YA Author Rachel Kovaciny

When I heard that Rachel Kovanciny recently worked with One Audiobooks to produce her guide: Explore Charlotte Bronte’s classic novel with Jane Eyre: A Christian Reader’s Guide, I had questions! Rachel graciously offered to answer them.

DJS: What made you decide to pursue having your books published in an audio format? For the indie author, what are the benefits of producing audiobooks?

RK: I know many, many readers who listen to audiobooks regularly. I had looked into the idea of creating audio versions of my books a few years ago, when audiobooks began gaining popularity, but hiring voice actors was cost-prohibitive for me. As an indie author, I have a very tiny budget. Another option would be to buy recording equipment and computer programs and do them myself, but I just don’t have the money for that, or the time. So, I gave up on the idea of creating audiobooks for my Once Upon a Western series.

Then One Audiobooks asked me to write a Christian reader’s guide for them. They’re creating a series of these guides to classic books that have Christian messages or themes, meant for teaching literature or for personal study. I wrote them a guide for Jane Eyre by Charlotte Bronte, which is my favorite novel. They were so pleased with it, they decided to look at my fiction and see if my books might be a good fit for their customers. They offered me a contract, and here we are!

For indie authors, getting your books out to the widest audience possible is important. Audiobooks are a big segment of the market right now, so if an indie author can find a way to get audiobook editions of their books made, I strongly encourage them to do so!

DJS: What were some of the challenges authors face when considering audiobooks as a possibility?

RK:Money is the biggest challenge for an indie author, always. When it comes to audiobooks, you either need to pay a voice actor or buy the equipment to record the book yourself, or rent space and time at a recording studio. If One Audiobooks had not reached out and asked to work on these with me, my Once Upon a Western books would not have audiobooks in the works at all.

Of course, now places like Amazon are testing out AI voices for audiobooks, which seems like a real money saver until you think about the ethics behind it. And a lot of readers object so strongly to AI voices, they refuse to listen to audiobooks if they aren’t recorded by real people.

DJS: AI is certainly a sticky issue, and ethics is a big concern. I agree that anyone producing products should make sure they are being responsible. An easy or cheap fix isn’t always best.

Are there any reasons not to publish a book in audio format?

RK:Be sure you can afford the investment before you get started. Do a lot of research so you have realistic expectations of how long it will take to make back what you have spent.

DJS: I can see how it is a risk, especially with the investment coast. Having realistic expectations is a great piece of advice, as is doing your research. Always do your research!

Do you have a personal story or reason for wanting your books on audio?

RK:I have a friend who uses audiobooks in tandem with their print editions to help one of her kids who has reading difficulties. She slows the speed of the audiobook and her kid follows the words in the book with his eyes while hearing them. She says has been really helpful for him. He has dyslexia, and the combination of hearing words and seeing them at the same time helped him gain confidence for reading silently. I find that so awesome. 

I have another friend who also has a child who struggles with dyslexia. He loves books but rarely has time and patience to sit and read through one, so audiobooks are how he reads books outside school time. I hope these help my friends’ kids!

DJS: That is the best reason of all. I believe everyone should have access to books, whatever that looks like for them.

Thank you for talking with us, Rachel!

Do you like audiobooks? Listen to any great audiobooks lately? Leave a comment below.

Born only a few miles from where Jesse James robbed his first train, Rachel Kovaciny has loved westerns all her life. She is a Christian wife and mother, and homeschools her children. In her spare time, Rachel writes, reads, watches movies, and bakes brownies. Find out more about Rachel’s books at her website.  You may also find her on Instagram.

Join Rachel Kovaciny’s newsletter for updates about her books and her latest articles, and you’ll get a FREE copy of her Sleeping Beauty retelling, The Man on the Buckskin Horse! Sign up for her author newsletter.

Explore Charlotte Bronte’s classic novel with Jane Eyre: A Christian Reader’s Guide. Christian author Rachel Kovaciny provides discussion prompts, historical notes on the book and its author, and a breakdown and analysis of each chapter. This audiobook is a great resource for teaching literature or personal study.

Donna Jo Stone is an award-winning author of young adult contemporary and adult historical fiction. She writes about tough issues but always ends her stories on a note of hope. Her novels are about common struggles and finding the faith to carry on through those battles. The first book in Donna Jo’s young adult series is scheduled for publication in 2024.

To find out more, sign up for her newsletter at donnajostone.com.

Categories
Writing for YA

Interview with Contemporary YA Author Michelle Dykman

Young adult author Michelle Dykman isn’t afraid to tackle tough subject in her young adult novels. Her three book series is set at Bethel Private School, an environment many teens can relate to. Her characters make mistakes, find themselves in difficult situations, and ultimately find hope.

DJS: Why did you choose the setting of Bethel Private School, and the particular issues you did to write about?

MD: The Bethel Private School series came to me while I helped one of my ESL students in high school work through an English assignment. This incident led me to think about the many times a student had come to me with a problem to discuss, or used me as a sounding board. After roughly six years of teaching high school students, I wondered if there were books out there that could help these teens find their way to Christ, meeting them at the place where they were. I decided to write a series of books specifically for teens with characters facing the same challenges they were, with a message directing them to the Greatest Problem Solver of all – Jesus Christ.

DJS: Did you learn anything about yourself as you wrote the series?

MD: I learned a lot about myself and relived many of my less than positive high school experiences. It also allowed me to see how far I have come from those days, and how much maturity gives perspective. God was good to me when I was a teen. He is still good to me today. The series allowed me to see how much more teens are facing today and how much society has influenced the path of mental health issues in teens. My research has given me a bit more insight into the challenges my own children face, as well as the ones I see in classroom each day.

DJS: Your YA books are about some pretty serious topics. Were you surprised or shocked by anything you learned about as you were writing/researching?

MD: My husband and I have been involved with teen ministry for a number of years and I have seen, heard and discovered far more than I would have liked to about the students I taught in Sunday School and youth group as well as in class. I make it my motto to not shock easily, as this is a surefire way to discourage a teen from discussing an uncomfortable topic with you, or sharing anything they are ashamed of. Many teens have spoken to me because I don’t judge. We all make mistakes. I always want to create a safe space for a teen to share their struggles with me.

DJS: What is the main thing you would like young readers to take away from your books?

MD: Jesus Christ. In all my books there is a very clear gospel message on which direction to turn when life is too much or problems seem too great. My main motivation in writing all my books is that teens would find Christ and know no matter what they have done or where they have gone, they are never too far that God cannot find them or they cannot turn or return to Him. I want teens to know the freeing message of the gospel. I also hope that if they see the consequences of my characters choices, it might make them think twice before making the same mistake.

DJS: What is the main things you would like parents and teachers to understand about relating to teens?

MD: One thing I would like parents and teachers a like to understand about teens is that they are going to make mistakes. No matter how many times they are cautioned, warned, or dissuaded, somewhere down the line they are going to mess up. There are two ways an adult can react. You can go through the various stages of “I told you so” and lose your teens trust in you, or you can come alongside them by using that opportunity to show them to Christ and help them to understand that no matter what they have done there is always forgiveness. Lovingly remind them that although their choice will have consequences, your love and God’s love for them remain unchanged. I think sometimes we, as adults, forget being a teen is such a confusing time of life. We would rather forget it ever happened. The more time I spend with teens, the more I realize, sometimes it does us well to remember that not all the choices we made at a young age were great.

Michelle Dykman is a reader, teacher, and debut author of If These Stars Could Talk.
After spending ten years crunching numbers, Michelle discovered her two true passions, teaching and writing Clean and Wholesome Christian Romance novels for adults and teens. Michelle lives with her husband and two boys in the snowy and sometimes hot rural areas of Canada. From time to time, she misses the dry warmth of her home country, South Africa. 

About the series: Being a teen is tough no one knows this better than high school friends Willow Rysen, Candace Hillman and Amy Carter. These friends navigate peer pressure, an unplanned pregnancy, and finding their faith at a time when life is confusing, the future is daunting, and the answers to life’s questions are far from easy.

Donna Jo Stone is an award-winning author of young adult contemporary and adult historical fiction. She writes about tough issues but always ends her stories on a note of hope. Her novels are about common struggles and finding the faith to carry on through those battles.

The first book in Donna Jo’s young adult series is scheduled for publication in 2025.

Her short romance, A Wedding to Remember, released Feb 1st, and her adult 1960s inspy romance, JOANN: Apron Strings Books 5, releases May 15th. 

Stay in touch and receive the latest news by signing up for Donna Jo’s newsletter at  donnajostone.com.

Categories
Writing for YA

Planning a Novel Series: Interview with YA Fantasy Author V. Romas Burton

V. Romas Burton is the author of two fantasy series, Heartmaker and The Legacy Chapters. Her latest release, Justified, is book two in The Legacy Chapters. I asked her to share a little bit about her experiences writing a series.

DJS: Writing one novel can be daunting, and I imagine a series can only be more so! What pros and cons about planning a series did you learn as you went through the process?

VRB: There have been a lot of both pros and cons along the way. One pro is that once I know the ending to my series, I can usually find my way from the beginning. A con I’ve learned is that sometimes “pantsing” (not planning out the events in your story), is not always the best route when trying to make it to the end!

DJS: I can understand the pansting issue. Sadly, I’ve taken the route of not enough plotting before sitting down to write. That method didn’t work well for me, although one of my critique partners swears by it. As you planned your series, what did you learn about the process that surprised you? And now that you’ve produced a series, is there anything you would do differently?

VRB: I’ve learned that sometimes your story doesn’t end up where you originally thought. Sometimes a better plot line is uncovered or a new twist is added that makes the story richer. Now that I’ve produced a series I would probably look a bit closer at my characters’ development and really try to make those solid and relatable. 

DJS: Trying to figure out where to begin or what resources to start with can be overwhelming. Where do you suggest authors find help planning a series?

VRB: I would recommend attending a writers’ conference to take some classes and also to meet other like-minded authors. It’s always helpful to have people to bounce ideas off of when you’re not sure what to do next. I also recommend reading through your favorite series with the eyes of an author, not a reader, and see how your favorite author crafts their story over the span of two or more books.

DJS: That’s great advice. I always recommend reading. What are your three favorite YA series? Why do you think you like them so much?

VRB: The Lunar Chronicles by Marissa Meyer

This was the series that introduced me to YA Fantasy and ultimately made me a writer.

The Caraval Series by Stephanie Garber

I love Stephanie Garner’s descriptions and how she crafts her stories.

This isn’t technically a series, but I love all of Jane Austen’s books. Her stories and characters have influenced my writing in many ways.

DJS: You can never go wrong with Austen. (And I think The Lunar Chronicles and The Caraval Series are also great picks.)

Thanks so much for visiting with us!

Find future book updates and news on V. Romas Burton’s website: www.vromasburton.com

V. Romas Burton grew up bouncing up and down the East Coast where she wrote her first story about magical ponies at age seven. Years later, after studying government and earning an M.A. in Theological Studies, V. Romas Burton realized something even bigger was calling out to her—stories that contained great adventures and encouraging messages.

Donna Jo Stone is an award-winning author of young adult contemporary and adult historical fiction. She writes about tough issues but always ends her stories on a note of hope. Her novels are about common struggles and finding the faith to carry on through those battles.

The first book in Donna Jo’s young adult series is scheduled for publication in 2025.

Her short romance, A Wedding to Remember, released Feb 1st, and her adult 1960s inspy romance, JOANN: Apron Strings Books 5, releases May 15th. 

Stay in touch and receive the latest news by signing up for Donna Jo’s newsletter at  donnajostone.com.

Categories
Writing for YA

Interview With YA Author Tabitha Caplinger

Tabitha Caplinger is the author of The Chronicle of the Three Trilogy, The Wolf Queen and, most recently, The Wayward. I talked with her recently about her writing and about how authors can approach writing stories with Christian themes.

DJS: Writing novels can be a daunting task, and it can be hard to stay motivated. What inspires you to write for the young adult age group? 

TC: I was a youth pastor for twenty years. I have such a heart for teens and young adults, and a desire to see them discover and live for their purpose on purpose. Stories have become a way to not just entertain, but challenge and encourage them to live chosen—to know God and make Him known.

DJS: Some novels are labeled inspirational or Christian, while other containing Christian themes are not. What do you feel makes a novel Christian?

TC: For me, it’s all about perspective. I don’t think a novel needs to be overt or preachy to share Biblical truth and point readers to the heart of Jesus. Jesus is the center of who I am and everything I do. I always say if our life is a pie, Jesus isn’t a slice of the pie, He’s the filling. Just like He flavors all parts of my life, He flavors my writing. Sometimes it will be a little more between the lines than others’ but I want His heart and values to shine through. 

DJS: Tell me a little about your process. When you set out to write a novel, how do you discover the story’s core message? 

TC: I start with the story first and let any themes or message happen organically. Whatever sparks my imagination, I begin to ask questions. Who is this about? Where do they live? What is the conflict they are facing? What journey will they take?

I research and outline until I have the main story points down.

Then I start writing. As I flesh out details and get inside my characters’ heads—learning their motivations, fears, strengths, and weaknesses. That’s when the message tends to emerge. 

DJS: What are some key things authors should keep in mind when they feel they have a calling to deliver a specific message to their readers?

TC: I really believe that the story should come first. Readers are more likely to connect with the message if they are connecting to the characters. Do they feel real? Can I empathize with them? Do I care about what they are facing? Weave the message in through their emotions, thoughts, and actions. If we want the message to stick with readers we have to get it into their hearts, and we do that by connecting their hearts with the hearts of characters. Those emotional connections open us up to the deeper truths being presented, even subtly.

Thank you, Tabitha!

Check out Tabitha’s website, tabithacaplinger.com, where readers can subscribe to Tabitha’s newsletter and stay in the loop about upcoming releases.

Tabitha Caplinger is a lover of good stories and helping others live chosen. When she’s not writing book words, she’s reheating her coffee, binging a new show or teaching God’s Word to students. Tabitha, her husband and two beautifully sassy daughters desire to be Jesus with skin on for those around them. They live to love others…and for Marvel movies.

Donna Jo Stone is an award-winning author of young adult contemporary and adult historical fiction. She writes about tough issues but always ends her stories on a note of hope. Her novels are about common struggles and finding the faith to carry on through those battles.

The first book in Donna Jo’s young adult series is scheduled for publication in 2025.

Her short romance, A Wedding to Remember, released Feb 1st, and her adult 1960s inspy romance, JOANN: Apron Strings Books 5, releases May 15th. 

Stay in touch and receive the latest news by signing up for Donna Jo’s newsletter at  donnajostone.com.

Categories
Writing for YA

Interview with Christy Finalist Sarah Watterson

Sara Watterson’s young adult novel, The Dreamer, was recently named as a Christy Award finalist for 2023. I thought I’d ask her a little about her books, her process, and her reaction to finding novel was in the running!

DJS: What did you find the most challenging about writing and publishing This Dreamer? 

SW: Time! There were many challenges, but finding the time to focus was number one. I spent a long and slow six years planning, writing, and editing This Dreamer. Back then, my three kids kept me busy, and they still do. They’re in middle and high school now, and they love being involved in just about everything, which means I’m involved in just about everything. In some ways, life is easier now that they’re teens and tweens, but in other ways, it’s harder. Time (and adolescent emotions) are still a struggle. 

DJS: I can certainly relate to that. It seems time management is one of the big issues for authors in every season of life.

Novel writing takes a huge amount of commitment.

Encouragement and inspiration can help an author along the way. Where did you find the encouragement and inspiration required to undertake novel writing?


SW: I fell in love with fantasy books in college, and I’ve known since then that if I ever wrote one, it would be a fantasy novel. When I finally set out to do it, it was through prayer, my husband, and my writing partner that I found the much-needed motivation to keep going and finish that first draft!

DJS : Having your novel, The Dreamer,  selected as a Christy Award Finalist must have been exciting! What was your initial reaction when you heard the news?


SW: I was shocked! I still am! It’s surreal to see my book cover displayed alongside those of more established authors on the Christy Award website. The organization emailed me to let me know while my family and I were out of town. I had determined to unplug for the weekend, so I didn’t discover the news until Sunday when others congratulated me. I was so confused and thought they must have mistaken me for someone else. I’m truly honored to be a finalist!

DJS: That must’ve been something! What a wonderful surprise! I’m so excited for you.

This Dreamer is the first in a planned series. Can you tell us how many books there will be by the series end?


SW: The Chronicles of the Marked is set to be a duology, so there will be one more book. But I have notes for a possible prequel and a few companion pieces. We’ll see! 

DJS: Making finalist is a great accomplishment. It might be a sign to keep the series going! Congratulations, Sara. Thanks so much for taking time to talk with us about writing.

Sara Watterson is a fiction writer, author of uplifting and clean young adult science fiction and fantasy. She also teaches digital art to high school students while managing her growing website, bookseriesrecaps.com. When not writing, teaching, or enjoying her kids’ many activities, Sara likes reading on the back porch, drinking coffee, and hanging out with her super-cute hubby. Sara lives in central Oklahoma with her husband and three children.

About Sara’s novel, The Dreamer

Evie grows restless observing mortals from afar. When a friend offers to smuggle her by portal into the human world, she jumps at the opportunity. Secretly, though, she also hopes to observe Adan, the human Dreamer. But trouble awaits after her captivating adventure and delayed return. Not only did she take an unsanctioned trip to the ground, but now the boy, the Dreamer, is missing, and her director believes she is to blame.

Donning a human body, Evie must return to the human world and find Adan before her way home is sealed. All while wrestling unfamiliar human emotions and a growing suspicion she’s caught in a larger plan already at play.

Donna Jo Stone is an award-winning author of young adult contemporary and adult historical fiction. She writes about tough issues but always ends her stories on a note of hope. Her novels are about common struggles and finding the faith to carry on through those battles. She blogs at donnajostone.com.

Categories
Writing for YA

Five Things You Must Do To Reach Teen Readers

Sometimes it’s hard to remember all the emotions, feelings, and concerns that young teens have. Times change, attitudes change, technology changes, but some things remain the same. A wise author taps into universal truths to write a compelling story that resonates with readers.

Consider the Concerns of Your Audience

It’s not enough to care about teen and preteen readers. To reach them, authors must connect. Young readers want to know that the things they care about are being addressed. 

Ask the teens in your life what they’re worried about. The issues today’s teens deal with seem far from what previous generations faced, but commonalities exist. The same threads are woven throughout coming-of-age stories, because all people go through some predictable processes, experiences, and emotions as they mature. There are variations but there are just as many, if not more, similarities. The trick is to translate past experience into material relevant and accessible to today’s readers. Stretch yourself and find the connection, a way to relate to what your audience is going through right now. Dig deep, draw on the experiences of your own adolescence, and make specific applications to the best of your ability. 

Talk to People

If an author chooses to ignore the concerns and fears at the forefront of their audience’s mind, they risk a disconnect. If you’re unsure or unaware of the issues, start a conversation with a favorite teen or two (or three). Teenagers are not always the most forthcoming of conversationalists—depending on who they’re talking to—but give them a chance to express themselves by going to the source first, your target reader. Listen to what they have to say. Then, ask teachers and youth counselors what they feel are the most important issues facing young people today. 

Have a Sensitive Heart

Once you’ve found an issue you want to address, approach it with sensitivity, caring, and compassion. No one wants to be preached at, talked down to, or lectured. This is true no matter the age of your audience.

Make good use of beta readers and critique partners. Ask them to look for places that are preachy or heavy-handed. Enlist the help of a sensitivity reader when needed.

Be Authentic 

Everyone has been disappointed, suffered a loss, felt misunderstood, felt lost, failed, been embarrassed, and so on. Without authentic emotion, it’s difficult for a reader to become invested in a story. The saying is true, No tears in the writer, No tears in the reader. Don’t be afraid of powerful emotions. Capture them and put them on the page.

Go Beyond Surface Research

Understand the culture and attitudes of your audience, going beyond the surface. What’s popular today may be obsolete tomorrow. Points of view, ways of seeing the world, and cultural influences can have more of a lasting impact than trends. It’s important to know where people are coming from, how they interpret their environment. If an author doesn’t understand their intended audience, they aren’t likely to reach them.

If your story is contemporary, by the time it goes to press current fads may have fallen out of fashion. Stick to describing details that will remain the same for a few years or longer and avoid anything trendy. On the other hand, if you want to date your writing, use details firmly establishing your story in a particular time period.

Keep your eye on the prize. Writing for young adults is a calling. It’s an opportunity to have a tremendous influence on the future and change lives with the potential to have a lasting impact.

Donna Jo Stone is an award-winning author of young adult contemporary and adult historical fiction. She writes about tough issues but always ends her stories on a note of hope. Her novels are about common struggles and finding the faith to carry on through those battles.

The first book in Donna Jo’s young adult series is scheduled for publication in 2025, and her adult inspirational novella, Book Five in The Apron Strings Series, will release in May of 2024. You can find out more at  donnajostone.com.

Categories
Writing for YA

Talking About Microfiction with Sci-Fi YA Author Sophia Hanson

Today I’m talking with Sci-Fi YA author and fellow columnist here on Almost an Author, Sophia Hanson, about microfiction. I reached out to her after noticing her microfiction on Instagram. I have a love-hate relationship with microfiction. Fitting a piece of writing into the limited perimeters is hard enough, but toss in a time constraint and it requires some major flexing of those writing muscles!

DJS: Was the month-long Instagram challenge the first time you’d tried microfiction? 

SH: I’d tried microfiction once or twice in response to Instagram contests. Cassandra Hamm holds prompt contests quarterly. They are tons of fun. I’d never done a month-long challenge before, but wanted to push myself to do the next hard thing. Thirty-one days of posting new content to prompts was definitely out of my comfort zone, and I decided to learn how to include images in the posts. I learned about Canva, tagging, and writing even when I didn’t feel inspired.

DJS: What was the hardest thing about producing microfiction? 

SH: Including a whole idea/world within those fifty words, but sometimes it was just as hard to land on fifty, not forty-seven or forty-nine.

DJS: I can certainly agree with that! The exacting word count of microfiction had left me blinking at my computer screen a time or two.

In what ways did writing microfiction affect and benefit your writing?

SH: I love learning how to write tight, and I love writing to prompts. It’s a great challenge, especially when you’ve been working on a larger piece, because it helps to reset your brain and refresh those creative juices.

DJS: If someone wants to try out writing microfiction, what is your best advice before they start?

SH: I totally recommend following hashtags like #50wordfiction, #50wordstories, etc. on Instagram. It’s a great learning lab and you’ll find out about the various prompt contests there. 

DJS: After the challenge, Sophia made use of her work in a unique way. She printed and bound her Thirty-One Days in October and gave it out as gifts, like a book of poetry! Now that’s a wonderful and clever idea. I’d love to get such a gift, wouldn’t you?

Sophia Hansen is an organic author—using no hormones, antibiotics, or pesticides in her writing unless absolutely convenient. She’s lived on a tiny island in Alaska, the bustling cities of New York and Boston, and now resides in the Southeast where she writes between fresh(ish) cups of coffee and slices of bacon. After 30+ years of marriage, seven children, and numerous pets, Sophia can still fit into her high school earrings.

Water’s Break, Sophia’s debut YA Sci-Fi novel is scheduled to be published by Enclave Escape in January 2024.

Find out more about Sophia and her writing at her website, SophiaLHansen

Sophia is a flash fiction author, and is also an editor with Havok Publishing. You can find some of her stories in the Havok archives and anthologies at GoHavok. She writes the A3 genre column for Sci-Fi/Fantasy.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Passive NOT passive

Note from Donna Jo: The topic of critique pet peeves came up during a conversation in my weekly writing group. One of my critique partners, Andra Loy, pointed out how misunderstanding passive voice can trip up writers. It seems to be a common issue, so I asked her to explain it in a blog post to share here. Andra is a prepublished novelist, award winning author, English teacher, and fabulous critique partner.

Writing communities and critique groups are lifesavers. If no one had shared what they’d learned with me, I’d still be at the Run, Dick, Run stage with my writing. But advice, passed along and along, can become like the game of Telephone (or Post Office, whatever you called it as a kid). By the end, the “rule” is nothing like what it started as, and then it becomes as pernicious as gossip.

Here’s how the game plays out. Take, for instance, the following advice:

ACTIVE VOICE IS BETTER THAN PASSIVE VOICE.

Strong verbs help us avoid adverbs and show agency for our characters. Passivity is a bad thing. Great advice.

Kyle, a professional editor, tells Lisa to avoid passive voice.

Lisa nods. Grammar was her favorite topic in high school. Passive voice is when the subject isn’t doing the action.Lisa finds a clear example to help her remember.

The leaf is blown by the wind across the road.

The leaf —the subject of the sentence—isn’t actually doing anything. Passive leaves let the invisible wind do all the work.

Lisa tells Barb to avoid passive voice. Barb scratches her head and tries to remember her English classes. Back in seventh grade, she was busy passing notes and not listening. To explain, Lisa says, “Like in the sentence, The leaf is blown by the wind across the road.”Barb gets it now. She goes through her manuscript and finds all the sentences with this construction and replaces them. The wind now blows all her leaves.

Barb passes the reminder on to Alex. “No passive voice.” Alex nods. He’s heard of passive voice. His English teacher went through his essay on ancient weaving techniques and crossed out all his “to be” verbs. Good thing he remembers the list: am, is, are, was, were, be, being, been. He opens his manuscript. The first sentences are “Brian found Valerie in the library. She was reading War and Peace.” Alex deletes the passive WAS and writes, Brian found Valerie in the library. She read War and Peace.

Now we have a big problem. “Was reading” is not passive voice. It’s one of the verb tenses. The very valid, needed verb tense, past continuous/past progressive, indicates that action is in progress. It’s a huge clue to setting the scene and helping the reader figure out the TIMING of the action. Unfortunately, it uses the “to be” verb together with the -ing form of the main verb so we often sweep it up into the Passive Trash Bag.

If Valerie read War and Peace after Brian finds her, he’s going to have to wait a very long time. If she’s in the process of reading it, then he interrupts her and our plot may continue.

Not every case of “to be” indicates passive voice. Purging a manuscript of every “to be” verb deprives readers of the verb tense clues that orientate them to ongoing action, the timing of action, and the setting.

Of course, overuse of anything is to be cautioned against.

Now that was passive voice.

Andra Loy writes YA fantasy and speculative fiction for adults. She teaches English in the Czech Republic, where she was locked inside an abandoned train only once. Andra also won the ACFW Genesis Award once, which was much less traumatizing. You can find out more about Andra at andraloy.com.

Categories
Writing for YA

Interview with Author Marie Sontag: Tips for Author Visits

For young adult authors one of the ways to connect with readers is through school visits. I asked Author Marie Sontag for her advice on the topic and she passed along her three top tips.

Props and Prizes

I’ve purchased authenticated artifacts such as a bronze dagger, an alabaster jar, and an ancient Phoenician coin and made these part of my presentation. This adds value to my author visit, apart from giving listeners a chance to hear from a writer and purchase my books. I also bring bookmarks with QR codes, pencils with one of my book’s names on it, and polished rocks I’ve collected (legally!) from places where some of my stories take place. I use these as prizes when someone answers one of the questions I sprinkle throughout the talk. Sometimes, I tape a ticket to the bottom of a chair (unknown to the audience) and give away a book at the end.

Keep It Interesting and Personal

I always create a PowerPoint for my talks, including visuals that illustrate my points. I also plan questions as part of my presentation, being sure to include these on the PowerPoint. When someone raises a hand to answer, I always ask his or her name. I jot it down or quickly associate it with something so I can remember it. I work to see my listeners as individuals, not just customers that I hope will buy my books. I want them to know I value them and the time we spend together.

It’s My Passion, but It’s Also a Business

I love writing and never tire of speaking with readers. For me, however, it’s also a business, and I need to treat it as such. Before speaking at a school or event, I’ve found it best to have a librarian, teacher, or volunteer distribute and collect order forms and money for my books before I come. This leaves me time to sign and interact with students. If that isn’t possible, I bring someone with me to handle the selling so I can focus on book-signing and connecting with my readers.

What great tips! Thank you, Marie.

What about you? Have any additional tips to share about school visits? Please comment below.

Marie Sontag writes historical fiction for young adult and middle grade, and was a teacher in California for over fifteen years. She has a BA in social science and a PhD. in education and presents author talks to various age groups. “Bringing the Past to Life—One Adventure at a Time,” epitomizes the passion and writing career of Marie Sontag.

Her newest release, Underground Scouts, furthers her tradition of crafting adventurous historical novels for middle grade and young adult readers, bringing her number of published books to six. To learn more about Marie and her books visit www.mariesontag.com .

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Details, Details: How to Write a Rich Setting for Your Story

It’s incredibly exciting to have a new story idea. The characters develop in our mind and seem to be itching to plunge right in and share their story. All the important parts of the setting are complete in our imagination and will flow onto the page. After all, the setting is simply the stuff surrounding the characters. All the author has to do is establish a time and a place.

Sounds simple, right?

It’s not always so.

As writers, we are often immersed in our own story world before we create it. We take familiar elements and weave them in, using past experiences to provide a backdrop for novels.

Because we’re so familiar with certain environments, we risk making the unconscious assumption that our reader knows exactly what we’re talking about. We forget to add little details that bring the story world to life for readers who may not have previous knowledge of our chosen setting.

This can be a particular challenge for authors of young adult fiction, because it’s tempting to skip over details for the sake of word count, but without a firm setting readers can’t get oriented.

Put It On the Page

Make sure there is enough description and detail of the surroundings, the clothing, and the items in your setting to evoke a sense of time and place. Just not so much that the reader will become bogged down and lose interest. At the same time, give enough of the necessary descriptions, pertinent details, and explanations to ground the reader firmly in the story world.

I told you it wasn’t as simple as it sounds!

Why Time Markers Aren’t Enough

Often in novels, a date is indicated at the beginning of a chapter. This is a good starting place to help orient your reader, but the author needs to go a little bit further. Readers expect an immersive experience that walks them through the story, and unless a date has events attached to it, it can be quickly forgotten.

Unfamiliar Settings

Sometimes a story comes into being in a setting completely new to the author. If the region, country, or environment is one the writer isn’t familiar with, it’s best to do the required research, and then have fact checkers go over your manuscript for inaccuracies, both large and small.

Many readers won’t like stories that play fast and loose with inaccuracies vital to the plot of a story, but even little things can be an issue, such as having a species of trees growing in an area that they would never grow, using figures of speech incorrectly, not understanding the customs of the culture, and so on.

Dialogue as Part of Setting

Use dialogue and sayings consistent with the time or the region where your story is set, but without going overboard! Nothing screams “I don’t know what I’m talking about” as much as misused dialogue and obvious mistakes with commonly known details of the region.

Vocabulary

Language is constantly changing. Along with dialogue and how your characters speak, the author’s word choices help establish setting. Words like “ridicule” and “rotund” evoke certain eras, and probably wouldn’t find their way into contemporary, but would be perfect for a story set in the 1800s. The opposite is true. Contemporary vocabulary shouldn’t show up in historical fiction.

As always, there are exceptions. For instance, unusual word choices can work for a quirky character.

Update Your Info

An author may have the utmost confidence they understand their setting. Perhaps their novel is set in another country, and they have lived in that country. Personal experience lends authenticity to the narrative, but make sure you’re working with updated information. In certain settings and fields, things change quickly.

Start With Research

Misplaced details stick out like a sore thumb. The easiest way to ferret out these types of mistakes before they end up in a published book is to get a few readers who can fact check for you. That’s not to say that fact checkers are a substitution for research. Fact checkers are your last line of defense, and like proofreading, they may not catch everything, especially if the gaffes are excessive.

So how much setting detail does a story need?

Whatever it takes to keep the reader grounded, interested, and reading!

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

When and How to Use Flashbacks and Backstory Effectively

I recently asked an avid reader what one of their fiction pet peeves were. The answer? Too many flashbacks and too much backstory. 

Certain genres seem to overuse flashbacks and backstory, but it can happen in any story. It’s a common pitfall for inexperienced writers, but seasoned authors can also fall into the flashback/backstory sticky trap. Readers want background information, but they also want the story to keep moving.

Flashbacks, introspection, dialogue, all of these are ways to give information to the reader. When do you use each of these techniques? It’s up to you. But every manuscript needs balance. If the story is unnecessarily interrupted, there may be too many flashbacks or sections of back story. 

On the other hand, if the story has a great deal of action sequences, they might help to break up scenes. Balance is the key. 

If the story is interrupted too often, the reader may lose interest or give up in confusion, and using any one method to give background too often can lead to reader frustration. Even if the bits of backstory feel balanced, if they happen too often the reader may come away feeling cheated, aggravated that the author over-explained things and fed them information rather than letting them experience the story.

What if there’s more backstory than current story? If you find more on the page about a side character or an event in the past, it could be that the backstory is actually a main story eager to be told. It’s up to you as an author whether or not you want to pursue another direction. 

What About Story Set Up?

When setting up a story, there’s a fine balance between too much backstory and not enough. I find story beginnings particularly tricky. I’m not alone. I heard an editor for a large house once say they always edit the first three chapter last. If you’re working on a draft, it may be best to go ahead and get the basic story down without worrying too much about how much backstory to put at the start until the manuscript is drafted.

Is It Backstory?

Sometimes it’s not backstory, it’s story that was left out the first time around. Instead of having a character stop and reminisce about something that happened a few days previously, why not go ahead and show what happened at the time of the event? When drafting, it’s perfectly fine to summarize or backtrack. (Trust me, in first drafts, I do this all the time!) But when editing the story, showing the events as they happen is often better.

As I write, my subconscious seems to circle back around to things that would work better if they were given chronologically. I’ve noticed other writers do this kind of backtracking as well. A little in the final draft might be okay, but if it happens too often, those parts need to be edited until everything moves along smoothly.

It can be nerve wracking to discover there needs be more showing and less telling. Worry about adding to an already heavy word count can stop an author dead in her tracks, but sometimes showing takes the same amount of words or even less. Even if word count climbs, there are often other places to trim. Keeping the reader engaged is vital.

Editing Flashbacks and Backstory

Once you’ve drafted and edited, take a look at the first chapters.

Is there more back story than current story? Are details unnecessary to understanding the main character’s story taking up pages? The may be too much backstory.

Details about side characters may be interesting, but do those details add to the main character’s story? Is everything on the page relevant to the main story? What does the reader need to know to understand my protagonist and their story?

After reading the first few pages or chapters, is my reader oriented in the story world, can they relate to my character in some way, and do they have at least a hint about the main character’s journey? If not, there might not be enough backstory.

Be careful with the timing of your flashbacks. Readers need to be grounded and invested in the present story before a flashback occurs. 

How does each scene fit in the overall narrative? Flashbacks interrupt the current story, and if the flashback or sections of backstory go on too long, the reader may lose the thread, and interest. 

When Flashbacks Work

Sometimes info needs to be held back and only given when the reader needs it. Flashbacks can build tension or provide intrigue with unanswered questions. Flashbacks of these sort are more often used in stories that have an element of mystery, although they can be used in any genre if it serves the story. 

Use flashbacks and backstory wisely. Make scenes as vivid as possible and fold information into the story organically to keep the flow and, hopefully, keep the reader turning pages!

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com

Categories
Writing for YA

How to Keep Readers Engaged: Interview with Ya Author M.J. Padgett

M. J. Padgett is a YA author and co-owner of Pirate Cat Publishing and I asked her advice about how to keep readers turning pages.

DJS: So much of our time as writers is spent trying to hook a reader, but that’s only part of the task. What do you feel are the most important elements a story needs to keep YA readers engaged?

M.J.: Keeping young adults engaged is a difficult task for anyone, especially a writer. Times change quickly, but the core elements of life pretty much stay the same.

Everyone wants a sense of community, of fitting in, finding people with whom they can create strong, lasting bonds (and maybe some romance.) While slang words and phrases, societal concerns, and social climate might change, those are human needs that rarely disappear.

When writing, I try to remember those things and touch on important topics like family—both good and bad aspects, especially including examples of healthy familial relationships—friendships, and young love. Engaging their thoughts and emotions by putting characters in similar situations they might be experiencing is key, especially in true-to-life books.

In fantasy, a sense of escapism that might help readers see their problems in another light, hopefully one that is positive and aids in growth.

What keeps readers engaged is honest discussion about topics we all face. It’s important to bring a Christian perspective to common concerns, showing teenagers that their feelings are not only understandable but also something we have all faced at some point, then offering them realistic and healthy ways to manage those feelings and situations.

DJS: What are some common pitfalls you’ve seen that can cause a reader of teen fiction to lose interest?

M.J.: Recently, many of my YA readers have voiced the same concerns–YA content has become too adult for their liking. Extensive scenes where teens are sexualized and often exploited, characters that are abusive in one way or another are portrayed as desirable, and too political content turns them off. They want to feel, but they want to do it in a healthy way.

DJS: Some stories for teens and YA readers seem to be long-lived favorites. What are your favorites among older literature, and what do you think makes them so timeless? 

M.J.: The Anne of Green Gables series, Little House on the Prairie, Little Women, and so on are all classics I see resurface among YA readers from time to time. I think, even though they might contain some worrisome topics here and there, they represent a time when literature was more wholesome and realistic. They told tales people related to and in a way that people can still relate to today. I think they survived because their authors knew how to write good stories that would stand the test of time and change.

Writing is M. J. Padgett’s true passion (after raising her daughter, of course), and she writes as often as possible. When it comes to reading, she loves a book that can make her forget where she is no matter the genre. If she can get lost and feel like the characters are her real friends, she’s a happy reader.

M.J.’s latest release is the YA Fantasy, Dark and Devious.

Something dark and devious lurks in the moors around Roisin Dubh’s home, and it’s her duty to stamp it out before it gets its claws into the humans she’s vowed to protect.… even though those humans would kill her on sight if they knew she was Fae.

Roisin is bound by a vow to protect the humans of Gwenlyre from dark Fae at all costs, but now something sinister has entered Gwenlyre, and it will strain Roisin’s vows – and her heart – to their limits.

M. J.’s Website: https://www.mjpadgettbooks.com/

Instagram: @M.J. Padgett

Pirate Cat Publishing is a platform offering clean YA in consumable form along with loads of bonuses.  https://www.piratecatpublishing.com/join

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Five Must Have Editing Resources for Writers

Congratulations! You finished your book or fiction piece. You’ve made sure to develop your characters and nailed your GMC. Now comes editing.

There are different levels of editing. During the first round of edits, it’s best to focus on the major things first and then gradually continue editing until you reach the proofreading stage.

A book goes through editing many times before it is ready to be published or submitted.


Luckily, there are resources out there to help authors along the writing journey. You could hire a full service editor from the get go, or tackle some or all of the editing tasks on your own.

Join a Critique Group

One of the best ways to develop writing skills is to join a critique group. Consistently working with other writers helps to develop their craft. I recommend groups that meet weekly over monthly groups, simply because you get to know each other better and are able to spur each other on. These should not be random writers, but people with goals similar to yours. Ideally, they should be at or above your skill level.

I prefer to find critique partners through the better known, large writing groups or by referral from other authors. Many writing organizations offer small critique groups.

Not every group will be a perfect fit. If that happens, don’t give up. It can take time to find the right match. If all else fails, you can form your own.

Enlist Beta Readers

Another option is to find a few beta readers, which I have written about before. That article is here.

Editing Books

One of my regular critique partners recommended a book titled Intuitive Editing: A Creative and Practical Guide to Revising Your Writing by Tiffany Yates Martin. I’ve studied many books on craft and a few on editing, but this book changed the way I approached writing. It is chock-full of solid advice, all neatly organized and presented in an easy to understand manner. I didn’t just read this book, I took notes in a separate notebook, color coding as I went along. On my first read, I discovered plenty of helpful tips for my specific projects. Good stuff!

Editing Software

The second resource I always recommend is ProWritingAid. This program can be used online or installed on your computer. Anyone can try it out for free. It analyzes writing and makes suggestions for corrections.

ProWritingAid is for the final stages of editing. There’s no need to wait until you’re completely finished with your work, though. This program will help you learn how to craft effective sentences and possibly reduce the amount of editing needed in the first place. It’s a powerful tool that goes way beyond grammar or spellcheck. There are similar programs available, but PWA is the one I am most familiar with.

AuthorTube has numerous videos and writers offering advice.

The young adult author and popular YouTuber Alexa Donne has two excellent videos for novelists about how to correct overwriting and underwriting. Many unpolished novels have a little of both, even when the total word count of the manuscript doesn’t seem problematic at first glance. The videos are well worth the time it takes to watch them.

Using these suggestions may smooth out a manuscript, but it’s still recommended to hire an editor if you plan to self-publish. But that’s a post for another day.

Do you have any resources you’d like to share? Know of a great editing book, software, or program? Drop a comment below.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Feeling Blocked? Five Tips to Help

I’ve never liked the term writer’s block and prefer to call it writer’s exhaustion, but it means the same thing. Hours or days of staring at a blank screen unable to type a word.

Recently, I’ve found myself at the crossroads between emotional exhaustion and distraction.

It’s common for creativity to dry up when a person is overwhelmed. Distraction also plays into the inability to buckle down and produce. Writing requires a lot of thinking and emotional input. 

At times I have plenty to say, but emotion stands firmly between my heart and my pen. Then I feel guilty and frustrated, which only adds to the stress.

In this situation, the first thing to do is to recognize the various demands and stressors affecting attitudes, feelings, and productivity.

Here are five tips that help when you’re feeling blocked

Focus on a different task for a short time.

Finding a new creative outlet can re energize, give a tired brain something else to concentrate on. We require times of refreshment, even when situations demand urgent action. It’s okay to take a moment or two, or three for mental health. 

Adapt. 

I received an email from a dear friend yesterday. An in-person writing group has been one of her anchors for years. A support system suddenly becoming unavailable is painful. Virtual meeting aren’t the same, but at least alternative methods exist. 

Many of my friends are taking advantage of writing conferences they wouldn’t ordinarily be able to attend. New seminars and opportunities are offered daily as organizations attempt to fill writers’ current needs.

While writing fiction is hard for me at the moment, taking notes isn’t a problem. For me, this dry spell is an opportunity to concentrate on learning craft. For others, the opposite may be true and periods of writer’s block are the perfect time to journal or explore a different type of writing.

There will be times when the well seems empty. Try to find things to focus on that are attainable. 

Celebrate accomplishments. 

I have a tendency to expect a great deal from myself, and it helps to stop and change my view point,  think about successes in light of my circumstances. I constantly need to remind myself I have a limited energy budget. We aren’t designed to do it all. There is no guilt in that admission. Recognize the goal posts along the way, instead of focusing on the never-ending to do list gives a realistic picture of progress and spurs me forward.

Find joy in the art of writing.

I am one for structure and schedules, which can sap the joy right out of what I love and turn it into a grind. I used to have a mindset that if it’s too much fun, maybe I’m not working hard enough. That’s not true. It’s still work even if I love my calling. It’s right and good to take joy in the gifts and abilities God has given.

Rest.

For me, the biggest obstacle is giving myself permission to allow time for self-care. Self-care is not selfish. It’s necessary for healthy functioning. It’s okay to take a break from whatever is stressful. 

It’s okay to be kind to yourself.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Writing Diverse Mental Health Themes in YA Fiction

If you’ve queried in the past five years, you’re familiar with the plea for diverse books. Publishers and readers alike are searching for stories that reflect the world in all its colours, orientations, beliefs, and abilities. We are searching for connections. We want to be seen.

But not all diversity will be as obvious to spot on the cover of a book.

Diversity goes deep—down to the core of who we are and how the neurons in our brains allow us to think. But, as a society, we are less likely to recognize or celebrate this deeper neurodiversity.

Each of us process and react to the world differently.  Our life experiences also play a role, leaving unique internal scars and mended pathways. For a growing majority of teens today, this internal milieu feels like a battlefield and it comes out as mental illness.

Right now, more than ever, these differences in neurological wiring and life experiences will affect how teens react to fear, anxiety, grief, and confusion. And if they can’t find themselves in the stories that they’re reading, we risk letting them feel alone in their experiences. Which we all know is false.

As YA Authors, mental health themes need be high in our considerations for diversity. But how can we do this authentically?

  1. Write #OwnVoice – Mental health stories written from lived experiences offers a genuine and raw lens. If you’ve lived it and feel comfortable communicating the everyday struggles, along with the big plot turns of life, do it.
  • Write Deep – Don’t include mental health as an afterthought. A person is more than one aspect of their diversity. Our characters need to be seen this way as well. Ask deep questions of your characters. Know their wounds and back stories. Empathize with them before starting to write.
  • Write Educated – If you haven’t experienced the themes present in your story, spend time researching what they are and how they present. Look to respected resources (i.e. The DSM-V) rather than arbitrary blog posts.
  • Write Relationally – Even with the best research, there is something powerful about speaking with a person who has experienced mental illness first-hand. If you will listen and come with empathy and encouragement, odds are you will find someone who will share. Please be considerate though. Never approach someone who is in crisis and stick with friends and family.

With my novel, FADE TO WHITE, I wrote from both personal experience, research, and over 10 years of relational conversations with teens. Some of those conversations were painful to hear, but there was also mutual healing and hope gained through sharing our stories.

mental health

Mental illness is a hidden disease, despite its ever growing prevalence. By considerately sharing diverse mental health experiences, we are giving young people a chance to be seen. A chance to be recognized as broken but not lost. A chance to be represented within the diverse and unsettling world we now live in.

Tara K. Ross lives with her husband, two daughters, and rescued fur-baby in a field of cookie-cutter homes near Toronto, Canada. She works as a school speech-language pathologist and mentors with local youth programs. When Tara is not writing or reading all things YA, you can find her rock climbing the Ontario escarpment, planning her family’s next jungle trek, or podcasting at www.tarakross.com.

Categories
Writing for YA

Why Your Beta Stopped Reading Your Manuscript

Finding a reliable and dependable beta reader can be a challenge. They often bail on you. Why? This topic comes up regularly on beta read groups.

First, let me point out the reasons why a beta reader may never start reading a manuscript.

  • The author ignores formatting requests. I ask writers to put their manuscript in standard submission format. Not everyone wants this, but if your reader asks for a certain format, then try to be respectful and accommodate. Try to avoid tiny print, colored font, weird formatting, or other issues that may be an obstacle to easy reading.
  • Ten chapters landing in their mailbox when they asked for one. 
  • A manuscript with the chapter numbers removed and several chapters squished together when they asked for one chapter.
  • The author makes unreasonable demands, such as fast turnaround, free line editing, and/or free proofreading.

Why a beta reader may stop reading a manuscript after one, two, three, or four chapters. Or pages.

  • Materials are vastly different from the description. If a book is listed as PG-13, graphic sex scenes or violence shouldn’t be in the book. If it’s pitched as a cozy, blood and gore on page one can be a shock. The novel also needs to fit within the expected market guidelines for content. A YA novel, even if self-published, still needs to follow certain standards.
  • Often, I will stop reading after a few chapters. This is because at this point of a beta read, the big picture problems are apparent. If the author consistently has the same issues in the first four chapters, I begin to repeat myself and my advice becomes repetitive. There’s no reason to continue until the writer has reworked the rest of the manuscript. To carry on is frustrating for both reader and author.
  • If a submission is too rough and has editing mistakes in every line, a reader may stop after a page.
  • Nonproductive dialogue with the author can ruin the reader-author relationship. Some writers desire affirmation rather than feedback. Encouragement is helpful to a certain degree, but beta readers primarily provide feedback to assist a writer find the flaws so they can improve. That does not mean writer must take all, or any, of their reader’s suggestions. But the author should expect suggestions rather than only praise. The beta should point out what works and what doesn’t.

Other reasons your beta stopped reading.

  • They got sick.
  • There was a family emergency. 
  • An unexpected work situation came up.

In other words, life happened.

It’s not always about the manuscript.  A reader can have many reasons for not finishing your book.

Beta reading is hard work and time consuming. Volunteer beta readers don’t owe anyone an explanation if they find they can’t or don’t want to finish reading a manuscript. 

Remember, your beta readers are doing you a service and should be treated with respect.

Always be kind if it doesn’t work out, and move on.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Becoming an Author

Wishing for Publication Part 1: Rush or Wait?

When I receive a new submission at Illuminate YA fiction (teen imprint of LPC Books), I can usually determine fairly quickly if the writer has sent an undercooked manuscript.

It’s disappointing, too, because many of these undercooked submissions offer potential. The premise is intriguing. The main character is likeable. But unfortunately, the content just doesn’t match with what was promised in the cover letter.

To illustrate this—let’s pretend you’ve bought a box of brownies to bake. The picture of the fudgy brownies displayed on the box makes your mouth water so much that you just can’t possibly wait 30 minutes for them to bake. You need them now. So after putting them in the oven, you trim that time and set the timer for 5 minutes instead. Shouldn’t make much of a difference, should it?

But unless you want to eat undercooked brownies (which doesn’t actually sound so bad to me!), that twenty-five minutes will strike the difference between batter-brownies and cakey brownies.

So even though these Illuminate submissions may seem close to being of professional quality, we typically ask these authors to revise, according to our feedback, and resubmit no sooner than three months. Why? We know that, if we were to give them a small follow-up time window, we would risk receiving yet another undercooked submission.

The truth is—quality takes time.

Yes, I know this may be a hard truth to swallow when it comes to your publication dreams. The idea of holding your book may seem so alluring that you’re tempted to do whatever it takes just to make that dream come true ASAP. And with the ease of self-publishing these days, that temptation may actually be unbearable.

So why should an aspiring author stick around for the long haul when short cuts are easily accessible? Is it worth the frustrations that may come with waiting?

I believe so. Here’s why:

By rushing, you get a book out there and may even garner some pretty good reviews. But … you’ll sacrifice the potential to garner five-star reviews instead.

By waiting, it may take a while to perfect the manuscript. But … the emails you’ll receive (once it is published) from readers who rave about your book and its strong writing will be priceless.

By rushing, you throw your book together and can claim you have officially written a story from beginning to end. But … the story never had a chance to gain the kind of depth that could bring it to life.

By waiting, it may be years before your dream comes to pass. But … this process grooms writers into authors. The kind who are able to withstand long-term author careers.

By rushing, you can finally see your name on a printed book! But … your brand and reputation as an author is now attached to an undercooked piece of work. 

By waiting, you may receive endless rejections and grow weary of the inaction. But … you are developing patience and humility, both of which are necessary character traits for an author to possess.

By rushing, you will be able to tell people that you are officially an author. But … you lack the sense of accomplishment you would have had if you didn’t take the short cuts.

By waiting, you may grow frustrated as you realize there is much about the writing craft and publishing industry that is unfamiliar to you. But … during this process, you are sharpening your craft and learning how the industry works. 

By rushing, you can have multiple books out on Amazon for the world to enjoy. But … the joy of meeting each new author milestone may be cheapened and underappreciated.

By waiting, it may take years for you to prepare the fields and set the foundation of your author career. But … the fruit that will result is the lasting kind that will not spoil over time.

So, rush or wait … which will you decide?

I would love to hear what you think! Let me know in the comments what you believe are the pros and cons of waiting vs. rushing.

In the next post, I will share with you how you can make the most of these waiting seasons.

Now, if you’ll excuse me … I have some brownies to take out of the oven!

Tessa Emily Hall is an award-winning author who writes inspirational yet authentic books for teens to remind them they’re not alone. She writes both fiction and devotionals for teens, including her upcoming release, LOVE YOUR SELFIE (October 2020, Ellie Claire). Her latest devotional, COFFEE SHOP DEVOS, encourages teens to pursue a personal relationship with Christ. Tessa’s passion for shedding light on clean entertainment and media for teens led her to a career as a Literary Agent at Cyle Young Literary Elite, YA Acquisitions Editor for Illuminate YA (LPC Imprint), and Founder/Editor of PursueMagazine.net. She’s guilty of making way too many lattes and never finishing her to-read list. When her fingers aren’t flying 128 WPM across the keyboard, she can be found speaking to teens, decorating art journals, and acting in Christian films. Her favorite way to procrastinate is through connecting with readers on her blog, mailing list, social media (@tessaemilyhall), and website: tessaemilyhall.com.

Categories
Writing for YA

Tips for Podcasting with Author Tara K. Ross

I love a good podcast and listen to several. Recently, I found The Hope Prose Podcast by young adult author Tara K. Ross. I enjoyed it, so decided to ask Tara a few questions about podcasting.

Why did you choose to start a podcast?

I am a self-confessed podcast junky. I listen to podcasts during my commute, when I exercise and even when I’m scrubbing toilets. I can enjoy them when my eyes need to be elsewhere and I always have time to sneak one in. For all these reasons, I knew their value.

I also love audiobooks and narration. In our podcast, we have the opportunity to narrate some of our favorite books in short samples. Audiobook narrating is on my shortlist of dream side-gigs, so our podcast format is an ideal way for me to get my feet wet.

Finally, I saw a need. I scoured the podcast space for YA book podcasts and found surprisingly few. When we added in the faith component, there were zero specific to YA. I also wanted to find a way to support Christian YA authors and reach their readers while veering away from screens and social rankings.        

What are some things people should think about before attempting to start their own podcast?

  • How much money do you have for your podcasting venture? At the minimum you will need the following:        

o A website with domain name – including monthly hosting fees

o Headphones and a mic external to your computer

o Recording or editing software – Zencastr and Audacity as good starting points

Audio file hosting – we use Sound Cloud, but there are many out there

  • Is there a need for your podcast? Is someone already covering a similar topic? How can you make your show unique? Can you find a niche that is not being filled?  
  • What format will you use for your podcast? Will you run a solo show or have a co-host or panel? Will you interview guests? How long will you make each episode?
  • How often will your podcast air? Daily, weekly, monthly? Is that schedule sustainable? Do you have ideas for your first five episodes? Record the first three before you go live.

I love the name of your podcast, The Hope Prose Podcast. How did you come up with it?

It actually started from my blog and my desire to write transformational YA fiction. Hope Prose birthed out the idea that well-written prose challenges us to reflect on who we are right now, and how we are striving to change. I wanted to guide readers to those stories that transport us to magical places, leave us breathless with anticipation, reflect our deepest struggles, but in the end, offer hope that is unquestionably woven into every word.

A thousand things can go wrong with any new venture. What have you found to be the most difficult part of producing a podcast? Did any issues come up that surprised you?

Rebekah, my co-host, and I live on opposite sides of the continent. Finding times that not only work for our unique time zones but also for our guests’ schedules has been an interesting challenge.

The other difficulty would come down to technology. There have been a few cases where we’ve lost guests to a WiFi glitch or had the sound quality disintegrate mid-sentence. I’ve become good friends with YouTube when it comes to editing together split sound recordings and unplanned background interruptions.    

Do you have any advice or tips for people who will be making a guest appearance on a podcast?

  • Review previous episodes of the podcast. Get a sense of the format, the style and the length of the episodes.
  • If the podcast host provided you with questions, plan your talking points. Jot down any websites or books you will reference.
  • Ensure access to a reliable internet connection. Whether streaming through Skype, Zoom, or Zencastr you will want a signal that is strong and consistent.
  • Invest in some decent earphones and a mic external to your computer
  • Find a quiet space free from environmental noises (think airplanes, traffic, family members, pets, and squeaky chairs). Avoid clothes or jewelry that may crinkle or clank.
  • Hydrate. Warm-up your voice. Long pauses are easier to edit than ‘umms’ but don’t stress if you repeat yourself or need to retract a response.  
  • Make sure to spread the word about the podcast when your episode goes live and consider leaving a review.  

Tara is a perpetual Toronto suburbanite despite her best efforts to escape. When Tara is not writing or reading all things YA, you can find her rock climbing the Ontario escarpment, mentoring youth leaders or podcasting at The Hope Prose Podcast. Her debut YA novel, FADE TO WHITE will be published through IlluminateYA in May 2020. You can find out more about Tara and her podcast at www.hopeprose.com

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

Interview with Author Judy Christie: Writing Across Genres

Sometimes writers have a hard time sticking to one genre. I’d thought I see what Judy Christie had to say about the topic.

DJS: You’ve written in a variety of genres, the YA series Wreath, the small-town series  Gone to Green, the Trumpet & Vine series, as well as nonfiction. Your new book, Before and After: The Incredible Real-Life Stories of Orphans Who Survived the Tennessee Children’s Home Society, was released last week on Oct 22. You co-authored this book with Lisa Wingate to tell the personal stories related to her bestseller, Before We Were Yours. You also are a journalist! What has been the greatest challenge about writing for different markets?

JC: Different genres mean recalibrating for different readers—and I have to make sure every genre aligns with who I am as a person and fits my writing brand. I try to keep readers in mind at all times, whether I’m writing a magazine profile or a novel. Hint: It’s easier to stick to one genre.

DJS: I know we aren’t supposed to play favorites with our book babies, but which project seemed more enjoyable or easier than others? What do you think made it so?

JC: Without a doubt, the new book, Before and After, is the most meaningful project I’ve undertaken; it was both hard to write and enjoyable. What a unique publishing experience—for a novel to inspire a true sequel. Being entrusted with these stories from such kind and loving people made the writing process extra intense. When I sat down to write, I felt like I was in the state of flow writers hear so much about. Plus, I had the pleasure of co-authoring it with the phenomenal Lisa Wingate, which was like playing with a friend while taking a master course in writing.

DJS: I’ve heard that a novelist should stay in one genre, but many of us are drawn to different stories and can’t help drifting into new territory. What has been the most difficult or challenging thing about writing for multiple genres and how do you think a writer can temper those disadvantages?

JC: I would definitely say: Don’t do as I do, do as I say. *smile* If possible, choose one genre and stick with it. Own it. Become the best at that genre so readers look forward to your next release and know what to expect from your work. An agent once told me that when an author changes genres, the reader feels like she went to her favorite Chinese restaurant and was served an Italian meal. I did not start out to write in different genres, but as I was building a writing career, I took opportunities that arose or wrote projects I was deeply interested in. The hardest thing is building a broad readership when you have a YA audience one time, a self-help audience another, Southern fiction the next. The way to temper that is to be true to who you are in everything you write so that your subjects and themes weave together in some way. 

DJS: What’s the best thing about writing in multiple genres and how can a writer make use of those advantages? 

JC: Exploring topics and themes from different perspectives and learning all along the way. Playing with words in totally different ways…. My first book, Hurry Less Worry Less, was about slowing down and enjoying life more, a topic that was so important to me that I had to write about it. But I wanted to write a novel about a big-city journalist who took over a tiny Southern paper. I had so much fun with the Green series. I’ve written a book column for a newspaper for about six years, and that has kept me plugged into publishing in a different way and also keeps deadline skills in good form. Nonfiction worker lets you meet so many good people doing good things. I choose projects that matter to me.

DJS: I’ve often noted a thread of encouragement in your writing. What encourages you to keep writing? 

JC: That is such a kind thing for you to say because that is my goal in whatever I write. I love telling stories, and that led me into journalism and has stayed with me all these years. Putting words together is a pleasure to me—whether in my journals, which I’ve kept since I was 11, or in a novel that I’m brainstorming. And it is my hope to encourage, entertain and maybe even enlighten.

Thank you, Judy!

Readers, if you’d like to read an interview I had with Judy about Before and After, visit my blog here.

Author Judy Christie has had 18 books published, including three Southern small-town novel series and is an award-winning newspaper reporter and editor. Sign up for her e-newsletter and a free guide to telling family stories at www.judychristie.com. Follow her on Facebook @judychristieauthor.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

YA Slang in Writing

Every once in a while, on one of my writers’ lists or on facebook, someone will want to know what slang they should use in their young adult novel. My answer? None. Don’t do it. I think the exception is when you are trying to date your story. If you feel compelled to use slang for your story, consider keeping it to a minimum.

If you are writing a contemporary, by the time it gets on the shelves you can be sure new jargon will have replaced what was in vogue when you wrote it, assuming you could keep up with the ever-changing meaning of teen language while writing the book. Current lingo will likely be outdated before the first draft is finished.

You could invent your own vocabulary for your fictional world, though. I’ve seen this done quite well in many books. Kids do this is real life constantly. Within groups, teens make up their own private language, nicknames, and figures of speech unique to their crowd.

As an “old” person, I’m not aware of how widespread certain sayings are. At this moment as I am writing, in the small young adult circle I am familiar with, dishing out juicy gossip is known as “giving the tea.” For all I know, by the time this post goes up it will be out of fashion. I may not even be using this saying correctly, which is another pitfall when appropriating slang for a novel. It’s like the outdated youth worker trying to be “hip” with the kids.

I’ve been told words like awesome, cool, bummer, and totally are completely out, even though I’ve heard, or overhead, teens using them, and read them in books.

Will writing devoid of colloquialisms sound authentic? In any fiction, voice is what makes it authentic.

While it’s true kids have a few words they like to repeat in conversation, having dialogue in your story reflecting actual repetitive speech, or speech with slang can annoy the reader. We don’t write exactly the way we use language in our everyday lives. Writing an authentic character develops relatability with the reader. Peppering prose with the latest sayings may not do that.

Being cool happens the same way it always has. You’re only cool when you’re not trying to be.

Write realistic, well-rounded characters, and save the slang for those opportunities to embarrass the special young people in your life.

That’s my totally cool and awesome advice for writing slang. Do you have a tip to share? Leave a comment!

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Writing for YA

What Is YA and Who Reads It?

At a recent writers’ group meeting, a member asked, “What, exactly, is young adult?”

I gave the short answer: “When the protagonist is a young person.”

That didn’t quite satisfy. After all, scads of books have a teen as a main character, and those aren’t always categorized as Young Adult. A conversation ensued about various popular books labeled as YA.

It’s not as straightforward as one would think.

I thought I’d ask some YA authors.

“Young Adult readers range from age 13 up. Many of my readers are adults who prefer the “clean” nature typically associated with YA. Stories may feature mature themes, but do so without resorting to graphic sex or violence.”

Felicia Bridges, author of the award winning International Mission Force series

While Young adult novels are written for people between 12 and 18 years of age, about half of YA readers are 18 and up. Within the genre the categories include most of those that are found in adult fiction, such as Mystery, Romance, Historical, Contemporary, Sci-Fi, and more.

The protagonist is young, usually 14 to 20 years of age. The themes are relevant to teens and their experience. I think what defines the genre is the age of the main character, although coming of age novels for the adult market may also have a young protagonist, so that isn’t the only criteria.

“YA novels give insight into the issues teens are facing and the steps they can take to battle them. Sometimes those issues aren’t one the reader has faced personally, but viewing the struggle through a character’s life tears down judgments. And the world really needs less judgment and more understanding.”

Sarah Tipton, author of Betrayal of the Band, 2018 Carol Award Winner

Teens have a different set of problems they are concerned with, and this comes across in young adult fiction. Friendship, self-discovery, identity, and first love are all things adults can relate to, but these are in the forefront of teens’ thoughts as they navigate the turbulent years preceding adulthood.

Young adults are often idealistic and full of hope, and that is reflected in much YA fiction. It is entertaining and has all the feels. Some brings attention to issues we should take a hard look at and can foster understanding.

Recently I followed a conversation in one of my Facebook readers groups and was surprised at how many people suffer from literary snobbery and will not so much as crack open a young adult book. I think they are missing out.

Do you have a favorite YA novel? Share it. I’m always adding to my TBR list.

Donna Jo Stone writes YA contemporary novels about tough issues but always ends the stories with a note of hope. She blogs at donnajostone.com.

Categories
Literary Women in Histor

Mildred Wirt Benson: Woman Writer Whodunit

I’ve decked the halls at the Ross Ranch with all manner of Christmas splendors, adorning trees and every random corner of the house for the holidays.

I have three Christmas trees, each dressed in a different theme: The Victorian, The Woodland, and The Vintage Childhood. I love them all but am especially partial to The Vintage Childhood because it reflects my personal memories of Christmas past in my 1960s youth. Vintage ornaments from the era drape the branches, while displayed underneath are some of the actual toys I received on long ago Christmas mornings. I enjoy them more today, decades later, than at the first.

One of the treasures I found each year under the tree during my elementary school days was a new Nancy Drew Mystery Story. My collection of titles still holds a place of honor on our library shelves. I knew I could count on Santa to have a Nancy Drew mystery waiting for me on Christmas morn. The cover and frontispiece prepared me for what to expect once I started reading. I was never disappointed.

Only inspired.

I credit Nancy Drew as my earliest writing mentor. Reading her mystery adventures became more than just the absorbing of a captivating story. It stirred the latent author within me. I wanted to be able to write a book just like Carolyn Keene.

But, if Nancy Drew’s life was full of mysteries, Carolyn Keene was a mystery in and of herself. I could learn nothing about her when I was young. Other authors might be featured in magazines with photographs and details of their personal lives. But not Carolyn Keene.

When I dug a little deeper on the subject through the years, I learned that Carolyn Keene was a pen name for an anonymous writer shrouded in mystery. In fact, she had been hidden from public view since the first Nancy Drew book was written in 1929. By the time I started reading them in the mid to late 1960s, dozens of her detective adventures had been published.

But not until a court case in 1980 regarding the publishers of the series, did Nancy Drew fans learn the secret behind the mystery of how these beloved children’s books came to be written by a journalist named Mildred Augustine Wirt Benson. After some 50 years, the woman behind the whodunits finally revealed herself to almost four generations of fans eager to meet her.

The Woman Whodunit

Born in 1905, Mildred earned an English degree in three years from the University of Iowa in 1925, and in 1927 earned a master’s degree in journalism. Seeking good pay for her writing, she answered an ad in the newspaper from the Stratemeyer Syndicate seeking freelance writers.

Edward Stratemeyer knew the book industry inside and out—especially the reading demographics of prospective book buyers. He zeroed in on engaging books for young people and created a host of characters and story worlds producing over 1300 titles in children’s fiction during the late 19th and early 20th centuries. Among them, Nancy Drew, the Hardy Boys, the Dana Girls, Bobbsey Twins, Tom Swift, and more, catapulted the Stratemeyer Syndicate to over 500 million in sales.

Alone, Stratemeyer could never have accomplished such a feat. But working within a syndicate model, he had the power to create a publishing behemoth. He sought out young, talented authors as ghostwriters and tooled them with the framework for each individual book series. Storylines, plot twists, characters, and settings were outlined and assigned to a freelance writer under a pen name. The writer’s contract required that they never reveal themselves as the author of the book for which they were paid a flat rate of $125 to $250 per book—about 3 months’ pay for a newspaper reporter of the time.

In 1929, Mildred was handed the outline for a new mystery series for girls featuring a spunky young gal named Nancy Drew. In her able hands, Nancy’s personality materialized, setting in stone the specifics of her adventurous sleuthing character and story world in 23 of the first 30 books in the series. Each became a best seller.

As a ghostwriter of the series, Mildred had no rights to her manuscripts or the famous Carolyn Keene pen name. When Stratemeyer died in 1930, his two daughters took control of the syndicate, continuing to work with Mildred on the Nancy Drew series through 1947. The books gave girls of the depression and WWII era a heroine unlike any other in their time.

Each generation since, the books have had an editorial uptick. For instance, the original 1930s-1950s Nancy Drew stories and illustrations capture that time period in fashion and setting. But the books I read in the 1960s—the same stories—possessed minor edits in the manuscript and illustrations that brought Nancy into that current time. Fast forward to the 1980s-1990s-2000s-plus—and Nancy morphed into a mirror image of the changing juvenile/youth landscape.

Unfortunately, the Nancy of 75+ years after her 1930 debut has not been well received and is analyzed to pieces by contemporary feminists and literary academia sweeping her into the maelstrom confusion of identity politics and sexualized imagery.

Tragic.

The original stories were successfully developed under the insightful pen of Mildred Wirt Benson and the editorial prowess of the Stratemeyer sisters, until their deaths in the early 1980s. The founding genius behind the girl detective gave generations of young girls a strong, confident, and resourceful role model to look up to.

In 2001, twenty years after her identity was revealed, Mildred Wirt Benson was awarded a Special Edgar Award from the Mystery Writers of America because of her work on Nancy Drew and contribution to the mystery genre in children’s fiction.

Though Mildred remained true to her contract anonymity behind the pen name of Carolyn Keene, she never lacked for writing under her own name. For 58 years she wrote as a weekly columnist for the Toledo Blade working until just before her death at age 96 in 2002.

In reflecting upon the popularity of Nancy Drew, Mildred once remarked, “I’m glad that I had that much influence on people.”

Her flat rate pay on those original Nancy Drew mysteries may not have been the financial windfall it had the potential to be had she written under her own name and in control of full royalties. However, taking a good paying job for the time in trade for anonymity over so many years found its lasting reward in the knowledge that she created a character and compelling stories that inspired generations of young girls.

Including me. Reading Nancy Drew cemented within my heart a passion for the written word and storytelling as a life calling.

It’s Christmas again. Fifty years after reading my first Nancy Drew mystery, I pay homage to the influence Carolyn Keene—Mildred Wirt Benson—had in my young life with a copy or two of her books tucked under my Vintage Childhood Christmas tree. Upon reflection, I am challenged to consider the humility it took to be the writer of world-famous stories and not be able to take credit for it for decades. In fact, had a court case not required it, Carolyn Keene might still be an author cloaked in mystery.

As a writer, I’ve often had to pen words for the enrichment of another with little to no financial reward and never getting the satisfaction of my own credited byline. There is a place of humility necessary to do so—a challenge to my writer’s ego to live there. But, in the end, the important thing is not who gets credit for the words written, but that the words written credit the life of another with wisdom, beauty, and inspiration.

I’d like my words to have that much influence on people.

Journal Prompt: For 50 years, Mildred kept her identity secret as the writer behind the million-dollar sales of Nancy Drew books. How did humility play a part in Mildred’s writing career? Have you ever written or done something significant but had to defer the credit to someone else? How did you learn humility with contentment in such a situation, and subsequently, grow in depth as a writer?

Writer-speaker, Kathryn Ross, ignites a love of literature and learning through Pageant Wagon Publishing. She writes and publishes homeschool enrichment and Christian living books for home, church, and school. In addition, she shepherds writers through the steps book development and production. Her passion to equip women and families in developing a Family Literacy Lifestyle, produces readers and thinkers who can engage the world from a biblical worldview. She blogs and podcasts at TheWritersReverie.com and PageantWagonPublishing.com. Connect with Miss Kathy on Facebook.

Categories
Child's Craft

Is the Story Middle Grade or YA?

A Quick Look at the Two

Middle Grade:

Age of readers: 8 to 12 or 13

Length of books: 30,000 to 50,000 words

Content restrictions: No profanity, graphic violence or sex

Age of the Main Character: usually 12 or 13

Focus of the Main Character: friends, family, school, the immediate world and relationships.

Voice: usually third person

Young Adult:

Age of readers: usually 14 to 18

Length of books: 50,000 to 75,000 words

Content restrictions: Profanity, graphic violence, romance and sexuality are allowed if pertinent to the story.

Age of the Main Character: usually 14 or 15 for younger YA books, 17 or 18 (but still in High School) for older YA books.

Focus of the themes: YA MCs discover how they fit into the big world outside their family, friends and school.

Voice: usually first person

Ask Yourself The following Questions:

(Do this BEFORE you get into writing the manuscript.)

How old is the Main Character of the story?

9 to 12 years old means the story is for Middle Grade students. 14 to 18 means the story is for a YA audience. Avoid a 13 year-old Main Character.

What kind of strong language does the book contain?

Middle Grade books stay away from cursing. Some publishers allow peripheral characters like parents or coaches to do mild cursing a little. Words like “darn” are permitted.

If the Main Character and or their friends use profanity or sexually explicit words the book is for Young Adults. But publishers insist that the profanity serves a purpose, that it is critical to the character or to the voice. They don’t want profanity just for the sake of making a book edgy.

How graphic and how frequent is violence in the  book?

Often General Market publishers follow the same guidelines for violence as the ratings for movies and TV programming. Some Christian Market publishers allow more violence than others.

CHECK AND FOLLOW THE PUBLISHER’S GUIDELINES EXACTLY.

If you choose to add profanity or violence to the story remember that much less is allowed in Middle Grade books than in Young Adult books. That means much less violent, much less gory, much less frequently. Often the violence is reserved for the end, the last battle or the darkest moment in a Middle Grade book.

How much, and what kind of romance is in the story?

A crush, some hand-holding, a lot of blushing and embarrassment and maybe a peck on the cheek means the book is for Middle Grade.

If the Main Character (and others) are “in love,” have sexual contact or talk about sex, experience making out, real kissing or more, the book is for Young Adults. Even if these topics are not committed but are strongly hinted at, discussed or imagined, the book is for Young Adults.

How does the main character experience and interpret life and the world?

If the story centers around home, family, school, friends the Main Character probably experiences the story and their personal changes internally. That is typical of a Middle Grade book. The characters change but stay within the confines of their smaller world. They are just beginning a journey into seeing life a different way. They experience the events of the story, but aren’t especially aware of what they are feeling and why. They are not really analyzing life.

If the Main Character’s world expands during the story so that they start questioning and thinking about their place in the bigger world beyond home, family, school and friends the story is for Young Adults. The Main Character is experiencing the world externally and beginning a journey to find their place in the bigger world and see life differently. They tend to be introspective and analytical about their experience and how it affects their life.

Jean Hall lives in Louisville, Kentucky. She is represented by Cyle Young of Hartline Literary. Her premier picture book series Four Seasons was recently signed by Little Lamb Books. Jean is a member of the SCBWI, Word Weavers International, and the Kentucky Christian Writers. Visit Jean at www.jeanmatthewhall.com, on Facebook at Jean Matthew Hall, and on Twitter as @Jean_Hall.